Category Archives: Business

Rose City Comic Con

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Even though Rose City Comic Con is only four years old it’s one of the premier events in Portland, Oregon. It helps that a lot of comic book companies, artists, and game developers call the Pacific Northwest (and Portland in particular) home. There also isn’t a shortage of celebrities willing to come to Rose City. This year’s guests included Carrie Fisher, Nichelle Nichols, Walter Koenig, Elizabeth Henstridge, Wil Wheaton, Robert Englund, and the legendary Caroll Spinney.

Last year I went as an attendee and had a blast! The heads of programming do a fantastic job of making sure there’s something for everyone. The celebrity guests have their Q&A panels, there’s cosplay tutorials, gaming, concerts, comic book writing panels, photo ops, and interviews with voice actors. Artist’s Alley and the dealer’s room are full of wonderful things that make me wish I didn’t have a budget.

This year I helped out at the Wordfire Press booth in the dealer room and that gave me a completely different view of the convention. The first difference is that I have a much deeper appreciation for the venders. They’re there ALL DAY. Yes, we get breaks so we can eat or pee but other than that we’re at the booth from open to close, standing on an unforgiving concrete floor, answering questions about the merchandise, shouting over the din of 30,000 people just so the person standing two feet away can hear you, and wearing our biggest smile for the attendees. IT’S EXHAUSTING! On top of that you’re hoping that your sales are enough to cover the cost of being there.

That aside it’s still a lot of fun. You get to know your booth neighbors, see all the awesome cosplayers, and watch fans burst into tears when they meet the author they idolize. I got to see a line of R2 and R4 units parade around the dealer hall before it opened to the public. I got to be a part of the marvelous organized chaos that is booth take down. Seriously, it’s fun! Everyone is so tired at that point it makes the jokes and double entendres twice as hilarious.

As much as I would have liked to go to panels with my friends I don’t regret spending the entire weekend at the booth. Instead of just attending the convention I got to be a part of it and that’s a higher level of awesome.

Six Great Take-aways from When Words Collide (2015)

A con is only as good as what you take away from it. When Words Collide 2015 had a fantastic line up of guests and panels to serve it’s 600 attendees. The 2015 guests included Diana Gabaldon (historical), Daniel Abraham (fantasy), C.J. Carmichael (romance), Faith Hunter/Gwen Hunter (urban fantasy/thriller) and Brandon Mull (young adult) as well as literary agents and small/medium press publishers.

Between the workshops and the panels, it was a great weekend to boost the little grey cells. Here are six things I found interesting:

1) On using pen names
Writing is about meeting reader expectations and as a writer you need to be transparent when you set those expectations. So if you use your real name when you write urban romance, it’s best if you use a different name when you write in a different genre like science fiction. Why? Because each name tells the reader what to expect. If they buy a book expecting to read a romance and it’s science fiction, you’ll have one angry fan and you don’t want that. However, each name you use doesn’t need a separate website. Your readers will accept that you have different lines under different names. Beware though, that if you’re writing for vastly different genres, like children’s picture books and erotica, not only are different names appropriate but a different website would be too!

2) Subtext provides depth and foreshadowing
The best foreshadowing is done through subtext. Done well, subtext makes future events more believable, creates mood and adds resonance. Subtext is implied, not said or told. It is the implicit undertone that reinforces an unspoken idea. This whisper campaign plants the seeds of underlying emotions, plots, and things to come in the subconscious mind and gives us deeper levels of hidden meanings within a story. Objects, symbols, actions and character traits are a few ways in which to create subtext.

3) Agents are human!
Whether you’ve got five minutes or two to make your pitch, you still need to start with pleasantries and not simply barrel into the pitch. Make sure you’ve done your research on the agent or publisher you’re pitching to so you can say what’s special about that agency or publishing house and why you think you’d be a good fit with them. Above all, be aware that it’s not just the book they’re assessing, but also if you’d make an adequate partner. The book industry is a team sport but always, the writing has to be great.

4) The business of being published
There are three main areas: Writer (product creation); Marketing (distribution, sales, promotion, platform); and Business (financial, legal, taxes). The key being successful is to know who you are as an individual and to understand how much time you want to spend on each of the three areas. For example, how much strength does your personality have to market? Understand your weaknesses and get help in those areas. Neglect any one and your business suffers BUT above all else, your product is the priority because without a good product, the rest won’t work.

5) Tricks for a successful mystery
This list was long, but here are a few of my favorites: Limit the sleuth’s options by giving him a weaknesses such as emotional, relationship, or physical impairment; tighten the pace with imposed deadlines; raise the stakes, threaten characters; allow characters to make mistakes; understand that the victim is the key catalyst for the story happens because of that person and he is the solution to the crime; readers want to solve the crime with the sleuth so have fun placing and revealing those secrets, clues and red herrings to make the investigation interesting.

6) Those critical first pages
Whether the first page uses the dialogue, narrative style or action, every good opening must contain: an event that will prove pivotal later but isn’t finished; characters in conflict; a writing style that sets the tone of the story; strong, active verbs and words; immediacy or the tension of knowing that something is about to happen; and the bait of a great opening line. In the first five pages, start an event and then don’t finish it – that creates a story within a story such as an internal conflict hinted at and an external conflict implied. Offer a thread of information or evidence to the reader and force the reader to deduce its relevance. Above all else, you will never go wrong by opening with conflict.

Check this con out at: http://www.whenwordscollide.org/

When Words Collide

Confessions of a Con Novice

A few years ago at a writing seminar I was asked if I’d be attending a local upcoming “Con.” I wasn’t exactly sure what a Con was. My friend clarified that she was referring to “Comicon.”

This may come as a surprise to some, but I hadn’t ever heard of Comicon. Or Dragon Con or Worldcon except that it sounded like Worldcom. (No I promise that isn’t a knock at the Hugos. I really was this ignorant).

But I didn’t want to flaunt my ignorance so I googled, Comicon and sure enough there was one in Phoenix that summer.

Have you ever learned an exotic word that you could swear you’ve never heard before, but once you learn it, you hear it everywhere? All of the sudden, everyone I knew was talking about Comicon.

So I gathered the family and we ventured to the conference center. I was blown away at how popular it was. There were crowds upon crowds of people, most dressed up like it was Halloween. Someone asked me if I was into Cosplay. This was also a new word for me and it sounded, well, kinky, so I shook my head and ran away.

As far as the Con, My kids loved it. I loved it. My wife would have preferred about anything else but she obliged, allowing me to be amongst “my people” as she lovingly called the attendees.

So, I’m still a Con novice, but I’m gaining experience. I have attended a smaller con in Arizona and last year I went to Salt Lake Comic Con as a volunteer in the Word Fire Press exhibitor booth.

And today, I have returned one year later to that same Con of Cons to be amongst my Word Fire friends but this time I brought my son and I might even let him Cosplay. Because I’ve made it my mission as a dad to help my children have a better childhood than I had. That’s how we make the world a better place. My son knows what a Con is. He also knows that Salt Lake Comic Con is different (though it is of similar pronunciation) than Phoenix Comicon or San Diego Comic-Con. And there are a good many more Cons of comics and other great things.

Here’s a helpful list and for the sake of humanity, please take your children; after all they are our future.

Salt Lake Comic Con – August 31 – September 3, 2016

San Diego Comic-Con – July 21 – 24, 2016

Phoenix Comicon – June 2 – 5, 2016

Phoenix Comicon – Fan Fest Dec 4 – 6, 2015

Dragon Con (Atlanta) – September 2 – 5, 2016

2016 Worldcon hosted by MidAmeriCon II (Kansas City, MO) – August 17 – 21, 2016

Rose City Comic Con (Oregon) – September 10 – 11, 2016

World Fantasy Con 2015 (Saratoga Springs, NY) – November 5 – 8

World Fantasy Con 2016 (Columbus, OH) – October 27 – 30

Click here to see a bunch more

 

jace 1I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve got an MBA and work in finance for a biotechnology firm.

I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.

You can visit my author website at www.jacekillan.com, and you can read some of my works by visiting my Wattpad page.

Ad Astra and Can Con

As a Canadian, travelling out of the country to attend cons involves a big trip with advance saving and planning, and most years it’s just not affordable for me to travel internationally.  Fortunately, there’s some great cons in Ontario that have offered me some opportunities closer to home.

adastraAd Astra is held in April each year in Toronto.  Can-Con is an autumn convention that’s taking place this year in Ottawa from October 30 – November 1.  It’s my pleasure to be a panelist at Can-Con 2016 and for anyone reading who’s going to be with us in Ottawa this fall, I look forward to seeing you then!

Ad Astra is Toronto’s sci fi and fantasy convention with a focus on authors and other creative professionals.  Can Con, the Conference for Canadian Content in Speculative Arts and Literature, invites writers, editors, and academic professionals in fields that range from physics and astronomy to Renaissance Studies to speak in their areas of expertise.

Both of these conventions are different from the typical Comic-Con in that they put a special focus on writers and creators.  While these cons are still fandom-friendly, their focus isn’t on TV actors, cult film or licensed merchandise.  Both conventions offer a good variety of panels that include how-tos for hopeful authors, advice for new authors, discussion of issues of interest to or affecting the speculative fiction community, book launches, and more.

Since the focus of these conventions isn’t on commerce, I find the dealer’s rooms to be significantly smaller than at conventions such as Ottawa Comic-Con, GAnime, or HalCon.  However, the people who do go to those dealer’s rooms are going to be specifically interested in buying books (as opposed to licensed merchandise).  Getting a table is something I’ll be looking at doing in future when I have full-length novels to sell (right now, my stock consists of anthologies in which I am one of many contributors).

cancon

The last time I was at Ad Astra, I volunteered to sit at the Dragon Moon Press table with copies of When the Hero Comes Home 2, the anthology that published my first professionally-sold story.  Helping out was important to me for several reasons.  Because the publisher had paid for the table, there was no financial cost for me to meet people and help sell books.  I was able to watch and learn from my fellow contributors who’d worked at con tables before.  While I was sitting there, I got to form friendships with my fellow authors.  And as a matter of professionalism, in the future, I know the editors and publishers would rather work with someone who’s ready and willing to lend a hand, rather than someone who prefers to avoid work and responsibility.  It was easy to approach and talk to fans with a shared interest in speculative literature.

The down side of this arrangement was that since it was a specific publisher’s table, we couldn’t use the table to sell books or anthologies by other publishers.  Trying to sneak other books onto a table someone else had paid for would have been extremely disrespectful; we didn’t, and I don’t recommend it to anyone.  One of my fellow authors got around this restriction by volunteering to cover another author’s table while he was at lunch, panels, etc.; in exchange, the other author agreed to host her books at his table.  Another author held a book launch event at a restaurant off-site.  For my part, I talked about the different things I’d written and had a few interested buyers asking to purchase my other anthologies, which I was able to direct them to online.

Ad Astra was a valuable experience for me because I was able to meet my first publisher and editors face-to-face, and also network with my fellow authors.  The writing community is a relatively small one, which can be both to your advantage and your disadvantage.  Advantage, in that this little bit of networking has already opened up some excellent opportunities (more on those later, when I’m at liberty to discuss them!)  Disadvantage, in that news of poor manners and bad behaviour will circulate quickly.  Make sure the reputation that precedes you is a good one.

After only two years people are already beginning to recognize who I am and what I write.  How often do you get to build your professional career and have fun doing it?