Author Archives: Kristin Luna

About Kristin Luna

Kristin Luna has been making up stories and getting in trouble for them since elementary school. She especially loves young adult literature, fantasy, Nic Cage, literary fiction, magical realism, and wouldn’t even be opposed to reading yeti erotica. She has written book reviews for Urban Fantasy Magazine, writes for this very blog your eyes are glued to at this very moment, and her short stories have appeared on Pseudopod and in anthologies about unicorns and dragons published by WordFire Press. She lives in San Diego with her husband Nic and eats way too much Taco Bell. Learn more about Kristin at her website www.kristinleighluna.com.

K.M. Weiland’s Outlining Your Novel, Part One

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*Please note that this is part one of a two part series. The second part of this series will be posted on Thursday, December 17th.*

 

It never fails. I sit down, Scrivener doc open and ready. And I’m terrified and completely unsure of where to begin. Luckily this year, I’ve discovered two books that have forever changed my writing process from here on out.

Many people will tell you to just sit down and write. Some will say to have an overall plan, but the important thing is that you sit down, every day, and write, no matter how painful it is. I offer you an option three: plan. And plan carefully.

In K.M. Weiland’s book Outlining Your Novel, she writes:

K.M. Weiland

“Each author must discover for himself what methods work best for him. Just because Margaret Atwood does X and Stephen King does Y is no reason to blindly follow suit. Read widely, learn all you can about what works for other authors, and experiment to discover which methods will offer you the best results.

My own writing routine is a constantly evolving process. What worked for me five years ago isn’t necessarily what works for me now, and what works for me now isn’t necessarily going to work for me in another five years.” (Page 18)

Indeed, you should do exactly what works for you, even if a famous writer says it’s the worst advice she’s ever heard. You should do it if an author you don’t necessarily like also adheres to the same advice as you do.

So, if you’ve decided outlining is for you (and Weiland goes through pros and cons in the very first chapter to help you decide), where do you go from there? In the rest of the book, Weiland overviews every pre-writing method I’ve ever seen, from crafting your premise to writing your pitch, character sketches to character interviews.

What I love most about Outlining Your Novel is that you don’t have to do every single exercise in the book. You get to choose what will be helpful for your process. But Weiland doesn’t skimp on giving you ideas about how to think about your novel in the conceptual stage, as she shows you how to approach shaping your creative ideas into a tangible game plan.

One of the items I found incredibly helpful was in chapter four. Weiland encourages you to look at all possible outcomes, all possible conflicts that could arise with the characters you’ve chosen or in the situations you’ve dreamed up.

“Even when you think you have a plot problem all figured out, push a little farther by asking a few more questions. What if something else happened in this scene? What would change as a result? Would the resultant shifts be for the better or for the worse?” (Page 69)

 Sometimes we get so married to an idea that we don’t even want to consider other ideas. You aren’t doing your story justice if you could dream up an excellent side story, a secondary conflict, or a great additional character to make the world richer. Ask yourself what’s expected, and then what’s unexpected.

At first blush, I’ll admit I questioned if I really needed Outlining Your Novel. I’ve been writing for over a decade. I have my degree in creative writing. Is this book really going to help me? I wondered. And the answer is a loud, enthusiastic yes. From me to you, yes, this book will absolutely help you. Some of the knowledge is common. But I found that I was pleased to have a reminder of that knowledge. K.M. Weiland digs deeply into the pre-writing process, deeper than I have ever gone. This is an incredible resource to have in my library when I’m dreaming up a new story, and I think it could be for you as well.

On Thursday, look for part two of this series when I go over K.M. Weiland’s Structuring Your Novel.

The Art of the Cover Letter

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Look at you writing that cover letter like a champion!

Perhaps the most dreaded feedback for a writer or a skyscraper architect to receive is: “Can you make it shorter?” For some writers, this is one of the most painful parts of the editing process. For me, it’s… well, I actually haven’t gotten that note before. I write short, and I friggin’ like it that way.

Turns out I’m not alone. I’ve received some significant compliments from editors and publishers on my short, concise, and to-the-point cover letters. I found this curious, until I realized I have lots of experience with cover letters. At a former job, I was first point of contact for applicants and read literally thousands of cover letters. I’d taken note of what worked, what didn’t, and what could work if finessed. Below, I’ll give you that basic structure based on what you’re submitting to an editor or publisher.

The most important thing to mention is that if you can turn the basic into the unique without it being overblown, braggy, or down-right weird, then do it. Your cover letter is your chance to introduce yourself in a provocative, distinct way. Take advantage of the opportunity!

 

Dear EDITOR/PUBLISHER NAME,

(A)It’s my pleasure to submit SHORT STORY/MANUSCRIPT TITLE for your consideration for PUBLICATION NAME.

(B1) [If you are submitting a novel, directly go in to a little about yourself. In this section about yourself, be sure to mention:

  • If you have met the editor or publisher at an event, immediately remind them when and where you two met, and remind them that they asked to see your work
  • Published works (if you have many, choose your top three or just use the titles of the magazines, for example: My short stories have appeared in Intergalactic Medicine Show, Pseudopod, and Daily Science Fiction.)
  • Ongoing works such as blogging, reviews, or newspaper/magazine columns
  • Soon-to-be published works
  • Long-term works (ex. “I am currently writing a horror fantasy series set in 1920’s Brooklyn.”)
  • Any other writing-related credits (editor, copywriter, etc.)
  • One or two sentences about yourself including your day job, inspirations, aspirations, unique experience you hold that might be attractive to a publisher — this is an opportunity to hook an editor with your personality]

(B2) [If you are submitting a short story, I recommend first talking about the story:]

“SHORT STORY TITLE” is a X,XXX-word GENRE (ex. psychedelic fantasy) set in SETTING (ex. the heart of an acid trip).  INCLUDE 2-3 MORE SENTENCES ABOUT YOUR STORY. THIS IS YOUR ELEVATOR PITCH. MAKE SURE YOU REALLY HOOK THE EDITOR WITH THIS DESCRIPTION — MAKE THEM SO CURIOUS THEY CAN’T HELP BUT READ YOUR STORY TO FIND OUT WHAT HAPPENS.

(C1) [For submitting a novel, now is the time to go into 1-3 paragraphs about your story. This will be different than what is explained in B2, as you need to go into a longer pitch of your novel. In these paragraphs, take the editor on a small tour of what they can expect to read in your novel. Go over the main characters and basic plot, then mention the themes you delve into as well. After the long pitch, if you haven’t mentioned it already, state your target audience for your novel, approximate word count, and any other information you feel is important for the editor to know. For example, mention that you gave your novel to ten 5th grade boys (your target audience), and provide quotes of from the boys detailing how they loved the book.]

(C2) [For submitting a short story, now is the time you can talk about yourself. Keep it to a paragraph and just list your past, ongoing, and soon-to-be publications, and a fact or two about yourself (where you live, that you are a professional skydiver, that you have 49 grandchildren, etc.).]

(D) [Thank the editor for their time in this short section, and put it in your own words.] I appreciate your time, and thank you for taking a look at my story/novel “SHORT STORY TITLE”/NOVEL TITLE. I look forward to hearing from you.

(E) [Your personal information goes here such as:]

NAME
E-MAIL ADDRESS
PHONE NUMBER (optional)

As you may have noted, a cover letter for a novel will be a bit longer than a short story, but both should be limited to between four and six paragraphs. You don’t want the editor spending their precious time reading your cover letter. You want to leave them intrigued as to who you are and excited to read your story. So much so, they’ll jump right into reading your manuscript.

Additional (and helpful) resources:

  1. Submission and Formatting Basics: http://www.writersdigest.com/tip-of-the-day/how-to-submit-short-stories-formatting-basics
  2. Submissions 101: http://www.writersdigest.com/whats-new/literary-journal-submissions-101
  3. Writing a Query Letter: http://www.writersdigest.com/online-editor/how-to-write-the-perfect-query-letter

Need a Dark Fiction Fix?

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Ah, October. Leaves turn different shades of death and fall to the earth. A sudden chill takes flight with the wind and cools down a scorched land. Families take out warm blankets and put away their shorts and tank tops. The night comes sooner, the morning later. All to set the mood for some spectacularly creepy fiction. Please allow me to recommend some of my favorites. Let me know your favorites  in the comments, and if you picked up any of these recommendations!

Magazines

Nightmare Magazine: Horror & Dark Fantasy.

Editor John Joseph Adams sure knows how to pick the stand-out short stories and non-fiction pieces for this magazine, not to mention the spectacular and vivid art. It’s worth subscribing to this periodical, but you can also read it online for free: http://www.nightmare-magazine.com/.

The Dark Magazine.

A relatively newer magazine of two years old, The Dark focuses on dark, surreal, and speculative fiction instead of straight horror. I look forward to my copy every quarter. Again, a subscription is worth every penny, but you can also read parts of each issue on their website for free: http://thedarkmagazine.com/

Short Stories

“The Lottery” by Shirley Jackson.

Before there was Young Adult dystopian, there was this masterpiece by Shirley Jackson. If you enjoyed The Hunger Games, read it’s great grandmother: “The Lottery.”

“A Good Man is Hard to Find” by Flannery O’Connor

This classic will leave you uneasy, that’s for sure. You can find this short story in O’Connor’s popular short story collection The Complete Stories. All of them are worth your time, especially this one.

Creepy Presents: Bernie Wrightson

This is a fantastic compilation of short comics/short stories illustrated by the incomparable artist Bernie Wrightson. Read it for the art, stay for the creepy stories. Perfect for Halloween.

Books

Geek Love by Katherine Dunn

Carnies. Need I say more? Okay, I will. This near-perfect novel by Katherine Dunn explores a world where being a freak is commonplace. Sibling rivalry and the question of what is beautiful are just a few themes rolled into the mix.

Doctor Sleep by Stephen King.

C’mon. What’s a list about creepy books without Stephen King? While it’s helpful to read The Shining prior to reading this book, it’s not absolutely necessary. But you should read The Shining anyway, because it’s fantastic. Doctor Sleep focuses on Dan Torrance as an adult, and while he escaped the Overlook Hotel all those years ago, demons of all sorts still haunt him.

Volunteering at an Author’s Booth

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Going to your first convention can be nerve-wracking, especially if you aren’t sure what to expect. When I went to my first convention in Arizona, I wondered if I was supposed to cosplay in order to get in. I’ll save your pride by telling you no, you don’t need to dress up. But DO dress up if that sounds like fun to you, because you will not be made fun of. The community at conventions is unlike any other, and you’ll soon realize it. It’s a gathering of like-minded people, all of whom are excited to be there, except for that baby that had to come along and cries most of the time.

After you’ve been to a convention or two, you might be curious about what happens behind the scenes. You may wonder how much work it takes for the convention directors and all the participants. You may think, “Wow I can’t wait to do this some day when I have books to sell.”

**~** Magic Interlude **~**

Now’s the part when I read your mind:    

  • Are you an individual who is interested in writing? (Oh my gosh, I knew it.)
  • Have you been to a convention before or have you not been to a convention before? (You can call Miss Cleo after this, guys.)
  • Are you currently reading this month’s posts in order to learn more about conventions? (I know what you’re thinking… Oh, she’s good. Just you wait.)
  • Are you a human being?

 

  Boom.  

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If you have answered yes to all of those questions (I already knew you would because I am a psychic), then I have an interesting way for you to gain some rare knowledge at conventions and to prepare you for participating in conventions as a writer yourself. Simply ask a professional writer if you can help them while they’re at the con.

But why? Because you’ll learn more than you could ever dream of just by watching that person do their thing. You’ll learn:

  • How to sit on and contribute to a panel
  • How to handle sales and commerce at a booth in an expo hall
  • How to treat fans (this may teach you how to or how not to treat fans, depending on what you see)
  • What it’s like interacting with the convention staff and volunteers
  • See the the behind-the-scenes of the convention to appreciate all the time and effort involved
  • How to manage time constraints as an author with a packed convention schedule
  • How to meet other authors with dignity and respect
  • Relearn how to eat while having a packed convention schedule (and also make time for peeing)

What are some ways you can volunteer to help an author you admire or are friends with?

  • Volunteer at their booth. This will include greeting fans, telling anyone who asks about the books for sale, selling those books, and letting people know where the author will be and when.
  • Manage an author. This mostly includes managing the author’s convention schedule, keeping one eye on the time to make sure the author gets to where they need to be. This also includes politely interrupting an author’s conversation with a fan to let them know when time is tight. You can do this by also volunteering at a convention and being paired with an author.
  • Manage a book signing time slot. Again, you’ll go through the convention protocols to land this gig. Your job here is to make sure the signing line goes relatively quickly and smoothly. You will run any interference that may occur.
  • Offer to bring the author meals and/or snacks. Many times, an author won’t have an opportunity to eat until the end of the day. It’s an incredibly thoughtful gesture to bring an author something to eat or drink during the convention. This will also build trust with an author you’d like to possibly volunteer for in the future.
  • Introduce yourself and let an author know you’d like to help. Even the act of offering can mean a great deal.

I understand that taking the first step can be scary. But isn’t the first step to anything great and worth-while a bit scary? If you’re serious about becoming a writer and having all the responsibilities therein, volunteering to help a writer at a convention will give you knowledge and experience that you can carry with you for a lifetime.