Category Archives: Networking

Moderating the Fear & Loathing Panel

A guest post by Guy Anthony De Marco.

I’ve always enjoyed going to conventions. After getting back into writing professionally following a 20-year hiatus, I decided to see if I could get on a couple of panels at my local cons. It looked like a lot of fun, and since I was used to talking in front of people due to my time in the college teaching trenches, I thought I could at the very least be entertaining.

The first convention I approached was already booked, but the programming chairwoman noted there was one panel on H.P. Lovecraft that only had two people on it. She graciously invited me to participate, and I accepted after I sent in my credentials.

Around this time, my son expressed an interest in going to a convention, so I invited him along. I was quite sure he would enjoy himself.

Unfortunately, at this point the villain made his entrance. This antagonist was dressed in the suit and tie of the convention chairman.

The two folks who were already on the panel were the Guest of Honor and an author I personally admired. I sat through a couple of panels with my son, parked in the front row. He enjoyed most of the panels, as did I. When it was almost time for my panel to start, I started to stand up.

The con chairman walked up to the front table and said (on an open mike to a packed room full of fans and attendees) that there was someone “that nobody had ever heard of who wants to be on the panel. He won some award from a small pro organization and nobody has read his stuff. Do you want this nobody to sit on the panel?”

I was taken aback, and my son was too.

“If he bothers to show up, we’ll see if he’s just wanna-be and sort him out,” the panelists said.

I sat down in shock. The panel went on for only twenty minutes before it fizzled out and they ended it. Most of it was a bashing session by the Guest of Honor. They never even got around totalking about things like how much Lovecraft valued his friend, Algernon Blackwood, or his formative years before he became a writer. I had actually put in hours of research, looking for stuff that the average reader might not know.

My son was very angry as to how I was treated. He doesn’t attend conventions anymore.

At this point in our story, I was full of doubt, fear, and yes, even loathing when it came to being on panels. It’s only natural to feel despondent at getting rejected, particularly in front of a room full of strangers. In some ways, it’s the same set of feelings that convince some writers to give up writing after their first rejection by an editor. I could have just shriveled up and hid under a rock. For my sake, and to set a good example for my son, I decided to swallow those negative feelings and applied to be on some panels at MileHiCon in Denver.

This time, even though they did not know who I was or what I wrote, they treated me well and placed me on a couple of panels. The experience was night-and-day different. My son didn’t attend, since he had decided conventions were not worth the effort. Too bad, because I think he would’ve enjoyed attending MileHiCon. The panels went very well, and the programming chairwoman said she heard positive feedback. Ever since then, I’ve been invited back every year to sit on panels.

So, what’s my bottom line? You are going to have setbacks in your career as an author. You will have times where you are treated like dirt. You very well may feel unworthy because of someone who disrespects you—sometimes in front of a huge audience.

You can duck your head and decide not to stick your neck out, or you can give it another try. As long as you act professionally and avoid any negativity originating from your camp, you have an excellent chance that your second “debut” will be the one you remember fondly. I ended up becoming fast friends with several of the local authors from those panels, including frequentFictorians contributor Quincy J. Allen.

Trust me, it’s worth the effort.

DeMarco_Web-5963Guy Anthony De Marco Bio:

Guy Anthony De Marco is a speculative fiction author; a Graphic Novel Bram Stoker Award® finalist; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, D&D modules); and a coffee addict. One of these is false.

A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, NCW, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at WikipediaGuyAndTonya.com, and GuyAnthonyDeMarco.com.

What Color Should an Introvert Wear?

unnamedCrowds wear me out. As do conventions and even large meetings. At first, I thought I was an introvert but that didn’t always make sense because I like people and I like conventions. But they tired me out and so I searched for coping strategies. How could I even enjoy myself, let alone talk to anyone, especially agents and publishers, if I wasn’t on my game?

I embarked on a journey to find the perfect wardrobe- inside and out. Outside was easy – some interesting jewelry, clothes with a unique flare. Inside I needed to know if I was an introvert trying to maneuver in an extrovert world. Despite doing the research and planning for events, I found I still wore out easily and I began to suspect that it may not be about whether I was an introvert or an extrovert. How could it be? I’ve spoken in front of hundreds of people, given workshops and have been a guest speaker only to now find myself dreading crowds. I was getting tired everywhere, all the time – at meetings, critique groups, writing retreats and workshops. What was going on?

Chronic Fatigue Syndrome (CFS) – that was the diagnosis. It crept slowly into my life stretching like a shadow on a lazy summer day, creeping until it melded with the dusk. It eroded my energy, my confidence and my ability to fully participate in events and conferences. Worse yet, it decreased my productivity because I tired easily. My greatest fear now wasn’t what color I should wear, it was about whether I’d have enough energy to maintain a productive and fulfilling writing life.

There is no known cause and there is no cure. One of the current theories is that the mitochondria (our cells’ power plants) aren’t functioning optimally. I’ve learned coping strategies to manage the symptoms and to reduce ‘flare ups’. Writing goals have been adjusted and are being met. I’ve learned to limit activities and to be more strategic about interactions. I’m managing it so it doesn’t manage me. It’s not perfect and I do suffer from over-exertion but I sometimes choose to do things knowing there will be consequences.

When it comes to my writing life now, to being at conferences or at workshops, I know what I need to do to function. Part of it is understanding that over stimulation is tiring, that there is only so much I can do and participate in and then I must rest. It’s manageable and if I’m careful with my energy, I can be as productive and outgoing as I want to be. As for what color to wear? It really doesn’t matter anymore. I know my limitations and whether I wear brighter colors or quieter ones, my confidence is back because I’m in control and I can pick my moments.

My apologies to fellow CFS sufferers because I don’t mean to minimize the effects of CFS or to imply that there’s a simple solution. This blog isn’t about coping strategies, management and symptoms. It’s about letting people know that sometimes when you feel like life is overwhelming and that you don’t have enough energy to do the things you want to or to even enjoy them, sometimes it’s important to step back and take stock. Ask those questions about physical and mental health, consider if you’re taking on too much, examine expectations – take charge so you can choose the colors you want to wear on any day so you can achieve your goals in your writing life.

In the Company of Giants

A guest post by Lou J. Berger.

As other writers have mentioned to me, sometimes life manifests situations so improbable that, if you were to write them into a story, no reader would accept them as plausible.

And yet…

I walked through the dealer room at Reno’s WorldCon, showing my girlfriend Kelly around, marveling at the artist displays, looking around to see if I could spot Bob Eggleton, a tremendous artist that I’ve only met via Facebook, never in real life.

My eye lights upon a grinning, elfin woman with graying hair and the eyes Yoda only wished he had had, as expressive as a sunset. She spies me and calls out my name and wraps me in a hug that conveys love and adoration and respect, then calls over her husband, Joe Haldeman.

Gay Haldeman is an angel among people, and she has an encyclopedic memory, knows everybody, loves everybody, and is one of the nicest folks I know. Without my being able to figure out how, she manages to convince me that she considers me one of the most important people she’s ever met. I know, in my soul, that I am just another cog in the gears that permeate her life—and a small, insignificant cog at that—but she has that magic touch, that personality that the best of the best seem to have.

Joe smiles at me and shakes my hand, I introduce them both to Kelly, and Gay says, a hand upon my forearm, “You will join us for lunch, won’t you?”

I glance at Kelly, she nods, and I say, “Of course!”

A rare cloud crosses Gay’s unlined brow. “Oh. Do you mind if I invite another person to join us?”

Well, I had been hoping for some one-on-one time with Joe and Gay, but any friend of hers…

“Sure,” I reply. “The more the merrier!”

Gay’s cloud dissipates and sunlight radiates from her again. “Great! I’m sure Larry will love to meet you.”

Larry. That’s such a familiar name, especially the way she says it. I open my mouth to clarify, because, after all, there is no way it could be… “Oh, here he is!” Gay cries out, grinning, looking past my shoulder.

I turn and, in true Ewok form, there strides one of the greatest giants of SF-dom, Larry Niven. It is him. Of course it is him.

He’d passed me in the hallway at Denvention, a couple years earlier, and I’d said, upon seeing him, “Shoot! I was hoping to attend your panel!” Without breaking stride, he shot back. “Well, you missed it.” And then he walked on.

So we walk, the Haldemans and I and Kelly, with Larry Niven beside me. I’m trying to be cool, but this is the man from whose brain all those books I read in high school sprung. He’s the Ringworld Engineer Deluxe, the guy who invented the Mote, this is Larry freaking Niven!

“You’re a writer,” says Larry to me. (See? I’m calling him Larry. Like we grew up together. Like we’re old pals. Like I have any damn right to be walking beside him, this ordinary-looking man whose prose has put me on the badly-colored carpet of a Reno convention center, walking toward an unimpressive cafe in an adjacent casino.) “Tell me a story,” he finishes.

I take two careful, measured steps. I think of the works I’ve written to date, the stories I’ve excised from my fertile imagination, the tortured words I’ve yanked out of my brain and through my fingers and onto the page, the single story I’d sold. Worthless. In the company of a god, my best work is fool’s gold, iron pyrite glittering with false richness, not worthy of discussion.

“I’m sorry, Larry,” I stammer, after a while. “I’m a little star-struck. My brain isn’t working quite right.”

“It’s okay,” he says, patting my shoulder. “Happens all the time. Give it a moment.”

I walk alongside Larry, watching the carpet flow beneath our feet, and we walk into the casino, my hand clutching Kelly’s. We sit down for lunch and I listen to Larry and Joe talk about old times, laughing and reminiscing, and I slowly relax, beginning to process that what’s happening around me, this august company I’m part of, is because of Gay, not because of anything I’ve ever done.

She’s the catalyst, the one who keeps her eyes peeled for the spark, that ineffable quality in a writer, just starting out, that signifies some semblance of promise. And like any spark, the spark she sees is tenuous, hesitant, and should, as most sparks do, simply wink out. She captures it, fans it, finds a home for it, and nurtures it into a small flame.

Then she brings that flame into the firelight and welcomes it home.

I’m not sitting with Joe Haldeman and Larry Niven because I’m some sort of brilliant writer. I’m sitting with them because Gay believes in me.

I lean across Kelly and catch Gay’s attention while Larry reminds Joe of something arcane and brilliant. “Gay,” I whisper. “Thank you.”

She peers at me through her glasses and a warm smile crosses her face. “Thank you for joining us, Lou.” She turns to Kelly. “And you too, Kelly.” She gazes at us for a minute and then turns her face back to Joe.

Her eyes go soft as she looks at the man she loves.

I squeeze Kelly’s hand and we eat our lunch in the company of giants.

loubergerpicGuest Writer Bio:
Lou J. Berger lives in Denver with three kids, three Sheltie dogs, and a kink-tailed cat with nefarious intent. He’s an active member of the Science Fiction and Fantasy Writers of America, has been professionally published in short form, and is writing his first novel, a non-genre YA book set in 1978’s North Carolina. Take a few moments to visit his website.

From Plane to Progress

wfclogoWhen too many helpful incidences come together for a protagonist, we call it contrived. Sometimes, however, they happen in real life. Is it coincidence, divine intervention, karma? I know where I stand on the subject, since I’m a devout LDS Christian who believes in inspiration, but I’ll let you decide for yourselves.

After listening to some of the Writing Excuses podcasts by Brandon Sanderson, Howard Tayler, and Dan Wells, I decided that I should try to go to the next World Fantasy Convention (WFC). This was about six years ago, and the convention was happening in San Jose. I calculated plane trip, hotel, and food and realized there was absolutely no way. Then, I remembered…my step-father-in-law had a daughter, whom I’d met once, who lived in San Jose. I felt like a mooch, but I was desperate and determined. I contacted her and asked if I could stay.  She not only agreed, she was a spectacular hostess, drove me around, and thanked me for coming.  I know, that’s not strange, it’s sweet. This is the unusual part:

While getting my tickets, I felt like I should go with a different airline than I usually do even though I had to pay more. With the upgrade came the option to pick my seat. I chose one at random, trying to get close to the windows, but then thought, “No, I should sit in this one.” and picked an aisle seat (which I don’t like), way too close to the engines. Months later, while sitting in said seat, I couldn’t help but pick up my companions’ conversation. After a few minutes, I put away my laptop and the book I was working on and got up the guts to ask if they were attending WFC. Not only were Gini Koch and Glen Glenn an absolute delight to talk with, Gini told me to find her at the con. With the numbers of people, I didn’t think I was likely to actually see her again, and I probably wouldn’t have if it wasn’t for the subsequent events.

Dinnertime the next evening found me by myself, deciding between a tasty sandwich shop (which I love), and Jimmy John’s (which I’m not crazy about). I grabbed the door handle of the sandwich shop and yet felt compelled to go to hamburger-joint Jimmy John’s instead. So I did. Inside, a group of Tad Williams fans saw the WFC bag, initiated conversation, and invited me to join them. Through them, I discovered the after-parties that go on in the hotels and the opportunities there to meet agents, publishers, and fellow authors.

Of course, I went to one and through the stifling crowds and multiple floors, Gini Koch happened to walk by and we met up again. Gini is a wonderful person who loves to encourage aspiring authors, and Glen is a fellow writer who has traded a number of works with me for critique and helped me grow more than I ever could have on my own. Gini introduced me to her agent, other agents, publishers, and took me under her wing. She has given me writing tips, done invaluable author workshops with my local writing group, and has helped me develop my craft until I felt confident in my abilities. I’m not sure I would have made it to publication without her belief in my potential.

Did blind luck, divine guidance, or something else bring me the friend I needed in my life at just the right time? Personally, I believe I’m doing what I’m supposed to do, but I’m also happy to leave my story to my readers’ interpretations. Maybe it will seem like fiction to you, but I know my story is too coincidental to be made-up.