Category Archives: First Drafts

I often find it funny how much time is spent talking about “balance” in the writing life, and how often that equates to finding time to write. Me, I actually have the opposite problem. I don’t have much in the way of a social life. My family expectations are minimal and my day job hardly impinges on my off time. I only do the dishes or clean my house when I absolutely can’t stand the mess anymore. I’ve got time to kill. I’m an obsessive when it comes to stories.

Raise your hand if you have a tendency to become enamored with something (an idea, a story, your own personal real life macguffin) that is so completely awesome that you eat, sleep and breath it. You’re friends get tired of hearing about it. You’re distracted at the day job, lose focus in conversations, and are generally lost in the niftiness of your new “thing” that it pretty much takes over your brain.

I know I’m not the only one this happens with. As writers, I think just about all of us have that period when we absolutely fall in love with something to the point that we want to delve deep and write about it. The issue for me comes when 1) I can’t let go of the idea until I get so completely sick of it I can’t bear the thought of going near the thing, 2) while I’m in the throws of my obsession even talking to people can be irksome and I start entertaining scenarios in my head where I thwart my antagonist with something heavy and suitably cathartic, and 3) nothing else gets done…at all.

Now, while I’m in no real danger of going postal on some bystander who innocently asks me a question while my concentration is attempting to focus on my current obsession, the first and third issues stated above can be something of a problem.

Like I said, I think all writers have the eureka moment when they find a truly cool idea for a story and dive right in. That’s great when it happens. I love those bursts of writing frenzy when I just have to get it all down. But, inevitably, the burst will end. When this happens with me it’s incredibly difficult to get back into that story idea. I start floundering around until I get so frustrated that I give up on it. Not good.

The other issue with this particular scenario is when I obsess about things that I will never…ever…write about. I’m a habitual daydreamer, and most of my daydreams, while vastly entertaining to me, would not a novel or short story make. And like in the story idea, I can’t let go of it until it’s run its course, which could be days or weeks. Days or weeks when little or no effective writing is being done.

What have I learned from this happening again and again? Mainly that those writing ideas that I get so excited about are usually not the ones I finish. It’s the stories I make myself sit down to write, without the obsession driving me, that I stick with. The obsessions I can sometimes go back to after a long break, but it’s rare. As for the non-writing obsessions? I’ve started using those as writing exercises. They take me places that my normal writing practices don’t, so even if I never use them in a book, I’m still writing–still practicing the craft while I lose myself in a fancy.

As for the last issue, where nothing else ever gets done…well, with all the focus on trying to avoid distractions and finding time to write, I start to wonder if this is an actual problem or not? Perhaps this is just the inevitable conclusion to ignoring the distractions. The TV will go unwatched, the dishes unwashed, that cat’s litter box un…okay, maybe that’s not a chore anyone wants to skip, but my point is that there are only so many hours in the day. If you want to make time for one thing, something else will most likely go unattended. I feel guilty about dusty shelves and laundry splayed over the bedroom floor like a teenager on summer break. I’m an adult, I should have learned by now to make my bed in the morning, but in reality, should I be balancing out my day by doing these chores or is it okay to get it and let myself feel free to rampage through fantasy land?

What it comes down to is what exactly “balance” is to each of us. Is it catching that movie with your family rather than writing or indulging a new obsession with a story idea rather than gossiping with coworkers at the day job? Is it getting in a certain number of hours writing vs a certain list of chores in a day?

It is in the end about priorities. What is truly important, and what are you willing to sacrifice to make it happen? I am aware that my tendency for obsessing is excessive, but to be honest, I don’t think I can turn it off. And I’m not really sure if I would want to. I mean, really, why would I want to sacrifice the stories in my head for the humdrum of every day? To me, stories, whether they be written down for others to read or kept securely locked in my head, are where my bliss is. Perhaps that’s the “balance” that keeps me sane and happy. Maybe that’s all right and I should just accept that about myself. Or maybe I’m just crazy, in which case acceptance is probably a symptom of the insanity and it doesn’t really matter in the end. I don’t know, but I’m going to enjoy it either way, housework be damned.

Leaving Books Behind

February 2, 2016

Gregory D. Little

Craft & Skills First Drafts Gregory D. Little Rewriting The Writing Life No Comments

[For those interested, my book Unwilling Souls begins a week long Kindle Countdown Deal at 8 AM EST TODAY, February 2nd, 2016! For the next two days, it will be just $0.99 on Kindle, with the price going up steadily every couple of days after that. So act quickly!]

Owing to my post last month which directly related how experience shapes writing, I’m going to take a slightly different tack in approaching the topic this month. Show of hands: how many of you have read Stephen King’s The Dark Tower series? It’s an interesting set of books for a number of reasons. The first is that fantasy isn’t generally King’s genre. I’ve often found that talented writers who don’t usually write straight fantasy then choose to attempt it come up with very unusual entries into the genre. It’s as if not being immersed in the rules of the genre, both written and unwritten, means they approach a fantasy story with a very different mindset. Justin Cronin’s series The Passage has similar traits.

But I digress. The real reason The Dark Tower is such an unusual series of books is that King published them over a period of twenty-two years (1982 – 2004, and thirty years if you count The Wind Through the Keyhole, which came out in 2012). And since books 5-7 were published within a year of one another, the publication frequency became even more lopsided.

This is an impressive feat. Keeping the enthusiasm for a series of books up for that long is pretty much unprecedented, at least recently. As much grief as George R.R. Martin gets, his series has been ongoing since 1996, so he’s just second place on this list of two I’ve generated. There were plenty of Stephen King fans who, prior to 2003, thought they would never get the end of their beloved series.

It’s tough to keep up enthusiasm for one idea for that long. To be a writer requires a lot of enthusiasm, because there is very little in the way of positive feedback, especially in the early going. Certainly there’s no monetary feedback. It’s almost impossible to put fingers to keys if you aren’t excited about the ideas you are putting down, or at least excited about finally finishing those ideas. What readers ended up getting with The Dark Tower was a series of four books, each of which was written in a different style and with a vastly differing plot. No two of those first four books were really anything alike. Each was its own, unique animal, with strengths and weaknesses that largely differed from any other entry in the series. The overarching plot connecting them was very loose and free-form. By contrast, King wrote books five through seven back-to-back-to-back in an effort to finally put the series to bed. As a result, those last three books demonstrated a much more uniform style and a renewed focus on the overarching plot of the series. In the end, the main seven books of the series were written by five different versions of Stephen King over a period of a quarter century.

Talk to enough writers, and you’ll start to hear the same refrain over and over again: ideas are easy, execution is hard. And it’s true. My friend Gama Martinez is famous among his friends in the writing world for being able to take any weird or random notion you throw at him and sketch out a story concept within a few minutes. Most every author has more ideas knocking around inside their head than they can ever write about. And the sad truth is that plenty of those ideas, as excited as you may be about them when they pop into your head, may wither on the vine before you get to them. People change. The things that interest or excite them change too.

After my first Superstars seminar, I returned home with renewed writing vigor. Over the course of two months, I wrote a 100,000 word first draft of a superhero novel. It flowed out of my brain faster than anything I’d every written before. Then I started looking at it and realized how many problems it had. Ultimately, it was a series of mostly cool scenes and chapters that didn’t really fit together into a single, cohesive story, and I wasn’t sure, at the time, that I could find a way to make them fit. I put the book aside and began work on something new, my burst of excitement over my superhero story fizzling.

I told myself I would come back to it, rewrite what needed rewriting to fix the structural problems and not waste all that time I spent coming up with that world and those characters. And yet here I am five years later, and I still haven’t rewritten that novel. I’m neck deep in a four book series, now, unwilling to break my momentum with major side projects. After that’s done, the possibilities of the blank page may call to me more than a massively flawed novel first draft.

Time marches on. Our lives take us in different directions, and the topics we focus our thoughts on shift in compensation with these changes of direction. Sometimes, as writers, we outgrow ideas, or even entire stories. That’s okay. In fact, it’s perfectly natural, change being the only universal constant and all.

Write down your most exciting ideas when you have them. Even if you can’t get to them for years, you may find a way to spin them together in another story. And if nothing else, they are a snapshot of the kind of writer and the kind of person you were at the time.

About the Author: Gregory D. Little

Rocket scientist by day, fantasy and science fiction author by night, Gregory D. Little began his writing career in high school when he and his friend wrote Star Wars fanfic before it was cool, passing a notebook around between (sometimes during) classes. His first novel, Unwilling Souls, is available now from ebook retailers and trade paperback through Amazon.com. His short fiction can be found in The Colored Lens and A Game of Horns: A Red Unicorn Anthology. He lives in Virginia with his wife and their yellow lab.

You can reach him at his website (www.gregorydlittle.com), his Twitter handle (@litgreg) or at his Author Page on Facebook.

A Pantser’s Plight

January 26, 2016

Jace Killan

Finish It! First Drafts Jace Killan Making Progress as a Writer Motivation Rewriting Self-Awareness The Writing Process Writing Tools 2 Comments

I was in elementary school when I first recognized that I hated outlining. I didn’t see the point. I remember watching The Return of the Jedi with a misperception that each scene was written then shot sequentially. I thought that George Lucas dreamed up Endor after he had already filmed the demise of Jabba the Hutt.

Writing after brainstorming always felt bland and shallow. It wasn’t until a few years ago that I realized my condition had a name. I am a discovery writer.

I’d rather get a root canal than put together Ikea furniture. I can’t stand building something from plans. There’s absolutely no joy in it for me. My wife on the other hand loves these type of projects. She likes seeing them develop exactly as they should. When I cook, I seldom use a recipe. If I have a recipe, it’s more of a suggestion tool than a plan. In fact, I make a note to deviate from the recipe. I think that the reason I don’t like Ikea plans and recipes are the same reason I don’t like to outline. For me, the fun is discovering the end result. With recipes, plans, and outlines I can easily visualize the ending and so the final result isn’t gratifying, it’s just expected.

But discovery writing while fun and enjoyable is probably the least productive form of writing. I knew that I’d have to face these demons if I ever wanted to be a successful writer.

David Farland wrote a book called Million Dollar Outlines. For it’s title alone, I avoided it like a plague thinking that it would chastise me for being a pantser and seek to take some of the fun out of my writing. A couple of years ago, after months of less than productive writing, I consulted this book.

First off, it doesn’t push you to outline or discovery write, but helps you recognize your writing tendencies. Second it gives a ton of information on how to use your style to write really good stories.

After reading Million Dollar Outlines, my productivity shot through the roof. I realized that everything I had written before was pretty much garbage, and I started integrating tips from the book to help my stories develop.

Before the book, I had this hangup where I viewed anything that I discovery wrote as “artistic inspiration” and therefore was off limits to modification. After reading the book I was able to give myself permission to make adjustments that greatly enhanced the story.

A little over a year ago, I came across a story idea that I just had to write. Before He Was Commodore is a middle-grade historical fiction based heavily on actual events. In a way, the actual events provided an outline. I was able to map out a skeleton of the story and then discovery write parts of the tale that were missing. Even though I kind of knew how the story went, I still experienced it as I added the meat to the bones.

Another problem with being a discovery writer is my WADD-writing attention deficit disorder. I am currently writing four novels simultaneously. It’s absurd, I know, but I’ve learned how to make it work. The trouble is that what I read, what I watch, what I play, all has influence on my writing. Two weeks ago I was working on my novel Veil Breaker because I was also reading Maze Runner and something there pricked an idea. This week I am watching Breaking Bad and Reading a John Grisham novel which means I am working on my thriller Unknown Soldier. Mistborn and Way of Kings lead to me working on The Broken Amulet. Steelheart to me working on Biverse.

I use to get frustrated with my methods, but now I realize that this is how I eat an elephant, or four. One bite at a time, off whatever one sounds appealing in that moment. All four stories are progressing and I know that I can finish them, as I finished Before He Was Commodore.

I’ve given myself permission to take it easy. I can discovery write a bunch of crap and that’s okay because I can tune it up in the the second and third and fourth passes. I’ve given myself permission to write what I want when I want. I’ve written near thirty thousand words this month and edited another thirty thousand. Even though that word count was across four different stories, they are all further ahead than they were last month. I’ll get there eventually, just got to keep writing.

I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve got an MBA and work in finance for a biotechnology firm.

I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.

You can visit my author website at www.jacekillan.com, and you can read some of my works by visiting my Wattpad page.

The Power of the Word Count Tracker

January 22, 2016

Evan Braun

Editing Evan Braun Finish It! First Drafts Goals Making Progress as a Writer Motivation Self-Motivation Successes The Writing Process 4 Comments

Last year, when January rolled around, I had to face facts: I had to somehow wade through the toughest writing of my career so far—and in record time. The third and final book of The Watchers Chronicle could not wait another spring, another summer, another year. It was summer 2015 or bust. That wasn’t a lot of time to wrap up my most ambitious book to date.

I needed help. I need motivation.

Some other writer on Facebook (I don’t remember who it was) seemed to be in the same boat, and they shared a blog post which espoused the practice of using an Excel-powered word count tracker.

The picture got my attention right away, and I said to myself, I must try this.

That happened on December 30, so I didn’t have much time to waste. I jumped on Excel and did my best to replicate what I’d seen on that timely, heaven-sent blog.

Sixteen weeks later, this is what it looked like:

The essence is that you write down your daily word total—honestly—and color-code your achievements. Maybe only a minority of people will respond to the reward of getting to upgrade the color of a little spreadsheet box, but I am unashamedly one of those people. I would get near to the boundary between yellow and orange, and pick up my pace significantly.

Of course, the color-coded word count tracker only works well when you’re actually writing loads of new words. And by the eighth week of 2015, I finished my first draft and had to jump straight into some heavy editing.

As you may intuit from my picture above, I reworked my spreadsheet to allow me to account for edited words. Two passes are clearly recorded. From Week 8 to Week 12, I focused on cutting as much as possible, since my first draft was about 25,000 words too long. Each day, instead of counting new words, I counted the number of words I had cut. This worked well enough.

Then, in the middle of Week 12, I set upon my final draft proofing, a kind of work no longer conducive to counting cut words. What I did was count the overall number of words I edited in a given day, then halved that number. This produced numbers generally in line with the rest of the chart (this seemed important at the time, because I was also calculating daily and weekly averages).

Though it’s been less than a year, no matter how long I squint at the chart, I can’t quite remember just what exactly I meant by those brown-colored, italicized “750” boxes in the last couple of weeks. I think I was doing edits of polished material, resulting in very high numbers—and in order to keep those numbers in line with the rest of the chart, I just wrote down an arbitrary average. Hence, 750.

Which is kind of dumb, if I think about it too hard.

Anyway, my point is this: I finished my book at the end of Week 16 and entered into a period of extended hibernation—a state with which I suspect most writers can identify. As a result, I abandoned the chart. After entering in a week and a half of black zeros, I finally deleted the shortcut from my desktop and tried to forget this word counter ever existed.

But the word counter was very helpful for the time that I used it, and a part of me greatly regrets that I didn’t carry on with it for a full year.

That’s a goal I hope to achieve if not in 2016, then at some arbitrary 365-day period in the future that doesn’t have to begin and end at the turn of the calendar. Who’s to say you can’t start on February 22? No one. Absolutely no one.

Today I encourage you to keep yourself accountable, even if just long enough to complete an important goal. As for me, I’ll be starting my next first draft in March.

I smell another word count tracker coming on…

Evan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, whose third volume, The Law of Radiance, was released earlier this year. In addition to specializing in both hard and soft science fiction, he is the managing editor of The Niverville Citizen. He lives in Niverville, Manitoba.