Category Archives: Starting a Career

I Hope You Noticed

What are the ways writers get noticed? Good hair, great covers, blind luck? Of course, there’s more to it than that and our posts this month were excellent at showing us the best ways to get our works noticed by the readers who will love them. In the end, I think our writers would all agree that it comes down to good business, good tools, good behavior, and good writing. Let’s look at a quick recap.

Business:

Guy Anthony De Marco started the month by talking conventions, the opportunity small conventions can provide for writers and the ways in which we can expand our reach to larger conventions in a larger geographic area. Travis D. Heerman echoed Guy’s views by helping us learn how to sell by loving what we do. Everywhere we go, we need to be prepared to find that Reader Zero. Scott Eder reminded us to always have business cards with us, even if we’re just going to the grocery store. Guests Doug Dandrige and Sean Golden gave overviews of what they think helps a self-published writer get noticed including Amazon giveaways, social media and reviews. Guest Petra Klarbrunn talked about reviews in more depth, their importance and some ways to encourage our readers to take the time for them. Last, but not least, we have Evan Braun getting noticed through our own Fictorians site as he shared his release of the third and final volume of his The Watchers Chronicle, The Law of Radiance. Sounds like a great book that I can’t wait to read.

Tools:

I was impressed with some of the tools mentioned by our contributors this month that can help us reach our target audience. Guest Katie J. Cross gave us a detailed how-to of putting together a local book tour. She inspired me to get my own tour together which resulted in two more book signings and a writing workshop in addition to my library book festival that to which I’d already been invited. Of course, local is all well and good, but getting noticed worldwide is even better. Guest Mark Leslie Lefebvre gave us inside information about getting noticed on Kobo, including new tools that are coming available to assist authors. With the increasing rise of audio books, Guest Terry Odell’s step-by-step guide is an invaluable resource that I will be referring to soon as I prepare for that next step in my publishing endeavors. Another great source of sales, whether we agree with their platform or not, is Goodreads.  Frank Morin shared a great post on how to do a Goodreads Giveaway.

Behavior:

Mary Pletsch, Guest John D. Payne, Gregory Little, Nathan Barra, Ace Jordyn, David Carrico and Guest K.J. Russell would all agree that acting with kindness, relaxing a little, and making friends is one of the most important aspects of a writing career. By making friends with fellow writers, Mary enjoyed much success she hadn’t even looked for. John talked about having an attitude of success. Gregory reminds us to enjoy people without worrying over advantages while guest K.J. Russell tells us we will be the most successful when we make it our business to help others succeed. The best can happen if we find our interests, share with others, and enjoy what we do and David Carrico is a great example of that . If you haven’t read his 1632 books, you should. I loved Nathan’s post title,  The Extroverted Introvert, reminding us to swallow our fear and put ourselves out there a bit. All in all, the most important advice on behavior that I found was from Ace; when things don’t go as expected, laugh it off, let others laugh with you, find the humor and just keep going.

 

Writing:

In the end, none of this is going to matter unless you write an intriguing story. I loved Matt Jones’ unexpected advice to get involved with hobbies and activities of interest. By doing so, we have experiences to share with our readers and to draw upon with our writing. Kristin Luna reminded us to let our writing style shine, making us identifiable to readers and always unique. Drawing on a presentation by Kevin J. Anderson at the Superstars Seminar, Jace Killan used the metaphors of Rodeos and Popcorn to remind us that perseverence and a continuous output of product will keep us sharp and multiply our opportunities. And the last post of the month (besides this one) sums it all up. Good Writing Gets Noticed, by Kim May. After all, none of the above works unless we hone our skills.

I hope you’ve enjoyed this month’s posts as much as I have. I know I’ve learned a lot that I will be applying in the weeks and months to come. Some of it I’d heard before, some of it was old, but all of the advice is absolutely valuable.

Connecting

1636-The-Devils-Opera-smallMost of us are not so egocentric that we write strictly for our own pleasure. We want our work to connect to readers. We want to know that we are touching someone; that our work creates a resonance in at least one reader who feels what we are trying to create in the stories that only we can tell because of who we are.

So first, writers write. That’s the core truth of our craft and art. All of the writing rules boil down to: tell a good story; finish what you start; and edit/revise/polish enough to make it right. If that doesn’t happen, nothing else matters.

Second, we have to connect with readers. You’ve been reading a number of articles this month on ways to accomplish that. I was asked to write about my own experience, because it’s a bit different.

I broke into publishing through Eric Flint’s unique alternate history shared writing universe that is based on his bestselling novel entitled 1632. (Details and background here.)

I believe this is the most successful shared universe ever. It’s approaching seven million words in print, with fifteen novels in print as of next month, eleven anthologies of shorter fiction, and approaching sixty issues of the Grantville Gazette e-magazine (called GG by the regulars). The novels and anthologies, both paper and e-book, are published by Baen Books; GG is published by Eric Flint, but is strongly associated with Baen Books. So this experience is, for all intents and purposes, one in the traditional publishing channels.

I wasn’t part of the core group of fans who started writing what amounted to fanfic and posting it to Baen’s website after 1632 was published. (See details and background link above.) I didn’t enter the picture until after the second issue of GG was published in 2003.

I’d been trying to write a novel for years; had absolutely no experience at short fiction. But I got hit with a story idea after reading the first two issues of GG. And the rest, as they say, is history.

It’s been eleven years since I submitted my first story. As of now, I’ve published close to 300,000 words of short fiction with GG, most of which have been included in subsequent anthologies or my e-book 1635: Music and Murder, published by Baen in 2013.

The thing is, in this venue, I have no control over production, scheduling, or marketing. That’s all in the hands of Baen Books personnel for the books or Eric Flint and the editor (Paula Goodlett) for GG. Nonetheless, I do contribute.

1632 is a group brand, and my contribution is to be professional in the ways I plug into the brand’s operations. First, part of the uniqueness of the GG submission process is that prospective stories are submitted to a forum on Baen’s Bar where they are peer-reviewed for mechanics and story universe continuity and quality of story. Even at this stage of my career I have to do this. Likewise, I am expected to participate in this exercise from the other side of the table; to read submissions and provide critiques. Both the submitting and the critiquing calls for utmost professionalism as I grow both as a writer and as a member of the community.

Second, when the editor(s) call for changes or modifications to the story, accommodate them without complaint or argument—within reason.

Third, contribute to the community:

One way is to share links and information about the 17th century with the rest of the 1632 community. You never can tell what will be helpful to another writer. I had a story jump-started by a list of lute-players at the court of Gustavus Adolphus that another writer had found and linked to the forum.

Another way: Eric schedules annual 1632 “mini-cons” partnered with other conventions around the country. They move around every year.  This year’s mini-con will be held at LibertyCon in Chattanooga. Several of us make an effort to be there every year to support the group brand, to interact with fans, and to be a part of central planning and discussion with Eric about where the series is headed.

Yet another way is to attend other cons, spreading flyers, bookmarks, and other swag, and keeping the 1632 brand in view at other venues. (I have a 1632 Ring of Fire t-shirt I frequently wear.)

Most of the overt marketing is done by Baen Books or by Eric Flint. But I and the other GG authors contribute to supporting the group brand. And in so doing, I help to support my individual brand as well.

The GG enterprise has to date published over 130 authors, most of them first-timers. A significant number of those authors qualified for SFWA membership based on their GG resumes alone. Over the years, Eric has been watching the list of GG authors, and every once in a while he will reach out and tap someone and say “Let’s write something together.” I was the third one he tapped, and the result was my first published novel, 1636: The Devil’s Opera. I was the first GG author he tapped, though, to work on a project outside of 1632. The result was the third novel in his Jao Empire series, entitled The Span of Empire, tentatively slated to be published by Baen in September 2016.

Writing a good story, and being diligent and professional in everything else, those are the keys. Everything else is details.

Shameless plug: Grantville Gazette is always looking for new writers. If you think you might be interested in writing in one of the most interesting alternate history universes around, check out the links mentioned above. If you can tell good character based stories, give it a try. They pay professional rates; currently six cents a word, if I remember correctly.

David CarricoDavid Carrico Bio:
David Carrico has been an avid science-fiction and fantasy reader since January 1963, when he encountered a copy of Andre Norton’s novel Catseye.  He started writing (mumbledy) years ago, but has been selling professionally since 2004.  Most of his work is alternate history.  His first book, an e-book entitled 1635: Music and Murder, was published by Baen Books in September, 2013.  It’s a collection of two different groups of stories which collectively provide the backstory for his second book, 1636: The Devil’s Opera, a novel published by Baen Books in October, 2013, in both paper and e-book formats.  Both books are laid in Eric Flint’s Ring of Fire alternate history universe, and the novel was co-written with Eric.
David is married, has three kids, five grandkids, two great-grandkids, and usually has at least a couple of Basset hounds lazing around the house somewhere.

Rodeos and Popcorn

We’ve all heard the statistics of the odds of getting published as a writer. The stat most often thrown around is less than one percent of stories submitted for publication are ever actually accepted and published, let alone make any money from it.

Some look at the act of being published like a lottery, like it’s a matter of chances and getting lucky.

RodeoMy friend was in the pro rodeo bareback circuit (ranked in the top 10 in the US by winnings) and happened to have a layover in Phoenix, so he delayed his connecting flight and went out to the little rodeo in my town. I took the family to see him ride. Now I’ve been to a few rodeos and enjoy the events but know very little about form and technique. I’d tell you he rode well because he didn’t fall off during the eight seconds, but beyond that, I couldn’t tell you why his score was significantly higher than the others that also didn’t fall off.

After the event, he told me that the other riders hated that he showed up because usually those with his skills and winnings stayed away from the small time rodeos, giving others a chance to start winning something. I guess it’d be like Stephen King entering a local writing contest and making off with the grand prize of $100.

I asked him what he did that the other riders didn’t do and he tried to explain that he was scraping the bronco high on the shoulder with his spur and that made the animal jump higher and buck better in a sort of pattern. He definitely knew and understood his craft, though it made little sense to me.

As an aspiring writer, I thought my craft was great until a writing group set me straight, and a friend, and an editor, and another, and another. My point is that as I’ve grown as a writer, my understanding of my craft has changed and now I see that my work from a couple years ago was just awful.

A writer might have as much chance of getting on the pro rodeo circuit as getting published, but it isn’t a lottery. It’s a matter of getting back on the horse every time and writing better. Those one percent didn’t just wake up one day and decide to write a publishable piece. They wrote, got rejected, wrote some more, improved, got rejected some more, and improved some more until they developed enough skill to get published.

popcornThere is a great writing seminar to add to one’s proverbial belt, where Kevin J Anderson discusses his popcorn theory. To get the full gist, you’ll need to attend Superstars and it’s so worth it, I’m going again, so maybe we’ll see each other there. But in brief, the seminar gave me an idea that I should take every chance I came across to write. “I can do that,” as Kevin put it.

And I have done that. I was invited to guest post with the Fictorians and then invited back several times. I went out of my way to be on time and do a good job, which probably led to their inviting me to write for the Fictorians as a full fledge member.

I also started a personal blog. It’s a journal of sorts and discusses my personal spiritual journey, but there seems to be a niche for it. I’ve tried to post about once a month and each posting receives around five hundred hits. If I ever get anything published, these five hundred may be interested in reading something else that I’ve written.

I’ve also been asked to write articles at work. I’m in finance and my main job is as a CFO of a biotech firm. I’ve written a couple articles for the firm (and it’s a great source for research and ideas related to my sci-fi stories).

Not to long ago I took on a client that deals in antiques. There was a local paper known as the Antique Register and I wrote an article for it. They liked it so much that they asked if they could put it in their national paper known as the Country Register that distributes from California to Rhode Island and Canada. So now I’m on my third article. They’ve sent me dozens of the different editions from all over the nation and Canada each with my articles in them.

This led to me submitting articles for two other papers.

In the meanwhile I’m working on a couple novels and searching for an agent that can help me sell a finished historical fiction.

My goal is to get published and I can see that I’ve come along way and I think I am getting close, but I still continue to improve and write and work at bettering my craft. And I do that by writing wherever, whatever, however I can. If there are enough popcorn kernels in the pan, something is bound to pop eventually if I keep stirring it up and adding heat. I’ll see you on the pro circuit.

jace 1I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve got an MBA and work in finance for a biotechnology firm.I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.You can visit my author website at www.jacekillan.com, and you can read some of my works by visiting my Wattpad page.

Style As Your Fingerprint

There’s not a lot out there about developing one’s writing style. Because it’s supposed to be yours, right? No one is supposed to help you shape that:  it’s uniquely yours. YOUR voice. But how far, exactly, can you go with that? When does style obstruct grammar rules? When does style turn off potential editors and publishers? Unfortunately, there is no right answer.

Let me explain.

Over the years, I have heard various editors from Baen, Harper Collins, Shadow Mountain, and other publishing houses on panels explain, “I want something new. I don’t want the next Stephen King. I don’t want the next Stephanie Meyer. I want you. I want your unique style and your unique voice.” One might be thrilled to hear this call for individualism. “Then I’ll send in my personal style where I don’t use quotations, and don’t capitalize anything!” I want to say that takes it too far. But then again, there’s James Frey. Munch on this little excerpt from his break out novel A Million Little Pieces.

Hey, Buddy.
His voice is deep and dark.
Hey, Buddy.
Tracks crisscross his forearms.
I’m talking to you.
Scars run the length of his wrists.
I’m talking to you.
I look in his eyes. They’re blank.
What?
He points.
That’s my chair.
I turn back to the television.

Did that blow your mind? It should. Most manuscripts that stylized do seem to make it past the slush pile… across the desk and into the trash can.

“Perhaps I’ll send in my manuscript of one-liners that play around a semblance of a plot!” Again, I’m hesitant to negate this, too. Behold the king of one-liners, Oscar Wilde.

“How about my hard-to-follow stream of consciousness novel?” I must hold back from rolling my eyes and sighing, as this is what James Joyce is famous for.

“Ah, but my extremely lengthy novel filled with citations!” I would say that would be

This is DFW's annotations on Don De Lillo's Players, for crying out loud. Imagine what Infinite Jest is like.
These are DFW’s annotations in Don De Lillo’s Players. Now imagine what Infinite Jest is like.

boring, but then again, David Foster Wallace’s Infinite Jest is on almost every bookshelf of every English major in America.

A very wise editor and friend, Joshua Essoe, once told me something along the lines of: “Prove you know what the rules are before you go and break them.” I think this is fantastic advice for new writers. Editors and publishers need to trust that you know what you’re doing. Slowly injecting your style as you go is the way to job security.

At the same time, I can’t help but wonder: what if the authors I’ve mentioned above had done the same? Maybe if they hadn’t boldly stepped out into the world with their styles fully realized, style wouldn’t be as important as it is today. Maybe we should be so bold as to say, “Yes, I know my style is unique, but just read it, and let me know if it doesn’t just knock your socks off.” Because chances are, if your story is solid and engaging, your style will only add to it.

About Kristin Luna:
Kristin Luna copyKristin Luna has been making up stories and getting in trouble for them since elementary school. She writes book reviews for Urban Fantasy Magazine, contributes to the blog The Fictorians, and her short story “The Greggs Family Zoo of Odd and Marvelous Creatures” was featured in the anthology One Horn to Rule Them All alongside Peter S. Beagle and Todd McCaffrey. Her short story “Fog” recently appeared on Pseudopod. Kristin lives in San Diego with her husband Nic.