Category Archives: Editing

Although the urge is strong to write a piece a la David Foster Wallace and title it, “2016: Consider the Dumpster Fire,” I’ll resist.

But also I can’t resist and here’s a picture of a dumpster fire.

It's small, it's compact, it's perfect. — It’s small, it’s compact, it’s perfect.

Oh c’mon, Kristin, it wasn’t so bad. (Pause to picture me straining to find really good things about 2016.) If I’m doing my math right, which is rare, all of the good things were canceled out with two bad things. I’m not saying this to garner any pity. Quite the opposite. I’d be happy if you joined me in watching it all burn in the dumpster fire above. Ah, bonding over warm flames. 2017 is looking better already!

In 2016, I finished editing a book I completely rewrote, hoping the huge improvements could snag an agent. Instead, the manuscript was declined by seven agents. I decided perhaps it’s time to table that book for now and move on to other things. I wrote two short stories, one of which has been declined four times so far.

via GIPHY

You know, I don’t know if you’ve heard, but sometimes this writing thing is hard. And I have never felt that more deeply than this year. And I know what I’m supposed to do. I’m supposed to take a good 15 minutes to feel sorry for myself, then get right back on that horse, nose to the grindstone, ass in seat.

Part of me thinks that’s a fine approach. But the other part of me thinks that’s just more of the same.

If you’ve started on the same crazy choice of careers, you know the one thing there is no shortage of: writing advice. Everyone from your aunt Carol to Stephen King has something to tell you about how to do this thing. The right way, the wrong way. Write, write, write! Write when you have something to say. Write your first three books then throw them away. Don’t let any time go to waste, be deliberate. All of it’s well intentioned. All of it has at least some merit.

But the second part to the advice that they don’t tell you is: now reflect on who you are, and if that advice can be applied to how you are.

I wish I had a greater epiphany this year, but perhaps this is just one of those sleeper-epiphanies that I’ll be thankful for when I’m 80. I learned I have only a few truly great ideas, and I have hundreds of good ideas. And I just want to write the truly great ones.

That means advice I followed before does not apply. Like: write, write, write! Get those million words in! Any writing work counts!

Instead, it means: slow down. Fully develop the story. Allow myself to think on the idea for however long I need to. Don’t write a good book. Only write the great ones. No matter how long that may take.

That’s not everyone’s road. But that’s what 2016 taught me personally. I don’t want to get merely paid for doing what I love. I want to be damn proud of every word in every book. I want it to mean something. I want it to be more than entertainment.

But first, I just gotta get out of this dumpster fire.

See you all in 2017! It might be better! What did this dumpst… I mean 2016 teach you?

D.H. Aire: Rearview Mirror

December 8, 2016

Kevin Ikenberry

Craft & Skills Editing Life Philosophies Making Progress as a Writer Publishing Reviews Rewriting Science Fiction The Writing Life The Writing Process Your Writing Career No Comments

Rearview Mirror

By D.H. Aire

Looking back, I could focus on the number of books I published by June and say, “Look what I accomplished.” But that’s not how I see the business of being a writer.

I always have to be working on another book or three. I figured that if I was to get noticed as an author, I needed to write a series. That turned into writing four series at the same time this year. Or it was supposed to be.

I was working on the concluding book of my main series and was getting bogged down. So, I played with a short story and wrote it as a novella. TOR’s looking for novellas these days. Alas, the novella seemed to be missing something. So, I found myself re-writing it as a novel. Possibly a stand-alone, but the odds are it may be the first book in a YA series.

Then I told myself, focus, you need to finish the last book of your series. So, I worked on one of the other books in need of a second and third draft for a while, then I put that aside and finished the last book in my series and sent it to my editor.

Ta, da, now that was an accomplishment. I was behind schedule, but it was done—until my editor sent me the draft back. Yes, draft. She felt it wasn’t polished and pacing was off in the beginning of the book. So, I’ve been working on that. Too slowly as life and work keep tugging at me.

So, here’s what I think as the U.S. elections approached and my sales dropped. Something I’ve heard friends in the business remark about, too. The polishing of the climax of my series is damn important. Yes, I want to send off copies to beta readers, but my editor could see that I had something still too close to second draft in places.

I’ve completed a third of the work and hope my editor gives me the nod, but if she doesn’t, I’ll do what I’ve always done. I’ll let the story evolve and get better and better. My writer’s fear is that I’ve written too fast at times, knowing I need to build my brand, produce book after book to earn more money. Last year my biggest accomplishment was qualifying to join SFWA (the Science Fiction Writers of America). That was my dream.

The reality is writing is hard work. I’m a creative writer. I enjoy writing. I can’t help but write. Fine, it’s a sickness. I love the genre and I’m now playing a part in it. Likely not a big part, but I connect with readers and potential fans at conventions and book fairs and network as best I can.

That’s in some ways the easiest part of my becoming a professional writer.

Working on the seventh book or a seven book series, one I started writing over twenty-five years ago, that’s an accomplishment I’m proud of. No one who knew me would have thought, hey, he’s going to be a sci fi and fantasy author one day. Who am I kidding? I had teachers who wrote an IP on me saying I was learning disabled and needed remedial reading assignments for years.

My revenge was reading all of John Carter of Mars in a couple of weeks, my father complaining about my buying them at the book store rather than getting them from the library. My mother was a teacher, she slipped me more money to buy books. I bought the Foundation Trilogy and the Dragonriders of Pern Series.

So, looking in the rearview mirror, I know I’m accomplishing what I need to, knowing I need to do so much more. But I’m writing, I re-writing, and I likely won’t publish as many books next year. But I will publish a kick-ass climax to my series and that will get me noticed just a little bit more. And isn’t that what being a writer is all about?

Bio

D.H. Aire has walked the ramparts of the Old City of Jerusalem and through an escape tunnel of a Crusader fortress that Richard the Lionheart once called home – experiences that have found expression in his writing of his fantasy/sci fi Highmage’s Plight and Hands of the Highmage Series. He is also the author the Dare 2 Believe and Terran Catalyst Series.

His most recently published short story appears in Street Magick: Tales of Urban Fantasy (Elder Signs Press).

Follow him at: Twitter @dare2believe1, Facebook (Dare 2 Believe), and his blog on www.dhr2believe.net.

Editors: Angels or Demons

September 19, 2016

Frank Morin

Damage Control Editing Frank Morin The Writing Life No Comments

Editors: Angels and Demons — Image found at: https://www.pinterest.com/pin/544372673681409283/

We’ve already had great posts about dealing with rejection , handling criticism, and taking a story back down to the studs when it has to be done.

Today I want to focus on a different aspect of shepherding your story through those difficult growing pains between completing the first draft and clicking “Publish”.

Getting the critique from your editor.

Whether you’re a traditionally published author working with the editor from the publishing house, or an indie author who hired their own freelance editor, this is a required step. An editor must work over your manuscript, and they return it dripping with red ink.

Talk about damage control. What happened to that perfect draft you completed, reviewed twice, and sent out absolutely READY. You were confident that all the editor would have to say about the story is that it’s the best thing they’ve ever read, and can you autograph the manuscript for them?

If only.

It’s always shocking to get that edit back. How can there be so much wrong with this story when I poured so much of myself into it? The most startling situation is when an editor says, “I really loved this story.” But accompanies that positive feedback with a thirty page critique and hundreds of minor corrections.

The first time I received an edited manuscript, I felt a flood of emotion, from “there’s no way they understood me” to “I’m such a hack and I’ll never make it as a writer” to “Are you kidding me? Did they even read the story?”

I handle it a little better now. Mostly.

Editors are not paid to be sweet. They are paid to tell the truth and to point out far more than simple grammatical errors. Sure, line edits are important, but a story needs a pass from a good content/developmental editor who can point out logic holes, problems with pacing, character arc, emotional beats, and much more.

Here’s a few keys to handling that traumatic day when you get your edits back:

DO NOT build a giant pyre in your backyard and burn your manuscript.
Do make sure you hired a professional, competent editor. Sure, your cousin who took some English classes might offer some helpful insights, but they’re not an editor. Indie authors often want to skimp on paying an editor, which can be one of the biggest financial investments of writing a book. Don’t be one of those writers. The investment is absolutely worth it.
Take a deep breath and read through the entire critique before diving in and making changes. Make sure you understand their points, and give their feedback time to sink in.
Put your pride in a drawer. You can take it out later. Maybe. Yes, you’re awesome and you’re welcome to hold onto the dream that the story is going to change the world and be more widely read than Harry Potter. But it’s still a draft, so it needs work.
Remember, you have blind spots. No one can see them all. You cannot afford to release a sub-par novel. Your editor can point out those holes and blind spots. Use this as a chance to learn.
Editing is how your story shines. Sometimes you need major edits, sometimes only minor polishing, but why spend months creating a story only to resist that last 10% that will turn your story into a masterpiece?
Learn to enjoy the process. It takes practice, but through editing, you can grow your writing skills, learn new techniques, shed bad habits, and see your blind spots. If you loved your story the first time you work through it, you’ll love it even more the fourth time, when it’s fully realized.

At first, you may think the editor is a demon incarnate for ripping into your story like they do. If you follow the process to the end, though, you’ll realize they were really angels in disguise, helping you bring forth a much greater work.

If you’re lucky, you’ll only need to go through the full editing process once for that novel.

About the Author: Frank Morin

Frank Morin loves good stories in every form. When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities. For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers sci-fi time travel thrillers, check his website: www.frankmorin.org

The Power of the Word Count Tracker

January 22, 2016

Evan Braun

Editing Evan Braun Finish It! First Drafts Goals Making Progress as a Writer Motivation Self-Motivation Successes The Writing Process 4 Comments

Last year, when January rolled around, I had to face facts: I had to somehow wade through the toughest writing of my career so far—and in record time. The third and final book of The Watchers Chronicle could not wait another spring, another summer, another year. It was summer 2015 or bust. That wasn’t a lot of time to wrap up my most ambitious book to date.

I needed help. I need motivation.

Some other writer on Facebook (I don’t remember who it was) seemed to be in the same boat, and they shared a blog post which espoused the practice of using an Excel-powered word count tracker.

The picture got my attention right away, and I said to myself, I must try this.

That happened on December 30, so I didn’t have much time to waste. I jumped on Excel and did my best to replicate what I’d seen on that timely, heaven-sent blog.

Sixteen weeks later, this is what it looked like:

The essence is that you write down your daily word total—honestly—and color-code your achievements. Maybe only a minority of people will respond to the reward of getting to upgrade the color of a little spreadsheet box, but I am unashamedly one of those people. I would get near to the boundary between yellow and orange, and pick up my pace significantly.

Of course, the color-coded word count tracker only works well when you’re actually writing loads of new words. And by the eighth week of 2015, I finished my first draft and had to jump straight into some heavy editing.

As you may intuit from my picture above, I reworked my spreadsheet to allow me to account for edited words. Two passes are clearly recorded. From Week 8 to Week 12, I focused on cutting as much as possible, since my first draft was about 25,000 words too long. Each day, instead of counting new words, I counted the number of words I had cut. This worked well enough.

Then, in the middle of Week 12, I set upon my final draft proofing, a kind of work no longer conducive to counting cut words. What I did was count the overall number of words I edited in a given day, then halved that number. This produced numbers generally in line with the rest of the chart (this seemed important at the time, because I was also calculating daily and weekly averages).

Though it’s been less than a year, no matter how long I squint at the chart, I can’t quite remember just what exactly I meant by those brown-colored, italicized “750” boxes in the last couple of weeks. I think I was doing edits of polished material, resulting in very high numbers—and in order to keep those numbers in line with the rest of the chart, I just wrote down an arbitrary average. Hence, 750.

Which is kind of dumb, if I think about it too hard.

Anyway, my point is this: I finished my book at the end of Week 16 and entered into a period of extended hibernation—a state with which I suspect most writers can identify. As a result, I abandoned the chart. After entering in a week and a half of black zeros, I finally deleted the shortcut from my desktop and tried to forget this word counter ever existed.

But the word counter was very helpful for the time that I used it, and a part of me greatly regrets that I didn’t carry on with it for a full year.

That’s a goal I hope to achieve if not in 2016, then at some arbitrary 365-day period in the future that doesn’t have to begin and end at the turn of the calendar. Who’s to say you can’t start on February 22? No one. Absolutely no one.

Today I encourage you to keep yourself accountable, even if just long enough to complete an important goal. As for me, I’ll be starting my next first draft in March.

I smell another word count tracker coming on…

Evan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, whose third volume, The Law of Radiance, was released earlier this year. In addition to specializing in both hard and soft science fiction, he is the managing editor of The Niverville Citizen. He lives in Niverville, Manitoba.