Category Archives: Superstars Writing Seminars

We’ve all heard the statistics of the odds of getting published as a writer. The stat most often thrown around is less than one percent of stories submitted for publication are ever actually accepted and published, let alone make any money from it.

Some look at the act of being published like a lottery, like it’s a matter of chances and getting lucky.

My friend was in the pro rodeo bareback circuit (ranked in the top 10 in the US by winnings) and happened to have a layover in Phoenix, so he delayed his connecting flight and went out to the little rodeo in my town. I took the family to see him ride. Now I’ve been to a few rodeos and enjoy the events but know very little about form and technique. I’d tell you he rode well because he didn’t fall off during the eight seconds, but beyond that, I couldn’t tell you why his score was significantly higher than the others that also didn’t fall off.

After the event, he told me that the other riders hated that he showed up because usually those with his skills and winnings stayed away from the small time rodeos, giving others a chance to start winning something. I guess it’d be like Stephen King entering a local writing contest and making off with the grand prize of $100.

I asked him what he did that the other riders didn’t do and he tried to explain that he was scraping the bronco high on the shoulder with his spur and that made the animal jump higher and buck better in a sort of pattern. He definitely knew and understood his craft, though it made little sense to me.

As an aspiring writer, I thought my craft was great until a writing group set me straight, and a friend, and an editor, and another, and another. My point is that as I’ve grown as a writer, my understanding of my craft has changed and now I see that my work from a couple years ago was just awful.

A writer might have as much chance of getting on the pro rodeo circuit as getting published, but it isn’t a lottery. It’s a matter of getting back on the horse every time and writing better. Those one percent didn’t just wake up one day and decide to write a publishable piece. They wrote, got rejected, wrote some more, improved, got rejected some more, and improved some more until they developed enough skill to get published.

There is a great writing seminar to add to one’s proverbial belt, where Kevin J Anderson discusses his popcorn theory. To get the full gist, you’ll need to attend Superstars and it’s so worth it, I’m going again, so maybe we’ll see each other there. But in brief, the seminar gave me an idea that I should take every chance I came across to write. “I can do that,” as Kevin put it.

And I have done that. I was invited to guest post with the Fictorians and then invited back several times. I went out of my way to be on time and do a good job, which probably led to their inviting me to write for the Fictorians as a full fledge member.

I also started a personal blog. It’s a journal of sorts and discusses my personal spiritual journey, but there seems to be a niche for it. I’ve tried to post about once a month and each posting receives around five hundred hits. If I ever get anything published, these five hundred may be interested in reading something else that I’ve written.

I’ve also been asked to write articles at work. I’m in finance and my main job is as a CFO of a biotech firm. I’ve written a couple articles for the firm (and it’s a great source for research and ideas related to my sci-fi stories).

Not to long ago I took on a client that deals in antiques. There was a local paper known as the Antique Register and I wrote an article for it. They liked it so much that they asked if they could put it in their national paper known as the Country Register that distributes from California to Rhode Island and Canada. So now I’m on my third article. They’ve sent me dozens of the different editions from all over the nation and Canada each with my articles in them.

This led to me submitting articles for two other papers.

In the meanwhile I’m working on a couple novels and searching for an agent that can help me sell a finished historical fiction.

My goal is to get published and I can see that I’ve come along way and I think I am getting close, but I still continue to improve and write and work at bettering my craft. And I do that by writing wherever, whatever, however I can. If there are enough popcorn kernels in the pan, something is bound to pop eventually if I keep stirring it up and adding heat. I’ll see you on the pro circuit.

I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve got an MBA and work in finance for a biotechnology firm.I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.You can visit my author website at www.jacekillan.com, and you can read some of my works by visiting my Wattpad page.

SSWS Writing Scholarship: Should YOU Apply?

November 19, 2014

Colette Black

Colette Black Superstars Writing Seminars Teaching 5 Comments

We’re taught in school to always ask the questions: who, what, when, where, why and how. Today, let’s start with why.

Have you ever wanted to have one-on-one conversations with experienced, best-selling authors and be able to ask them anything? Have you ever wanted to meet a New York editor, an acquiring editor for one of the most successful small presses in the nation, or find qualified indie editors? Have you ever felt like having a larger community of dedicated writers around you might help improve your writing skills and your writing career? Does the business side of writing–working with agents, contracts, hiring artists and editors, marketing, etc–seem a bit overwhelming at times? Could you use information from people who know what they’re doing to help in your writing career?

If you answered yes to any of those questions, then you NEED to apply to the Superstars Writing Seminar (SSWS) scholarship. Here’s the link: http://superstarswriting.com/scholarships/ Seriously, go look at it right now.

2010 Superstars Okay, as for the other questions. What is SSWS? The most amazing writing seminar you will ever attend. I’m not just saying that, and no, I’m not being paid to say that. I attended the first SSWS in 2010. If it was mediocre or repetitive, I’d have only gone once. I’ve been three times. I plan on attending again. It is worth every penny, but if you earn the scholarship, your tuition will be free. Here’s what it says on the website: “The only focus at Superstars is to teach you how to have a successful writing career by sharing how those at the top of the industry manage their careers.” Take a look at the past classes, and I can only tell you that each year somehow manages to get even better.

Who? Anyone who hasn’t attended SSWS in past years is eligible to apply for the scholarship. The instructors are Kevin J. Anderson, James A. Owen, Rebecca Moesta, David Farland, and Eric Flint. To list their credentials would take the rest of this post. Guests include Toni Weisskopf (Baen books), Christine Monroe (the US Manager for Self-Publishing and Author Relations at Kobo), Todd McCaffrey, and Jody Lynn Nye. Again, I can’t list all their credentials. It’s just too much. Nope, I’m not done throwing out names. Past and recurring attendees include our very own David Carrico (author of 1636: The Devil’s Opera) and Brad R. Torgersen (multiple award nominee and winner) This is what Brad had to say, “This is not a craft class nor is it a critique workshop. It’s a no-holds-barred crash-course in how to perform and conduct yourself as a professional fiction author.” There are more quotes where those came from and you can find them on youtube, too.

When? The scholarship application is due by November 22nd. That’s this Saturday! The seminar will happen in February. That’s the perfect time so you’re somewhat recovered from Christmas, have your tax refund on its way, and are in need of a short vacation. The exact date for 2015 is February 5-7th.

Where? Apply to the scholarship from the website, but give yourself time to write a short essay and get a couple of referrals. The people involved in making this opportunity take it seriously. They want to give it to you, but you have to show that you really want it and are willing to do the work. The seminar takes place in beautiful Colorado Springs, Colorado. It’s a great place to visit, and airfare is reasonable.

How? For the full story on how this scholarship came to exist, I encourage you to read the introduction to One Horn to Rule Them All: A Purple Unicorn Anthology. It still gives me a warm feeling every time I scan over the story again. Once the idea took root to fund a scholarship so aspiring writers could attend SSWS, people pitched in. The cover artist, the publisher, the editor, and the famous and not-so-famous writers all volunteered time and work for the sake of helping other writers find their dream. And even though SSWS attendees were competing with one another for slots in the book, we cheered each other on, critiqued stories to help one another, and as often happens with this group, we did all we could to help our writing friends succeed. opportunity knocks That is a rare camaraderie to have with a group this size, but it’s there and it’s precious.

In conclusion: If you’re serious about writing, take the time, do the work, and apply for this scholarship. Hurry! You’ve only got a few days to change the rest of your life. Opportunity is banging at the door.

I Am Not An Introvert…People Just Terrify Me

October 24, 2014

Leigh Galbreath

Conventions Leigh Galbreath Networking Superstars Writing Seminars The Writing Life No Comments

I am afraid of people.

Okay, maybe that’s a bit broad. How about, I’m afraid of talking to people I don’t know but want to make a good impression on? Like seriously terrified. My brain shuts down, and I lose the ability to think coherently. All I can do is smile and babble, which strangely makes for a good job interview, but not much else.

For instance, I once was sitting in an airport after a writing convention and happened to find myself next to an editor who struck up a conversation with me and seemed genuinely interested in hearing about what I was writing. I proceeded to blather on about how I had been writing for years but most of what I had written to date was terrible. The editor looked absolutely crestfallen, like I’d kicked her puppy. I backtracked in a lame attempt to fix the situation. It wasn’t pretty.

I have been known to bring a conversation to a screeching halt in ten seconds flat like a sad little nerd trying to add something to the cool kids’ conversation by interjecting an anecdote that only marginally has to do with what they’re talking about. You know that kid. The one everyone stops to stare at only to then continue on with the conversation as if nothing had happened?

Yeah, that’s me. I think I might have been in my room reading the Exorcist when they covered those social skills when I was a child. I think this has made me a bit creepy on occasion as a result.

This has, as you might imagine, had a detrimental effect on my networking skills. I have in the past spent entire conventions and conferences without speaking to another human being besides the hotel staff. Not the most effective way of spending time and money or get ahead in a writing career.

Yet, I kept going to events that caught my fancy, trying to figure out how to get out of my own way. My better experiences usually came when I attended writer’s retreats, which forced me to talk to people. I’ve been told I just need to practice, only it’s hard to practice anything when your brain’s shorting out and everyone’s watching you like they want some warning before you pull out the tinfoil hat and break into a dance number.

My single biggest success was when I decided to attend the first Superstars Writing Seminar. Being the first seminar, I had no idea what to expect, and honestly, I went because of the presenters rather than the unique content being provided. I met some of my favorite people there, all with a common purpose and at the same level career-wise regardless of our writing talent. From that one decision to keep attending conferences despite my personal deficiencies, I found comrades in arms that I have come to think of as friends and I’m now sitting here writing a post that others will read. Good things happened.

I’m not over my social anxiety, of course. I still have problems dealing with strangers, but I think the biggest lesson I’ve learned is how to manage my issues. If I can find people I know at an event, that helps. If not, I continue to go to workshops and retreats, in person if possible, to force myself to speak to people.

Honestly, I’m not sure if I may ever get over it completely. I don’t have a happy ending about how I’m all better now, unfortunately. But I think the point is to keep trying, to be happy when good things happen, and not to get down on myself when they don’t. I think that last is the hardest part. I do what I can, and in the meantime keep writing and hope that my work might possibly do my best talking for me–even if personally I am always a bit lacking.

One Horn To Rule Them All: A Single Spark

October 22, 2014

mary

Mary Pletsch Rewriting Superstars Writing Seminars The Writing Life No Comments

(Image of “Azazel” by Stephanie Bajema.)

I remember sitting in the 2010 edition of Superstars Writing Seminars when Kevin J. Anderson gave his now-infamous professionalism example: “If you agree to write for a purple unicorn anthology, be a professional and write the best damn purple unicorn story you can, no matter how dumb you think the concept is.”

Surveys agree: most people think purple unicorns are pretty ridiculous.

But I’m a Firebringer Trilogy fan (as I wrote about back in May) and a My Little Pony fan since 1983. Purple unicorns are serious business to me. I knew I could write a purple unicorn story straight-up: no irony, no metaphor, no punchline. The challenge, to me, would be to show a reader what purple unicorns look like through my eyes.

And when the Purple Unicorn Anthology , One Horn To Rule Them All, became a reality, I had my chance. This would be a collection of short stories, the sales of which would fund scholarships for deserving future Superstars, showcasing our storytelling talents.

I played a game during my preteen and early teen years, when I went down to my grandparents’ basement with Fashion Star Fillies and Barbies. The toys were avatars – symbols of a sort – for a fantasy epic I conjured in my mind. I imagined the colourful talking unicorns from the Firebringer Trilogy, the exotic desert setting from The Black Stallion Returns, the warrior women from The Secret of the Unicorn Queen and spun these concepts into a universe all my own, a game I called simply Unicorn Warriors.

If I could write what Unicorn Warriors looked like to a fourteen year old girl, I knew I’d have my purple unicorn story.

On the other hand, I had to fit those teenage emotions and concepts through the experience I’d accumulated since. One thing that experience told me was that “writing an adventure” the way I sat down to a game of Unicorn Warriors wasn’t going to be enough. I had to show a character growing and changing, not just dash off the short story equivalent of a half hour cartoon, and though I knew the world of the Unicorn Warriors inside out, a new reader would be coming to it without any background knowledge. I was going to have to be explicit about the setting and the themes; I was going to have to craft a definitive beginning and ending; I was going to have to make my characters feel like real people.

I don’t have any memory of creating origin stories for any of the Unicorn Warriors. I think a lot of my original character concepts were partly borrowed wholesale from popular fiction (a little bit of She-Ra, a little bit of Xena) and partly thinly veiled versions of myself and my friends. I didn’t need to introduce these characters because I already “knew who they were,” so most of their time was spent seeking out treasures, fighting monsters and outwitting evil kings. By writing my Purple Unicorn story as an origin for one of the Unicorn Warriors, I could introduce readers to the world through the character’s eyes. I could also show the character’s growth as she makes the decision to join the Warriors. And I made the character the same age I was when I started to play this game.

I also had to decide what aspects of my original game to leave in and what to cut out. In an early draft of A Single Spark, there’s a teryx–a fabulous bird–circling overhead, watching the main character struggle. The teryx is a friend and ally of the Unicorn Warriors’ leader, and in my games, the teryx allowed the Warriors to learn about things that happened when they weren’t present, as long as the bird was watching. When I started writing, of course I wrote in the teryx. But on my third version of the draft, I realized that the teryx didn’t serve any function in the current story. It was just there because it had always been there in the games. And I was writing long. The teryx was cut. Maturity and experience taught me that “because it’s awesome!” isn’t, in itself, enough to keep something unnecessary in a story.

Another benefit of the decades between the Purple Unicorn anthology and the original Unicorn Warriors was an understanding of research. I did some actual research on Persian culture and the desert environment instead of relying on stereotypes and other works of fiction. I gave my Warriors and their unicorns new names, with considered meaning behind them, including that of my protagonist, Sharareh, whose name means A Single Spark, which is also the title and major theme of my story. And instead of using generic unicorns, I found real-world unicorn mythology that would make my unicorns as culturally distinct as their riders.

Because if you dismiss a karkadann as ridiculous fluff, you do so at your own peril.

To support Superstars Writing Seminars scholarships, meet the Unicorn Warriors, and enjoy a great anthology of speculative fiction, you can get your own copy of One Horn To Rule Them All in print and e-book formats right here: