Author Archives: fictorians

A guest post by Lisa Mangum.

I love words. I love how they work and how they sound and how they look on the page. I’ve been reading since I was three, so perhaps it’s not much of a surprise that I chose a profession that is all about words.

I actually chose two professions: I am both a writer and an editor. I’ve been in the publishing business since 1997, when I was hired by Bookcraft as their Editorial Assistant. Bookcraft merged with Deseret Book in 1999, and I’ve been there ever since. After several years as an Assistant Editor, I recently switched responsibilities to work more in acquisitions and developmental editing. It’s the part of the job I love the most: finding that diamond in the rough and polishing it until it shines. Every time I see a manuscript turn into a book I think it is magic.

And nothing was more magical than seeing my own manuscript turn into a book. I wrote The Hourglass Door in 2007, and it was published by Shadow Mountain in 2009. I finished out the trilogy with The Golden Spiral and The Forgotten Locket. My most recent book is After Hello.

So, having been on both sides of the writing desk for so long, what is the best advice I’ve been given about writing?

Three things:

My first piece of advice comes from my friend Rick Walton who tells this to his students who aspire to be writers:

1. “Quit. But if you can’t—do the work.”

Writing is hard. It’s exhausting and exhilarating at the same time, but it is hard. So, before you get too far down that road of “being a writer,” you should think seriously about just quitting. Because if your heart isn’t in it, then there’s nothing wrong with not being a writer and being something else—with following your true passion.

But if there is something inside of you that won’t let you quit, that says, “No! I am a writer; I do have a story to tell,” then your only choice is to do the work.

Which leads me to Advice #2:

2. “Dream bigger.”

Recently, I was on a panel at SLC Comic-Con about Disneyland and one of the other panelist said that what she wished she’d known earlier in her career was that it was okay to dream bigger.

I love that! I think we as writers work hard to figure out what works for us and how to write a story and how to get published. And then we think, “Whew, I made it.” Well . . . maybe we need to dream bigger. If there is always a bigger dream out there beckoning to us, we’ll never stop reaching for it. And if we never stop reaching, we’ll simply get better and better until we reach that new dream.

So whatever it is you’re dreaming about—dream bigger.

3. “Don’t hurry. Don’t worry. Don’t stop.”

I saw this years ago written on a wall in the Innovations building at Disneyland, and I instantly resonated to it. Writing is a process; don’t hurry. Take time to learn your craft. Take time to enjoy the journey. Publishing is a process. Take time to learn the business. But don’t worry if you don’t get it right the first time. Don’t worry if you make mistakes, or if other people don’t understand your vision. Just—don’t stop.

I believe that there is a story inside each of us that only we can tell. Each of us has a valuable and unique voice. Don’t be afraid to use your voice. Don’t be afraid to tell your story.

So dream bigger. Do the work, and don’t hurry, don’t worry, and don’t quit.

Guest Writer Bio:

Lisa Mangum has worked in the publishing department of Deseret Book since 1997. She specializes in editing fiction for the Shadow Mountain imprint and has worked with several New York Times best-selling authors, including Ally Condie, James Dashner, and Jason F. Wright. While fiction is her first love, she also has experience working with nonfiction projects (memoir, educational, cookbooks, etc.) and some children’s picture books. She loves finding that “diamond in the rough” in the slush pile, and she is particularly skilled in the developmental editing part of the process. Lisa is also the author of four national best-selling YA novels (The Hourglass Door trilogy and After Hello). She graduated with honors from the University of Utah, and currently lives in Taylorsville, Utah, with her husband, Tracy.

Marketing on Amazon

October 30, 2013

fictorians

Guest Posts Marketing 2 Comments

A guest post by Jodi McIsaac.

The world of publishing is changing at whiplash speed, and the company setting the pace is Amazon. As the largest bookseller (with 29% of the market) in a world where more books are now bought online than in brick-and-mortor stores, Amazon is a force to be reckoned with. Fortunately for authors who want to sell books (and who doesn’t?), this is a good thing: Amazon is the #1 place where readers go to buy books, and you, the author, can use that to your advantage.

As traditional publishing houses offer less and less (and often zero) marketing support, it’s never before been more important – or easier – for authors to connect directly to their readers, and to take charge of their own marketing.

But where to start? There are two easy ways to market your books on Amazon. While these tips apply primarily to self-published authors, who have more control over how their books are presented to the world, traditionally-published authors can work with their publishers to use Amazon to their advantage, and find a new and enthusiastic audience for their work.

1. Enroll in KDP Select

If you are self-publishing and using Amazon’s Kindle Direct Publishing (KDP) platform (as you should), you have the option of signing up for the KDP Select program. In exchange for agreeing to sell your e-book exclusively on Amazon for 90 days, they will (a) include your book in the Kindle Lending Library, and (b) allow you to give it away for free for up to 5 days during that 90-day period.

Now, the first part is a no-brainer—Amazon Prime users are allowed to download one book a month for free from the Lending Library. The great part is, Amazon pays the authors out of a “global fund” that’s usually around $600,000 a month. That means you might even get paid more when someone borrows your book than when someone buys it. And it’s a great way to reach new readers who will take a chance on your book when it’s free to them. And that brings us to the next point:

What do you mean, they’ll “allow” me to give my book away for free for 5 days? Why would I do that?

For many reasons, actually. Strategically giving your book away is a great way to gain exposure, get more reviews (which in turn drive more sales), and introduce new readers to your work. This plan is especially effective if you have more than one book available—if readers enjoy your free offering, they will often go searching for your other books. It used to be that authors who used KDP Select also saw a big jump in sales in the days and weeks following their free promotion, because Amazon counted the free “sales” as paid sales, which often meant that books landed on the bestseller lists after the free days were finished. But in the past few months Amazon has adjusted their algorithms, so the sales bump isn’t quite so dramatic as it used to be. Nevertheless, it’s a very worthwhile marketing tactic. My book Through the Door was downloaded over 60,000 times in five days when it was enrolled in KDP Select. Many of those readers loved it, told their friends, signed up for my newsletter, and have since pre-ordered the second book in the series.

2. Optimize your metadata

In How to Market Your Book, Joanna Penn says, “You can never sell as many books as Amazon, Kobo, Barnes & Noble, Apple, and the other retailers can sell for you.” This is because those retailers thrive on being useful to their customers—and that means presenting their customers with buying options that they think you’ll like. They do this by means of top-secret algorithms, but there is a way you can make your book stand up and say “Pick me!” It’s called optimizing your metadata.

Don’t worry—it’s not as complicated as it sounds. “Metadata” is basically everything about your book except for the content itself – the title, description, author bio, reviews, excerpts, table of contents, and keyword data. When you upload a book to Amazon you (or your publisher) have the opportunity to fill in all of these “behind the scenes” fields. This data drives recommendations and placement on Amazon—such as a “what to read next” spot in a promotional email to their customers or a coveted placement on readers’ home pages. Think of it as the equivalent of front-of-store and end cap placement in your local bookstore, except it’s targeted to the people who are most likely to buy your book based on their buying history. Here’s how you do it:

 Make sure you are in the right category—which means you need to know your audience and what they are looking for. Readers don’t want to buy a book in the romance category only to discover it’s actually a horror novel. The more specific you can get with your categorization, the better. Is it “fantasy” or “paranormal romance” or “urban fantasy” or “contemporary fantasy”? Yes, there is a difference, and if you can nail that down then your readers will know where to find you. You have the option to pick more than one, just make sure they’re both true. Right now I’m “shelved” in Contemporary Fantasy and Women’s Fiction>Mothers and Children. Both work, because the book is a modern-day fantasy novel about a mother trying to save her child.

 Brainstorm keywords that best describe your book. For example, mine might be “Celtic mythology, Ireland, fantasy, gods and goddesses, modern magic.” Then use Google’s free Keyword Search Tool (you’ll need a Google or Gmail account), which will allow you to plug these keywords in and discover which similar terms people are searching for. Choose the words that are searched for most often and most accurately reflect your book, and you’re almost done.

 Narrow down your list by comparing what is being searched for on Amazon. Plug your keywords into Amazon’s search bar and see what comes up – are these books similar to yours? If yes, you’ve got your keywords.

 Now, use these words in your metadata fields. Use your keywords as often as possible in the metadata categories I listed above (while making them sound natural, of course). The more you can work these keywords into your metadata fields, the easier it will be for Amazon’s algorithms to find it and match it with the right readers.

It’s only a few hours of work, and there’s a big upside: research has shown that simply optimizing your metadata can boost a book’s online sales by up to 28%.

Of course, Amazon is always changing things up—in the publishing industry and on their own website. So it’s important to stay abreast of all the developing marketing opportunities the online retailer provides. But using the KDP Select program and optimizing your metadata are two excellent places to start getting ahead of the curve.

Guest Writer Bio:

Jodi McIsaac is the author of THROUGH THE DOOR, the first book in the bestselling contemporary fantasy series, The Thin Veil. The second book in the series, INTO THE FIRE, is being released on November 12. Visit Jodi at her website or on Facebook and Twitter.

Fishing for friends

October 29, 2013

fictorians

Giveaways Guest Posts Kim May Marketing 1 Comment

A guest post by Kim May.

One of the most important skills a writer can develop has very little to do with writing. Nonetheless it can open doors into the professional realm that wouldn’t be accessible otherwise and can provide vital insight to the industry. So what is this pivotal skill?

Networking.

Since most writers tend to be introverts who loathe departing from their sanctum of creativity, this skill can be one of the hardest to develop. Be that as it may, it’s still important to know how because of the reasons I listed earlier. The old saying “it’s not what you know but who you know” is just as true in publishing as it is in other fields. Think of it this way, a fisherman doesn’t expect the fish to swim up on shore, walk on fin tip to the market, and place themselves on a bed of ice. They have to get in their boats, sail to where the fish are, and cast their nets.

So, who should you network with? Everyone. Whether you’re at a book signing, a seminar, a convention, or at church, everyone you meet is a potential reader. That doesn’t mean that you have to walk around with copies of your book(s) stuffed in your pocket but it does mean that you shouldn’t be shy about your involvement in the craft. If no one knows that you write, no one will anxiously await the release of your novel. Of course, the most valuable connections you can make are with those in the industry: editors, agents, bookstore events coordinators, and authors. But that doesn’t mean that you can afford to ignore the lady that shows up to every bookstore event or the man at the bus stop reading that book you love.

There isn’t a secret Jedi technique that you need to master in order to be good at networking. I find that the best way is to just say hello and start up a conversation. If you’re nice, and personable, chances are they’ll want to read your book. It won’t matter if you’re book is Wheel of Time erotica, and they’re a retired nun. If they like you enough they’ll read it anyway.

Don’t have a published work to promote? Promote yourself instead. It’s never too early to build an audience. When someone asks what do you do for a living or what have you been up to lately, tell them “I’ve been writing a book. It’s about (insert pitch here).” If they’re interested, give them a business card so they can follow your blog/website. That way they can run out and buy your book the second it’s available.

The one thing you don’t want to do is to go on and on about yourself for half an hour. There’s nothing wrong with sharing your experiences, and desires for your career. Where it becomes burdensome is when every turn in the conversation is directed by you, for you, so you can talk more about you. There’s a fine line between promotion and bragging and once you’ve crossed that line there is no going back.

Once you’ve made a good impression, don’t let it end there. Maintain that relationship. Say hi to them when you pass them on the street. If they invite you to an event, take them up on the offer because you don’t know who else might be there. I’ve lost count the number of industry folks I’ve met while at the movies or out to dinner with someone I met at a signing. If I hadn’t made that initial connection, I never would have met the people who have become an important part of my life.

So you see? It’s worth leaving your sanctum, and saying hello to a complete stranger. That person may be the agent who gets you your first sale, or the future admin of your fan page, or your biggest fan. But you will never find out if you don’t make the first move.

Guest Writer Bio:

Kim May writes sci-fi and fantasy but has been known to pen a gothic poem or two. She works at an independent bookstore and dog/house sits on the side. A native Oregonian, she lives with her geriatric cat, Spud, and spends as much of her free time as she can with family and friends. She recently won The Named Lands Poetry Contest. If you would like to find out what she’s working on, please visit her blog.

Marketing Your Books, or How to Hope You Know What You’re Doing

October 28, 2013

fictorians

Giveaways Guest Posts Marketing 1 Comment

A guest post by Leah Petersen.

I jest, because there are a lot of people who have paved the way ahead of you and they’ve got some good advice. I’m probably not one of them, but just in case, I’m going to talk about contests.

Is this a good way to market your book?

I’ve run contests on my blog, on Facebook, and on Goodreads. I promote all of them on Twitter. So, I’ve done this a bit.

Contests can be a great way to build buzz for your book. When I ran the Goodreads contest for Fighting Gravity I had hundreds of people enter within only a few days. Before it was over, nine hundred people had entered the contest and several hundred of them put my book on their Goodreads shelves. When I ran it again, in advance of the release of Cascade Effect, almost eight hundred people entered.

When I ran the contest for Cascade Effect, the numbers weren’t so impressive. Just shy of four hundred people entered that one, but, also, it’s a second book in a trilogy. So unless you’ve read or are planning on purchasing the first, there’s much less incentive to enter a contest to win the second.

The blog contests and Facebook promotions of contests had smaller audiences and got less notice. The Goodreads contests were much more visible and, I think, successful. They were also very easy to set up and administrate. Marketing your book is a lot of work and you’ll be spending a lot of time on it, so ANYTHING that’s easy is very welcome.

Now, did I sell more books from this? Well, I’m not self-published so I can’t see my numbers in real time to say whether or not purchasing peaked after a contest or not. I do know that a lot of people heard about my book that may not have otherwise.

Long-term success as a writer is at least as much about getting people to hear about and TALK about your books as it is about selling any one book.

So, yes, I’m very glad I ran contests, and I’d invest in them again. (The contests themselves were free, but I had to provide the books and the shipping.) It’s a great way to get your book out there and in front of readers.

Best of luck to you!

Guest Writer Bio:

I’m a sci-fi and fantasy author, the first two novels in The Physics of Falling trilogy, Fighting Gravity and Cascade Effect are available now! I pride myself on being able to hold a book with my feet so I can knit while reading. I live in North Carolina. I do the day-job, wife, and mother thing, much like everyone else. You can also find me on Twitter: http://twitter.com/LeahPetersen