Category Archives: Conventions

The Late One – World Fantasy Convention

For most, convention season is winding down. While you can find cons at any time of year really, the bulk of the major cons take place during the summer months.  But one major con is different, choosing to fight the power and place itself in late October or early November. And since I won’t be making it to any conventions this calendar year, that makes the 2014 World Fantasy Convention (which I did attend) the perfect one to write about.

I call WFC a major con, but that’s really misleading. While it’s a very venerable con with (it will be putting on its 40th convention this year in Saratoga Springs, NY) and it has a major genre award attached, WFC numbers in the hundreds rather than the thousands of attendees (to say nothing of tens or hundreds of thousands).

As opposed to broader media cons, it’s also almost entirely focused on books, and is almost entirely focused on business rather than fandom. WFC is a work con. It’s a place to go and network, to meet people serious about the business of writing and publishing. As such, if you’re someone like me, who doesn’t have a lot of time for con attendance, it offers a strong “bang for your buck” factor if your main goal is networking.

But I don’t want to make it sound boring, because it’s anything but. Sure, the focus may be on business, but this is still a place to meet up with friends in the industry and a gathering of some of the world’s biggest genre geeks. While it’s true that cosplayers are generally nowhere to be seen, there is still plenty to enjoy. Both times I’ve been (2014 and 2012 near Toronto) I had a great time. And frankly, as a pretty strong introvert, WFC’s smaller size is appealing to me (and I suspect I’m not the only introvert to whom that would be true).

As a Virginia native, when I learned that WFC 2014 would be in “Washington, D.C.” (and I say that in quotes because it was really in Crystal City, Virginia, just over the Potomac River from D.C.), I knew it would be criminal not to attend. Having a major con show up within driving distance really gives you no excuse to do otherwise.

As with many cons of this sort, while the panels provide a lot of quality programming, the real action happens in and around the hotel bar. You’ll find convention goers there at all times of day, their only concession to the rising sun switching to coffee instead of harder stuff. It’s always surreal to roam around the bar area, noticing various writers and publishing giants just sitting around, talking business or just shooting the breeze. I even got to discuss the 2014 NCAA College Football season with literary agent extraordinaire (and Michigan Wolverines fan) Joshua Bilmes after he noticed my Virginia Tech shirt.

As I alluded to above, WFC is also the keeper of the World Fantasy Awards, in the past won by such luminaries as George R.R. Martin, China Mieville, Susanna Clarke, Madeline L’Engle, Gene Wolfe and Ursula K. Le Guin. The award winners are selected by a committee from a pool of nominees supplied by conference goers. There is a banquet to announce the winners at the end of the convention, which any attendee (provided they paid the extra fee) may attend. I attended in 2012 but didn’t feel the need to do so again in 2014, preferring instead to get home a little earlier.

I came back from last year’s convention with a bunch of new friends, a submission request from an editor, some great loot (a print of the A Memory of Light cover art signed by Brandon Sanderson and MIchael Whelan and a early-release signed copy of the Jeff VanderMeer Area X Omnibus), massive sleep deprivation and a whole lot of fun memories. If I had to do it over again, my only change would be to determine that our hotel wouldn’t allow more than two beds due to fire code restrictions. It made for a difficult sleep situation for our third roommate. At some point, I am fated by karma to sleep on the floor of a hotel room in Martin’s name.

So if, like me, you have to carefully pick your conventions and maximize your limited opportunities to attend, give World Fantasy Convention a try.

 

About the Author: Gregory D. LittleHeadshot

Rocket scientist by day, fantasy and science fiction author by night, Gregory D. Little began his writing career in high school when he and his friend wrote Star Wars fanfic before it was cool, passing a notebook around between (sometimes during) classes. His first novel, Unwilling Souls, will be available later this year. His short fiction can be found in The Colored Lens and the upcoming Game of Horns: A Red Unicorn Anthology. He lives in Virginia with his wife and their yellow lab.

Volunteering at an Author’s Booth

Going to your first convention can be nerve-wracking, especially if you aren’t sure what to expect. When I went to my first convention in Arizona, I wondered if I was supposed to cosplay in order to get in. I’ll save your pride by telling you no, you don’t need to dress up. But DO dress up if that sounds like fun to you, because you will not be made fun of. The community at conventions is unlike any other, and you’ll soon realize it. It’s a gathering of like-minded people, all of whom are excited to be there, except for that baby that had to come along and cries most of the time.

After you’ve been to a convention or two, you might be curious about what happens behind the scenes. You may wonder how much work it takes for the convention directors and all the participants. You may think, “Wow I can’t wait to do this some day when I have books to sell.”

**~** Magic Interlude **~**

Now’s the part when I read your mind:    

  • Are you an individual who is interested in writing? (Oh my gosh, I knew it.)
  • Have you been to a convention before or have you not been to a convention before? (You can call Miss Cleo after this, guys.)
  • Are you currently reading this month’s posts in order to learn more about conventions? (I know what you’re thinking… Oh, she’s good. Just you wait.)
  • Are you a human being?

 

  Boom.  

View post on imgur.com

If you have answered yes to all of those questions (I already knew you would because I am a psychic), then I have an interesting way for you to gain some rare knowledge at conventions and to prepare you for participating in conventions as a writer yourself. Simply ask a professional writer if you can help them while they’re at the con.

But why? Because you’ll learn more than you could ever dream of just by watching that person do their thing. You’ll learn:

  • How to sit on and contribute to a panel
  • How to handle sales and commerce at a booth in an expo hall
  • How to treat fans (this may teach you how to or how not to treat fans, depending on what you see)
  • What it’s like interacting with the convention staff and volunteers
  • See the the behind-the-scenes of the convention to appreciate all the time and effort involved
  • How to manage time constraints as an author with a packed convention schedule
  • How to meet other authors with dignity and respect
  • Relearn how to eat while having a packed convention schedule (and also make time for peeing)

What are some ways you can volunteer to help an author you admire or are friends with?

  • Volunteer at their booth. This will include greeting fans, telling anyone who asks about the books for sale, selling those books, and letting people know where the author will be and when.
  • Manage an author. This mostly includes managing the author’s convention schedule, keeping one eye on the time to make sure the author gets to where they need to be. This also includes politely interrupting an author’s conversation with a fan to let them know when time is tight. You can do this by also volunteering at a convention and being paired with an author.
  • Manage a book signing time slot. Again, you’ll go through the convention protocols to land this gig. Your job here is to make sure the signing line goes relatively quickly and smoothly. You will run any interference that may occur.
  • Offer to bring the author meals and/or snacks. Many times, an author won’t have an opportunity to eat until the end of the day. It’s an incredibly thoughtful gesture to bring an author something to eat or drink during the convention. This will also build trust with an author you’d like to possibly volunteer for in the future.
  • Introduce yourself and let an author know you’d like to help. Even the act of offering can mean a great deal.

I understand that taking the first step can be scary. But isn’t the first step to anything great and worth-while a bit scary? If you’re serious about becoming a writer and having all the responsibilities therein, volunteering to help a writer at a convention will give you knowledge and experience that you can carry with you for a lifetime.

 

It Inspired Me

Another month has come and gone, another month of varied posts from varied writers. I knew well in advance how this month’s theme would impact me—spoiler alert: it inspired me—which is a large part of why I proposed it in the first place. The simple truth is that when writers work alone, they usually fail. Or burn out. And when it looks like writers are going it alone, they probably aren’t.

As per usual when a month wraps up, I wanted to provide both a retrospective and quick index of our recent posts. I encourage you to take some time to dig through these. There are some real gems! Some highlights for me include Travis Heermann’s and Nathan Barra’s dueling examinations of critique groups and the benefits they offer (and how bad critique groups can be escaped/troubleshooted), and Kristin Luna’s post about reader reviews probably hit close to home for a lot of us.

Evan Braun—We All Live in Community
Guy Anthony de Marco—Collectives Collecting Collectible Creatives
Rachel Ann Nunes—Is Google Play Going Crazy or Is Fate Finally Smiling on Me?
Sherry Peters—My Peeps. My Tribe.
Kristin Luna—You Are Not Alone: One-Star Reviews for Everyone!
Evan Braun—Post 1000: How on Earth Did We Get Here?
Colette Black—Growing Community
Leigh Galbreath—This Ain’t No Fortress of Solitude
Frank Morin—What Goes Around
Kim May—Help! I’ve Written Myself into a Corner and I Can’t Get Out
Jace Killan—How to Tribe
Nathan Barra—Getting the Most Out of Group
Ace Jordyn—Turning Milestones into Stepping Stones: Why Accountability Groups Work
Scott Eder—Travelling in Packs: Partnering with Multiple Authors at Cons
Petra Klarbrunn—The Importance of Author Mentors
Mary Pletsch—Your Support Net(Work)
Travis Heermann—The Critique Group Waltz: Is Yours in Step?
Brandon Plaster—Community
Gregory D. Little—A Little Healthy Envy

Come back tomorrow for an extended look at our con experiences. Take it away, Scott Eder!

Evan BraunEvan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, whose third volume, The Law of Radiance, has just been released. He specializes in both hard and soft science fiction and lives in the vicinity of Winnipeg, Manitoba.

The Importance of Author Mentors

A guest post by Petra Klarbrunn.

Most beginning authors I know think that a mentor is someone who will look over your latest screed and give you feedback and editing suggestions. While it is something that a mentor may do for you, that’s actually the job of an editor and/or critique group.

So what does an author mentor provide? I’m glad you asked.

  1. Questions at all stages. As mentioned, you might be lucky enough to have a mentor who has enough time to read over your epic novel. The majority of mentors are working professionals, so they’re busy working on their own epic space opera trilogy. They don’t have time to line edit your work. They do make time to answer specific questions for you. Say you’re having a problem with your opening hook. You can ask your mentor to look at a couple of paragraphs and get feedback from someone who knows how to write opening lines that propel the reader forward. Even better, they can provide a couple of different takes and have them go over why one is better than the other.
  1. Contracts. Mentors can give you some feedback on contracts, explaining what the egregious portions are and what they actually mean. They may suggest contract modifications or recommend that you take the contract to a specialist lawyer, especially if the contract is from one of the Big 5 publishers.
  1. Plotting. Some mentors can go over your plot outline and make suggestions. One of my mentors found a serious flaw in a novella that would have had me spinning my wheels for weeks until I discovered it. Don’t send a forty-page plot outline to your mentor. Send a bullet-point list so they can see how you build up towards the third act.
  1. Networking. Often overlooked, having someone who can provide introductions within your genre can give you a leg-up on your peers. One of the complaints about writing is “it’s about who you know that counts.” While exceptional writing can do your introductions for you, getting introduced to a busy editor at a convention or via email can at least give your work a better chance at getting looked over by a publisher. Introductions can also provide opportunities to get into anthologies or to work on collaborations.
  1. Blurbs. Receiving a blurb from a bestselling author or a celebrity can push your work to the top of the shopping cart. Stephen King gave a relatively unknown author named Jack Ketchum a glowing blurb and recommendation. Now Mr. Ketchum is a bestselling author and screenwriter.
  1. Giving back. Most mentors say that the main reason they choose to be a mentor is to give back to the community. Because most authors are genuinely nice individuals, they want others to succeed. Sometimes mentors didn’t have anyone they could ask questions of, and they want to help new authors with the craft. And who knows? Perhaps one day they will ask their mentee for a blurb or two.

Petra Klarbrunn Bio: Petra battles with her four cats daily for the use of her laptop. She writes in the romance, erotica, bizarro, horror, and academic fields using multiple pseudonyms. Her diet consists mainly of tofu and espresso.