Author Archives: Ace Jordyn

The Lonely Writer …

Ace Jordyn Author's Perspective Life Philosophies Living Deliberately Motivation Self-Awareness The Writing Life Work-Life Balance 2 Comments

There is a misconception that writing is a solitary activity. Insofar as the first steps of the process are concerned, it is. The initial draft and the rewrites can only be done by the writer. But check out the thank you or acknowledgement pages of any published book. It lists writing groups, friends, family, editors, research contacts, mentors – in short, it’s a community of support and resources which helped the author create a publishable book.

Support systems are integral to our success. They inspire us. They challenge us to perfection. They nourish our thirst for knowledge on craft and genre. They help us understand the business of writing – how to get the first contract, who to approach and how. And it’s a blessing when that support system is found within your writing group.

Every good writing group has members who help each other, by giving advice on craft and genre. But, most importantly, we need to be with like-minded people – those who understand the writing life – the joys and successes or the struggles and crazy times. These are the people who celebrate with us when the first draft is complete. They share our angst as we rewrite and perfect our work. They commiserate with us through the rejections. They party with us when the manuscript is sold and finds a home in bookstores.

I love the writing groups I belong to. One is this group which founded The Fictorian Era. Although we span three countries, we set weekly goals, support each other through highs and lows, beta read for one another and discuss issues for emerging authors. A local group, Mystery Writers Ink, provides awesome speakers and resources on matters of crime and craft. And, the third group, Imaginative Fictions Writers, is a critiquing and professional development group many of whose members have spearheaded the When Words Collide, a multi genre popular fiction conference for readers and writers.

The support we receive, we must give back. That is the nature of the writing life. We are there for each other. So, look at the writing group you belong to. Does it feed you? Does it inspire you? Then, ask yourself, how can I give back to it? Writing groups function because of dedicated volunteers. But, those volunteers can only do so much without jeopardising their own writing. The old adage, many hands make light work, seems trite, but it’s true. If we all do a little, we all get a lot back.

Just remember, successful authors have a community of support around them ….

Check out:

http://www.whenwordscollide.org/

http://www.mysterywritersink.com/

http://www.writtenword.org/ifwa/

Revisions ““ Discovering Those Great Plot Gaps

Ace Jordyn Craft & Skills First Drafts Rewriting synopsis The Writing Process 1 Comment

There’s no greater feeling than getting that first draft done! Celebrate, pat yourself on the back and then take a break. Yup, you heard me. Set it aside and walk away for a few weeks or a few months. Tackle another story, another novel, another writing project. This will accomplish two things – it’ll be easier to switch from being creative to editing and practice makes perfect so your improved skill level will help you revise.

My first revision always looks at plot gaps. There are several methods and each can be employed for their own reasons but the quickest and best one I’ve found is to write the dreaded synopsis. I use it for the same reasons editors do:  to see if the plot makes sense, if it creates tension and if there is a story arc as well as main character arcs. Some would argue that the original outline can be used this way. I choose to write the synopsis because it’s a fresh approach to looking at the novel and I’ve got to write it at some point.

For the purpose of revision, my synopsis is about 2,500 words for every 80,000 words in draft. The reason for keeping it so short is because I want to focus only on key elements in the plot and character lines. Subplots and side stories/events are examined later with respect to how they support the key plot points. The synopsis is written in third person, present tense and in the style or voice the novel is written in (humorous, chatty, dramatic).

Before you write the synopsis, make a note of the basic story arc which starts with the inciting incident. The inciting incident is what motivates the character toward a goal such as conflict resolution, finding true love, solving a mystery, saving someone, to resist change, etc. Then there are the obstacles to reaching the goal, the climax wherein the goal may or may not be achieved and then the denouement.

Like every good book and book jacket blurb, a synopsis starts out with a good hook. This introduces the protagonist, her motivations, goals and the conflict which keeps her from her goal. A synopsis isn’t a simple listing of events but rather it show how the events affect people and what they do which in turn affects plot and outcomes. Now, weave in the story arc, the key points of your plot, with your character’s actions, reactions while showing how they are affected by the decisions they make or actions they take. Use this method through the crisis and denouement.

When I read over the synopsis, I ask the following questions with every plot event:

  • Given the protagonist’s motivations, are her reactions and actions believable? If she really wants to save her family from the villains, why is she enjoying a glass of wine on the beach?
  • Is there enough tension between the protagonist and the antagonist? Does it increase until the climax?
  • Does this feel like it’s naptime? Has something been resolved too quickly? Are more obstacles needed? Remember, if you’re bored so will the reader be.
  • Does it move the story forward in a way which is exciting and logical? Or does it feel contrived, flat and unimportant?
  • Was this the most reasonable reaction and action for the character? Why didn’t she react another way? These questions focus on the logic problems of a character’s actions. For example, why didn’t Jean simply kill Maggie by pushing her over the ship’s railing when no one was looking? Why did she choose to slowly poison her to death? As the writer, you may know why, but did you communicate it clearly?

A synopsis is a great tool, even in the middle of a novel to check how your plot and character arcs are evolving. Recently, I was completing the first draft of a novel and I just couldn’t finish writing the last three chapters. Something wasn’t quite right and I didn’t know what. After writing the synopsis I discovered a couple of logic holes in a character’s reaction which didn’t fit his goals plus there was a plot logic issue. With these now understood, the draft was completed to my satisfaction. And, I’ve got a great tool to refer to during the revision to make sure the scenes, plot and character arcs in the manuscript follow the synopsis. Better still, I have a draft synopsis which I can revise for my queries.