Category Archives: Business

Don’t Throw The Game For One Goal

Goals Guest Posts Motivation Publishing Self-Awareness No Comments

A Guest Post by Jessica Brawner

In football, the kicker takes the field. He kicks the tiny oblong ball through the gigantic goalposts, and the crowd goes wild! Cheering, clapping, praise and acclaim! That’s what we all want; to hear that wild clapping when we achieve a goal, someone to praise us when we did well, to pat us on the back, or in the case of sports fans, dump a cooler full of Gatorade over our head. Right?

What if we missed? What if we didn’t make the goal? Do we get the dreaded mass groan and boo? Do we lose the whole game?

The answer in football is—sometimes. Thankfully the writing process is not a spectator sport, nor does it hinge on one decision. Our misses are seen only by ourselves and the editor who sent us the rejection letter. We all miss sometimes, and even the best kickers in history don’t have a perfect record. Do we beat ourselves up until we’re black and blue for every goal we didn’t make? (I hope not! That’s not much motivation to continue is it?)

So you missed your goal. WHY did you miss your goal? Take a few moments to re-evaluate and see where things went sideways.

Did you miss the deadline? What happened?

Was there a life event that got in the way? Or were you just not motivated enough to sit down and get the words out? Are you using the one as an excuse for the other? (Hint: life always gets in the way. Learn to work around it.) Try setting a reasonable daily word count. For some people this may be 200 words, for others it may be 2000. Look at your life circumstances and what you want to achieve with your writing and set a plan or a playbook that works for you.

Does your writing or storytelling need improvement?

Find a mentor, or take one of the many, many online (or in person!) classes available. Find one that focuses on what you need to improve. Go to a writing boot-camp!

Were your eyes too big for your stomach? (Or did you set a goal that you’re not ready to reach yet?) It’s great to aim for the really big prize; it’s how we ended up with airplanes and rockets and a host of other scientific and artistic inventions. Remember though, each large advancement required intermediate goals to reach the big prize. Make sure you are setting the mid-size goals as well as larger goals.

An example, I would like to put out a book of short stories at the end of next year and have my business, Story of the Month Club (www.storyofthemonthclub.com) to a level where we can pay authors professional rates. These are both large goals. To achieve the first I have joined a group to write 52 stories in 52 weeks. A story a week. Taken as a whole it’s intimidating, but broken down I have set a small goal for every week of next year. If I fail one week, I can succeed the next, and if I succeed enough times I will have enough stories for a book. Success or failure does not hinge on one goal.

For Story of the Month Club, it will probably take longer than a year, but I have laid out a plan and several strategies for progress. The point is to keep going, keep striving, and keep trying. (And try new things!)

If the kicker misses a field goal, the coach doesn’t beat him up about it (much); the coach makes him practice more. Good kickers practice and persevere until they can do their job with their eyes closed and one hand tied behind their back while facing down five defensive ogres. All skillsets require practice. Have patience with yourself. Set reasonable AND stretch goals. Have a playbook to guide you.

 

 

Jessica Brawner writes both fiction and non-fiction. Her first book, Charisma +1: The Guide to Convention Etiquette for Gamers, Geeks and the Socially Awkward was released through WordFire Press in 2014. You can find out more about Jessica on her website at www.jessicabrawner.com

Tesseracts 18: Wrestling with Gods – Where Sci-Fi and Religion Meet

Marketing Mary Pletsch The Writing Life No Comments

The newest volume of the Aurora-Award winning Tesseracts series is available online today!

T-18-Cover-270x417-100dpi-C8Tesseracts 18:  Wrestling with Gods examines the intersection between speculative fiction and religion.  It’s my honour to be part of this prestigious series with a story entitled Burnt Offerings.

Corporal Pasharan was destined to spend the rest of his life in a military sanitarium were it not for his tale of a near-death experience with a god.  Now sanctified as a Shaman, he’s been equipped with cutting-edge technology and the freedom of cyberspace.  He can never dare admit that his tale was a fabrication, or that he remains unconvinced about the existence of any form of deity.  When a young soldier converts to another religion and risks the wrath of her theo-political superiors, Shaman Pasharan must find his own kind of faith to make a choice between truth and power.

The title of the anthology was a big inspiration:  Wrestling with Gods.  I knew I wanted to write about a character whose relationship with his faith wasn’t an easy one.  I started thinking:  what would it be like for an agnostic character in a ministerial job?  What if he didn’t have the luxury of resigning over his doubts, because he counted on that job not just for livelihood but survival?  That got me thinking about the intersection between faith and power; between privilege and faith; between speaking the truth and the fact that honesty can sometimes get people killed when the wrong folks are listening.

For the main character’s dependency on his job:  I had a hemiplegic migraine one day and decided to waste time on the internet.  A while later I realized:  here I am chatting to people who don’t even realize I’m sick.  Nobody notices facial droop or slurred words on the computer, and I had a lot of fun despite being in no fit shape to go anywhere.  I put that experience into my main character as well:  he’s disabled, but his role as Shaman to a technology god gives him this incredible power and authority in a virtual environment.  And yet all the time he’s very aware that his physical body makes him face pain, limitations, and dependency on others.
I’m a Wiccan with primarily Christian family and in-laws, and I have an amazing family that believes in respectful discussion and mutual understanding.  In the real world, I’ve seen cases of people horribly persecuted just for being Christian, and cases of people who call themselves Christian harassing and demonizing people of other faiths.  I think every faith is capable of having both immense good and immense evil done in its name, and I tried to represent this in my story.  The theo-political complex my main character lives under is a Pagan religion.  The Kin are my idea of what an organized, institutionalized, corrupt Paganism would look like, and they’re kind of a mixture of Asatru and Catholicism with a bit of eclectic Paganism thrown in.

You can get your own copy of Wrestling with Gods today on Amazon Kindle.  Paper copies will be available starting in March (Canada) and April (US).

Goal Setting and the Metrics of Success and Failure

Goals Motivation Quincy Allen Self-Awareness Starting a Career The Writing Life Writing Tools No Comments

This month on the Fictorians, many of us are following up on posts we made back in January and July. We’ve given a great deal of thought over the past twelve months to setting goals, meeting them, and coping with the inevitable shortcomings and failures that are common with people managing their own destinies.

Like most careers, becoming a self-sustaining writer is not unlike climbing a mountain—but one that has no summit. It’s more a matter of reaching one plateau after another in a line of them that extends to the end of our days.

I use that analogy deliberately because of something I noticed recently on Amazon.com. Amazon—that mega, web-enabled shopping cart of doom—has become a mainstay for traditional, hybrid, and indie-pub authors alike. We ply our wares there, and many of us track the status of our success or lack thereof in a little place called Author Central. If you have books or stories of any kind, regardless of publisher, that are available on Amazon, then I would recommend you go through the exercise of setting up your Author Central Account and tying in all your available works back to that account.

Once you have this mechanism in place, you can track where you sit in the Amazon author rankings. I must add here that it may be a bit daunting at first. To give you an example, my data goes all the way back to September 28th, 2012. My rank started at 386,929. Between then and November 2nd of this year, I saw a low of 629,888 and a high of 35,451. It’s a jagged graph that seems to plot, at least partially, when the novel came out or was revamped in a new edition. It also seems to reflect when the anthologies I was in came out.

Then something happened. On the 2nd of November there was a sharp spike in my ranking. It jumped to 4,500 and then slid back down slightly to hover for the past month around 20k. That is the plateau I was talking about. The beauty of it is that I can track that spike to three separate releases that all occurred at roughly the same time. Essentially, One Horn to Rule Them All, Fantastic Holidays: The Gift of Stories, and The Best of Penny Dread Tales all hit the streets or had media spikes almost simultaneously, and this gave me a bit more “street cred” in Amazon’s ranking algorithms.

I mention this all because while goals are an important aspect of being a writer, tracking metrics on your successes and failures is the first step in truly managing your writing career. We all need to have an understanding of what a success is—beyond just finishing a story or getting it accepted somewhere. There is a bigger end-game that many of us work towards: namely, making our writing career a viable means of self-employment. You can’t steer your course unless you know where you are succeeding and failing. Author Central is just one mechanism to do this. Maybe what you are looking for are positive book reviews, or sales data, or invitations to conventions. The metric you use isn’t nearly as important as having the knowledge of where you are in your career path.

Be aware of these things. Set your goals, implement the tools to track your success, and consider each “failure” as a stepping-stone to the next success. I quote Thomas A. Edison who said, “I have not failed, I’ve just found 10,000 ways that won’t work.” While it wouldn’t surprise me that Edison stole that quote from Tesla, the import of what he said is paramount to us. Failures are inevitable. We need to know each one intimately, so continue to have them, and use them as a foothold to the next success. And have a means of knowing when you’ve reached your goals. It’s always more than just finishing a story. In fact, finishing the story is just where the work begins.

Keep writing.

 

Q.

Looking for Progress in a Mirror

Author's Perspective Balancing Acts Craft & Skills Motivation Nathan Barra Self-Awareness Starting a Career The Writing Life 1 Comment

It is human nature to compare oneself to others, no matter how unfair that comparison is. I know that I have neither the productivity of Kevin J. Anderson, nor the skill to write the poetic prose of Guy Gavriel Kay, nor the ability to manage massive story lines and milieu like Brandon Sanderson. However, they are all professional writers with many years more experience than I have. Their skills represent goals, markers of achievement that I aspire to. Even looking to my friends who are closer in experience to myself isn’t an apt comparison. We are all different people and very different writers. Ultimately, their skills and successes have no direct impact on my own abilities. They are simply further down the road than I am. I have found that self-comparison is the only reliable and reasonable metric of progress.

As a writer advances through his/her career, growth occurs with every word and work written. I have often heard writers bemoan their old stories, talking about how they would do things differently given the chance. Though, I have written plenty of prose that has made me cringe later, I am more pleased than disgusted by the discovery. My ability to recognize flaws in my old work shows me better than any other metric my own growth as a storyteller.

The original introduction of my first completed novel is a perfect example. Because I largely discovery wrote that book, it took me two full years to complete. Now, I prefer to work in a more focused and deliberate manner, but that initial experience taught me a lot about my own style and craft. Naturally, my skill and tastes grew in that time. My more experienced eyes were able to see that a passage I had thought was filled with compelling characterization and evocative metaphors was little better than navel gazing. I redrafted that particular introduction half a dozen times, and each version was able to leverage my new skills and perspective. By comparing the initial and final drafts, I am able to clearly plot my own growth.

Though there have been times where I have made notes in a manuscript to rewrite or rework a passage during editing, I would not release a story into the wider world until it represented my best work. I have found that it is generally a good assumption that other writers have the same philosophy. What most non-writers have a hard time understanding is that it is almost impossible to track down and eliminate every error in a manuscript, especially since it passes through so many hands during the publishing process.

The way I see it, if I can recognize that some aspect of my old work is garbage, I must have come a long way from the time that I wrote it. Bonus points if I now understand why it is bad and how to fix it. Therefore, my own terrible prose is a marker of my progress as a writer. For me, that’s very motivating. Being a professional writer isn’t a game for those looking for short term benefit. Rather, writers must be continuously growing and learning. After a while, the trajectory of your skill matters more than the absolute value at any particular moment in your career.