Category Archives: Craft & Skills

The Monster Looms

Craft & Skills Guest Posts 1 Comment

monsterA guest post by Mary Villalba

The monster looms. The “to-do” list is long and the day short. Armed with coffee and good intentions I begin to tick off tasks. The pile before me like the Sorcerer’s brooms inexplicably grows. By noon, I have managed to lob off more than just those items listed, but I have also laid down another twenty to fill the space between noon and eleven pm, when I will fall exhausted, but satisfied, into bed looking back on the day with pride in my productive behavior!

The problem? The have-to list crowds out the want-to list. I want to do a final edit on my first novel and fine tune the synopsis. I want to sell millions of copies of my book. I want to post “author” legitimately on my FaceBook profile. Why can’t I?

Another writer and lecturer whom I greatly admire, Barbara Sher, came up with the term “resistance”, which pretty much sums it up. What is it that creates resistance to doing the things you want to do? As an overachieving, type-A personality I have gone through my own life determinedly setting goals up on fence posts and shooting them off. At twelve I determined that I would live in the most exclusive neighborhood in Denver; at twenty-nine I moved in to the house I built there. When it became clear to me that there was a great need for services for the hearing impaired in third world countries a doctor and I created the World Hearing Network, which is today the most successful outreach program for the hearing impaired in the world. I decided the Rocky Mountain District of Kiwanis should have a female governor at the helm, and became the first female elected to the position in eighty-five years. The ridiculously long list of accomplishments goes on and on. It should be easy for me to apply the same ambition to my writing, but it isn’t. So, as much as I hate to be introspective, it must be time for me to look at why I am holding myself back.

Yes, I am the reason I have not overcome the monster inertia. We, I, reach plateaus where the level of risk and reward become just about even. I don’t anticipate a greater reward for my writing than there is risk in exposing my inner-self and my writing to others; so I stop. I suppose that if there was a champion cheering me on with a contract for a million books I might be more motivated to take a chance on myself. Risk versus reward. Ah ha! In the rest of my life I create my own rewards, but when it comes to writing I can’t envision a real world reward coming my way.

Crawling back into my head and rummaging around I see the box labeled “get a job”. When I open it up it contains letters from parents who grew up pre-depression era. They want me to set concrete goals and they want me to be realistic about what I can and cannot do. The letters indicate they don’t think I can live in the neighborhood I picked, they don’t think I can build my dream empire, but, wait………I did! They were not my champions, I was my own champion.

In my mind, I set that box on fire and sweep the ashes out of my head.

Hmmmm; now what? See the problem, solve the problem, move on! Eureka! I can approach writing the same way I have approached every other goal in my life. So, today, right now, at the top of my to-do list I have written “finish synopsis.” It will get done today, because I will give myself a reward for getting the task done and because the risk of negative feedback burned up in the mental box I’d been carrying around for the last sixty-five years!

Take a look in your own attic and see what you can clean out! Then get to work!! You have a lot to accomplish and I, for one, will be your champion! I believe in you and know you can do it!! And, BTW, I’m posting “author” on my FaceBook profile right now!

Guest Writer Bio:Mary Villalba
“It’s about time” is a good description for taking up novel writing at her age!  Mary started writing stories and poetry when she was about six years old, and over fifty years of her professional life as a real estate broker and owner of her own strategic marketing company she has used language as a communication tool, even holding press credentials, but writing a novel was beyond her wildest dreams.  It was a group of inspired writers half her age who threw her off the cliff and into the waters of authorship.  She is very grateful they didn’t stop to ask her if she knew how to swim!

Jump-start Your Writing Routine with NaNoWriMo

Craft & Skills First Drafts Kristin Luna Storyline The Writing Life Writing Tools 3 Comments

If you told me that I’d write my first book in a month, I’d say, “Thanks, and here’s the beer I promised you for saying that.” Because, in truth, I had already worked on one book for three years, and in that time, I’d given it more treatments than a Beverly Hills housewife. And I hadn’t even finished writing it.

If spending three years writing one thing sounds a little nutty to you, imagine how I felt, especially being an impatient person.

It occurred to me that I had been looking at this writing thing all wrong. Well, wrong for me.

So I wiped the slate clean. I postponed writing short stories, put the labor of love novel on hold, and started outlining a new story. By piecing the new story together as a YA novel, I realized it would be easier to cut my teeth on than a dramatic literary fiction piece (which will be The Next Great American Novel… just give it time).

Instead of slaving through paragraphs, scrutinizing word usage and generally trying to make the labor of love perfect, I put all of my energy into preparing my new story. I used National Novel Writing Month (NaNoWriMo) as my diving board– no more dipping my toes in the water.

I wrote approximately 57,000 words in 28 days.  More importantly, I finished writing a book.

But I couldn’t have done it without a game plan.

How to Jump-start Your Writing Routine with NaNoWriMo

Realize what writing a book in a month actually means.

Yeah, sounds like a doozy. I know. But lets do some MATHS (even though we hates it, the filthy mathsies).

Let’s say you’re planning on writing a young adult novel. The average young adult book is between 50,000 and 60,000 words. This isn’t a rule, and you’ll find plenty of books that aren’t. But it’s easier to do the MATHS if we just say 60,000.

    •  There are 30 days in November.
    •  If you write every day in the month of November (spoiler alert: you should), then you need to write 2,000 words a day.
    • Don’t worry, dude. You can do that.

Realize what writing a book in a month means for you.

Clear your calendar, bro. Do not agree to take Taekwondo classes with your boss in November.  Do not schedule voluntary surgical procedures during this time. What I mean to say is: make writing your top priority (or one of your top priorities). Let your boss know what you’re going to be doing. Tell your family and loved ones. Buy lots of snacks and make a little squirrel stash at your writing desk. Create a good headspace for yourself. For example, I didn’t drink alcohol during the entire month (I missed you, beer! We had a tearful reunion at the end of November).

Realize what writing a book in a month means for everyone you love.

You may daydream about November – you, all hunched over a laptop wearing your sexy, hipster bifocals with two fingers of scotch in a glass next to you while you brood at the screen. Or, this may just be you.  In any event, this is what your family and/or loved ones will see: an angsty hobbit creature J.D. Salinger-ing it in its office.

You may think, around the 10th of November, that you are still speaking clearly and concisely to your wife. To her, your words are nothing more than animal-like grunts, and when you look at her, your eyes are a permanent, gazed-over haze. This is why the planning phase is so important: tell loved ones you’ll become a hobgoblin in advance.  Make them promise they won’t get mad at you, leave you, call the cops on you, or burn all of your clothes.

Plan for everything.

Some important things to consider before November rolls around:

  • What time of the day will you sit down and write?  If you don’t make that appointed time, when is your Plan B writing time?
  • Your in-laws are visiting? This is your one opportunity to say (and mean) “Ain’t nobody got time for that!” Okay. We all know that’s not going to work, so instead, explain that you’re writing an entire friggin’ novel in a month, and you’ll need some quiet and alone time every day for at least an hour.
  • Crap. You missed a day.  How will you make up for those 2,000 words? Write 4,000 the next day? Spread it out over a couple of days?
  • Outline your entire novel in September and October. Take as much time as you need on your outline. Know the story you are going to tell so you don’t get stuck during November.

Use the tools that are available to you.

Take advantage of the NaNoWriMo website, which sends you helpful tips as the month goes on, provides tools to help you track word count, and connects you with other crazy writers NaNoWriMo participants.

NaNoWriMo may not work for everybody.  But if you’re looking to jump in to your first book, finish writing a book, or set up a daily writing routine, it’s an extremely efficient practice.  Remember, it’s never too late to start, and it’s never to late to try something new. You may find that concentrated bursts of writing help you complete projects and help you establish a routine that works for you.

 

***

Kristin Luna is a Marketing Consultant by day and writer by break of dawn. She sings to one of her cats, but the other cat doesn’t care for her voice. Kristin, a descendant of the 74350infamous Dread Pirate Roberts, is currently working on a Young Adult fantasy trilogy. When she isn’t contemplating marketing campaigns or writing, she’s designing handbags for gerbils, playing board games, tasting craft beers, teaching her cats sign language, reading, or getting in cabs saying, “To the library – and step on it!”. She is kidding about only two of those hobbies.

 

Breaking Into The Next Level Of Craft

Craft & Skills Frank Morin The Writing Life Writing Tools No Comments

MountainWe all know the journey to becoming a professional writer is a long one.  It takes a while to “Break In”, and no two writers ever seem to take the exact same path to get there.  New writers are told to keep working, be persistent, and they’ll get there.

It’s like dropping off an inexperienced climber at the base of a challenging mountain and telling them to just start climbing, and eventually they’ll make it to the top.

But there are trails on a mountain, easier paths marked by those who have gone on before.  True, but someone who knows next to nothing about mountain climbing can still easily get lost.  Same for writers.  There is lots of help available, but sometimes we don’t know enough to know what’s missing when we get stuck.

Climbing a mountain is done in stages, and one thing that comes as a shock to some new writers is that becoming a professional writer is similar.  We don’t Break In just once.  There are levels to craft, plateaus we reach on our journey.  Sometimes we get stuck there, unable to Break In to the next level and resume the climb up toward the ultimate goal.

Throughout the month of September, we are going to explore some of these writing plateaus where we’ve been stuck, and ways we’ve found to pass the barrier and Break In to the next level of craft.

Sometimes we need a mentor, a writing group, or an unusually honest loved one to tell us we can do better.  When I decided to pick up writing several years ago, I pounded out 70 pages in one weekend and thought, “I’m on my way!” My wife read those initial chapters and said, “I don’t like your protagonist.”

She was right.  He didn’t work.  First obstacle.

Thankfully the answer to that one was straight-forward.  Swallow pride, throw away thousands of words of crap for the first (of many) time, and start again.

Sometimes we need a seminar or a conference or a book on writing to illuminate the shadows and show us a couple steps forward down the path.  We might need to arrange our schedule better to find more time to write.

And sometimes we just need to write another hundred thousand words of crap before we get it.

In the end, we all hit multiple plateaus, or ruts that block our forward progress.  But we don’t have to stay there.

This month the shared wisdom and experience of the entire group will help map out some possible routes to reach the next plateau.

Metal Gear Solid, or How I Was Ruined for All Other Video Games

Brandon M. Lindsay Character Reading Storyline No Comments

The first moment I realized that I had expectations for what a game ought to be was the moment I first popped Metal Gear Solid into my Playstation. I had read the previews about the game in all the video game magazines I subscribed to (which was every one available) and I had played games similar to it—or at least I thought I had. Metal Gear Solid was, on the surface anyway, a third-person military shooter with emphasis on stealth elements. Pretty par-for-the-course, as far as video games go.

And then I discovered that everything I believed about the world was a lie.

MGSMetal Gear Solid was footage from the International Space Station for flat-earthers. It proved that one need not sacrifice story to gameplay, or vice versa, that not only could they coexist in harmony, but become fully integrated with one another. MGS even takes it one step further: it takes the player experience and makes it an essential aspect of both the gameplay and the story.

An example of what I mean by that. (*SPOILER ALERT* for those who have not played it; shame on you, by the way!) At one point, a character named Psycho Mantis, one of the several villains you must defeat to save the world from nuclear devastation, decides to battle you. The problem is, nothing you do works—nor can it. With his psychic powers, Psycho Mantis is able to predict every action you take the moment you take it, rendering all your efforts to injure him useless. It is impossible to defeat him—until you realize that his psychic powers only extend to controller port 1. Plug your controller into port 2, and you may just have a chance. (*END SPOILER*)

One of the reasons this grinding-to-dust of the fourth wall is so effectively jarring is because the game strives for realism in so many ways. The environments are incredibly detailed, the characters are rich and deep beyond belief, yet even those things are not safe. When the protagonist, Solid Snake, returns to an old military base in Alaska (which is where the bulk of the action of the first game took place) in Metal Gear Solid 4, he also returns to the exact same 32-bit polygonal art style of the original Playstation game.

SolidSnake-600x372Kicking down the fourth wall and violating expectations was a part of the series before Metal Gear Solid was even released, though in a comparatively more subdued form. When a traitorous member of Solid Snake’s team tries get him to abandon his mission in 1987’s Metal Gear, he says, “Solid Snake! Stop the operation. Switch off your MSX at once.” (The MSX was the platform on which the game first appeared.)

What these games proved to me is that we need not be satisfied with our expectations, that suspense can be built when we shake the very foundation of our readers’ worldviews. There are times when I’m writing and I realize that my story has taken the expected path—the safer path. It’s at times like these where I wonder, “WWMGSD?” Metal Gear Solid would probably turn my novel into an ASCII flipbook animation, which is a little unconventional for even my tastes, but it can still serve as a guidepost for ways to keep readers from guessing what’s coming.