Category Archives: Colette Black

Still Holding Hands: A Fictorians Retrospective

In March of 2010 a number of aspiring writers, including myself, attended a seminar that inspired us in ways we’d never expected. I met a number of amazing people at the Superstars Writing Seminar. People whom I will consider close friends for the rest of my life. When Clancy asked if I’d like to stay in touch and handed me a piece of paper, I added my name to the list. I never imagined how that would change my life.

Every week for a solid year the Superstars Goal Group, as we called ourselves, sent emails to one another listing our accomplishments for the previous week and our goals for the following week. Kylie spearheaded the group during that time, making sure the email never skipped a beat. It was a great motivator for me, and I think it served a similar function for the rest of us. As we went along, I also noticed that when anyone had a question, with our combined resources and experience, there were always at least two or three people who had useful answers. Though most of us were unknown at that point as writers, as a group we had something to offer.

In one of those goal emails, on March 7, 2011, I posted this as an afterthought: “Has anyone ever considered putting together a blog of some kind? If everyone contributed and we only did weekly posts then it wouldn’t take up much of our time. We could do spec fiction, book reviews, or aspiring writer helps-talking about workshops, retreats, conferences, local writing groups, how we manage our various obstacles for our time… etc.” As you can surmise, the response was positive.

We invited a friend of mine, and very talented writer, Heidi Berthiaume to join our group. She didn’t stay for long, but she orchestrated much of our web design and helped us with initial formatting. As we searched for a name, a few of the more interesting suggestions were:  FlingingWords, respiringwriters, FlyingAuthorSaucer, and GeekAndYeShallFind. (P.S. Demian ran the e-vote and did the initial setup for the blog, and Rich came up with the name we eventually chose-Fictorians). Heidi set up a calendar page to keep us all on track, and Matt has always jumped up with technical assistance when those of us who don’t understand computer code need a little help.

I believe our first post, March 30, 2011, was by Nancy, “The Benefit of Holding Hands,“ and that summarizes the reason for all the name-dropping I’ve been doing for the past few paragraphs. What I love most about our Fictorian community is that we really do hold hands. We’ve critiqued one another’s work on occasion, we’ve written blog posts together, and we’ve cried and congratulated together during the most difficult and most successful points in our careers. From the blog’s inception, we’ve worked together in a way that I believe is rarely seen. And not just two or three people. Take a look at the Fictorian list, guest post bloggers, and the entire community. Even those who have been pulled away by other commitments remain guest posters.

With Evan as the moderator, the active Fictorians have had an annual conference call to supplement our email conversations and make the big decisions. In everything we’ve done, we’ve decided it together. The votes aren’t always unanimous, but they are always amicable. I feel supremely privileged to be part of this group, and look forward to another year as we strive to achieve our main goal of helping other writers.

On Urban Fantasy

flying-carpetWhen people used to say Fantasy Fiction, the automatic response was, Tolkien, C.S. LewisDavid Eddings or someone along those lines. In the last few years this has changed. Though the greats of the past are still acknowledged, many people would say, Stephenie Meyer, Kim Harrison, or  J.K. Rowling. The shift toward  urban fantasy, as well as their blockbuster movie counterparts, is changing the sff (science-fiction/fantasy) arena.

First off, what is urban fantasy? The loose definition is any fantasy that takes place in an urban setting. Personally, I have trouble counting anything that isn’t somewhat contemporary, and earth-based. So my definition would be:  a fantasy story with a strong magical or supernatural element that takes place in a current, realistic, setting.

Is urban fantasy new? Not entirely. I remember reading, “The Monk” in a college literature class, and to my way of thinking, it was eighteenth century urban fantasy. Set in the time period, it’s about a monk’s struggle between his fanatic adherence to religion and his lust for a young girl. There is sorcery, demons, and if I remember correctly (it’s been a few years), Lucifer himself has a nice little tete a tete with our villain, making it the ultimate paranormal urban fantasy of its time. I gave it five stars on Goodreads. But, of course, those types of books were rare until the 20th century and it wasn’t until around the 1980’s that urban fantasy became a recognized subgenre. Even then, I doubt it was recognized by the majority of young people. When I declared fantasy my favorite genre in the mid-80’s I was still getting looks of shock and surprise by my classmates who didn’t know the difference between their concept of fantasy–erotica–and the literature definition–magic and other-wordly adventures.

Why the sudden craze? In my opinion, Harry Potter and Hollywood. Sure, there were plenty of sci-fi movies that had done well, even phenomenal: Star Wars, Star Trek, Back to the Future. But how many fantasy movies had caught the public eye before HP: The Sorceror’s Stone arrived on the scene? Wizard of Oz and Mary Poppins became classics, but they were the exceptions among a long line of flops. I don’t think even these movies, as great as they were, had people lined around the theaters, dressed up like characters from the movie, or purchasing merchandise as if planning to redecorate an entire house with it. Harry Potter came along and people made money, lots of it. And thus, in my opinion, started the bandwagon. And it’s a bandwagon I don’t mind. I love urban fantasy.  One of my first adventures with it was Terry Brooks, Word and the Void series. And I love the number of YA series that are coming out, as well as their cheesy, amazing, blockbuster hits. I can’t wait to see Cassandra Clare’s, Mortal Instruments, put to film. As long as urban fantasy books continue to captivate readers and the movies continue to bring in hordes of dedicated fans, then we’ll continue to see the rise in their publication and acquired movie rights.

What’s next? Of course, nobody knows for sure, but I know what I’d like to see: more steampunk-type books on the screen and variations of it in literature, as well as alternate histories/futures with impossible but amazing scientific elements. Also, I’d like to see Sci-fi re-emerge on the middle grade and young adult level. I’d like to see romance-heavy sci-fi books like, Across the Universe (the sci-fi one by Beth Revis), made into movies. I’d like to see middle-grade  and YA readers entranced with space again without feeling like they have to have pH.D’s in science  in order to enjoy the journey; something like Gini Koch’s Alien series, but for a YA audience. Brandon Sanderson’s middle-grade Alcatraz series would fit into what I have in mind.

I hope that as you continue to look for the next urban fantasy book to fall in love with, that you’ll also open your mind to some of the other amazing bends that are building on the sff front. Please share a comment and let us know what books you’ve liked best in urban fantasy and let us know your predictions for the future.

Romance in the Air, But Not Taking Over the Plot

romance-04If you’re a genre writer, you’re probably a romance writer. But no, you say? You write fantasy, or science fiction, or mysteries, or…doesn’t matter. One thing about us genre writers, to some extent our genres usually mix, and the most common secondary element is romance. There’s a reason that so many writers from so many genres show up at the romance-centered panels during conventions. For many of us, romance is a strong sub-plot that runs through most of our fiction. So, why should we use it, how should we use it, and to what degree?

Every element of interest we add to our story increases the level of interest to readers. Of course, we don’t want some eclectic hodgepodge, but who doesn’t love a good fantasy book with elements of horror, mystery,  and romance. Sometimes we substitute the romance with the growth of a friendship or business partnership, but that relationship growth is something that carries us along. It gives the story focus when the main plot needs a hiatus, when the bad guys are readying their next assault, when the good guys are recovering or regrouping. Some type of relationship story, in some form, is almost always fundamental to a good book. We need those relationships in order to become truly invested in our protagonist’s well-being.

Integrating romance into a story is like adding spices to a good pumpkin pie. The crust may have no extra flavor, but it’s taste is influenced by the spices running throughout the filling.  And the best pies will have the occasional design on the crust, maybe a cut-out leaf or a small pumpkin, with plenty of cinnamon and sugar sprinkled on top that gives our palates a surge of the wonderful flavors within. So, in a good story. Hints of the relationship will flavor the entire story: a look, a touch, a comment, a moment of inner dialogue. But then we will have the turning points in the relationship, where it takes center stage, even if only for a few paragraphs; the moments when the relationship moves to the next level. This may be the moment when the protagonist realizes he has feelings for his love interest, maybe their kiss, maybe more. It may be a point where the protagonist realizes his contagonist isn’t his enemy but can become an ally. Moving this story arc in concert with the main story will make a more intriguing book. These sugar-coated biscuits dotting the crust move us eagerly through the story as much as the action scenes, giving our tales more depth and emotional resonance.For anyone needing help with this, let me refer you to David Farland’s book, Million Dollar Outlines. I attended the workshop, but I’m sure the same tools and techniques are discussed in the book.

What level of romance or relationship we use can vary from book to book or author to author. For the best discussion I’ve yet seen on the subject, I refer readers again to David Farland and his writing tips at www.davidfarland.net.  Though romance may lead to a sexual relationship, romance itself is the process of falling in love. I think most readers, even men, enjoy participating in that process. Some readers would like to see that romance go to the next level, with every sexy detail, while others would rather have the door closed and know the protagonist and their love interest lived happily ever after. Which is right for you, as a writer, is a very personal decision. I will say though, when you put romance in your books,  or any other kind of relationship, learn how to do it right. Just as a reader won’t accept a moral, honest character suddenly stealing a horse and knifing their victim, they won’t accept a usually open and forthright person suddenly clamming up about their feelings for the sole sake of adding tension to a relationship. Keep your actors in character, in ALL situations.

For me, romance is the cinnamon in my cinnamon rolls, my favorite flavor in fantasy and science fiction. Even my upcoming horror short story, Demon River, has an element of romance that helps us root for a very troubled and difficult protagonist. Love makes the world go around, whether it be this one, a planet galaxies away, or the fantastical ones of complex imagination.

 

In Conclusion…

Hey all,calendar_25

We’ve had a great time talking about conventions, conferences, workshops, and seminars throughout the month. We hope you’ve enjoyed the ride. I wanted to take a minute and summarize our posts for the month as well as mention a couple of venues that didn’t quite fit into our schedule:

Some local conventions:

The big babies:

Workshops and seminars:

  • Superstars Writing Seminar (mention fictorians when you sign up and receive a free, autographed copy of one of Kevin J. Anderson’s books)-Colorado in May
  • Caravel Writing Workshop (6-day cruise with David Farland, Kevin J. Anderson, Rebecca Moesta, and Grammar-girl Mignon Fogarty; from Vancouver B.C. to San Diego)-October
  • David Farland’s Writing Workshops (mention fictorians when you sign up and get $20 discount or dinner with Dave)-throughout the year, most in Utah, but not all
  • Dean Wesley Smith Workshops (online also available)-Oregon, varying dates

These aren’t all the workshops and conferences in existence. There are many more. But these are the ones fictorians members have either attended or heard good things about. As you plan your year, and plan your goals for the year, we hope this list can help.

Stay tuned next month as we talk about romance in writing: levels of heat, as a main plat and a sub-plot, where to get information and instruction, writing different types of relationships, relationship conflicts…. It’s going to be a good month.