Category Archives: Ideas & Plotting

NanoWrimo is coming. Or, you have two weeks of vacation and you want to write that novel. Or, you have a deadline looming for the next book. Sometimes, you just want to get that first draft done so you can work on the revisions. Or, you have a great idea for a book and need the glue to put it together.

Whatever the case, there is a way to write a decent first draft quickly. Here are four things to help write your first draft well without a lot of outlining. While some like to outline in great detail I find that it doesn’t always work very well for me. But, like it or not, we all do some form of outlining even if it’s just in our heads.

The first three you’ll think are no brainers, but the fourth? It’s the secret glue to making a story come together and stick … and it’s more important than you think … and sometimes this fourth point is actually your number one consideration!

1) Follow a basic story arc.
Whether it’s the hero’s journey, or knowing the beginning, middle and end with two or three try/fail cycles thrown in, know the basic story structure for your genre. It what’s readers and publishers expect you, as a professional writer/author to know and follow. So learn it and use it.

2) Know your protagonist and the world your protagonist functions in.
There are a lot of great posts on this site about creating great characters and what motivates them. Know your protagonist well because that will inform how he responds and reacts in situations and what motivates him to take on the challenge the villain presents and how he will respond to that challenge.

3) Know your villain and what motivates him.
You may not appear on the pages as often as the protagonist but you still need to know the villain in as much depth as the protagonist. The villain motivates the protagonist, is who the protagonist reacts against, and sets the obstacles. In a murder mystery, the author needs to know the crime scene, the victim and the criminal in a s much (or more) detail than the protagonist before writing the first draft. I’ve come to believe, that in every genre we all need to have similar cache of knowledge to write a good first draft.

And now for the secret glue that holds all this together …

4) Theme
Yup. Theme.

Most authors don’t try to figure this out until they’ve completed their novel. Not understanding your theme ahead of time, creates massive revisions, and characters who don’t always have depth and who don’t have distinct voices.

Theme is about making a universal truth personal. It is taking a larger truth such as good prevails over evil, love conquers all, David can beat Goliath, and so on, and making it a central stake in the protagonist’s world.

Theme is the idea which all characters from the villain, the protagonist and the supporting characters will either try to prove or disprove. Theme informs motivations for each character as they will either be, to varying degrees, for, against or ambivalent to the idea. Because of their attitude or belief with regards to the theme, characters will either support, hinder, or be decidedly unhelpful. Most importantly, they will have different voices.

With theme, characters will always move the story forward, illuminate the point you the writer are trying to make in telling the story and theme and they will broaden the scope of the issue thus making the story richer for the reader. Every character’s desire to either prove or disprove the theme forms the central conflict.

You are thinking that if you’ve followed steps 2 and 3 and you know your protagonist and villain, that you have your central conflict. You are right. But your writing will be more informed if you are aware of the conflict and what it means or what the principle surrounding it is. That is theme. It is the deepest motivation, the desire, the earnest yearnings and dreams your characters have. It is what makes the prize or the goal so valuable. Once you’ve got his nailed, then you develop the rest of the cast to illuminate the theme and the conflict.

Conversely, if you have an idea and don’t know where or how to start the story, think about the theme and what universal truth or belief you want to write about, Then, create the host of characters who show different sides of the struggle.

Finally, knowing the theme also gives purpose to character transformation. The protagonist has to change, for if he or she is ambivalent, there is no story. Basically, the protagonist knows what he wants to accomplish and must overcome internal and external obstacles to get the prize. Theme gives your character a reason to grow and change.

In short, know your theme. Choose characters who will represent different sides, who have different opinions, and you will have a lot of options for conflict, a lot of different voices.

So my fellow pantsers, if you are aware of these four things, you’re well on your way to writing a truly spectacular first draft!

Plotting and Planning Tips From a Million-Word NaNoWriMo Author

October 3, 2017

Guy Anthony De Marco

First Drafts Guy Anthony De Marco Ideas & Plotting Work-Life Balance No Comments

National Novel Writing Month (NaNoWriMo) is a fun exercise for the professional writer as well as the dabbling beginning author wanna-be. The purpose of the event is not to hit 50K words, believe it or not. The real goal is to get people to start writing, to try to build up confidence, and to start a daily writing habit. That 50K word “goal” is just something more concrete for a beginning author to shoot for.

Personally, I think even writing one single word is a milestone since you’re now one word closer towards the completion of your novel. You’re further along than you were yesterday. It’s the effort that matters, and that’s where you should focus.

As of November 30, 2016, my total NaNoWriMo word count is 1,079,395 — over a million words. Here are some of the tips I use to get ready for the month.

Know Your November Schedule

It’s funny how many folks plan on participating in a month-long event without knowing what they’re in for. A good example to start with is Thanksgiving for those folks in the United States. Many families travel across the country to visit relatives. You may be the visitor, or you may be the destination. Understanding that you will be focused on a huge dinner with ten visitors at your table all ready to critique your interpretation of Grandma’s Super-Special Stuffing^® will allow you to plan for no writing on the day before the holiday. For some crazy folks, going out the following day to battle crowds on Black Friday may be a tradition.

If you’re in college, perhaps there’s a major mid-term you will need to study for. Thinking about your day job, is there a huge project that will be due during November? You should take that into account.

Now that you have the major “distractions” identified, consider how many writing days you have left. Subtract two days for life emergencies. Now divide the number of days into 50K to see what your real daily writing goals are.

Start: 30 Days
-2 for emergencies
-3 for day job project
-1 for Black Friday sales
-2 for Thanksgiving dinner preparation and the ensuing coma from overeating
= 22 writing days

50,000 words / 22 days = 2273 words per writing day to “win” NaNoWriMo.

This is your real writing goal if you decide you’d like to reach that elusive fifty thousand word goal. If you work with this number in mind instead of the 1,667 words it says on the NaNo website, you will be better prepared to make it.

Prepare More Than One Project

I never have issues with writers block because I’m always working on multiple projects at one time. If the words won’t flow for one of them, I understand my brain is working on something that needs to be solved before continuing. When that happens I can either switch to some other project or switch to a different section of the novel. For example, maybe I’m stuck with some aspect of worldbuilding and magic in a fantasy novel. Instead of just sitting there in front of a keyboard gathering dust, I can jump forward to where the protagonist runs across the fierce bandit ogre and defeats the beast, turning it into a loyal friend.

Then again, maybe that bit of magic is so important that I can’t continue for now. No worries! Your brain will be stewing on that issue for a bit, so perhaps switch over to a space marine science fiction story and begin to write the next scene. Should the solution to your magical quandary present itself, feel free to save the sci-fi mid-battle and swap back to the fantasy.

I prepare six novels for every NaNoWriMo, all in different genres. Each one is plotted out using Scrivener, my preferred large project word processor. I also write a paragraph for each chapter describing what should be covered at a minimum. Don’t worry! When the file is prepared, I check the total words and don’t use them towards my November word count.

Don’t Erase Stuff!

If I’m banging away on my keyboard and discover the last half of a chapter won’t work because of a gaping plot hole, I never delete the words I’ve produced. Instead, I make a sub-page off of my chapter page and copy/paste the parts that don’t work. I do this because those words do count unless you delete them. Never go backwards more than a single sentence. By hanging on to those homeless words, they will still count plus you may discover they actually work elsewhere in the novel. It’s terribly frustrating to discover that you wrote the perfect two paragraphs but you nuked them…and now you can’t remember the wording you used that made the two paragraphs stand out.

If it turns out that your saved snippets only help you once, you’ll be ecstatic that you saved them.

Remember, It’s a First Draft

This probably harms more authors than anything else. New authors in particular tend to see the perfect as the enemy of the good. They keep fiddling with a sentence to make it perfect instead of continuing on. It’s a form of writers block, in my opinion, and it’s self-inflicted. You must remember that NaNoWriMo doesn’t mean National Perfectly Edited Final Draft Novel Writing Month. This is a sloppy, rough first draft. You will have plenty of time to run through it a few more times before you even think to bring in an editor, publisher, or to even self-publish. You must give yourself permission to suck and to write crap. It will be cleaned up and polished later!

Get the overall words down on the blasted page and move on. I always include extensive notes in my first drafts, such as [Research how long it would take for an iron chest to rust through in salt water.] I enclose those notes in square brackets so I can just search for them and find the answers — after November 30th. November is a writing month and not a research month. Focus!

Sometimes a new character will suddenly appear, forcing themselves into the novel and you have no say-so. Cool! Just add notes: [Bob will be joining the group as they march towards certain doom. Give him a background and a decent name.] Then move on. If you’re spending an hour discovering the perfect name for your new character, stop wasting time. Call them Bob or Sally or James or Susan…something that won’t really fit in the finished novel. You can do a search-and-replace later.

What If I Don’t Wanna Write?

This does happen on occasion. Maybe those turkey leftovers are making you feel the tryptophan blahs. If this happens, go back and see what you need to research. Google those strange subjects that make law enforcement and the CIA think you’re a serial murderer who believes in magic and loves outer space. Then take paraphrased notes (by typing, not cut and paste!) and transfer them to your novel in square brackets. Yup, those words count. Most of the time you’ll find something that sparks your brain to fight off the tryptophan and before you know it you’re back to writing your novel.

But You Said Don’t Research in November!

Yeah, I did. And when you find you’re stuck and not building your word count, don’t be shackled to some “rules” because…there are no rules when you’re writing. Heck, you can even write using horrific grammar because this is only a first draft.

Now get your butt in that chair and start writing! Thanks for reading this post, and I hope you’re set to give it a go on November 1st. Best of luck!

About the Author:

Guy Anthony De Marco is a disabled US Navy veteran speculative fiction author; a Graphic Novel Bram Stoker Award^®nominee; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, third-party D&D modules); and a coffee addict. One of these is false.

A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, MWG, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at Wikipedia and GuyAnthonyDeMarco.com.

Prewriting: Getting Your NaNoWriMo Game Face On

October 2, 2017

Nathan Barra

Conflict Craft & Skills First Drafts Goals Ideas & Plotting Nathan Barra Plot Structure Self-Motivation The Writing Life The Writing Process 2 Comments

I tried to discovery write my way through my first two National Novel Writing Months, but failed both times. It wasn’t until my third attempt that I committed to the change that made the difference. For years, my friends and mentors tried to tempt me into outlining, promising mad productivity gains, stronger stories, and less time spent drudging through the editing phase. I resisted because I was convinced that outlining would ruin the joy of creation, dampen the rush I got through discovering my story and my characters. But between you and I? The real reason was because I had no idea how to outline effectively.

Every other time I tried outlining, I started by listing plot points. What I didn’t realize was that I was stacking up two-by-fours and hoping to end up with a house. My first major challenge was to realize that I needed to instead start with the big picture.

Story and plot are not the same thing. The plot is what the character does, the story is what the plot does to them. The plot of Star Wars: A New Hope starts with a boy who grows up on a moisture farm before running away with a space wizard, two droids, and a pair of smugglers. They are captured, and during his escape, the boy saves a princess before fleeing the Empire. They all join the Rebellion and our hero ends up blowing up a weapon of ultimate destruction and evil. The movie’s plot takes 67 words and 3 sentences to describe. The story can be stated much more simply. Star Wars: A New Hope is about a boy who comes from humble beginnings only to discover that he has the ability to change his world by standing up to a great evil. 33 words, 1 sentence.

If that’s not a familiar story, you haven’t been consuming much fiction. Frodo from Lord of the Rings, the titular character of the Harry Potter series, and even Simba from Disney’s The Lion King all experience the same story. Truth be told, humans have been telling each other the same stories for most of our history. Keep it simple and find a story that will resonate with your readership. This will be the foundation for your outline.

My next breakthrough came when I took Dave Farland’s Story Puzzle class. I learned that I needed to build my story like I would build a house, by starting with the studs and working my way out. A plot’s studs are its scenes, and scenes are nothing more than goals paired with failures that lead to an eventual success. Understanding your story’s try-fail cycles means that you need to dig down into your characters’ motivations. How is your protagonist going to respond to the initiating event, both emotionally and then through action? How is that reaction going to interfere with the antagonist’s designs and how is that character going to respond? Rinse, and repeat. Once you understand what your protagonist and antagonist want and how they’ll go about getting it, the rest falls into place.

So, after much work I had a functional outline, by far the best I had ever written. I started my third NaNoWriMo attempt. I was only days in before I found a plot problem. It wasn’t a big plothole, but enough of a stumbling block that I missed my daily goal. In the past, I would have agonized and insisted on filling the hole before being able to move on. However, the next day I started my writing session by typing, “<<Assume my character accomplishes her goal, she disarms the bomb and saves her friends.>>” I then opened a new scrivening and started writing my next scene. The beauty of the outline was that I didn’t need to discover the end of the scene. It was all planned out, I could move on and come back to fix it later.

Things were going well, I was reaping all the benefits that my friends and mentors had promised me. I was cruising along, exceeding my daily word counts. Then one day I had an idea. It was good enough that it was worth changing my whole outline. This was my third challenge. I was worried that my discovery writer past was catching up with me, that I was going to ditch my novel’s blueprint and would end up wasting all the time I had saved and all the progress I had made. Rather than starting to knock down the walls I had already built, I took a few days off of writing and reworked my outline mid-NaNoWriMo. It seemed crazy to do, but the idea was just that much better than what I had planned before.

The outline may have been my book’s blueprint, but I wasn’t committed to following every detail. It was there to help me visualize the whole structure of my novel and decide where my renovations fit in. I knew which walls were load bearing, where all the piping was run, and how the rooms would flow one to the other. Because I understood the totality of what I was trying to build, I could honestly and objectively decide if my new idea was better. I went back to writing with a newly revised outline and I ended up finishing strong, winning my third NaNoWriMo attempt.
Though I have been wooed into becoming an outliner, I still find ways to discover. It hasn’t taken away from the thrill, but rather increased the satisfaction of a story well crafted. This month on the Fictorians, you’re going to hear from many writers about their own experiences with prewriting and the techniques that allow them to keep up the grueling NaNoWriMo pace. If you are an experienced NaNo’er, welcome back. If you are a newbie who is considering taking on the mountain for the first time, welcome to the family. We have 30 days left to build our base camps, folks. Will you be ready to start the climb?

Momentum Because Pixar

August 23, 2017

fictorians

Aubrie L. Nixon Character First Drafts Storyline No Comments

Guest Post by Aubrie L. Nixon

prompts. Those clever little devils can really get the creative juices flowing, ya know? When I’m having a rough time creating, I hit up my dear friend Google, and I get myself some clever, witty dialogue prompts. From there, it just comes naturally. When I hit my groove, and I mean really hit my groove, I am able to write for hours. I ride that river of creative momentum and I don’t stop until my fingers bleed. Well, not literally bleed, but you see my meaning.

Finding what brings out your creative flow is VERY important in building up that momentum. Without momentum you are literally stuck, unmoving, not writing! And for us authors that is incredibly bad place to be. Writers Block……a few heathens say it doesn’t exist. That you can just pick right up where you left off….Well to those nay sayers, I say booo!!!! If you are experiencing lack of momentum—writers block, you are among friends here at The Fictorians. We have all experienced writers block at one time or another. Well, thats great Aubrie, but how to I get my momentum back? Well listen up my friend, for I am about to reveal to you a secret that all authors wish they knew….

I have absolutely no idea.

However, I do know that if you don’t at least try to get your mojo back, its gone for good. As I said before, dialogue prompts are very helpful to me. I don’t even always use them for my current WIP (Work in Progress). Sometimes its a completely new story that I spout off with. It really doesn’t matter, as long as I am writing. Another tool I have found helpful is the 22 rules of story writing from Pixar. One of my favorite things from their advice is this:

Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.

It literally helps me create new characters and story ideas all the time! You can find the rest of the rules here:

http://nofilmschool.com/2012/06/22-rules-storytelling-pixar

If you remember anything from this post, remember this— Never, Never, Never Give Up. -Sir Winston Churchill

You’ve got this. I promise. It may seem impossible at times, tedious, and trying. But you can do it. All you have to do it keep going. Keep up that momentum and don’t stop.

Pre -Order my debut novel Secret of Souls here:
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If you preorder from my favorite Indie bookstore you’ll receive a SIGNED copy! Get that here:
One More Page Books and More- https://goo.gl/cQm5qe

I am running a special preorder incentive where you send e your proof of purchase and your address and I’ll send you an awesome SWAG pack! You’ll also be entered to win 1/5 Grand Prizes! Send your stuff here: aubrienixon@gmail.com

Follow me on my website or social media at:
aubriewrites.com
@aubriewrites

-Aubrie

Aubrie is 24 years young. She plays mom to a cutest demon topside, and is married to the hottest man in the Air Force. When she isn’t writing she is daydreaming about hot brooding anti-heroes and sassy heroines. She loves Dragon Age, rewatching Game of Thrones and reading all things fantasy. She runs a local YA/NA bookclub with 3 chapters, and over 200 members. Her favorite thing to do is eat, and her thighs thank her graciously for it. If she could have dinner with anyone living or dead it would be Alan Rickman because his voice is the sexiest sound on earth. He could read the dictionary and she would be enthralled. Her current mission in life is to collect creepy taxidermy animals because she finds them cute and hilarious. She resides just outside of Washington DC.