Category Archives: Business

I probably shouldn’t admit this, but when I first heard the term “NaNoWriMo,” I thought maybe it was a Star Trek species or a riff on Robin Williams’ “Nanu, Nanu” alien catchphrase from 1970’s sitcom Mork & Mindy.

In case you don’t already know: it is neither of those things.

NaNoWriMo is an acronym for National Novel Writing Month. And, lest you assume (as I would) that it’s some random meaningless designation like Bacon Appreciation Week or Balloon Animal Day (not to downplay the importance either of those deeply important celebrations), I can assure you that this is serious business.

During the month of November each year, thousands of people all over the country commit to writing about 1,677 words a day sans outlines and without editing. At the end of the month, each person is meant to have a relatively short (about 50,000 word) draft of a novel. And some of those novels eventually get published. My book Semi-Charmed Life was fortunate enough to be among those.

Being largely based on free association, that resulting first draft is generally a bit of a mess. At least, that’s true in my case. In 2009, I participated for the first time, moved by the desire to find out if I could write fiction. I am, after all, a journalist, whose forays into creative writing had previously been relegated to personal essays, memoirs and creative nonfiction. But I was craving an outlet without deadlines or specific guidelines for my voice. I was in the mood for a different kind of challenge.

For me, NaNoWriMo was a game changer. And I am not alone. Not even close. This wasn’t the first time I’d toyed with ideas for books, usually getting all excited and then deciding a mere week or two later that the concepts were lame, would never go anywhere and were not worth months or years of anyone’s time. But this was the first time I was offered a structure for writing a novel, that I was instructed to pick an idea (even if just for the first page or chapter) and stick with it … no matter what.

Though I am disciplined as a writer (I have to be as a freelance journalist), I’m not big on enforced structure. So, for me, it was relief not to have to have to outline or research much, elements that NaNo discourages. And, as goofy as the supportive exclamation point-filled NaNoWriMo emails sometimes seemed from the cheerleading staff of fellow writers, knowing that thousands of others were attempting the same feat did keep me on track. And don’t even get me started on the graph: Participants sign up online, create profiles then watch a graph that tracks their word count accomplishments grow and shrink. I can’t quite tell you why, but that graph kept me honest. I couldn’t bear fail it! It kept me writing even on difficult days.

That is to say; as much as I enjoyed the process, I also found it difficult sometimes. Like everyone else, I started on November 1st of that year. Which was my first wedding anniversary. Which was the day I was traveling via plane with ten buddies back from a best friend’s wedding in Mexico. Which was the day after their wedding, when I was a lot hungover from too much tequila and Churros. As you can imagine, I can’t say it was the most productive writing day of my life. And it would not be the only one that was rough going.

For most of us, no matter how much we adore writing or how much time we have to dedicate to the task on a given day, there are always times when the words just don’t flow, where what we scribble or type is pure crap. If I’d gone about writing my book through a different method, I would have, of course, had the luxury of taking a pass on those days, but that’s how you get stuck and give up. NaNo forces you to push through the less creative moments to get to the next thing. After all, you can always go back and edit when the month is through.

I won’t bore you with talk of my addiction to Cherry Coke Zero during that time or the explanations to my husband that got me through that time and out of certain holiday obligations, BUT suffice it to say that a plot emerged despite my total belief that it would not. And afterward, when I reread the draft, which truly was a big mess, I saw some elements that seemed worth pursuing and I started the rewriting process.

The Rewriting Quandary

For me, rewriting can be easier than writing for the first time. After all, there’s no blank page staring you in the face. But not everyone feels that way. So, how to keep yourself working on revisions long after the NaNo process has ended?

Well, first of all, I know that many colleges and continuing education institutions offer classes on taking your novel to the next level and so that structure and accountability can be helpful for some. I personally felt that I’d already put so much work into completing the draft. To abandon it then would just have felt wasteful. I wanted to see where it could go.

My book in particular was a strange mix of genres, part coming of age, part mystery, part humorous satire-that was never what I’d imagined I would write. And I was proud of it … and a little intrigued too.

I sent the draft to friends and family for feedback, made revisions, then sent it to more people I knew for notes. Of course, it’s not always easy to hear that feedback, but you just try to remember that its all in pursuit of a greater goal. People are only expressing opinions and, while you may not like everything you hear (in fact, you definitely won’t!), it’s helpful to give the manuscript to many people of different backgrounds and interests. That way, if they all give you a similar note or point to a similar problem, you know that it really does need to be addressed.

On Picking Readers For Notes

Another thought: we all have relationships in our life with people we love that are complicated. (And, yes, that’s probably a euphemism for something worse.) If you can, avoid sending those people the manuscript for feedback. It may seem obvious, but its’ really easy to make that mistake.

Ask yourself, will I be able to hear negative thoughts from this person and do I trust him or her to give me honest feedback without twisting the knife or trying to make me feel small? Does this person truly have my best interests in mind, in this context, or is our relationship competitive in some ways? Often people don’t even realize that your attempt to write a novel pushes emotional buttons for them, so it’s important that you consider everyone’s feelings, so that you don’t end up feeling angry, defeated or upset.

Once You Get Published

Anyway, a bazillion revisions later, the unimaginable (for me) happened: I found an agent who was excited about the story and she sold my book Semi-Charmed Life to Macmillan’s St. Martin’s Press. It hit bookstores this July 2012.

The day they handed me the galley and I actually held the bound manuscript in my hand in the form of a book was probably the proudest of my life. Of course, what’s amazing these days is that we can sell to publishers or self-publish and, either way, get to see our work in book form.

I spent most of the summer touring around like a crazy person, doing everything I could to promote the book. That’s harder than you’d imagine these days. Since Borders closed, the chance of someone just coming upon a book accidentally while browsing is down something like 25%. The greatest challenge is just letting people know that you and your book exist, then hopefully encouraging them to give it a chance.

My novel’s cover is pretty and sort of looks like a water color painting and it certainly has the components that suggests, but it has a darker, more literary, almost cartoonish side (compared sometimes to The Royal Tenenbaums in tone) and that’s something a person would only know from actually picking it up and reading it. So, the trick is getting people to try it out, to take that step.

The other night, I was at a cocktail party and was introduced to a fellow novelist. He told me the title of his book and I told him mine and we both vowed to buy copies. That’s a vow I’ll keep: as we both admitted, once we realized how tricky it is to get a story out there, we started buying books by every author we happened to meet. It just seems like good karma, like the right thing to do. And I’ve ended up reading some fantastic new books that way too!

While traveling around teaching writing workshops, giving readings and even calling and/or Skyping into book clubs around the country to discuss Semi-Charmed Life (something I am still enjoying very much), I often talk up the NaNoWriMo process. Sometimes I feel like I must sound like some crazy cultist because I am such a believer. But the process worked for me and I think, even for writers who care less about the outcome and more about the experience, it can be incredibly enriching on an emotional and creative level, like writing Morning Pages while doing The Artist’s Way. It’s an escape from the everyday, a chance to let your mind (as cheesy as it might sound) do its thing and run free without constrains.

For me, it was a chance to discover that I had a much wilder imagination than I’d assumed. Who knew? It’s been a new way for people to get to know me, as well. Friends and relatives have read the book and said things like, “I feel like I understand you on a whole other level now. And I think maybe you’re crazy.” Nice.

I have been using the NaNo process to write my second book for the last six weeks. It’s longer than 50,000 words and I couldn’t wait for November to start because I have an actual deadline this time from my publisher, but the basic principles still make sense.

Interestingly, this time is harder. That surprised me. I’m more inhibited by what I know about publishing and by expectations. I can let my mind run rampant to some extent, but I also have to make sure that I stay on track, so I don’t horrify my publisher. But its working, or I guess I’m working, and that’s what’s important.

Ultimately, I like to think I wasn’t entirely wrong about the definition of NaNoWriMo, when I first heard it bandied about. While the acronym may not refer to some alien species, it is sort of a strange cultural community full of people who allow their minds to take them to lands far, far away. And that’s a unique thing.

Meanwhile, I should be getting back to writing. Better say goodbye.

Or as they don’t say, but totally should, during National Novel Writing Month:

Nano Nano.

Good luck!

Nora Zelevansky is a novelist, freelance journalist, essayist and editor, whose writing has appeared in publications including ELLE, Vanity Fair online, Salon.com, Cosmopolitan, Travel + Leisure, the Los Angeles Times, Martha Stewart Weddings, Town & Country, Style.com, SELF, The Daily Beast, The Washington Post and Daily Candy to name a few. She is a contributing writer for C Magazine.
Semi-Charmed Life info, My website, Book For Sale, Facebook Author Page
Twitter handle: @missnoraz

World Fantasy Convention 2012 Round-Up

November 8, 2012

Nancy

Ace Jordyn Conventions Frank Morin Marketing Nancy Greene Superstars Writing Seminars The Writing Life 7 Comments

Last week, the World Fantasy Convention (“WFC”) was held in Toronto, Canada. For all of you who may not know, WFC is a convention for fantasy and science fiction writers, artists, agents, editors and other professionals. The four day conference has seminars/panels on craft issues. There’s a dealer’s room for hard-to-find, and rare books, and an art show. The price of admission includes a swag bag full of free books, and use of the convention suite. There’s also lots of time for networking, including nightly parties often hosted by publishers, and a closing banquet.

Four of the Fictorians (Evan Braun, Ace Jordyn, Nancy DiMauro, and Frank Morin, from left to right in the photo) attended this year. Evan asked us to share our thoughts about the conference with you. So, here they are:

Nancy: I attended my first WFC last year, and through the introduction by fellow Fictorian Colette Vernon met Celina Summers the head editor at the newly formed Musa Publishing. WFC opened doors for me that I never knew were there. I knew I wanted to attend this year’s WFC to connect with friends, further my writing career, and help others do the same. Why did you attend?

Ace: I wanted to see writer friends from all over the world, and WFC makes connecting with friends easy. It’s also a great place to meet new people from writers, editors, agents and publishers.

Frank: I attended for two main reasons. First, to meet with my agent, John Richard Parker from ZENO, in person. He’s based in London, so this was a rare opportunity. Second, I feel it’s vitally important to interact, socialize, and network with other industry professionals. WFC is a great venue to do that.

Nancy: What was the best thing about this year’s WFC?

Ace: Shanghai Steam, an anthology I co-edited, was launched at the con. The anthology authors had a blast at the autograph signing session and readings at the launch. It’s wonderful to see the excitement, and feel the energy of so much creative pride.

Frank: At my first WFC two years ago, I didn’t know what to expect. Luckily, I connected with several other new authors. We spent the conference looking for and talking with agents and editors we wanted to talk with. This year, I still focused on networking and meeting new people. For me, it was deeply rewarding to mentor newer authors at this WFC and continue to learn from more experienced professionals.

Nancy: The best thing about WFC is the conversations I had with people. I spent hours talking with editors and writers, both well established and new. Brandon Sanderson met with the attending Superstars Writing Seminars alumni, which most of the Fictorians are. Brandon spent about two and a half hours with us. We talked about his outlining technique, working on the Wheel of Time, talking to and working with agents and editors, dealing with deadlines, book tours, writing, Writing Excuses, and so much more.

There were so many great things that I’d be hard pressed to single out anything “bad” about the experience. If I had to though, I’d say that there never is enough time, and the hotel NEVER staffs the bar right. Even though the Con officially lasts 4 days, those days fly. There’s so much to do. The Con runs from 8am when the Con Suite opens until 4-ish am, when the last party goer has returned to his room. A lot happens unofficially at the bar, and you can find people there at all hours. Despite being warned that there will be anywhere from 50 to 100 people at the bar at any given time, the hotel never has enough staff. When they can finally get you your drink (whether spirited or not), tip well as those few staff members are working hard.

Ace: All the activity means that my least favorite thing is the lack of sleep. There’s so much to do. So many people to see and meet. It’s electric and the conversations go long into the night.

Frank: For me, it’s the travel distance.

Nancy: One of the reasons I love WFC is you can accomplish more there than you can in two years outside WFC. What was the most useful thing about it for you?

Frank: This is tied closely back to question about the best WFC-related thing – the connections we make. WFC is a wonderful place to network and interact with professionals representing all aspects of writing, including other authors, agents, editors, and publishers. The first several years of writing, I didn’t attend conventions. I wish I had. There are so many benefits to rubbing shoulders with others in the same business. People at WFC have consistently proven their willingness to share their knowledge, mentor newcomers, and provide opportunities.

Ace: Getting my finger on the pulse of what direction the industry is moving not only with writing trends but on the publishing environment.

Nancy: Next year’s WFC will be in Brighton, England. Other than buy your membership now since it will likely sell out, any tips for those attending future WFCs?

Ann: Relax and enjoy yourself. Have fun. Talk. Attend panels, readings and parties; not only do you learn lots; you never know who you’ll meet.

Frank: Get to know the hospitality suite. It’s a great place to mingle, and to eat. This year’s hospitality suite (or con suite as it’s often known) was well stocked with surprisingly good food. I made some good contacts there and met a lot of people.

Put yourself out there. Most people were very outgoing and eager to talk with others. I saw a few who seemed to be lingering on the fringes, and managed to draw a couple of them into conversations. They were new authors with few connections, who felt a little lost. Many of us authors are introverted people, but we have to set that aside at conferences and take the initiative to meet people. The connections are invaluable. Once you have a base group of friends and acquaintances, it makes it that much easier to reach out even further.

One way to start getting to know people is to attend other writing seminars or workshops. For example, there were 8-10 of us who were alumni of the Superstars Writing Seminars. Those events were excellent in and of themselves, but now provided a secondary benefit. We all came to WFC already having a large group of friends to socialize with, share advice with, and to help us maximize our WFC experience.

Nancy: To build on what Frank was saying, the benefits of WFC or any seminar or convention might not be immediately obvious, but there are long-term benefits. Every relationship you maintain is one where you can help someone else’s writing career, and that person, in turn, can assist you. Just remember to pay it forward.

Speaking of which, any tips on how to approach editors/agents at WFC?

Frank: Remember, relationships come first. We all want to meet editors, agents, other authors, etc. They want to meet people too. Relationships open doors both ways. But before we can make that pitch, before an editor will do more than look for a way to excuse themselves at the first opportunity, we need to establish a connection. Be friendly, but not desperate. Ask them about their projects, what they’re interested in, what books they’ve been reading. Look for things you have in common that can help build that connection. If you’re successful, they’ll ask for a pitch or give you a card. If you’re not, they’ll slip away no matter how hard you try to chase them. DON”T CHASE THEM. This is a business, and we are successful when we act like professionals.

One thing I had not understood prior to my first WFC is that many agents don’t really want a full pitch, although some do, so be prepared! I butchered my first live pitch, but thankfully the agent took the time to explain why I was so awful. She wouldn’t have if I hadn’t made a solid connection first. For those agents who do not want a full pitch, they’ll give you their card. This is a good thing. It opens the door to then send them a query per whatever guidelines they have posted on their website, and reference that meeting at WFC in the query. My agent was one of several I queried after WFC in 2010.

Ace: My nervousness at meeting editors and agents disappeared when I realized I wanted to buy their services. Yes, getting my novels published is the ultimate goal but it’s important to me that I find an agent who will work hard for me, and a publisher who has access to the appropriate markets who will work with me to make us both successful. An attitude of selling means I know my product; I have questions I want to ask and so all that makes me less nervous. And yes, my pitches are all prepared.

Nancy: I saw your pitch sheet. It was really impressive. If you have a story that’s looking for a home, it helps to be prepared because you never know when someone will ask what you are working on. Having a prepared pitch helps reduce the nervousness. And I can’t emphasis what Frank said enough. Make a connection first and be a professional and polished version of yourself. Be courteous. Manners matter.

Frank: Also, if you are too nervous to approach an agent or editor, rely on your friends, or people you’ve made a connection with at the Con. Have another author you know introduce you to an agent or editor. Chances are someone helped that person out when she was getting started, so she’s happy to help you, just like you’ll be happy to do it for someone else down the road.

Nancy: What do you know now that you wished you knew before attending WFC?

Ace: I think I’d make plans with writer friends to stay an extra day or two to either hang out or have some writing time together. The con generates great energy that’s worth hanging on to for as long as possible.

Frank: I wish I had taken more time to research people I wanted to talk with. Work was very busy prior to WFC so I didn’t have enough time to do the research I needed. For example, I wanted to talk with a couple of editors, but I didn’t manage to learn the names of the other editors at the publisher. I had a productive time, but there were definitely opportunities missed due to lack of preparation.

Final thoughts from all of us:

For those who have not attended WFC, we can’t recommend it highly enough. The publishing industry is small, and, in some ways, getting smaller as it changes. It’s important to become known and make connections. Unlike, say some of the conventions where people walk about in costumes, WFC is a primarily professional convention. People attending WFC are, generally, those in the industry who we, as writers, will do business with. Making connection with people at WFC may mean the difference between publishing or not since people want to do business with someone they know.

See you in Brighton next year!

Conventions

October 26, 2012

Matt Jones

Conventions Marketing Matt Jones The Writing Life 5 Comments

World Fantasy Convention starts in less than a week. This year the focus is on urban fantasy and gothic fantasy. If you’ve never been to a convention, going to your first convention is almost a magical experience by itself. You’ll meet authors left and right that have been in your shoes. You’ll see editors and agents who are willing to give you advice and may tell you to send a copy of your new novel their way. And, if nothing else, you’ll have a great time. So, if you’ve never been to a convention before, let’s look at why you should go to the next one, and what you should do when you arrive.

As you finish a novel or two, you’ll want to start submitting them to publishing houses and editors. Usually this ends up with your work starting at the bottom of a slush pile and you waiting impatiently for someone to read, and hopefully pick up your novel. The other option is to meet these publishers and editors and if they like you and your pitch, they may ask you to send them your work. While it will still end up on the slush pile, this can get you put to the top.

Even if you’re still not finished with your novel, conventions can be a great place to go for that little push. There is a common saying that says you should group yourself with people who are doing what you want to do. You can look pretty much everywhere and you’ll notice a trend of authors emerging into the publishing world in groups. You’ll have people that will push you to succeed while understanding the troubles you’re facing. Along these lines, conventions can act as a support group. For a couple days a year, you’ll be immersed into the middle of your peers and idols. You’ll hear about success and everyone will tell you that it can, and will, happen to you if you persevere.

If you’re still not convinced, Brandon Sanderson tells a story about when he was trying to get published. Brandon was taking a class with David Wolverton/Farland and David learned about the books Brandon had written. David told Brandon that he needed to make it to the next convention, even if it required selling everything he owned. Brandon listened to that advice, met his editor, and the rest is history.

So, you’ve made it to the convention that fits your work, now what? The best advice I can give you is to be social. The panels and talks are good and you should definitely attend the ones you find of interest, but the real magic usually happens outside the convention hall. Learn where the parties are happening and make an appearance. Hang out at the bar and introduce yourself. Be friendly and be ready to give that elevator pitch you’ve worked so hard on. Get business cards and email addresses. Start building up your circle of authors and industry professionals who know your name. It might give you the edge you need in the future.

If you have a novel ready to be published, you’ll want to do your homework before the convention and put on the dreaded marketers cap. Many conventions, such a world fantasy, have a list of who will be attending. If not, you should be following the publishers you want to submit to on twitter and facebook anyway, so you should have an idea of who is attending. Take this list and learn everything you can about the publishers and editors that you want to submit to. You should remember that they’re people as well, and like talking to people who appreciate their work. Ask them about the novels they’re currently working on, and how the last batch has done. Be friendly, and not pushy. If all goes well, they’ll reciprocate and ask what you’re working on.

Just remember to be friendly and listen to social cues. Being too pushy or problematic can hurt your chances as well. If the other person is in a hurry or trying to leave, wait for another opportunity. Talk to others in the group and make friends. Even if you don’t kick it off with your favorite editor, there are plenty of people around willing to talk to you and give you the push you need.

Dreams vs. Day Jobs

October 17, 2012

Brandon M Lindsay

Brandon M. Lindsay Publishing The Writing Life 5 Comments

I love money. I love being able to do the things I want to do without worrying if doing them will prevent me from paying my bills. I love that feeling of clarity that comes with the bank statement telling me that those setbacks that life sometimes throws at me are hardly setbacks at all.

I also love the satisfaction of a job well-done. I love raises, and promotions, and the praise of coworkers and bosses. I love having some structure to my day. In short, I love having a day job.

It’s easy to make the case that we can’t live without our day jobs. It’s even easier in such tough economic times, when it becomes clear to so many of us what not having one is like.

But I sometimes wonder: what if that was all I had? What if, on my deathbed, I realized that the greatest thing I achieved in life was middle management?

What if I had to make a choice between the comfort that a steady paycheck brought and the dreams that defined who I am?

Of course, one of the nice things about our modern society, even in its current state, is that we don’t have to make that choice. I am a writer with a day job. I am able to both pay my bills and follow my dreams. One need not be sacrificed to the other.

Yet knowing how you would answer such questions can help shape your future. Both your day job and your dreams exist in tension because they both compete for your time (what little time is left over from daily living).

It’s easy for us newer writers to frantically scramble for the top in this fast-paced new world of electronic publishing. There’s nothing wrong with that, except that it brings us the unreasonable expectation that if you’re not an immediate success, you’re an immediate failure. It’s easy to forget that there’s still the future in which we can make our mark. Writers are notoriously easy to discourage, perhaps in part because the world wants so badly to discourage us, and now we have sales rankings that can disappoint us every hour on the hour that only provide one more such opportunity.

As writers, our work doesn’t have an expiration date, especially now that the term “out-of-print” has gone the way of the dodo. But even before that was true, many writers had to wait years – decades even – before seeing an inkling of success. Yet still they persevered because they knew that without following their dreams, every other little success they achieved was but part of a greater failure. And fail, they could not. Writing was their lives. Without it, breathing was merely a countdown to death.

In taking the long view, we don’t have to answer the dilemma between day job and dream. It may be hard working two jobs, but no one said this would be easy. Patience and perseverance are job requirements; if you don’t have them, you may want to start thinking about middle management. It may make you happier.

So how would I answer this dilemma? Would I take comfort and security, a life with few surprises and few adventures? Or would I risk it all for the ultimate prize?

If you’ve read any of my fiction, you already know.

Help me quit my day job!

Read a ripping good yarn while you’re at it!

Today only, my epic fantasy, The Clans: Tales of the Fourth World, is free on Kindle! Click here for more details.

The Fourth World is ending. Brother Willfonde, the man destined to save it, is dead. Yet he left behind six clues-one historical text from each clan-in the hope that someone could finish what he started. Or so it is believed.

Led by a novice named Kularro, a group of young geniuses is tasked to find what the Magisters of the Church of the Overarch could not: an answer to the riddle of Willfonde’s six texts. Will they be able to find a way to save their world? Or is Willfonde’s final message one of despair?