Category Archives: Interacting With Fans

Getting Noticed

A guest post by Sean Golden.

WarriorYou’ve done it. You’ve finally finished your first novel. After months or years of tears, sweat and blood, your baby is about to meet the world. But if you are self-publishing, or have an Indie publisher, you may find yourself not only the author, but also your book’s primary marketer and promoter. So what do you do?

No matter how brilliant your novel is, if nobody sees it, nobody will buy it. How do you break out of the gray mass of obscurity and catch the attention of potential buyers? My first novel didn’t break any sales records, but if a couple thousand sales in the first four months sounds interesting to you, here’s the approach I took, broken into three main areas:

  • Proper presentation (cover, blurb, categories, etc.)
  • Social media
  • Reviews

 

Proper Presentation:

Presentation starts with the categories and keywords you associate with your book. Categories and keywords determine the genre lists and search results in which your book will ultimately appear. There are few decisions you will make that will ultimately impact your sales more than which categories and keywords you choose to associate with your book.  Paradoxically, the more you sell, the more important this is due to the algorithms online book sellers use to present readers with purchasing options. Choosing the wrong categories and keywords is like presenting a selection of shoes to a shopper looking for hats. Amazon.com provides this excellent guide to categories and keywords.

Once you have your book appearing in the appropriate lists and search results, the next thing a reader will see is your cover. A good cover is more than nice artwork and title text. To get your cover to stand out, I suggest that it accomplish three specific things:

  • Be readable in the most common online thumbnail sizes
  • Match genre expectations
  • Have dynamic, eye-catching artwork

The purpose of your cover is to encourage a reader to click on it. Nothing screams “self-published” like an amateurish cover. If you can’t create professional quality art yourself, find someone else to do it for you. Keep in mind that your art will be scaled down in the thumbnails. Once a reader clicks on the thumbnail, they will be presented with your book’s summary page, which is where they will (hopefully) read your blurb. If the blurb catches their imagination, there’s a chance they’ll click “Buy.”  It’s beyond the scope of this post to explain how to write a good blurb, but here’s one article with excellent advice.

Your book’s presentation should be viewed as the bedrock of your strategy. Everything else you do will drive people to the page with your book cover and blurb. Even if you can tease them with an online ad, if they get to your book summary page and the cover is lackluster, not genre specific, or the blurb doesn’t sell them, they won’t click “buy.”

Social Media:

Let’s assume that you have that foundation in place. The next goal is to get people to land on that summary page. This is where social media comes in. And social media means more than just Facebook and Twitter. My daughter, Sarah Golden, is my social media guru. When I first self-published Warrior, I did a short post on Facebook letting my friends and family know that I had a book out. I dragged my Twitter account out of mothballs and started Tweeting. But that only gave me a small boost in sales for about a week.

Then Sarah jumped in. She either created, or had me create, accounts on multiple social media platforms including an author page on Facebook. Here’s the page she created for my novel on Pinterest. I also joined Goodreads and created an author and a book page there. Then I joined other reader or author blogs, such as KBoards. The results of Sarah’s social media campaign were striking. My sales went from a few per day, to twenty per day and higher. Pinterest allows me to give my readers content that lets them see a lot more about the story than I can squeeze into a Facebook post. It also allows others to post their own content.

The real value of social media is that it allows readers to get to know the author. I try hard not to use my author blog as merely another way to ask people to buy my books. I try to give them an idea of who I am, what I enjoy, what I’m doing and how I write. The more human and approachable I am to readers, the more likely they are to be interested in what I write. I also try to interact in the reading/writing community, attending conventions, writing blurbs for other authors, etc. Kevin James Anderson gives a lot of great advice, but perhaps the best advice he has given me is “Don’t be a jerk.” And that means online as well as in person.

Reviews:

While reviews don’t immediately get you noticed, they are part of your book’s presentation whether you like it or not. Self-published books have a reputation for poor grammar, plot holes and other ills that traditional publishers work hard to avoid. If your book has reviews warning about those things, savvy readers will shy away even if you have a great presentation. Reviews that are critical of your plot or story are painful, but readers expect that. What will kill your sales are reviews saying the book is difficult to read due to poor writing or editing. If you get such reviews, revise and re-publish your book.

Final Thoughts:

If there is one thing that you take away from reading this, I hope it is the importance of presentation: cover, blurb, category, and keywords. All the effort and money spent on driving readers to your book’s landing page will be wasted if the reader gets there and isn’t convinced the product is worth their money. Good luck!

Sean Golden Bio: Sean Golden
I’ve had a long and varied career outside of writing, starting as a construction worker putting glass in high-rise office buildings while I was working my way through college seeking a degree in physics. After graduation I ended up writing Macintosh programs and creating a Mac software product for a software company. Eventually I took over as Publisher of all of the software products before leaving to become a project manager of software development in a Fortune 500 company. That led to a 20 year career in corporate software development that ended in December of 2014 when I decided it was time to retire from the corporate rat race.During all of those years I wrote and published technical articles and stories for the local newspaper. But I never published my first novel until January 2015. Now I am writing full time and intend for this to be my last career. I have had stories half-written or outlined in my desk for decades, and now it is time to get them on paper and out to the public.I am happily married, and have been for almost 30 years now, and have raised two kids. My literary interests are varied, but I primarily read and write science fiction or epic fantasy.

All About Attitude

A guest post by John D. Payne

John Payne cover (1)

I was single for a long time, and not by choice. I was sick of dating by the time I was 21, but wasn’t married until 36. It took me 15 years to get noticed at a party by a beautiful, funny woman who shares my love of Firefly and tolerates my love of that greatest of all Canadian contributions to the culinary arts: poutine.

What had I done to catch the eye of my own personal Princess of Power?  Well, aside from riding a sweet tiger to the party and looking great in furry briefs, I had managed to figure out two important truths. First, finding a partner isn’t about trying to figure out what someone else can offer me (such as an escape from the meat market singles scene), but about becoming the kind of person that has something to offer to someone else. Second, a smile is sexier than a mope. (Sorry, Team Edward.)

A lot of getting noticed as an author is about these same changes in attitude.

Consider conventions, like the recent Dallas Fan Expo. I go to these shows to sell books. But if I get focused on the numbers, then I don’t sell well. My smile becomes strained and I start to look as desperate as I feel. If people notice me when I’m in that frame of mind, they’re going to do everything they can to avoid my gaze and escape before I can even open my mouth. That kind of treatment makes anybody feel lousy, so pretty soon I’m viciously cycling. No good.

For me, the cure is to remember that I really do love sharing great stories. Whether they’re mine or not, I really enjoy introducing someone to a book they’re going to love. So instead of pushing my book to every single person I talk to, I actually listen to what they say when I ask them what they like to read, and then try to make a recommendation that will really knock their socks off. In no time flat, I’m enjoying myself again. And my book usually end up flying off the table along with all the others I’m recommending.

Thinking about what I have to offer others is not just a great way to get noticed at conventions. My book was recently included in an ebook bundle.  Part of the reason I think they included me was that the curator has seen me promoting other people’s books on my Facebook page.

(By the way, if you haven’t checked this out, do yourself a favor. Fifteen bucks gets you thirteen books, including fantastic novels by Cat Rambo, Paolo Bacigalupi, Tobias Buckell, and many others.)

Another important shift in attitude for me has been switching from a default assumption of failure to one of success. In dating, I used to go into relationships with the thought that most of them fail. That’s true, statistically speaking.  But I was a lot happier once I started assuming that each new relationship would be the one that would last a lifetime. Looking for reasons to stay in, instead of a justification for bailing out, helped me see a lot more good not just in others but in myself. And eventually I was right.

I try to approach opportunities in my writing career the same way. Four years ago this summer I got an email from an old writing group buddy who made indie fantasy and scifi films. They wanted to release a book and a movie at the same time as an experiment and wondered if I would like to write the novel to go with the film.

It was an intriguing possibility, but I already had plans that summer to change jobs, move (twice), get married, finish writing my dissertation, defend it, and revise it. So I said… Sure! And then we talked about particulars and hammered out a schedule and a contract that we could all live with. In other words, I looked for ways to make it work instead of excuses to stay out.

When I start by assuming that failure is the likely result, I am nearly always right. But being part of a self-fulfilling prophecy is not as satisfying as it sounds. On the other hand, when I start by assuming that there’s a path to success, I am not always right. (Or at least I don’t always find that path.) But often great things happen. And every now and then, something truly miraculous happens. Like the day my wife noticed me at a party, and every day we’ve been together since then.

So, I offer my fellow writers just two bits of advice. Get outside yourself, and show the world what you have to offer. And embrace optimism. Believing that things will turn out for the best is so crazy it just might work.
John D. Payne Bio: John Payne (1)

John D. Payne grew up on the prairie, watching the lightning flash outside his window, imagining himself as everything from a leaf in the wind to the god of thunder. Today, he lives with his wife and family near Houston, where he imagines that the clouds of mosquitoes have achieved not just sentience but malicious intent.
 
His debut novel, The Crown and the Dragon, was published in 2013 by WordFire Press. The movie was released in 2014 and is currently streaming on Netflix and Amazon. John’s most recently published stories can be found in Black Denim Lit, The Leading Edge, Tides of Impossibility: A Fantasy Anthology from the Houston Writers Guild, and the upcoming Game of Horns: A Red Unicorn Anthology.

Viral Marketing – Starting the Buzz with ReaderZero

We’ve all seen the contagion movies—a hideous, killing plague threatens to wipe out humanity unless the tireless doctors discover a cure before it’s too late. In order to develop the miracle serum, they have to trace the source of the disease. They have to find PatientZero, find out what he did, where he went, where he came from, who he met, what he ate, what brand of underwear he preferred, and what he read before contracting the virus.

Alright, so maybe I stretched that a little. They never checked his drawers. But the concept of a single spark igniting a fire that spreads from person to person through contact is extremely interesting. Word of mouth is still the best promotion out there. Readers talk, and not just to the world through their formal reviews on Amazon or their blog posts, but to their co-workers, their family members, and their friends. Each person they talk to is a potential reader. And each person they talk to is a potential reader. It’s an expanding universe of potentiality that could start with a single spark, a conversation with a person in your own neighborhood, igniting a viral explosion that doesn’t kill the chain, but introduces them to a great new story that captivates hearts.

Readers are everywhere. They don’t just cluster together wherever books are sold, or in coffee shops. No. They are everywhere. Supermarkets, hair salons, doctor’s offices, etc. Find them. Talk to them. Spread the word. Find ReaderZero.

Before you open your front door and step outside, make sure you have your business cards in your pocket. Business cards are not only for corporate drones. They are a branding tool, an informational souvenir of your meeting. If you want people to take you seriously and also have something to remember you by, hand them a business card. They are cheap and simple. Here’s mine:

business_card

It’s got my symbol, title, and contact information. Neat, attractive, and uncluttered. You can make them yourself or order 250 online for less than $20. Do it.

Like I said, readers are everywhere. So when I say take your cards with you when you step outside your door, I mean it. Take them everywhere. Here are three recent, personal examples to illustrate why this is important.

I went to the dentist yesterday. Yuck, right? Damn straight. It wasn’t a six month cleaning, either. It was crowning/filling nastiness totally devoid of Awesome…until the end of the procedure. The dentist was cool. The Licensed Dental Assistant was super nice. The numbing, drilling, and molding sucked, but wasn’t horrific. As I got ready to leave, the Licensed Dental Assistant picked up the book I’m currently reading, Wool, by Hugh Howey, and checked it out. She asked if it was any good. Of course I told her it was. She skimmed the back cover and said she was looking for something new to read.

This, my friends, is what’s called a perfect setup.

I told her Wool was good (Actually it’s really, really good), but she should try my book.

That’s when I got the wide-eyed stare. “You’re book!?” Yep. I whipped out a card, and gave her the elevator pitch. By the time we reached the payment desk, she assured me she’d buy my book. What started out as a mundane trip to the house of horrors ended on a wonderful note.

Something similar happened at the Veterinarian’s office (the doghouse of horror?) I took my dog in for her semi-annual exam. In between the “She’s so cute”s and the “You’re such a good girl”s, the Vet asked if I had been doing anything fun. Well, yeah, kinda. Now that you ask…boom! I whipped out a card, and gave her my elevator speech. As it turned out she was also writing a book. We talked about the craft for a few minutes then she said she’d buy a copy for all the people working in the office. Not too bad for a trip to the vet.

While the prior examples had direct setups, sometimes you have to give Fate a swift kick in the butt to make things happen. Develop your own opportunities.

I coach bowling. I’m there for the kids, but when I see someone reading, I have to know what it is. At practice the other day, one of the bowling moms sat by herself reading a book. I asked her a simple question, “So…whatcha readin’?” The answer led to a conversation where I could, without sounding pompous or overbearing, pitch my book and win over another reader, several readers as it turns out. Other parents listened in and participated in the conversation.

Anyone of these readers could turn into ReaderZero, the one who spreads the word, the one who ignites the fire, the one who starts the viral chain.

Be open. Be ready. Be bold.

Business by the Numbers

In order to be a professional author, to make enough money to live off your art, you need to treat your writing career with the same respect and diligence as you would any other type of business. Though it is possible to make money following intuition alone, it is very difficult to make consistent profits off feelings and hunches. For me, it seems like putting on a blindfold and stumbling around hoping to fall into a pot of gold.

Instead, businesses need to be able to quantify their success or failures objectively in order to make informed and useful decisions. Large corporations hire fleets of analysts to do this work for them. However, don’t let the math intimidate you! Writers, especially indie authors, typically don’t have nearly enough data to need someone devoted to the math. Additionally, there have been some very smart people who have already done most of the work for you. All you really need to do these days is to know which tools to use and which numbers to pay attention to.

Even still, I know how trying to dig into data can be intimidating. However, if you break the process down into 5 easy steps, it all becomes a whole lot more approachable.

STEP 1: DEFINE YOUR PRIORITIES
The first thing you need to do when approaching any statistical analysis is define what you care about. There are ways to quantify just about anything you want to know. In fact, sorting the useful information from the noise is often the hardest part of any analysis. Approaching your pile of data with specific questions will help you get specific answers. So, what is it that you hope to get out of your career as an author?

STEP 2: PICK YOUR TOOLS
There are tons of statistical tools choose from. Some are more intuitive than others, some more flexible, and yet others more comprehensive and powerful. Unfortunately, the more powerful the tool, the more difficult it is likely to be to use, and the more interpretation the results will require. Though it is a constant give and take, there are a few pieces of software that I think achieve a good balance and that I would recommend even for people who hate math.

One of my favorite pieces of statistical software is Google Analytics. I believe it to be one of the more powerful, flexible, and user friendly options available. Most importantly, it is free. After all, Google is the company made their fortune off being able to quantify the Internet. So, it only makes sense that their statistics software would also be top notch. Need help installing and configuring the software? The Google Analytics community is fairly robust. I’d recommend starting HERE. On the other hand Google Analytics has a lot of data and power. It can get quite involved and distracting if you let it. Be cautious as obsessively monitoring every page view can easily become a time sink.

Additionally, if you use Word Press for your website, I’d also recommend installing Jetpack. It comes with all sorts of useful widgets, one of which is a basic statistics program. Though you won’t be able to do any manipulation or dig into the data very far, it’s often good enough to give you a general idea.

Finally, most publishing platforms come with some sort of basic statistics modules. This will allow you to track sales, geography of purchases and several other metrics. One of the limitations here is that you track exactly what the distributor allows you to track. Almost always, their statistics are better than what you are given access to.

STEP 3: TAKE A STEP BACK, WAIT, AND LOOK FOR PATTERNS TO EMERGE
Chances are that you already have an audience that is interacting with your web page. So, the very first thing that you’ll need to do after installing any new statistics software is to allow for time to pass. Initially, I’d recommend continuing as you were for three weeks to a month so you can get a feel for how your business runs before you make any changes. Without a baseline, you’ll have no idea what is “normal” behavior and what is a reaction to a change you make. I’d also recommend establishing a new baseline each time you make a major alteration to to your business strategy.

Once you get to the point where you start running social experiments (Step 4), you’ll need to be willing to take a step back from the keyboard. Statistics takes patience. You can’t reasonably expect your consumers to respond immediately to your actions. Also, the initial reaction of a consumer group isn’t necessarily going to be their long term response. I’ve spoken to several indie authors who have tried raising the price on their books only to see an immediate drop off in sales. At that point, many of them lowered the unit price in a panic and swore they’d never ask for more money. However, *some* of the authors who stuck it out and let their new price stand for a few months noted that their sales returned back to their original baseline or even increased! Patience is key. So is being willing to risk and knowing how much you are willing to risk.

XKCD_CorrelationSOURCE: http://xkcd.com/552/

The bulk of statistics is finding the long lasting, consistent patterns in the noise. You want a change you can believe in. Just because you see a big spike, doesn’t mean that one event was caused by the other, nor can you even say that the spike is significant. Let’s say you spend $100 on advertising and sell 15 more books than your baseline sales. The next week, you spend another $100 and sell 2 more books than your baseline sales. Chances are that there is some deeper explanation in the first spike that differentiated it from the second. Any consumer group is going to have patterns in how they choose to spend their time and money. Find those patterns that represent a real response and you’ll be able to take advantage of them.

Let’s take my own website, www.NathanBarra.com, as an example. When I first looked at my own baseline, I noticed spikes of activity first thing in the morning, for a couple hours around lunch time, and in the evening. Additionally, I tended to see a spike in views on Mondays. Over the course of the week, the number of page views slowly died out until no one visited over the weekend. These patterns repeated over a the course of the month, so I had faith that they were a true look at my audience. Once I had the baseline, I needed to understand what the patterns meant.

STEP 4: INTERPRET THE PATTERNS
Now it is time to go back to the goals we established in Step 1. Are you into writing to make money? In that case you should be tracking the Number of Units Sold and how many visitors Click Through from your website to a point of purchase. Additionally, you can gain some insight if you pay attention to your Audience’s Geographical Origin. If you plan to do a book tour, make sure you go to the places where you have lots of fans. If you have no readers in a particular region, try to find out why. Are your marketing dollars beings spent to reach the widest audience possible? Are your books even available to that audience? Do you need to devote more advertising money to that demographic? Additionally is your marketing proving effective? Do you see any spikes up to a new plateau or steady growth in purchases following a marketing push or promotion period?

Are you the kind of writer that just wants to get your stories in front of as many eyes as possible? Then focus on driving up the Number of Visitors (number of unique individuals that loaded any page on your website) and Number of Page Views (the number of total pages that were loaded). When combined with your web site’s Bounce Rate (the percentage of visitors who look at exactly one page before leaving), you can understand how your readers interact with your website. Additionally, you want to pay attention to your largest sources of visitors, particularly your referrals. These days, much of your audience will likely come from somewhere else, be it social media, Google, or a link a friend emailed them. These people are your Referral Visitors. They represent how often and how widely your links have been shared. If you can understand your biggest sources of referrals, you can know where to focus your efforts to get the biggest return.

Instead, are you trying to build a steady and faithful audience? If that is the case, you need to encourage Repeat Visitors (people who have been to your page before) and Organic Visitors (those who typed your URL into their browser directly). You want the ratio of repeat visitors to new visitors (called your audience’s Rate of Return) to be as high as possible while you minimize the Days Since Last Page View.

Keep in mind that you won’t often be able to manage to make progress on all your goals simultaneously. When I first started NathanBarra.com, I wanted to get my page out in front of as many readers as possible, with the long term goal of establishing a steady audience. To that end, I started experimenting.

STEP 5: DESIGN AN EXPERIMENT AND RETURN TO STEP 3
Now that you have an idea of what “normal” is and what it means, you want to try to rock the boat a little and see what sort of waves you can make. Going back to my NathanBarra.com example, the first thing I did was change the amount of lag that I allowed between when I scheduled a post and when I first advertised it to my target audience. In the beginning, I saw that almost all my audience came from referrals that occurred after my media blast. I then went back posting and advertising near simultaneously. After a while, I started to wonder if I had become better established with a larger group of readers. I once again started delaying my media blasts and found that I had a steady flow of readers visit my page after I posted, but before I advertised. The things I had been doing to boost my audience had been working!

The key here is to change as little as possible and to wait long enough to observe meaningful results. If I were to spend see a spike in sales after a blog tour during which I also ran a BookBub campaign, which source of advertising should I focus on next time? There’s no real way to know.

Once you’ve made a change, return to Step 3. Wait, gather data, and then interpret the results. I would always recommend repeating any experiment at least twice. If you repeat your actions and see the same result, you can be confident that what you are seeing is real. If the results are different in consecutive experiments, then try to find out what is really causing your audience to react the way they did. Additionally, you need to take time to evaluate if the change you made supports your goals. If so, consider permanent implementation. If not, lesson learned, don’t do it again.

The key to any good statistical analysis is good interpretation. Take your time to think through all the possible reasons for the change, suing your experiments to hone in individual elements and actions. The longer you work at it, the more you’ll be able to determine from your results. Eventually, you will be so in touch with your audience that the statistics will just be a spot check to ensure that your audience is reacting the way you expected they would. Once you get to that point, you’ll understand why businesses focus on the numbers and leave the hunches for the amateurs.

About the Author:NathanBarra_Web
Though Nathan Barra is an engineer by profession, training and temperament, he is a storyteller by nature and at heart. Fascinated with the byplay of magic and technology, Nathan is drawn to science fantasy in both his reading and writing. He has been known, however, to wander off into other genres for “funzies.” Visit him at his webpage or Facebook Author Page.