Category Archives: Publishing

Kickstarting Zen Awesomeness

I have a deep and abiding personal respect for James A Owen. He’s a talented and successful author, comic books artist, and business person. He’s always been a good friend to me, giving me unconditional support and encouragement in not only my writing, but also my personal life. He taught me about the power of selling your Eggs Benedict and about the need to push yourself until you are just a little bit scared. His actions frequently remind me of the power of kindness and understanding. Now, he’s the one in need of a little help, and I’m for sure going to answer the call!

When first asked to speak to middle schoolers as part of his book tours, James decided that he didn’t want to talk about his Imaginarium Geographica series. If he was given only one hour to speak to the kids, he wanted to talk about what he thought was important in life. About the cumulative power of choice in our lives, on the need to decide what you want and work for it, and on the idea that it’s never too early to start shaping your destiny. This talk, Drawing out the Dragons, was so successful that he’s been asked to repeat it hundreds of times over the years.

When James realized that he couldn’t reach all of his audience personally, he converted the talk into a book. However, the story and the philosophy weren’t done there. He had more to share. And so, he wrote the Meditation’s trilogy to share his amazing life and philosophy of relentless optimism in the pursuit of one’s destiny.

My first experiences with the trilogy came when I heard James’ Drawing Out the Dragons presentation at the Superstars Writing Seminar back in 2013. I then read the first book, by the same name, and enjoyed it greatly. In fact, it is one of the few books I perpetually keep in my phone. Like everyone else, sometimes I just need someone to tell me that they believe in me and inspire me to keep pushing forward. James does this, both in person and in text.

Right now, James as a few days left in the Kickstarter he is using to turn these powerful books into a beautiful hard cover set. I’m a supporter, and hope that y’all would be willing to consider taking the leap of faith needed to help him complete this awesome project. I promise, you won’t regret it!

DRAWING OUT THE DRAGONS: A Meditation on Art, Destiny and the Power of Choice

“James inspires and motivates both the young and young-at-heart with personal stories that share an important belief: that you can choose to lead an extraordinary life if you will just persevere, stay focused on your goals, and believe in yourself.” —LeVar Burton educator, actor, entrepreneur. Drawing Out the Dragons has the power to uplift, inspire, and change your life, and is the first book in The Meditation s series.

THE BARBIZON DIARIES: A Meditation on Will, Purpose and the Value of Stories

“Mythologies are huge, sweeping things. And the grandest stories are those with the widest arcs of triumph and despair. As much as we may want to, we may not be able to avoid the despair – but triumph is a matter of will.” DRAWING OUT THE DRAGONS was written for everyone, but this book is an advanced course in surviving the Refiner’s fire – because some stories are too important not to share, and some stories are too meaningful to hide.

THE GRAND DESIGN: A Meditation on Creativity, Ambition, and Building a Personal Mythology

This book brings together the ideas from the previous volumes in The Meditations series (Drawing out the Dragons and The Barbizon Diaries) about all of the things I know and believe are most important in choosing to live an extraordinary life. Significance is a choice; and the extraordinary can always be chosen. That’s everything. And that’s all.

March Wrap Up – Nathan’s Top 10 Take Aways

This month on the Fictorians, we’ve thoroughly explored the many aspects of balancing our writing with the myriad of other responsibilities we have in life. I lead this month by insisting that we all have to choose how we spend our time. I have the words “70 hours” written on my bathroom mirror to remind myself that I have plenty of time outside sleep and my job. It’s up to me to choose how I spend it. And I still stand by all of that.
However, the stories and experiences of my fellow Fictorians and our wonderful guest posters have helped me realize a few things about my own work-life balance. It’s not perfect, nor does it need to be! Instead of repeating their words, I’ll simply share my top ten favorite posts for the month. Do they line up with yours?

  1. I found out the secret of Gama Martinez’s awesome prolificness! The man keeps up with one of the most aggressive release schedules I know of by writing his books 10 – 15 minutes at a time when necessary, capturing every opportunity he can to do what he loves.
  2. Ace Jordyn reminded me that you don’t need to write every day to be a writer. We all have our own rhythms. Do what works for you!
  3. Kate Corcino told us about some pretty intense points in her life, how she struggled to find time to write, and those times when writing wasn’t the most important thing she had to deal with. Writing’s a marathon, not a sprint.
  4. David Heyman talked about the struggle to have your cake and eat it too. Sometimes, however, you must give up a slice to make time for your novels. It’s essential to remember that you need to take that slice out of your own portion of your time, not out of the work that pays the bills or the family that loves and supports you.
  5. No one is busier than a new momma, but Joy Dawn Johnson let us peak into her crazy, distraction filled world. And yet, she still gets work done. The trick? No matter what distractions arise, always come back to the keyboard.
  6. Speaking of distractions, there are some things that come up that we have to attend to, while others can be ignored. At least for a while. Emily Godhand talked about how to tell the difference and knowing when to remove or ignore the ones that are keeping us from getting writing done.
  7. I’ve been obsessing about making my writing a business so much over the past couple years that I’ve lost sight of the need to let the artist run the show sometimes. Like Sean Golden, I’ve recently found that my best work has been done when I’m not worried about making a sale, but rather focus on writing a good story.
  8. Nancy Green reminded us that you can’t have “it” all; you just have to decide what “it” actually is.
  9. Jen Greyson talked about the difference between balance and equilibrium. After all, it doesn’t matter if the scales are even, so long as you can be happy with where they lay.
  10. Holly Roberds’ post reminded me that you can’t be a slave to your work. Sometimes you just need to cut yourself a break and give yourself permission to do something other than writing. Seriously! It’s healthier that way.

And those lessons only represent about one third of all the insightful posts we’ve seen this month! Did you catch them all? Which were your favorites? Unfortunately the month is almost done and we need to be moving on to a new theme, but please come back for April’s topic. I promise you’ll love what Anne has in store!

Write Like the Wind

A Guest Post by Gama Martinez

I have a rather ambitious release schedule this year. This Tuesday, March 29, Beastwalker, the third book in my Pharim War series gets released. After that, I’m releasing, on average, one project a month until the end of the year. Seven of those will be novels, and three will be short story collections. When I tell people this, the look at me like I’m crazy, but there are a couple of things I’m doing that make this much more bearable.

One of the most wonderful things the internet age has given me is the ability to write from anywhere. I save my manuscripts on my dropbox, which I can access from my computer, my tablet, or my phone. If I have thirty minutes in which I’m not doing something, it’s a simple matter to pull out my phone and add a hundred words or so to my latest project. It’s not the easiest thing to do on my phone without a keyboard, but a hundred words is a hundred words. They add up. I generally set aside at least three hours a day to write, usually at night, and during that time, I tend to write about twice what I did during the little chunks, but think about that for a second. A full third of my writing is done outside of my “writing time.” Doing this, I end up with a first draft in roughly a month.

That brings up an important point. I’ve learned to write in small time chunks. This took me a long time to learn how to do. Some people need time to make the mental transition into writing mode. It can be difficult to learn. There is one thing that really helped me overcome that, and that was realizing that it’s okay if my first drafts are terrible. They are full of plot holes. I frequently go five pages with nothing but dialog. I have major reveals that weren’t foreshadowed at all. I might have as many as thirty problems like that in a manuscript, though it’s rarely been that many. It’s the first draft so it’s fine. None of those things, by themselves, are that big of a deal. That’s the key point. Once I get to my revision phase, each of these problems might take me a day to fix. Most won’t actually be that long, but for the sake of argument, we’ll say each takes me a day. That means if I have my hypothetical first draft written in a month with thirty day long items to fix, I can have a viable draft in two months. It’s still not ready for submission, but 85% of the work is done. After that, its proofreading, beta readers, and editors. Each of those take time, but if you’ve made it this far, you probably won’t have a problem with that.

You also need to find what time works best for you. There have been cognitive studies that suggest the two halves of your brain fall asleep at different times. It varies from person to person. Some people write best early in the morning. I do late at night. Frank Herbert wrote part Dune in one hour chunks, sitting in his car during his lunch break. Multiple other have done similar things. Find when works for you.

Regarding writer’s block: I’ve already partially addressed it. Like I said earlier, it’s okay if your first draft is bad. That’s what the second draft is for. There is another school of thought on this that I don’t follow but that may be of use to you. Orson Scott Card says that when you have writer’s block, it means you’re subconsciously detecting something fundamentally wrong with what you’ve already written, and that you need to go back and fix it. I can understand that view. If there is something fundamentally wrong, your story could go off in a completely random direction, however, I am an outliner, and I always know where my story is going, that keeps me from getting too far off track. If you don’t outline, and you find yourself with writer’s block, you may want to go back and see if there’s something wrong you can fix.

There is one more thing I would like to point out. My process, the habits I’ve outlined above, work for me. It’s taken me a long time to reach this point. I started writing seriously nearly eight years ago. You probably won’t be able to read this post and churn out half a dozen books in the next year. It will take time to find your process, and that’s okay.

Gama Martinez:

Gama Martinez lives in the Salt Lake City area and collects weapons in case he ever needs to supply a medieval battalion. He greatly resents when work or other real life things get in the way of writing. He secretly dreams of one day slaying a dragon in single combat and doesn’t believe in letting pesky little things like reality stand in the way of dreams. He is currently working on the Pharim War, a series about angels as well as The Nylean Chronicles, a new series about unicorns.

Slave to Your Work

A Guest Post by Holly Roberds

The problem with self-directed work, whether you are a writer, freelancer, or artist trying to make living or even just a mark, is you never know whether or not you are doing the things to put you on the path to life you want. You try to measure your progress, write more stories, submit more work, but sometimes your efforts never feel like they are enough.  While working on your writing career can be a joy, it can also turn you into its slave.

I came upon this revelation after working a twelve hour day at a temp job. Up at five am, I managed an hour’s worth of editing time. Then at lunch, I squeezed in an hour of freelance work, and snuck in more editing throughout the day until I rounded up the edits at thirty pages for the day. I have never accomplished so much in one little day. Thirty pages of edits is an amazing accomplishment for me on days I didn’t have other obligations, so this was monumentally awesome!

Except, it wasn’t. Instead of feeling proud of my uber-productive day, I was absolutely miserable. Not because I felt overworked. Oh no. I was miserable because I internally bemoaned, “I didn’t do enough today! Maybe I should stay up a couple more hours and try to pack in more writing and edits.”

This is when I recognized something was very wrong. I could no longer hang out with friends, family members, or even take the time to sit down and watch a movie without the wormy guilt incessantly tugging me back to work. The ugly and demanding voice, I’d grown used to, chided that if I could get so much done on a busy day then my output should be triple on my days off. Then again, I looked over at my boyfriend who thoughtfully chewed dinner and patiently listened to my struggles. I’d rather not dump kerosene on my relationship with him or the rest my friends and family before switching on the flamethrower.

Something was broken inside me.

My off-button.

I had graduated beyond the initial stages of waffling, enough to finish stories that were of palatable quality. I was shooting short stories into the dark, unforgiving abyss of pro-markets, and gaining massive ground on my novel. Heck, I’d even scored my first publication. It was a good year for me! So why did I feel like no matter what I did, it wasn’t even close to being good enough? So what if I could fit in six hours of writing a week? Twelve hours was better, thirty would be ideal! As a freelancer, with almost total dominion over my schedule, this should be easy right?

Wrong. The more I worked, the more I wrote, the hungrier I got. Eventually I started to feel like a starving wolf, ribs poking out, maw dripping with saliva, so hungry I might start gnawing on my own legs.

I decided to handle this problem like any writer attacks a problem. I researched the ba-geezus out how to feel satisfied with the work I was doing. Most articles target writers who have trouble starting and continuing writing, I couldn’t find any that said to cool my jets. I decided to start to reading books on mindfulness, gratitude, and anything to help me enjoy life and my journey to becoming a better more productive writer without killing myself.

I spoke with friends about my problem. It helped me stay accountable. They were also more likely to notice that glazed look of panic in my eye when I wasn’t working before giving me a sound smack. Thankfully, my friends are supportive and encouraging. They shared they thought I worked harder than most people they knew. That they were already proud of my accomplishments and dedication, so I should be too. Also, they ordered me to (for the love of god!) relax.

The biggest wake-up call occurred during a conversation with a friend who was a freelancer as well as a professional writer.

With a sigh I explained, “Every second of every day, I am scrutinizing if I’m doing enough. Am I putting my energy in the right place? The place that is going to get me closer to my concrete goals?”

Namely that big beautiful publishing deal complete with a novel on the shelf and my name on it.

I paused, then asked him, “Do you know what I’m talking about?”

With a deep, tired sigh, he said, “Yes. Yes, I do. I’ve felt that way.”

Under the assumption this was all just a phase I had to get through, I asked, hopeful, “Really? How long did you feel it?”

“I feel it now, and I have felt exactly what you are describing every day since I started writing and freelancing. The ‘I should be doing more,’ ‘the things I’m doing aren’t enough,’ even if I am loaded up.”

Alarm flooded my brain and body. Sixteen years. He had been writing and freelancing for sixteen years, enduring this soul crushing guilt of never feeling he was doing enough.

No! My internal voice cried. We are not doing this! That is far too long to feel bad. My writing is a pleasure of my life, not my master.

As a writer You are completely self-directed and that is a lot of responsibility on your shoulders. The pressure can suck the enjoyment out of writing, and even life. Don’t let it.

I have had to take several steps back and deliberately make goals with a cut-off point. For example, I would endeavor to write two hours on a given day, but found I was sometimes only able to fit in one hour. Normally, this would send me into a dark cloud of regret, and I’d turn on myself like a punching bag. I’d have to do better the next day to make up for it.

Now, I will put as much deliberate effort into congratulating myself for taking one more step on my journey. I will even say it aloud. “I am doing enough.” “I have done good work today.” Because, personally, I love drilling new age hoo-doo affirmations in my brain, but I’m sure you can find your own style for self-congratulations.

Where I used to pour all my time into constructing plans and concrete writing goals, I now spend equal time planning my ‘do nothing time,’ to free myself of the eternal ‘I could be writing right now’ syndrome. There are times in the week or day where no work is allowed.

Disclaimer: this advice is not for the so called writers who never actually write anything. This is for the people who make progress, whether slow or at careening speeds who can identify with the lack of satisfaction shared here. I invoke the popular adage, “Slow progress is still progress.” Even when we writers get on a role, we can still feel the exact (if not exaggerated) despair and frustration as someone who is doing nothing.

As writers, we know what we have to do. Write more and submit more. So I made a writing/editing plan and I still make concrete goals for writing every month, but the difference is I have decided to put all my faith into the process I built. Sometimes I overshoot word count goals, and there are weeks where my process stands stock-still. Either way, when I’m supposed to be in relax mode I consciously divert my attention from the demons who demand more from me to stay in the moment as much as possible.

Don’t let your writing aspirations dig a bottomless hole in your soul at the expense of the rest of your life and happiness. So if you have written today, submitted something, or devised a grand plot idea on a napkin, let me just tell you, “You are doing a good job!” Better yet. Get in the habit of telling yourself.

 

Holly Roberds:

Holly Roberds lives a strange bohemian lifestyle in Broomfield, CO. She holds down five jobs at any one time which include working for a private investigator, as a freelance writer, writing coach, as well as numerous other alternating positions. Since she is her own boss, Holly has gobbled up countless books, articles, and studies on self-discipline, and effective work strategies. Holly writes science fiction romance, some occasional bizarro short stories, and co-authored the Writers of the Future’s ongoing blog on the craft of writing.