Category Archives: Publishing

Sean Golden: My Year as a Writer

A Guest Post by Sean Golden

DollarKeyboardDec 15, 2014. That was the day I started my journey to live as a writer for a year, to see how I could do. After being laid off from my corporate job with a reasonably generous separation package, I calculated that I could spend a full year “writing.” So I did.

My very first monetary decision was to attend the SuperStars Writing Seminars, in February. That put me roughly $1,000 in the hole before I even published my first book. But I figured if I wanted to be a writer, I needed to learn from experts.

From Dec 15 to Jan 18 I focused on whipping my first book, “Warrior,” into shape. That included doing my own editing, artwork, and cover. On Jan 19, 2015, I hit the “publish” button on Amazon.com’s Kindle Select program and became a “self-published” author.

My first month, I sold roughly sixty books. At $2.99 a copy, that meant I had pocketed the princely sum of approximately $104.31. But then I was buying gas, meals and a hotel room for the conference. By the time the conference was over, I was about $1,500 in the negative column in my writing account.

In February and March, I did some free-lance work, which helped. By the end of March, when my first Amazon paycheck from January came in, I was back down to a negative $1,000.00 in the balance sheet. Yay!

Warlock, my second book in the series, was coming along. Of course, during all this, Warrior was still on Amazon, and sales were trickling in. In February I made another $140, so that put me at roughly -$840. I must admit that, by the end of February, my enthusiasm was drastically declining, after making less than $300 in six weeks of sales.

Then, in March, something happened. Warrior started to sell. From my perspective, it was suddenly selling a lot. My total sales in March hit $1,010. I was actually in the black now. That was huge. Then April came in at $1,040. I kept plugging away at Warlock. I figured I’d publish in June, and then I’d be making REAL money.

May brought in $1,230. Woohoo! I’m +$2,000 now! Maybe I should get a real cover for Warrior and Warlock, and hire an editor for Warlock! So I did. My covers for Warrior and Warlock cost me $1,100. Editing cost me $2,300. So that was $3,400 committed (but not paid yet). I figured “What the heck? I’m selling books!”

Then I hit the downside of the Warrior sales curve. And when it went down, it went fast. June brought in $785. Not even enough to cover my editing and book cover costs. I had to dip into my personal income to pay them. And so, after six and a half months, my great writing adventure had netted me a net negative $515.

I hit the free-lance route hard in July and August. I pulled in about $1,500 in free-lance work those months. Warrior sales in July were only $680. But I was $1,700 in the black again.

In August, the bottom fell out. $440 in sales. But I also spent $350 on cover design, so ended up netting only $90 in August. September was $209, and I did no free-lance work. But I did manage to get Warlock finished. On October 8, I published Warlock. Just a few weeks after my brother passed away from cancer.

I had been a “writer” for almost ten months. Had written two books, published one and had “done well” with that first book by most people’s estimation. I had made a grand total of $2,000 in profits. Not even enough to pay for the covers and edits I would need on “Warlord” the third book in the series. And I had to pay $500 to reserve a slot for that editing, bringing me down to $1,500.

As I hit the publish button on Warlock, my spirits were low. My finances looked horrible. My year of writing was coming to a close, and my grand dreams of proving I had what it takes, were clearly demonstrating exactly the opposite. Those were dark times, I’m afraid.

And then Warlock started to sell. Which also triggered renewed interest in Warrior. I raised my prices and sold both Warrior and Warlock at $3.99 instead of $2.99. I thought that would potentially kill sales, but it didn’t.

October sales from Warlock and Warrior combined came in at $1,800. My biggest month by far. My enthusiasm soared, and I started hitting Warlord pretty hard. My balance book put me at $3,300. But one thing I haven’t mentioned, is that Amazon pays out sixty days after sales, so that big October payday wouldn’t come in until December 31, just in time to pay my editor. In an attempt to rev the sales engine even higher, I poured about $400 into advertising. Maybe it paid for itself. I don’t know.

November was, again, my biggest month, at $2,010. $4,900 in the black, and, hopefully still rising. But reality was also setting in. $2,000 a month might sound like a decent performance for a couple books, but it didn’t come close to covering my bills. It was time to admit that this grand adventure was a failure, and to start looking for a real job.

You can probably guess the rest. December sales were down to $1,400 and falling fast by the end of the month, promising a very disappointing January. My first free-lance jobs were coming in but those also tend to pay out 60 days or so from submission, so that wasn’t going to help much. After getting my December payout from Amazon, on Jan 1, 2016, more than a year after my adventure began, I had $6,300 on paper, but only $1,500 or so in the bank. And a big editing bill coming due, plus a book cover to purchase for Warlord.

So, I started looking for a job, and am now back in the ranks of the gainfully employed.

To summarize:

Thirteen months after being laid off, and a full year from hitting “publish” on my first book, my total “profit” from writing existed mainly in deferred payments from Amazon.com in the amount of roughly $3,400, and a bank balance in my writing account of $185. I’m sure I could have worked harder and been more productive, but I did get two books out and was very close to my third, which is a decent output for an epic fantasy author, I think.

I’ve learned a few things, about writing, and about myself:

  1. I don’t write well when I am in terror of ending up homeless.
  2. I don’t write well when I focus on the economics.
  3. I write well when I’m able to think about my stories without feeling like every single word has to make a profit.
  4. My success so far, in having made any profit at all on my first books, seems to be unusual for self-published, unknown authors. I’ve had a lot of other writers tell me they wish they had sales similar to mine. To which I can only say, “wow.”

The thing is, for pretty much my entire adult life, I had told myself that I could make it as a writer. And despite the fact that I’m back at a regular job, and made a pittance of “real money” in my year of being a “pure writer,” I think I learned a lot, and what I learned will help me to keep on writing even as I’m working a day job. And now I will never have to go to my deathbed wondering what my life would have been like if I had only had the courage to follow my dream.

I followed it. And because of what I learned by doing so, I’ll be following that dream for the rest of my life. And there’s another thing. Based on the success I had with “Warrior,” I applied for and received a membership in the Science Fiction Writers of America (SFWA) organization. I am now, literally, a card-carrying writer.

I had wanted to become a writer. And I succeeded at that. And that’s more important, really, than the balance book in the end.

End Note: Someone asked me a while ago how much money they could expect to make as a self-published writer. I wrote a blog post to answer that, based on my own experience. The post was, by far, my most popular post. “My Year as a Writer” is a very condensed version of that blog post. To read the full post, please click here.

 

Sean Golden:

Sean Golden is many different things. Father, husband, writer, programmer, project manager, gamer, crafter, fisherman, amateur astronomer and too many other things to bore you with. He took a year off from the grind of corporate cubicle farms to write “Warrior” and “Warlock,” both available on Amazon.com. The third book in the series, “Warlord” is in the final stages of writing now. Sean has a BS in physics from Louisiana State University and had the second highest rated rogue on his World of Warcraft server after taking down the Lich King, and then retiring from raiding.

Make it Happen

A Guest Post by Joy Dawn Johnson

I work best in complete silence with no distractions.

Insert pacifier in crying infant

The slightest movement can distract me and completely erase the perfect sentence I had just formed in my head. A sentence that I swear will never come together quite the same again.

Fix lunch for toddler
Make a second pot of coffee

Now it’s gone and my fingers stop. I tell myself, “Just keep writing.” I’ve always loved this advice. I give the same advice to new writers but it’s also the hardest thing to do when your time is not your own.

Take crying infant to bed and pray he takes a nap
Clean Cheerios up after toddler “made it rain”

I want to “keep writing.” The last thing I want to do is stop working on something right when it’s coming together.

Get coffee

Whether it’s flowing or I’m constantly interrupted, writing reminds me of rowing.

Add forgotten creamer to coffee after burning tongue

When I was on the crew team in college, I led two boats. First, the one that won nearly every race we entered. Second, a boat of rookies that managed to tip over before our first race. The boat trapped me beneath the water and it took me over a minute free myself. I nearly drowned that day.

Reinsert pacifier into infant
Hope the mobile twirls long enough to put him to sleep

When I get my time to write. When all is quiet and I can actually hear my own thoughts and my characters start talking to me, it feels like that first boat. I’m in the zone. My fingers race and I feel alive.

But I almost never get this.

Restroom break for me and the dog
File down broken fingernail before there’s nothing left of my digit but a nub

I’m constantly pulled in so many directions that I can’t catch a good rhythm even with a short blog post. With every sentence—like every stroke of an oar in that second boat—I’m off balance and I feel like I’m about to go under again. So often, I feel like I’m drifting in the water, wanting to row, but I have no oars, no boat. I’m doing the whole treading water thing with no hope of getting to shore. I’m not going to die if I don’t hit my word goal for the day but sometimes I get so frustrated that when the stars align just right and I actually get my perfect peace and silence, I’m so overwhelmed and exhausted that my fingers won’t move. I want to write, am ready to write, but most days it feels that everything and everyone around me (yes, even my dog) has conspired to keep me from it (even though I know that’s not the case).

Change diaper
Take toddler to bed

Part of my frustration comes from my situation and wanting to make it better. Growing up, the one thing I knew I would never be was a stay-at-home mom. For years, I was the primary breadwinner of my family. Then my first son was born, and due to circumstances, I left my incredibly stressful corporate job to take care of my kiddo and give a go at writing. Now with two children under the age of two, writing has become a bit of a challenge.

My plan for this blog was to come up with a list of things I have to do every day and talk about how I overcome them. Then I realized after having to stop on the very first line of this post that I really don’t need to “come up” with anything. Instead, I added each task that made me have to stop writing. Some were more necessary than others.

Get new box of tissue from garage because I go through them like candy when I’m sick
View slideshow of “Robert Downey, Jr.’s Face on Pin-Up Girls’ Bodies”
Spend an indeterminate amount of time scrubbing my eyeballs

The balancing act: time vs. money vs. kiddos vs. my sanity.

I knew when I left my corporate job that my family would face major financial stressors. Being at home for my children has been a blessing but as you can see, it makes it nearly impossible to write.

During Superstars this year, I made the decision to find my writing time because if I never got it, I’d be forced to do the one thing I didn’t want to ever do again: go back to a cubical. For my family, it comes down to the balance of to two things: time and money. My husband and I talked about putting the kiddos in daycare a couple days a week but that would cost far more than we could afford.

I knew what I needed to do to make it happen. I started keeping my eye out for creative writing opportunities. A few weeks later, one of my Facebook writer friends (whom I will be forever grateful to) posted that her best client was looking for more ghostwriters. Even though it was for a genre and category I’d never even considered before…I went for it (because I don’t ever say “no” to something I know I can do). The author loved my samples and I just signed the contract. I worked things out with my husband to hire a babysitter a few times a week. I’ll get my writing in and still have way more time with the kiddos than I would working full-time. I’m not going to make what I did in the corporate world, but if everything pans out, I’ll be able to work on my own novels while making enough to not ever have to go back to a cubical again.

I’m always on the lookout for new opportunities and sometimes they show up when you least expect it. Earlier this week I was asked to start instructing strength training and kickboxing at my gym. Get paid to workout? Done!

Watch live webinar on submitting for freelance jobs

I’m still figuring out what works for me. Like a good plot twist, I didn’t go for the easiest solution but I’ve found my boat and oars and I’m setting off down the river. It might take time to find my zone but I’ll make it happen.

What keeps you from finding your “zone”?

What can you do to find time in your day to make it happen?

Joy Dawn Johnson:

Shortly after receiving her BFA and MBA, Joy Dawn Johnson worked as a project manager for more than ten years, including a stint in Baghdad, Iraq, as a government contractor. She is a member of the Society of Children’s Book Writers and Illustrators and was the 2015 recipient of the Superstars Writing scholarship. Joy typically writes middle grade and young adult Sci-fi and fantasy and now ghostwrites for a USA Today bestselling author. She will begin to query agents later this year with her current work in progress, Smooth.

Read the first chapters of Smooth: JoyDawnJohnson
Website: joydawnjohnson.com
Twitter: JoyDawnJohnson
Follow and chat with Joy live on Twitch: Joylovin.

Why Finding Balance is Impossible.

A Guest Post by Jen Greyson

I’ve recently returned from two weeks immersed in writing conferences—the Superstars Writing Seminar and LTUE—with many of my writing mentors and peers, people I admire both professionally and personally. They’re both phenomenal and I always come away with lots of great nuggets about the business and industry. But this year I came away with something a little different.

While my professional life has been on a solid upward trajectory, my personal life has been headed in the other direction. The day before I left for Superstars, my husband asked for a divorce. It’s been a long time coming for lots of reasons, and I’ve asked for one prior to that day, but it still left me trying to find my feet as I showed up on the first day of the seminar.

For the days that I interacted with the people of my tribe, I was emotionally unable to stay upright. There was no balance in my life. In the same hours I was riding a professional high, my personal life was crumbling beneath my feet, making balance impossible. The juxtaposition had me leaning on the emotional strength of the people around me in an effort to find my footing (something that’s incredibly difficult for me).

The struggle to find balance is a common theme in every life, especially for artists as we often get to add our passions in the “extra” hours of our days after work and family take up the rest.

During the days of the seminar, I realized that I’d been looking at the balance of my personal and professional life through the wrong set of lenses; I’ve always thought balance was a set of scales, but I was wrong.

The balance we seek isn’t finding a way to make the scales weigh the same; the balance is finding our equilibrium.

One of my favorite life lessons came from the last line of Glennon Doyle Melton’s Carry On, Warrior. She said (I’m completely paraphrasing), “Stress creates pressure and we all know the feeling of it pressing in so hard on us that we think we can’t bear another second. We’ve been taught that pressure is bad and painful and uncomfortable, but what if it’s not? Maybe that pressure is what holds us up. It would be a great tragedy to have nothing important pressing in at all.”

Without that pressure, perhaps we’d fall over.

It’s the same with balance. Balance is finding your equilibrium in the middle of a storm standing in raging seas, dealing with the loss of support groups, or support at home, or a job, or financial support, or one of the many forms that support comes in. Our support needs shift and change just like everything else in our life and we are constantly relearning how to find our equilibrium. I think the secret to blending a writing life with a normal life is finding our equilibrium and doing it not by thinking we have to stand on our own two feet 100% of the time, but rather by not being afraid of leaning on the people in our lives when we must.

On the last day, I heard the perfect thing that summed up so much of what I’d misunderstood about how I’d been feeling for the days leading up to the end of the most favorite week of my year. Lisa Mangum (from Shadow Mountain Publishing), when asked about finding balance between a writer life and a normal life, said, “We think the two lines of our lives run parallel to each other when in fact they’re completely interwoven. They criss and they cross and zig and zag, some times they’re very far apart, sometimes they’re very close together, sometimes they’re overlapping so closely that you cannot see one from the other.”

Again, I’m paraphrasing what she said, but within the imagery that came as she spoke was a clarity that there is no way to separate writing from normal life because as writers—probably true for all artists—we see beauty and art in everything we do, whether we’re driving a car, or help our kids get dressed in the morning, or listening to a news story. There’s always a what if, there’s always a story idea that comes from everything we touch and see and smell. Switching out one life for the other isn’t as simple as changing hats or closing our computers and walking out of our office. Being a writer is not something we do—even for those who’ve been able to turn it into a business and treat books like products and not babies—but no matter what kind of writer you are, it is still who we are inasmuch as it’s what we do.

Storytellers were the community builders, they were the ones who drew people together to share common emotions, whether they were telling a thrilling story of a hunt, or a scary story about the woods, or a legend about two lovers. All those stories held one thing in common, emotion and connection. That’s who we are as storytellers, but we must not forget both sides of the story. Too often we focus on the emotion that comes in the telling of the story and we forget about the connection that comes in the creating of the story.

Balance (equilibrium) comes when we search out—and accept—the connection during the creation.

Balance is impossible because we can’t weigh the tasks and pressures, taking one kilogram from this scale and adding it to that. Equilibrium is possible. Equilibrium comes from setting our feet, and looking ahead, and being okay with the people who come alongside us and shore us up in those moments when a sneaker wave crashes against the boat and makes us lose our footing.

Jen Greyson:

Jen Greyson was first published by the international publishing house that launched the blockbuster, Fifty Shades of Grey. She has written over 45 published books and her ghostwritten works have appeared on the New York Times and USA Today bestseller lists. She writes new adult fantasy and science fiction along with NA and adult contemporary romances. Sign up to receive alerts about her next release: http://eepurl.com/5pAE5

And Now for Something Completely Different

When it comes to giving advice regarding plot structure, I have found that most everyone seems to focus on the time from the beginning of the book to the climax. In a way, I completely understand. After all, that’s where the majority of your story happens. However, I find that some people seem to forget that after the climax the story must come to a graceful ending, and that this resolution is as essential to the story as any other part. You’ve made the characters struggle and suffer for their triumph, so they deserve a little time off right?

The denouement is more than just sympathy for a cast you’ve spent years torturing. It’s a matter of practicality. The climax of a story is supposed to be the defining challenge of the protagonists’ life and potentially for the entire world they live in. It doesn’t matter if the story takes a single volume or a twenty part series to tell, once the climax is resolved, the story is done. Young authors need to learn to let go even when, or perhaps especially when, you don’t want to.

I really admire a storyteller who knows when to take their bows and move on to the next work. After all, we are writers people! We are not limited to a single story. Sometimes the best endings for an old story is the beginning of a new one. The more one writes, the better the stories get. Often it is best for our career to work on something else for a while and then return to an old project when the time is right.

Over the past couple years, I’ve been pursuing a deal in traditional publishing. For the first time, I’ve had a story that I knew was good, and that friends who I trust to be honest with me say is near publishable. I’ve devoted all my time and attention to this single story. Not just drafting and editing, but also networking and promoting myself in an attempt to secure a traditional publishing contract. I’ve been obsessed with the idea, and in my attachment forgot to move on.Don’t get me wrong, the story’s not dead to me. I still believe in its potential and will continue to shop it until I find a good home for it. Publishing takes a long time. With eight months to a year between submitting the story and hearing back, I just can’t afford to wait for it anymore. It’s like trying to fish with only one line in the water. You might eventually catch something, but you may be waiting a while for that first bite.

So, in 2016 I’m going to work on something completely different. Up until now I’ve written fantasy, both the sword & sorcery and urban varieties. In order to force myself to grow as a writer, I am trying my hand at a bit of science fiction. So far, it’s been a fun ride and has forced me to rethink many of the assumptions and tropes I had grown used to relying on. Even better, once I finish drafting and polishing this new manuscript, I’ll be able to cast a second line into the pool. Then I’ll start again. And again. Eventually, I’ll get a bite.