Author Archives: Colette Black

Monsters & Librarians

the blobIt’s Saturday morning. Cartoons are over. For whatever reason, Mom hasn’t found us for our weekly chores. Huddled under our old polyester blanket, the edge poised at our brow, my brother and I plus some occasional neighborhood friends, watch the large white letters flash on the screen of our old console TV. “ADVENTURE THEATER presents….” This was the place where my love for sci-fi horror grew. We watched the original “Planet of the Apes,” “The Blob”  (Click the picture on the right for the blob song.), “Godzilla”  vs EVERYTHING, and even “Abbot and Costello Go to Mars.” I lived for these kinds of shows, soaking it in like a sponge cake soaks up sauce.  I believe these movies are the influence responsible for the comment I’ve heard so many times regarding my horror short stories:

“The writing is similar to Stephen King. You must have read a lot of his books.”

“Um…No, I haven’t.”

The only Stephen King book I’ve read is “On Writing,” where he talks about his early childhood influences. The same shows I watched on my TV screen, he saw in the theaters. Freaky,yet cool, it shows the power these early-childhood entertainments have on us. Still, though these films were my influence, my introduction was a movie I doubt Stephen King, or probably any other writer, has ever seen.

Tarantula

In a small town in southern Utah, where my grandparents TV only received one station which only aired occasionally, that one station showed the 1955 “Tarantula” many times. And every time the tarantula chased a crowd of people across the desert, someone would point to the screen and say, “There’s grandpa! He’s one of the extras.”

That was my true introduction, and from that point on, throughout my childhood, I watched monster flicksl, even if I had to close my eyes and pull the blanket over my head. Is it any surprise that one of my favorite recent films is “Super 8?” J.J. Abrams took the classic monster tale and created a beautiful modernization set in the monster-movie glory days. And is it any surprise that my first short story sale was a horror about a woman who turns beetle and terrorizes an airplane full of people. It’s in my blood, and it shows up in my fiction, in some way or another, almost without fail.

Now, I mentioned librarians in the title, and though it’s completely off topic, I have to give a special thank you to my junior high librarian. Most of the districts in my state no longer pay for certified librarians, or even full-time librarians, which I think is sad. When a shy seventh-grader asked for more animal books, instead of giving me the same Black Stallion-type content I’d been reading my entire life, my school librarian opened a whole new world to me with “The Lion, the Witch, and the Wardrobe.” That was my introduction to fantasy and it sucked me in as  horror sci-fi  film had ten years earlier. And do I enjoy a combination of the two? Yes. An author who writes some amazing sci-fi horror meshed with old-time fantasy, is David Farland. His “Runelords” series and “The Golden Queen,” are absolutely brilliant, and though one was relegated as sci-fi, and the other as fantasy, I think an argument could be made for both fronts with both books.

So, to the amazing artists, monsters, and librarians who have influenced my life and my dreams, I can only say again, “Thank you.”

It’s Finished… or Is It?

We’ve all done it. We finish our manuscript, think we’ve done our self-editing, followed submission guidelines, we hit Send, and then…oops. We should have done__________.

checklist

I had a completely different post written out for today. One with lots of links to books, and workshops, and what to do and not to do, and it sounded patronizing–not the customer kind, but the looking down your nose kind. I mean, let’s be real. I think I’m a good writer, maybe even a great writer someday, but I’m no editor. Every time I go to send a query, send out my next novel, or write up a series synopses, I think I’m going to hyperventilate. Why? Because, I almost always forget something. I have an editing checklist, but it’s changed over the last couple of years, improved, and yet I’m realizing right now, I’ve never actually updated it. Most of the checklist is in my head and for me, that’s not the safest nor the most reliable location. So for my sake, and I hope this helps someone else, here’s a revised self-editing checklist. This is my list for end-of-the-line editing, not the content editing or even the full line-editing list. Maybe we can do those another time, but it’ll be a much longer post.

Basic Formatting:

  • One-inch margins
  • 12-pt Times New Roman font
  • Double-spaced
  • No spaces before or after paragraphs (check to be sure)
  • first-line indent
  • Header with last name/title/page #
  • Correct title page with contact information, Word count, and title done correctly
  • Chapter Heading one-third down the page with page breaks between chapters (but no blank pages)

My Particular problems:

  • No extra spaces between words/before paragraphs
  • Search and replace or delete over-used favorite words, like “just”
  • Check for improper usage of past and past-perfect tense.  (This became an issue when I read a lot of YA books with this problem, so now I especially check to make sure it doesn’t seep into my own writing–Thank you David Farland for pointing this out.)

Problems to watch for, learned from David Farland’s workshops:

  • forward and toward, not forwards and towards (That’s American English vs. British English)
  • Check usage of  “and, then, finally, felt, saw, look, that”  Get rid of them whenever possible
  • Use spell-check
  • Check “-ly” adverbs–There should be few, if any
  • Have I read the manuscript out loud, at least once?
  • Did I change the font and read the manuscript in order to catch less-noticeable errors?

And a few extra:

  • A basic spell-check
  • Re-read the publisher’s or agent’s specific requirements
  • Include appropriate letters (query, cover letter, synopsis)
  • correct postage for snail mail
  • proper formatting for electronic submissions
  • If I cut and pasted from another submission, change editor/agent name, word count, work’s title, name of magazine/agency, and all other details.

And NOW, it might be ready. This seems like a lot, but I think I’ve forgotten almost all the points on this list, or have almost forgotten them, at least once when sending to agents and publishers. I wish I’d put this together years ago, but then I don’t think I knew half the items on this list years ago. I hope this helps someone, and I’d love to add anything I’ve forgotten, so if you think of something please leave a comment.

Happy Writing!

 

Still Holding Hands: A Fictorians Retrospective

In March of 2010 a number of aspiring writers, including myself, attended a seminar that inspired us in ways we’d never expected. I met a number of amazing people at the Superstars Writing Seminar. People whom I will consider close friends for the rest of my life. When Clancy asked if I’d like to stay in touch and handed me a piece of paper, I added my name to the list. I never imagined how that would change my life.

Every week for a solid year the Superstars Goal Group, as we called ourselves, sent emails to one another listing our accomplishments for the previous week and our goals for the following week. Kylie spearheaded the group during that time, making sure the email never skipped a beat. It was a great motivator for me, and I think it served a similar function for the rest of us. As we went along, I also noticed that when anyone had a question, with our combined resources and experience, there were always at least two or three people who had useful answers. Though most of us were unknown at that point as writers, as a group we had something to offer.

In one of those goal emails, on March 7, 2011, I posted this as an afterthought: “Has anyone ever considered putting together a blog of some kind? If everyone contributed and we only did weekly posts then it wouldn’t take up much of our time. We could do spec fiction, book reviews, or aspiring writer helps-talking about workshops, retreats, conferences, local writing groups, how we manage our various obstacles for our time… etc.” As you can surmise, the response was positive.

We invited a friend of mine, and very talented writer, Heidi Berthiaume to join our group. She didn’t stay for long, but she orchestrated much of our web design and helped us with initial formatting. As we searched for a name, a few of the more interesting suggestions were:  FlingingWords, respiringwriters, FlyingAuthorSaucer, and GeekAndYeShallFind. (P.S. Demian ran the e-vote and did the initial setup for the blog, and Rich came up with the name we eventually chose-Fictorians). Heidi set up a calendar page to keep us all on track, and Matt has always jumped up with technical assistance when those of us who don’t understand computer code need a little help.

I believe our first post, March 30, 2011, was by Nancy, “The Benefit of Holding Hands,“ and that summarizes the reason for all the name-dropping I’ve been doing for the past few paragraphs. What I love most about our Fictorian community is that we really do hold hands. We’ve critiqued one another’s work on occasion, we’ve written blog posts together, and we’ve cried and congratulated together during the most difficult and most successful points in our careers. From the blog’s inception, we’ve worked together in a way that I believe is rarely seen. And not just two or three people. Take a look at the Fictorian list, guest post bloggers, and the entire community. Even those who have been pulled away by other commitments remain guest posters.

With Evan as the moderator, the active Fictorians have had an annual conference call to supplement our email conversations and make the big decisions. In everything we’ve done, we’ve decided it together. The votes aren’t always unanimous, but they are always amicable. I feel supremely privileged to be part of this group, and look forward to another year as we strive to achieve our main goal of helping other writers.

On Urban Fantasy

flying-carpetWhen people used to say Fantasy Fiction, the automatic response was, Tolkien, C.S. LewisDavid Eddings or someone along those lines. In the last few years this has changed. Though the greats of the past are still acknowledged, many people would say, Stephenie Meyer, Kim Harrison, or  J.K. Rowling. The shift toward  urban fantasy, as well as their blockbuster movie counterparts, is changing the sff (science-fiction/fantasy) arena.

First off, what is urban fantasy? The loose definition is any fantasy that takes place in an urban setting. Personally, I have trouble counting anything that isn’t somewhat contemporary, and earth-based. So my definition would be:  a fantasy story with a strong magical or supernatural element that takes place in a current, realistic, setting.

Is urban fantasy new? Not entirely. I remember reading, “The Monk” in a college literature class, and to my way of thinking, it was eighteenth century urban fantasy. Set in the time period, it’s about a monk’s struggle between his fanatic adherence to religion and his lust for a young girl. There is sorcery, demons, and if I remember correctly (it’s been a few years), Lucifer himself has a nice little tete a tete with our villain, making it the ultimate paranormal urban fantasy of its time. I gave it five stars on Goodreads. But, of course, those types of books were rare until the 20th century and it wasn’t until around the 1980’s that urban fantasy became a recognized subgenre. Even then, I doubt it was recognized by the majority of young people. When I declared fantasy my favorite genre in the mid-80’s I was still getting looks of shock and surprise by my classmates who didn’t know the difference between their concept of fantasy–erotica–and the literature definition–magic and other-wordly adventures.

Why the sudden craze? In my opinion, Harry Potter and Hollywood. Sure, there were plenty of sci-fi movies that had done well, even phenomenal: Star Wars, Star Trek, Back to the Future. But how many fantasy movies had caught the public eye before HP: The Sorceror’s Stone arrived on the scene? Wizard of Oz and Mary Poppins became classics, but they were the exceptions among a long line of flops. I don’t think even these movies, as great as they were, had people lined around the theaters, dressed up like characters from the movie, or purchasing merchandise as if planning to redecorate an entire house with it. Harry Potter came along and people made money, lots of it. And thus, in my opinion, started the bandwagon. And it’s a bandwagon I don’t mind. I love urban fantasy.  One of my first adventures with it was Terry Brooks, Word and the Void series. And I love the number of YA series that are coming out, as well as their cheesy, amazing, blockbuster hits. I can’t wait to see Cassandra Clare’s, Mortal Instruments, put to film. As long as urban fantasy books continue to captivate readers and the movies continue to bring in hordes of dedicated fans, then we’ll continue to see the rise in their publication and acquired movie rights.

What’s next? Of course, nobody knows for sure, but I know what I’d like to see: more steampunk-type books on the screen and variations of it in literature, as well as alternate histories/futures with impossible but amazing scientific elements. Also, I’d like to see Sci-fi re-emerge on the middle grade and young adult level. I’d like to see romance-heavy sci-fi books like, Across the Universe (the sci-fi one by Beth Revis), made into movies. I’d like to see middle-grade  and YA readers entranced with space again without feeling like they have to have pH.D’s in science  in order to enjoy the journey; something like Gini Koch’s Alien series, but for a YA audience. Brandon Sanderson’s middle-grade Alcatraz series would fit into what I have in mind.

I hope that as you continue to look for the next urban fantasy book to fall in love with, that you’ll also open your mind to some of the other amazing bends that are building on the sff front. Please share a comment and let us know what books you’ve liked best in urban fantasy and let us know your predictions for the future.