Category Archives: Craft & Skills

Work-life balance? Ha. If I wrote this blog post on a random Tuesday, it might be about the fact that I have finally managed to achieve a fragile balance and I’m working to maintain it. On Wednesday, I might write about the fact that I have no balance at all, and frankly it’s a bit depressing and balance might be impossible anyway. And on Thursday, I might write that I enjoy great balance.

So, as you can see, my thoughts on this subject are schizophrenic and highly unstable.

I love my family and my job is usually slightly better than tolerable (more than a lot of people can say), but like so many of us creative types I still occasionally entertain this fantasy that I could someday devote myself one hundred percent to my chosen work and not have to worry about all the other things. I fantasize that I could write nine or ten great books per year. In this scenario, my preferred cause of death is “creative exhaustion,” something which may but almost certainly doesn’t exist in the real world.

Lately I’ve been working on my writing career only intermittently, but I have big plans. (Don’t we all.) The main culprit is that I’m growing a new business that is flourishing beyond my initial expectations, and my other day job is finally becoming more lucrative than it ever has been before. So I’m a bit consumed with establishing my heretofore nonexistent nest egg. As such, my life is stable and mostly happy, but the outlook of my writing career fluctuates month to month, day to day, sometimes hour to hour.

Of course, this is a normal amount of confusion. And we’re all afflicted with it.

I will be the first to say that the kind of balance we all crave is elusive. I’d like to tell you that I believe long-term balance is possible, and here’s how to do it—but I don’t know if I really do believe that. Like any successful marriage (or comparable relationship), the balance between a writing career and the rest of one’s life must be constantly renegotiated. Solutions and strategies will change over time.

One strategy that works well for me is one of the oldest, so tried and true that it almost doesn’t bear writing about—except that it works so well for me that I still consider it a game-changer. Just break down your tasks into manageable bits, and track your daily process. Just two things, but they change everything.

I’m a huge proponent of tracking daily progress, which I’ve written about before on this blog. I track the number of words I write daily, the number of pages I get edited… even the number of minutes I exercise (as well as distance traveled and calories burned). The numbers make the progress substantial and real.

Because I need goals to succeed at anything. I’m not a good “casual” writer; I’m either all-in or it’s not on my radar. But all-in doesn’t have to mean all-consuming. For me, all-in means that I’m writing or editing a little bit everyday, in a way that I can track.

It’s not exactly a secret, nor would most people be surprised by any of this. But the keys to true success—unlike what those obnoxious click-baity Buzzfeed headlines will tell you—are rarely secrets or surprising.

Evan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, a completed trilogy. In addition to writing both hard and soft science fiction, he is the editor-in-chief of The Niverville Citizen. He lives in Niverville, Manitoba.

Managing the Attention Deficit Thingy

March 17, 2016

Jace Killan

Craft & Skills Finish It! Jace Killan Making Progress as a Writer Motivation Rewriting Self-Awareness Self-Motivation The Writing Life No Comments

I find little in life more enjoyable than discovering something new, a character, a world, a scene. I love watching how things develop as I discover write them. I’m what they call a Pantser. I wrote of my writing disorder a couple months ago in A Pantser’s Plight.

In one of David Farland‘s workshops he said something to the effect that discovery writing was to him the most enjoyable and the least productive. I have found that to be true. So I’ve worked hard to develop a plot, outline the direction, but I still discovery write the scenes. I’m finding that the story develops and takes life.

Just this past month I wrote a scene that I had loosely outlined for my protagonist who started a new job on Wall Street. As the scene unfolded, a cute red-headed receptionist entered the mix. And suddenly my protagonist took interest and next thing I know they’re digging on each other. I did not see that coming in my outline but it works nicely.

I developed two other characters who, according to my outline, were scheduled to be killed later on in the story. These characters have grown and become significant in the story. I’ve used them to bridge plot gaps and deepen side plots. Now I’m not sure I want to kill them off. I probably still will, but I could see some spin off stories developing, so I’m going to keep discovering where it goes.

This last month I’ve written about 30,000 words on the same book. I haven’t touched anything else. Not the two short stories, brewing in the back of my brain. Not the other three novels half finished. This is pretty significant for me and I wanted to share my newly acquired trick to stay focused.

The Problems

First, as I mention earlier, I get really excited about discovering something new and tend to lose interest in something that I’ve already figured out in my mind though I haven’t written it yet. This usually leads me to ping-ponging from project to project but never finishing anything.

Second, squirrel. I get easily pulled onto something else more exciting and I have a hard time focusing my mind on what it doesn’t want to focus on.

Third, sometimes I discover write my characters into a situation that just doesn’t work with the rest of the story and I get stumped. And sometimes my characters get into a situation they just can’t get out of.

The Solutions

First, I do a light outline to give myself direction. And I try not to over develop. When I do, it usually becomes cliche or boring.

Second, I noticed awhile ago that whatever book or movie or television show I was into would effect which of my projects my brain thought important at the moment. So, as I’m writing a financial thriller, I’ve tricked my brain to staying focused on this book by reading two John Grisham books, watching shows like Better Call Saul and movies like Wall Street. And more importantly I won’t let myself read or watch anything science fiction or fantasy related. It’s working quite well.

Third, I used to revere what my brain discovered as sacred. I credited inspiration. But I’m learning now that sometimes it’s crap and I need to chuck it out the window. I hated rewriting a scene that I had already thought out a different way and I still don’t enjoy it, but the end result makes it worth it. Sometimes I’ve got to suck it up and push through.

Funny thing, writing this post has gotten me excited to discover more on this particular project. It’s called Unknown Soldier and if I can keep it up, I’ll finish it in a couple more months.

I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve got an MBA and work in finance for a biotechnology firm.

I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.

You can visit my author website at www.jacekillan.com, and you can read some of my works by visiting my Wattpad page.

An Obsessive’s Balancing Act

March 10, 2016

Leigh Galbreath

Balancing Acts First Drafts Leigh Galbreath Self-Awareness The Writing Life The Writing Process Work-Life Balance No Comments

I often find it funny how much time is spent talking about “balance” in the writing life, and how often that equates to finding time to write. Me, I actually have the opposite problem. I don’t have much in the way of a social life. My family expectations are minimal and my day job hardly impinges on my off time. I only do the dishes or clean my house when I absolutely can’t stand the mess anymore. I’ve got time to kill. I’m an obsessive when it comes to stories.

Raise your hand if you have a tendency to become enamored with something (an idea, a story, your own personal real life macguffin) that is so completely awesome that you eat, sleep and breath it. You’re friends get tired of hearing about it. You’re distracted at the day job, lose focus in conversations, and are generally lost in the niftiness of your new “thing” that it pretty much takes over your brain.

I know I’m not the only one this happens with. As writers, I think just about all of us have that period when we absolutely fall in love with something to the point that we want to delve deep and write about it. The issue for me comes when 1) I can’t let go of the idea until I get so completely sick of it I can’t bear the thought of going near the thing, 2) while I’m in the throws of my obsession even talking to people can be irksome and I start entertaining scenarios in my head where I thwart my antagonist with something heavy and suitably cathartic, and 3) nothing else gets done…at all.

Now, while I’m in no real danger of going postal on some bystander who innocently asks me a question while my concentration is attempting to focus on my current obsession, the first and third issues stated above can be something of a problem.

Like I said, I think all writers have the eureka moment when they find a truly cool idea for a story and dive right in. That’s great when it happens. I love those bursts of writing frenzy when I just have to get it all down. But, inevitably, the burst will end. When this happens with me it’s incredibly difficult to get back into that story idea. I start floundering around until I get so frustrated that I give up on it. Not good.

The other issue with this particular scenario is when I obsess about things that I will never…ever…write about. I’m a habitual daydreamer, and most of my daydreams, while vastly entertaining to me, would not a novel or short story make. And like in the story idea, I can’t let go of it until it’s run its course, which could be days or weeks. Days or weeks when little or no effective writing is being done.

What have I learned from this happening again and again? Mainly that those writing ideas that I get so excited about are usually not the ones I finish. It’s the stories I make myself sit down to write, without the obsession driving me, that I stick with. The obsessions I can sometimes go back to after a long break, but it’s rare. As for the non-writing obsessions? I’ve started using those as writing exercises. They take me places that my normal writing practices don’t, so even if I never use them in a book, I’m still writing–still practicing the craft while I lose myself in a fancy.

As for the last issue, where nothing else ever gets done…well, with all the focus on trying to avoid distractions and finding time to write, I start to wonder if this is an actual problem or not? Perhaps this is just the inevitable conclusion to ignoring the distractions. The TV will go unwatched, the dishes unwashed, that cat’s litter box un…okay, maybe that’s not a chore anyone wants to skip, but my point is that there are only so many hours in the day. If you want to make time for one thing, something else will most likely go unattended. I feel guilty about dusty shelves and laundry splayed over the bedroom floor like a teenager on summer break. I’m an adult, I should have learned by now to make my bed in the morning, but in reality, should I be balancing out my day by doing these chores or is it okay to get it and let myself feel free to rampage through fantasy land?

What it comes down to is what exactly “balance” is to each of us. Is it catching that movie with your family rather than writing or indulging a new obsession with a story idea rather than gossiping with coworkers at the day job? Is it getting in a certain number of hours writing vs a certain list of chores in a day?

It is in the end about priorities. What is truly important, and what are you willing to sacrifice to make it happen? I am aware that my tendency for obsessing is excessive, but to be honest, I don’t think I can turn it off. And I’m not really sure if I would want to. I mean, really, why would I want to sacrifice the stories in my head for the humdrum of every day? To me, stories, whether they be written down for others to read or kept securely locked in my head, are where my bliss is. Perhaps that’s the “balance” that keeps me sane and happy. Maybe that’s all right and I should just accept that about myself. Or maybe I’m just crazy, in which case acceptance is probably a symptom of the insanity and it doesn’t really matter in the end. I don’t know, but I’m going to enjoy it either way, housework be damned.

Will Build Worlds for Spare Change

March 6, 2016

fictorians

Guest Posts The Writing Process World-building 7 Comments

A Guest Post by Sonia Orin Lyris

In this month’s theme of work-life-balance, author Sonia Orin Lyris tells us how a real-life encounter with an historian influenced the details in her novel. Sometimes it’s the people we meet in real life who have the most profound influence on our stories. Watch for my interview with Sonia next month on her new novel, The Seer.

Ace Jordyn

***

“I’m a historian”, she said darkly. “I don’t read fantasy novels. They get the details all wrong.”

I don’t typically beg first readers for comments, but this one was special. It was the early days of my world-building on THE SEER and I needed all the help I could get.

I asked again, very politely, and it’s possible a bit of high-end dark chocolate changed hands. Never underestimate the power of a quality bribe.

World-building trade secret, folks: if you can get a historian to read your story and tell you their pet peeves, every one of them is going to be world-building gold. Whether you make use of their complaints or not, you’ll know something about the why of them, and that’s the path to creating a world that feels real.

I had already done my research, and plenty of it, but no matter how much you study, you’re still responsible for creating the world from scratch, and if it doesn’t hang together right, the reader can feel it. You-the-author are responsible for every detail. Every detail! Consider the world around you, the one in which you’re reading these words. How many millennia did it take to assemble? How many people — in this very moment — are busy making our planet what it is, right now?

A lot. Very, very many.

But to create your book’s world?

Just one. With a little help from first readers, if you’re lucky.

The historian finally agreed. She’d take a look. But she wasn’t making any promises.

I said thank you. (Always be appreciative for the time your advisers give you.) With trepidation, I sent her the first few chapters.

The next week my inbox was filled with indignant treasures, among them this: “No, no, no! This is NOT a D&D game. Coins have names! Coins have histories!”

I instantly knew how right she was. Knew it like the contents of my own pocket.

Pennies. Nickels. Dimes. Not “coppers.” Not “large silvers.”

I dove back into my research and emerged soaked in currency-related facts, from minting to metals, from Greece to China. The facts went on and on, as did the likeness of people and horses and birds and insects, of ships and buildings, of angels and flowers, of myths and monarchs.

So many coins, each symbolizing their culture’s prosperity and priorities. Its very self-image.

I now understood that not only did coins have names and histories, but they were keys to wealth and power, to trade and politics. Coins affected everyone, from rulers to merchants to the poorest of the poor. Coins mattered, and mattered quite a bit.

Coins had names and histories. They had faces. Coins traveled.

That’s when it hit me: Coins are stories.

I felt chills.

Armed with this new insight, along with an overview of thousands of years of currency history, I went back into my world’s empire and made money, and a lot of it. I emerged with sketches of coins and knew what I could buy with each one. I could feel in my hand the weight of the coins and hear the sound they’d make clinking together. I understood how each had come into being, how they were manufactured, and the politics and symbolism behind them.

I already had money in my world, but now I wove it more tightly into the story, and the repercussions of this affected the plotline, and the plotline in turn affected the currency. A circle, much like the coins themselves.

When I came out the other side, my story and its setting had a new shine and hard solidity that had not been there before.

I can tell you, for example, that the most common imperial coin of the Arunkel empire can be broken into quarters, and pieced back together like a puzzle, so you can see the picture of the dog, moon, and queen. Not just any queen, either — the Grandmother queen, a powerful monarch. Well-respected. Perhaps a little feared.

I named the queen and the coin after my historian first reader.

When I told her, she seemed pleased. She might even have smiled a little.

Sonia Orin Lyris is the author of The Seer (http://bit.ly/seersaga), a high fantasy novel from Baen Books (http://www.baen.com/). Her published fiction includes fantasy, science fiction, horror, mainstream, and more, and may be found at lyris.org/fiction . Follow her on Facebook (https://www.facebook.com/authorlyris/) or Twitter (https://twitter.com/slyris). You can also read her blog at Noise and Signal.