Category Archives: Publishing

Backing

believe-ticketI had a long list to think about when presented with this month’s theme: The Greatest Gift I’ve Received as a Writer. Numerous people have helped me along my chosen path, giving me the kind of gifts you don’t buy with money, but with time. There have been a lot of conventions and seminars, paid for from our family budget in lieu of my birthday or Mother’s Day presents, which have influenced my direction as a writer. But the most recent gift I’ve received, and the most touching, has been the support from friends, fans, family, and even strangers in supporting my recent Kickstarter project to publish Noble Ark.  Not because of the money.

The gift of friendship: The fact that within minutes of announcing the project, I had my first two backers, both of whom pledged for the highest-cost items, left me dumbfounded. Both people are friends and fellow-writers, I don’t think either cared about the reward, but they wanted to support my efforts and jumped at the opportunity to do all they could. I have amazing colleagues and friends.

The gift of fans: One of my beta readers has become particularly encouraging about my work. Not only did she pledge for the Kickstarter, wanting all the books in the series when it’s finished, but she also asked if she could do preliminary editing. She reads a lot, and the fact that she considers my books to be among the best she’s ever read, let’s just say, I feel the love.

Family and the Widow’s Mite: Of course, my family stepped in, and some of my family members contributed in huge ways.  The amounts didn’t matter, but I know that some of them have very tight budgets right now. My children could have waited until the books were finished, buying  them at cost, but didn’t. My oldest son, living in the Ukraine, found the Kickstarter and donated funds he didn’t have. My oldest daughter, in college, threw in funds as well (though I’m not sure if that means it was her money, scholarship money, or my own money coming back to me). Perhaps the most touching, my twelve year old spent the last $7 in her spending-money account–and she doesn’t get much–to show her support. I can’t easily express my reverent appreciation for the people who sacrificed, despite their difficult economic challenges, to show me encouragement. I’m in awe.

Strangers: One of the funnest aspects of the Kickstarter was having total strangers contribute, sometimes finding me on fb and asking to join my fan page. How cool is that? I’m eager for the opportunity to put my book in their hands, hoping they’ll love what they read as much as I love writing it. They give me hope that someday my writing can reach beyond my small circle of friends and family, and be read by people around the world.

The best gift of all that came from my Kickstarter was not the funding, but the belief in myself and the path I’m pursuing. Isn’t that what Christmas is all about? As they say in The Polar Express,  “BELIEVE.”

Cultivating Fanaticism

A guest post by Sam Sykes.

The first rule of being a successful writer, as any author will tell you, is to write a good book.

Indeed, if you felt so inclined, you could call this the sole rule of being a successful writer.  For if your book is even just pretty good, it will sell and your needs will be largely taken care of.  And if your book is very good, it will likely sell very well and you’ll find yourself doing what all successful writers do, which is largely hiding in a dark room and weeping into a glass of whiskey as you struggle with the desperate self-conviction that you are a fraud.

While this is still technically possible, it’s much rarer than it used to be.  Because it used to be quite common, with a fantasy author’s readership largely pre-defined as small, humble geeks who would buy whatever you put out because they were immensely starved for entertainment.

But it’s not quite the same anymore.  There’s no 02_finalshortage of absolutely thrilling fantasy authors these days and the audience is much, much broader.  The geeks are louder, more outspoken, more eager to be open with their passions.  You see this scrawled out in events such as Comicon, where movie geeks, comic geeks and video game geeks all brush shoulders with your readership, the book geek.

This is frequently the source of bemoaning the end to Comicon’s purity, but I view it as a good thing.  To find a niche-specialized nerd these days is increasingly uncommon, as the more we brush against each other, the more our passions are shared.  Suddenly, gamers are comparing the stories they play against the stories they read and comic book readers are keen to devour any story they can, be it illustrated or not.

This is the future.  This is your audience.  They are massive, they are multitalented and they are hungry.

And with a new, varied audience comes a new opportunity to draw in potential readers.  While your book (undoubtedly very good) will be the thing to hold their attention and make them a fan, there are a number of ways you can draw people in.

One such means I found was in creating a comic book with the help of the tremendously talented artist, Ashley Cope, creator of the webcomic, Unsounded.

Set as a prologue to my newest book, The City Stained Red, due out in 2014 by Orbit Books, it’s a means of quickly and vividly conveying what my book is all about to an audience increasingly focused on absorbing information quickly through visual stimuli.

05_finalThat all sounds dreadfully scientific, perhaps even a little coldly mercenary.  I assure you, though, that any thought and study as to the practical effects of this were an afterthought.

Because I am one of the new nerds.  And my first thought was for the simple fact that I freaking love comics and wanted to see my characters, my stories made into one.

Now, it’s certainly a good idea, from a business standpoint.  It stretches across the medium to reach a new audience and it’s quick to be digested to hook new readers.  So, if this sort of thing appeals to you, as an aspiring author, I’d like to offer you three tips as to how to make it work for you.

Let Enthusiasm Guide You

One of the big things you’ll learn about geeks is that they can smell crass corporate dictation.  A lifetime on the internet has left them cynical and suspicious of anyone pretending to be like them.  But this also means they are more easily infected by enthusiasm and passion.

Hence, be enthusiastic in all your side projects.  Never do anything unless you’re excited about it.  Never let yourself be dictated solely by business.

If you don’t understand comics and aren’t interested in them, it’ll seep through and alienate people.  Likewise, if you’re absolutely mad about directing and cinematography, then putting together book trailers or short web videos to act as supplement to your books will draw people in.

 Always Be a Professional

One of the biggest joys of this sort of thing is the creative collaboration between artists that occurs.  I, for one, can’t draw with any great skill, and thus I sought out Ashley Cope (who can write with incredible vigor, how unfair is that).  It was a tremendous joy working with her and learning how to let my thoughts be made into something illustrated.

I have an immense respect for artists.  I’ve worked with several of them and I know, as I implore you now, that you must treat them well.

Always be respectful of their time; good artists are always in demand and have busy schedules.  Always be prompt with payment; they work hard for you, you owe them the courtesy and the payment.  Never be afraid to offer feedback; they’re interested in making the work come alive, not in having their butts kissed.

And never, ever, ever offer to “pay them in exposure.”

I will seriously kill you if you do.

Remember Rule One

Supplemental side projects are just that.  They are only as strong as the story you’re going to write and it’s always going to be the story that holds the attention of your readers.

You can have the finest comic, the best trailers, the coolest web series around, but if it’s based on a crappy book, it’s not going to mean much.

Don’t get caught up in the excitement.  Finish the book.  Then make plans.

Good luck, and keep writing!

Sam Sykes Bio: Sam Sykes
Sam Sykes is the author of The Aeons’ Gate trilogy, a vast and sprawling story of adventure, demons, madness and carnage.  Suspected by many to be at least tangentially related to most causes of human suffering, Sam Sykes is also a force to be reckoned with beyond literature.At 25, Sykes is one of the younger authors to have arrived on the stage of literary fantasy.  Tome of the Undergates and Black Halo are currently published in nine countries.  He currently resides in the United States and is probably watching you read this right now.

The Choosing of Names

Let me tell you a secret. My name isn’t actually Nathan Barra. I chose to write under a pen name for two reasons. First, I work in a very conservative industry, and have written several internal and external publications under my real name. I’m worried that publishing fiction under my true name would damage my credibility in my day job. Second, I consider my name to be unGooglable. Pretty much everyone I have ever had read my name has mispronounced it, and anyone I have tried to dictated to has misspelled it. In this day of search bars in social media, that is unacceptable.

Regardless of your reason, picking the right name is an art. These days, authors sell themselves as much as they sell their books. So, if you’re going to take the time to choose a pen name, what does it take to choose a good one?

5. A good pen name is multilingual.
With the Internet and the global economy, an author’s words are no longer limited to a local geo-market. Something written on one continent can and likely will be sold on the others. Therefore, it behooves the author to pick a name that is easily pronounceable in most major linguistic families. Go to translate.google.com, type “His name is…” and listen to how the name is pronounced in a bunch of different languages. Is it still comprehendible, or even better, similar?

4. A good pen name matches the brand.
Authorial brands are built on names, so the name must fit within the brand the author is trying to establish. For example, in urban fantasy, where I like to read and write, many authors have two part names. Examples include Jim Butcher, Richelle Mead, Patricia Briggs, Larry Correia, and Jennifer Estep. I too chose a two part name to help me fit in and make it easier to design a cover that is clearly urban fantasy.

3. A good pen name is memorable.
John Jacob Jingleheimer Schmidt would make a lousy pen name for many reasons. Without the tune, I can’t remember it, and in fact had to Google the end of the name and the spelling’s. Though most publishers try to avoid it, there are still a number of books with the same or similar titles, only distinguishable by who wrote them. When someone recommends a book, they often will be recommending the author simultaneously. How can they do that if they don’t remember the name?

2. A good pen name is easy to spell.
The biggest problem with my real name is that even after shortening it, I’ve had it misspelled and mispronounced countless times. In this day of online retailers, search engines and social media, a name that is easy to spell is essential. I need someone to be able to search me, friend me, tweet me, and find me on Amazon.  I chose Nathan because there aren’t variations on that name. Barra is a bit riskier, as it can be spelled with one r or two, but in the end, the name is still simple enough that I don’t think it’ll be much of a problem.

1. A good pen name does not already have an online presence.
When I was choosing my pen name, I did a search to ensure two things. First, I made sure that NathanBarra.com was available, which it was. Then, I searched to ensure that there weren’t too many Nathan Barras on Facebook, Twitter and Amazon. Facebook had the most, but none of them seem to be particularly active in writing circles. The last thing I would want is for someone to search for me, and then find some other Nathan Barra talking trash and making me look bad. These days, a strong online presence is essential. This doesn’t look like it’s going to change.

Commissioning an Artist

NobleArk_Left ThumbnailWhen I decided to self-publish my novel, Noble Ark, I had no experience with self-publishing, and little information. Thanks to Superstars Writing Seminars, I knew that a professional cover, typesetting, and editing were paramount, but I went into the process somewhat blind, or so I thought. As I took each step, the next one fell into place. Let’s start at the beginning.

Why? Why should you commission an artist rather than put together artwork yourself? That is a viable option. Here are a few things to consider. Is your book’s subject matter such that you can find usable artwork online? If so, then I direct you to istockphoto,  shutterstock, and bigstockphoto. If you do a search of stock photos, there are a lot of websites to choose from.

If you’re an artist or know something about art, you can probably photoshop the images you want in engaging ways and do your own cover art. If you are not an artist, don’t have typesetting training, or don’t have hours and hours to spend putting together the perfect cover then I suggest hiring someone. That cover is the first thing readers see and if it isn’t engaging, they will likely move on. Some suggestions on companies that do cover art: Ebook Artisan Design, JD Smith Design or ask around to your writing friends for their suggestions.

But what if you have one of those books that doesn’t easily fit into what can be found among the stock photos? What if one of the main focuses of your book series is an alien race that’s uncannily similar to humans, yet also vastly different. What if you believe showcasing these aliens and bringing them to life in the reader’s eye before they even open the book is paramount? That’s where I found myself, and so I decided to commission an artist.

Where? That’s the first step, isn’t it? You can’t commission an artist if you don’t know one. I know a few, but thankfully, I also knew better. About a year ago, I asked a friend of mine, a budding artist, to see what he could do with the Noble Ark concept. No promises, but if he was willing to try, I’d be willing to pay. He came back to me with the prototype, and though it was good, we both agreed it wasn’t the quality needed for a professional novel.  He wasn’t quite there with his craft yet. Friends are great, but remember that professionalism counts. Only work with friends if you know that you can approach one another as professionals.

I’d learned about an art website, Deviant Art, from workshops, Superstars, and from my friend, so I decided to join and see what I could find there. Be prepared, I had to spend some time. A lot of the artwork is fantastic, but I wanted an artist who fit the style that I foresaw for my books. I perused the site on and off for weeks. I found six.  Some of them weren’t accepting commissions because they already had an overfull workload. One of them was accepting limited commissions for projects that she liked, which meant I had to win her over. Don’t think that you can peruse through the artwork, pick an artist, and he/she will fall at your feet and be thankful for the work. Good artists have plenty of work and they don’t generally need unknown authors. I sent a note to Suzanne Helmigh, told her about my book and why I thought her art style would do well with my subject matter. She replied that she was interested and to send her more info.  I had to hook her with my book synopsis the same way we hook readers to look inside the cover to the first page. Once we’d passed a few notes back and forth through deviant art then she agreed to the commission.

How? Suzanne recommended  we do thumbnails first. The picture at the top of this post is a thumbnail. It’s a rough sketch, a type of concept art, to give the author an idea of how the finished artwork will be set up.  They’re not free, but I believe they’re worth it. By purchasing the thumbnails, it gave me something to show Kickstarter investors, and it helped me cement what I wanted on the cover before moving forward with the commission.

commission rules diagramThen came time for the contract. I’ve never put together a contract and hadn’t the slightest clue, but I’d been collecting useful websites and I have some great friends.  I read this article, http://blog.gallegosart.com/2012/10/how-to-commission-illustration.html and downloaded the free book. There’s an important concept in the book, shown in the illustration to the right. Learn it. Believe it. If you look online, there are dozens of contract templates. I used this one by Kelly Nomad, and a couple of author friends let me study their contracts for a few tweaks. After showing the contract to my artist, Suzanne, she suggested a couple of changes that were mutually beneficial, so I incorporated them into the contract then used Docusign to make it easier for both of us. I highly recommend the company and they’ll let you send up to five contracts free without obligation.

A few days ago, I sent Suzanne her down payment via Paypal, her preferred payment method. It’s a little bit of work to commission an artist, but I think it’s worth it. The cover for Noble Ark will stand out and catch readers’ attention. I hope the information I’ve found is of some use to someone and I hope to see more beautiful covers on e-shelves in the future. Good luck to us all.