Category Archives: Marketing

Dressed for Success: Or, How I Learned to Stop Worrying and Love My Brand

I used to hate the word “branding.”  It conjured up images of cattle lowing as a hot poker was pressed against their flanks; or corporate logos splashed all over slick, prepackaged boxes.  I’m a creator.  An individual personality.  Not a brand, I thought.  Not some bogus advertisement.

But branding your work – having a brand – is so important to promotion.

This story begins shortly after I’d made my first short story sale – “Blood Runs Thicker” to “When the Hero Comes Home 2” anthology by Dragon Moon Press – and I was invited by fellow DMP author Marie Bilodeau (Destiny’s Blood, Destiny’s Fall, the forthcoming Destiny’s War, and a short story in the previous “When the Hero Comes Home,” among others) to attend the Ad Astra convention in Toronto where I would have an opportunity to meet the editor who’d purchased my story.

My previous convention experiences had been one of two types:  fan conventions, typically toy collecting or anime themed, where I arrived in a t-shirt proclaiming my love of the convention’s topic, or in costume; and academic conventions, where I brought out my best Subdued Suit (TM) and tried to look like a Serious Academic.  I wasn’t certain a fiction editor wanted to meet my Serious Academic – it wasn’t my master’s thesis she’d purchased, after all.  “What do I wear?” I asked Marie.  “A suit?”

“A suit’s not necessary unless that’s the sort of image you want to present for your writing,” she said.  “Think about what you want to be remembered as.  Be yourself.”

Then she told me about wearing cute shoes to her first convention appearance and discovering that her footwear had become an unshakeable aspect of her public persona – to the point where wearing running shoes provoked questions about her footwear, potential foot injuries, etc.  As someone who lives in Doc Martens, I was horrified.

“Just wear the usual,” she suggested.

“The usual” is ripped jeans or combat pants, a cartoon or heavy metal T-shirt, my signature army jacket, and boots.  “I’ll look like I’m on my way to an Iron Maiden concert,” I protested.

I could clean up my jeans.  I do own a few pairs that are hole (paint, stud, patch, funky-pattern) free.  For shirts, though, I made Marie a deal:  I’d provide dinner and she’d poke through my closet in search of something appropriate for me to wear.

Much to my relief, she bypassed my workwear closet entirely – that selection of puffy blouses and tailored pants that I despise and own only in the interests of keeping my day job – and dug around in my chest of drawers, producing a black shirt with a subtle Halo Helljumpers logo on it.

“That’s a gamer shirt,” I said.

“But it’s not bright or garish or obvious about it, and it’s got that military theme that runs through so much of your writing.”

Okay.  I could deal with this.  I had a couple more shirts that had actual military crests on them, and added those to the suitcase.  “Maybe,” I joked, “I could even take my ratty army jacket.”

“Absolutely,” Marie said.

I couldn’t believe I’d heard that correctly.   “What?”

“You write military science fiction.  Put on that jacket and you look like someone who writes military science fiction.”

And that’s when I realized that branding wasn’t about pretending to be something I wasn’t or stuffing myself into a monkey suit and feeling miserable all day.  It was about creating a recognizable, memorable statement that says this is what I do.

The public persona I was building wasn’t all fake.  Those were my real clothes in that suitcase–clothes I felt good in.  The brand, I realized, was an aspect of myself – an aspect that puts its best foot forward and hasn’t got holes in its jeans, but a genuine part of my personality nonetheless.  At TFCon I’ve been recognized for years as “the one in the army jacket.”  There was definitely something to this branding business.  It was a visual shorthand for what could be expected of me.

Ad Astra was a great success, and ever since then I’ve stopped thinking of branding as covering myself with a slick veneer and started thinking of it as a way to celebrate who I am and what I do.  I write military science fiction.  I have a background that includes two pilots’ licenses, a degree from the Royal Military College of Canada and seven years of contracts to back it up.

And the brand image doesn’t limit me.  My most recent story sale was a steampunk romance.

I’ve added a pin with an old-fashioned compass to the lapel of my army jacket.

A Smile and a Handshake

A guest post by Sam Knight.

Once upon a time, that was how people did business. A smile and a handshake was good enough for nearly any transaction. Why? Because people knew each other. They knew about each other, they knew where/what/when/how about each other. If someone was a stranger, they often got the benefit of the doubt, because everyone knew that if you weren’t as good as your word, you weren’t any good at all. And all it took was one time to ruin that.

Someone going back on their word was fuel for the gossip mongers like no other. Speculation would run rampant about why, about how everyone could have misjudged before, and about what must have happened to change a person.

Why doesn’t it work anymore? Why can’t you take out a loan from the local bank that way? No one knows each other nowadays. No one takes the time to stop and meet someone. We still meet people, but it’s because we were forced to work in the cubicle next to them, or after we’ve seen them by the coffee machine for the tenth time. Very few people go out of their way to meet a stranger anymore. Why? Because strangers recoil from being approached. In this day and age, everyone knows that someone wearing a smile is trying to sell us something, and we avoid them.

Fundamentally, we all want to be liked, so we go out of our way to do things that make people like us, or we avoid doing things that people will hold against us. And never forget—first impressions are everything.

There is nothing like a face to face connection with someone to make them like or dislike you. But if you can make them like you, it will take work to turn that into dislike in the future.

What is my point?

This month’s theme on the Fictorians is Marketing and Promotion and a ‘smile and a handshake’ is one of the strongest forms there is.

Why else would politicians still bother with it in this day and age? Everyone knows they are full of ‘it’. Everyone knows the promises are hollow. No one likes a politician. So why do they do it?

Because a smile and a handshake works. Human contact works.

A form of marketing and promotion that is often overlooked, by those not in the know, is attending social functions. Whether it is a Comic Con or a local book signing by an author you’ve never met, every social function is a great opportunity to market yourself in a real and effective way. And that includes when you are at the grocery store or your kid’s soccer game.

Kevin J. Anderson and Rebecca Moesta are quick to teach their students (at places like their Superstars Writing Seminars) that you should always wear your ‘professional’ face because you never know who the person you are about to meet is (or even the person across the aisle listening quietly). And there is a good reason for that. That random person you just shook hands with, or who saw your infinite patience with someone desperately asking to be punched in the throat, could be anyone. They could be an agent, and editor, a publisher, a movie producer, or just a rich benefactor looking for someone worthy of spending their money on.

I’m not kidding.

I wouldn’t expect to ever meet a movie producer that way at the grocery store, but if you are at a convention or something similar it can be done that way, and from my experience it usually is.

Take the time to meet the people around you at a convention. After you meet them, let them introduce you to the people they know. You will be surprised at how small the world suddenly becomes when you play ‘Seven Degrees of George R.R. Martin’. You will also be surprised at who will remember what a great person you are when they decided they need an artist/writer/editor/chauffer for William Shatner.

And—this is important—don’t forget your ‘professional’ face. You never know who that person standing off to the side listening to your conversation is. You need to make a good impression. At the very least, they may be your next fan. A real, honest-to-goodness, love you for who they think you are fan who will tell everyone they ever meet what a great person you are and that everyone should buy your book.

Warning! This is not the fast way to build up your marketing and publicity! This is the slow burn that needs to never be forgotten while you do all of the other things. This is the foundation you need to stand upon.

If you make one fan like the one mentioned above at each social event you attend, you will have a better career than most. Your fan base will be stronger, and less fickle, than any you could acquire in any other way. If you impress that one right person, a year later, when they see you again, your career could change forever.

I speak from experience on that one. Trust me. ‘Professional’ face. Meet people.

Get out from behind your desk, and meet people in person. Press the flesh, so to speak. Show people you are witty, intelligent, personable, and affable. Exude confidence in your attitude and demeanor (without being an overbearing jerk!) Go out and meet people and convince them that they need to know more about you, about what you write, about what makes you special.

I know this is hard. It is a stressful thought for those of us who like to live in the dark with only the glow of a monitor to keep us company, but fundamentally, we humans are social creatures, and the more you go out into the world and meet people, the more they will accept you. The more they accept you, the more you will accept yourself. And the more you will feel confident enough to market and promote yourself in person. It’s a wonderful circle of positive feedback—and opportunity.

Never doubt the power of a smile and a handshake.

 

P.S. This can be done wrong. It can be done horribly wrong! I do mean meet people, not ‘try to sell them your book.’ There is a difference, and they can be done at the same time, but honestly, when was the last time you wanted to get to know a car salesman or someone who seemed like they were stalking you? The point of this is to sell yourself. And if that means ‘know when to walk away’, that’s what it means. Staying in someone’s face when they don’t want you there is bad juju and that reputation will precede you! (See earlier comment on gossip!)

Guest Writer Bio:

Sam Knight refuses to be pinned down into a genre. If the idea grabs him, he writes it. Once upon a time, he was known to quote books the way some people quote movies, but now he claims having a family has made him forgetful, as a survival adaptation. He can be found at his website and contacted at sam@samknight.com.

Promotion (in more than one sense)

Nothing serious today.  I just wanted to take this Saturday opportunity to state once more that my first novel, a collaboration with Eric Flint entitled 1636: The Devil’s Opera, will be available in bookstores on Tuesday, October 1st.  It’s the latest installment of the largest and longest-running alternate history series in print today, which began with Eric’s novel 1632, which was published in the year 2000.

I did Fictorian posts about the writing of 1636: The Devil’s Opera here and here.  And I did a post about the publisher’s innovative e-book marketing approaches here, which mentioned the early availability of the e-book edition of the novel.  So you can relax—I’m not going to rehash any of that.  What I do want to mention is something else interesting that the publisher—who is Baen Books, by the way, one of the more innovative traditional publishers around, in my opinion—recently did in connection with the release of the novel.

1636: The Devil’s Opera didn’t appear out of thin air.  It didn’t spring full-grown from the brow of a literary Zeus.  No, the novel utilizes two different sets of characters that I had been writing stories about for and in Grantville Gazette e-magazine, and Grantville Gazette and Ring of Fire anthologies since 2004.  The novel is built upon the foundation of those earlier works.

What Baen did was have me gather all of the earlier stories, do an edit for consistency and to fix continuity errors that had been identified since their original publications, and publish them as an e-book under the title 1635: Music and Murder.  Twelve stories, ranging from short story to short novel in length, amassing over 200,000 words, are now available in a unified edition which was released earlier this week.

This amounts to the creation of a prequel volume to 1636: The Devil’s Opera.  I didn’t think about this much at first, because I was so pumped about getting the stories out in their own volume.  But it finally dawned on me that what Baen has done is create a second volume very closely related to the novel, and pitched it as an e-book at a very attractive price point of $4.95.  People who are fans of my characters—and there is a sizable group of those—will buy the e-book without even thinking about it much.  That’s understood.  But Baen’s perception is that the readers whose first encounter with the characters is 1636: The Devil’s Opera will more than likely want to read about their earlier days in the universe, and voila, Baen just happens to have that available as well.  Smooth marketing.

So what can we learn from this?  Well, the big lesson is whether we are publishing in a traditional model or an independent model, when we’re getting ready to release something new, we should look at our works inventory and see if there’s anything there that we can release or re-release or otherwise promote to leverage off of the new release.  If we have related works, by all means put them forward.  Failing that, promote works that are thematically similar.

It would be great if the publisher will get behind it, as Baen did in this case.  But even if they won’t or can’t, there’s no reason why anything we have available for indie publishing can’t be promoted.

Leverage off the new work by any means you can.  Take advantage of any attention you can get.  It’s just good business.

So, in closing, here they are:  1635: Music and Murder and 1636: The Devil’s Opera.  Feel free to acquire one or both, and let me know how you like them, either here at Fictorians or at http://davidcarricofiction.com/.

Enjoy.

1635-Music-and-Murder-ebook smaller  1636-The-Devils-Opera-smaller

Saving Face – ebook

As Fictorians, we are all writers, so regularly we get to celebrate the release of a story through the various types of publishing channels.

Saving FaceToday, I am celebrating the release of Saving Face, released as an ebook in late August.  Although not my first completed novel, Saving Face is the first published.  Since we’re discussing meaningful plateaus this month, it’s a perfect time to announce this big milestone.

Saving Face:  In a near future where human bodies are rented, Sarah is one of the top-ten most requested models.  But when her employer tries to force her to sell her body permanently, she has to fight to escape before becoming the ultimate orphan.

The sci-fi/fantasy novella is the prequel to an alternate history trilogy expected to be released starting in 2014, and is available for only $0.99 on both Amazon and B&N.  Also available on my web site as a free download is a related short story – Face Lift.

You can find Saving Face and the free short story, along with links to other books and movies that resonate with the story at:  http://www.frankmorin.org/books/savingface/

I hope you enjoy it.  I’d love to hear what you think of it.