Category Archives: Craft & Skills

After six thousand years of captivity, the Grigori are free. With time running out, Ira Binyamin leaps into action, amassing a network of allies to wage all-out war against this new yet ancient threat. But as his mentor Aaron warned him long ago, to wage this war he must bear an awesome responsibility, one that will exact a crushing toll on his body, his conscience, and his very soul.

Dispatched by his new masters on a mission to the northernmost reaches of the world, Sherwood Brighton must come to grips with the consequences of his life-altering decision in Shamballa. To find what he’s searching for, he’ll have to look deep within himself and confront the harrowing terror shrouded in the recesses of his own mind.

Opposing forces swirl toward their ultimate confrontation as Ira, Brighton, and those they hold most dear return to the place where it all began… where the worth of humanity will be settled once and for all.

* * *

It goes without saying that it’s a lot harder to finish a project than to start one. Finishing a project when a crowd of people are watching you with their own silent (and sometimes not so silent) expectations is even harder. This is where I find myself now, upon release of my third novel, The Law of Radiance, which also happens to be the concluding volume of The Watchers Chronicle, a story I started telling back in 2011 with my friend and writing partner, Clint Byars. 1,232 pages—and 322,141 words—later, the story is complete. And it’s one that I am immensely proud of.

In 2011, when The Book of Creation came out, I felt ecstatic. How could I not? My first novel was published, right there in print, on the shelf in the bookstore, the fulfillment of a very long dream. But the Watchers Chronicle, really, is a single story, so while the book was out, the whole story was not. Indeed, I wasn’t even a third of the way there (29.9 percent, to be precise). I still had a long way to go. I didn’t even know how many books it would take to finish, which is why I pointedly didn’t call it a trilogy right off the bat.

But here we are, and I can finally say that I’ve completed my first large-scale writing project. If you happen to be one of those people who only likes to start reading a series once the whole shebang is available at once, then have at it. I invite you to dive in!

Along the way, I’ve gotten some favorable reviews. My favorite came from the Winnipeg Free Press, my local newspaper, which wrote: “There is an important difference between someone like Dan Brown and Evan Braun: Braun writes with some literary sophistication.” Depending on what kind of emphasis you place on the word some, that’s great validation!

The Law of Radiance was a much longer and more complex affair than I anticipated at first. Indeed, as late as this past March, I contemplated splitting the book into two separate novels which would have each been approximately equal in length to the first two books in the series. Instead I took the alternate route, trimming down the fat to fit it all into a single book, working on the presumption that editing down is almost always preferable to expanding outward—at least for me. And each time I browse through Radiance, I become more certain that I made the right decision. Even at a smaller word count, it’s still a full third longer than either Book of Creation or City of Darkness. I’m quite sure that every word is earned.

It’s currently available for $3.99 for the Amazon Kindle, the Kobo, and the Nook. Not only that, but the print edition is on the way, hitting stores and catalogs on Thursday, July 9. I’ll be hosting a launch party at McNally Robinson Booksellers at 7:00 p.m. that night—so if you happen to be local to Winnipeg, Manitoba, I hope to see you there.

Excerpts and reviews are available here.

Evan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, whose third volume, The Law of Radiance, has just been released. He specializes in both hard and soft science fiction and lives in the vicinity of Winnipeg, Manitoba.

Style As Your Fingerprint

June 3, 2015

Kristin Luna

Branding Craft & Skills Joshua Essoe Kristin Luna Marketing Publishing Starting a Career Submissions The Writing Life 1 Comment

There’s not a lot out there about developing one’s writing style. Because it’s supposed to be yours, right? No one is supposed to help you shape that: it’s uniquely yours. YOUR voice. But how far, exactly, can you go with that? When does style obstruct grammar rules? When does style turn off potential editors and publishers? Unfortunately, there is no right answer.

Let me explain.

Over the years, I have heard various editors from Baen, Harper Collins, Shadow Mountain, and other publishing houses on panels explain, “I want something new. I don’t want the next Stephen King. I don’t want the next Stephanie Meyer. I want you. I want your unique style and your unique voice.” One might be thrilled to hear this call for individualism. “Then I’ll send in my personal style where I don’t use quotations, and don’t capitalize anything!” I want to say that takes it too far. But then again, there’s James Frey. Munch on this little excerpt from his break out novel A Million Little Pieces.

Hey, Buddy.
His voice is deep and dark.
Hey, Buddy.
Tracks crisscross his forearms.
I’m talking to you.
Scars run the length of his wrists.
I’m talking to you.
I look in his eyes. They’re blank.
What?
He points.
That’s my chair.
I turn back to the television.

Did that blow your mind? It should. Most manuscripts that stylized do seem to make it past the slush pile… across the desk and into the trash can.

“Perhaps I’ll send in my manuscript of one-liners that play around a semblance of a plot!” Again, I’m hesitant to negate this, too. Behold the king of one-liners, Oscar Wilde.

“How about my hard-to-follow stream of consciousness novel?” I must hold back from rolling my eyes and sighing, as this is what James Joyce is famous for.

“Ah, but my extremely lengthy novel filled with citations!” I would say that would be

This is DFW's annotations on Don De Lillo's Players, for crying out loud. Imagine what Infinite Jest is like. — These are DFW’s annotations in Don De Lillo’s Players. Now imagine what Infinite Jest is like.

boring, but then again, David Foster Wallace’s Infinite Jest is on almost every bookshelf of every English major in America.

A very wise editor and friend, Joshua Essoe, once told me something along the lines of: “Prove you know what the rules are before you go and break them.” I think this is fantastic advice for new writers. Editors and publishers need to trust that you know what you’re doing. Slowly injecting your style as you go is the way to job security.

At the same time, I can’t help but wonder: what if the authors I’ve mentioned above had done the same? Maybe if they hadn’t boldly stepped out into the world with their styles fully realized, style wouldn’t be as important as it is today. Maybe we should be so bold as to say, “Yes, I know my style is unique, but just read it, and let me know if it doesn’t just knock your socks off.” Because chances are, if your story is solid and engaging, your style will only add to it.

About Kristin Luna:

Kristin Luna has been making up stories and getting in trouble for them since elementary school. She writes book reviews for Urban Fantasy Magazine, contributes to the blog The Fictorians, and her short story “The Greggs Family Zoo of Odd and Marvelous Creatures” was featured in the anthology One Horn to Rule Them All alongside Peter S. Beagle and Todd McCaffrey. Her short story “Fog” recently appeared on Pseudopod. Kristin lives in San Diego with her husband Nic.

Favorite How-to-Write Books

May 26, 2015

Ace Jordyn

Ace Jordyn Craft & Skills Editing Rewriting The Fictorians The Writing Process Writing Tools 3 Comments

Sometimes, the best solution to a story or writing problem is to sit back, read a how-to book, think and then write. No one book has a solution for every problem and for that reason, I have several in my library. I find most books on writing more useful AFTER the story is written. Once you’ve read applied some of the techniques and lessons in these books to either an outline or a revision, your skill as a writer grows and subsequent first drafts become richer and better written.

My five go-to books are:

The 10% Solution: Self Editing for the Modern Writer by Ken Rand
Are you saying what you intended to and are you using the best word choices? Use the ACBs of editing – accuracy, clarity and brevity. Rand lists the syllables (such as -ly) and words which may signal a writing problem. This systematic approach is good for line edits because it allows you to see the words without getting involved in the story.

Writing 21^st Century Fiction: High Impact Techniques for Exceptional Story Telling by Donald Maass
This book is great for both brainstorming and examining the first draft’s effectiveness. The chapters provide a good foundation for all the questions Maass suggests writers should consider when writing about a character or scene or the plot. I must admit that it would be too much for me to apply all the questions to an entire novel, but addressing even one or two of them, I have found can enrich a scene or the story immensely.

Writing Fiction for Dummies by Randy Ingermanson and Peter Economy
From fiction writing basics, to what makes a great story, to creating compelling setting and characters, story structure, theme and getting published, this book is a great how-to for beginners and a good reference for everyone.

The Fiction Writer: Get Published, Write Now! By Nina Munteanu
Take every workshop you’ve attended, develop cheat sheets for quick reference, and you’ve got The Fiction Writer. This book focus on the writing side of getting published with tips on everything from world building, to the hero’s journey, plotting, writing query letters and synopses to the zen of passionate writing.

Revision and Self-Editing for Publication: Techniques for Transforming Your First Draft into a Novel that Sells by James Scott Bell
Written in two parts, Self-Editing, and Revision, this book is a compendium of the items that are non-negotiable in writing a novel. It’s written concisely and filled with great examples. The chapter “The Ultimate Revision Checklist” has great points to strengthen beginnings, middles and endings along with scenes, setting, theme and how to polish your manuscript.

Other books recommended by my critique group (thanks everyone!):

Writing Million Dollar Outlines by David Farland
This book is part of David Farland’s Million Dollar Writing Series. Learn how to analyze an audience and outline a novel so that it can appeal to a wide readership and become a bestseller.

The Emotion Thesaurus by Angela Ackerman and Becca Puglisi
Designed to enrich your ability to express emotions on the page, this thesaurus tackles 75 common emotions by defining them, listing physical signals, internal sensations experienced, mental responses and cues for suppressed or long term encounters with the emotion.

Story: Style, Structure, Substance, and the Principles of Screenwriting by Robert McKee
It may have been written for screen writers but the elements of story, the principles of story design and the elements of craft used to tell a good story are universal. It explains the principles that shape the art of storytelling and the realities, not the mysteries of writing.

On Writing by Stephen King
Entertaining and empowering, Stephen King not only teaches about writing, but provides a practical view of the craft and a writer’s life.

Telling Lies for Fun and Profit by Lawrence Block
A fun approach to writing and the writing life chapters include: Washing Garbage (revision), Creative Procrastination, and Creative Plagiarism.

How to Write a Damn Good Novel: A Step-by-Step No Nonsense Guide to Dramatic Storytelling, Parts I and II by James N. Frey
Filled with down to earth basics, principles, and suggestions, this book helps writers recognize, analyze and correct problems in their work.

The Anatomy of a Story: 22 Steps to Becoming a Master Storyteller by John Truby
A story consultant for the film industry, Truby challenges writers to dig deep within and explore their own values and world views. From making an audience care to making characters grow in meaningful ways writers will learn how to move an audience.

Bullies, Bastards and Bitches: How to Write the Bad Guys in Fiction by Jessica Page Monell
The title says it all! From moral codes and personality traits, every character needs a specific level of integrity, decency and honesty filled with complicated yet believable motivations.

How to Write Science Fiction and Fantasy by Orson Scott Card
A long standing favorite, the MICE quotient – milieu, idea, character and event- will help you structure a successful story. And if it’s science fiction or fantasy you’re writing, you’ll learn enough about the genre to ensure your stories are publishable.

This list is by no means comprehensive, so please share your favorites with us. Which books do you recommend?

Orbit Xplorer

May 22, 2015

fictorians

Doug Dandridge Software World-building No Comments

A guest post by Doug Dandridge.

I was going to write a post about Ginger, a software program that helps writers find errors in their manuscripts. However, Ginger changed their interface to the point where it does not do all the stuff this writer was going to rave about. So on to something else.

I write very detailed military science fiction, and I like to get things right as much as I can. I’m sure I miss, but not from a lack of trying. In the bad old days, I had to do everything by calculator and graph paper, but now the internet supplies the tools to really get down into the dirt of astrophysics. There are a lot of programs out there that do a good job of simulating different types of orbital systems. Programs like Universe Sandbox and others. I love Universe Sandbox for simulating where asteroids are going to be at any given time in the future. For detailed orbits of simpler systems, enter Orbit Xplorer by Ottisoft. At $25 for a single site license the program, for all it can do, is a bargain.

Orbit Xplorer comes with a number of preprogramed simulations, a star visits the sun (bad), double star (cool), Kepler’s laws (educational), two colliding stars (also really bad, but cool as well). While useful, I found the simulations I could program to be much more useful, and I will give three examples below.

I wanted to work out Hohmann Transfer Orbits for a book idea about Mars. Hohmann’s use a least fuel curving orbit to put a ship into Mars orbit from Earth, and can only be accomplished over certain timespans. But for the book I wanted to see how much of a boost I could use to take days off of the transfer. Using the program and trial and error I found the optimal boost to achieve a least time transfer, and discovered that any boost after that just sent the ship flying out into the outer solar system.

The second example was working out the orbits for a book that was to be the lead volume for the second Deep Dark Well trilogy (which has been written but not published). The idea was that ancient humans had moved stars and planets into place, then put terraformed moons into orbit around some of the closer gas giants. The program allows the user to put whatever objects he wants in orbit around each other, setting the mass of each body as well the distances of the orbits. Again, it’s a trial and error process, and at some close distances the moons fall into the gas giant. I set up a situation where all of the terraformed moons were as close as I could put them, so that their days (which are the same as one orbit around the gas giant) would be of reasonable lengths, none more than fifty some hours or so. When I ran the program, everything orbited well for about fifty evolutions, as which point one moon curved in, hit another moon, and both collided with the gas giant (very bad), while one of the remaining moons was pulled out of orbit to go careening through the outer solar system, there to freeze (bad as well). Oops. Eventually I got it to run a thousand cycles without a disaster, and went with those orbits, which gave me the day night cycle of the moon of interest to the story, as well as the cycle at which phases of the other moons would be seen.

The final example is from my Exodus series, which has been called by some readers as a new level of worldbuilding. I won’t even go into the central black hole with eight stars in orbit around it, all with their own system. One of the systems I wanted as accurate as possible was the two Earth mass planets in orbits around each other, the capital world and it’s twin. Both were habitable, and I also wanted the capital planet to have a terraformed moon in orbit. So I modeled the two planets in orbit around each other first off, with the one parameter being that the day night cycle on both worlds would not be longer than about forty hours. Anything longer might cause problems with the earth like vegetation on the worlds. That was easy enough. I had two beautiful planets that each had a bright world in the sky in one hemisphere at night, and experienced daily short lived eclipses on their day sides each light cycle. The worlds were about ninety thousand kilometers or so apart, which would make each world many times larger than our moon in the sky of the other. I then added the moon, and found that it would orbit the one world at about ten thousand kilometers in a slightly elliptical orbit. I ran the simulation about a thousand cycles, and everything seemed to hold together.

One of the coolest things about a science fiction setting is how different we can make them. Planets in orbit with each other around a center of gravity, moons in orbit around larger planets. Multiple star systems. One of the coolest things I found about Orbit Xplorer was how it sparked the imagination, suggesting setting I wouldn’t have otherwise thought of. Setting can be another major character in your work, the more imaginative, the better.

Guest Writer Bio:

Doug Dandridge lives in Tallahassee, Florida, where he has worked as a full time writer since March of 2013. A graduate of Florida State University and the University of Alabama, and a veteran of the United States Army, Doug has been in love with the fantastic since an early age. He has over twenty-five self published books on Amazon, and has a half dozen novels that have reached the top five in Space Opera in the US and UK.