Category Archives: Evan Braun

Origin Stories

Evan Braun The Writing Life No Comments

Ask a groupTolkien1 of twenty-three writers why they write, and you’re going to get twenty-three different answers. I should know, because that’s exactly what I started doing a week ago in preparation for this month’s Fictorian Era coverage.

Specifically, I wanted to know what kind of pop culture stories really inspired them. Almost everyone had something in particular that lit a fire under them, whether it be a movie, a television series, a video game, a series of novels… or whatever. And I got some pretty eclectic answers, ones which I never could have expected. Saturday morning cartoons are represented, as are popular lines of kids toys. For others, pop culture didn’t factor into the equation at all.

I half-expected to get a dozen or more people wanting to wax eloquent about the magical influence of J.R.R. Tolkien, and yet I was pleased to discover almost no overlap. Like I said, all the posts you’re going to read this month are very different from each other. Yes, you’ll read about Tolkien, but you’re also in store for posts about Robert Heinlein and C.S. Lewis, Godzilla and Planet of the Apes, Star Wars and Star Trek. We’ve even got some Harlequin up our sleeves. How about Dean Koontz? Yep. Not to mention Stephen King and Robertson Davies. Not familiar with that one? You will be by the time we roll into June.

Even though our influences are divergent, the resulting passion and drive is pretty much universal. Almost everyone I approached to write for the blog this month said yes without hesitation, because it’s a subject that is near and dear. It turns out that our individual origin stories are the stories we are most eager to tell.

Because every writer has an origin story, the point when they transformed from a Regular Joe or Jane into a storytelling superhero. The details may be different, but the narrative is the same. So join us every day this month (except for Sundays), pull up a chair, and reminisce about the stories that have changed us and made us who we are. If you’re anything like me, reading the words of your fellow writers will make you nostalgic.

The Fictorians Have Been Busy!

Brandon M. Lindsay Colette Black David Carrico Evan Braun Mary Pletsch Nancy Greene Publishing No Comments

Contributing to the Fictorian Era represents a very small portion of my continued efforts to further my writing career, albeit it’s an effort I can get pretty passionate about. Like the rest of our regular bloggers, I am committed to growing that career and getting my work out into the world-and of course, the market.

Some of us have been serious about this pursuit for many years, while others have begun the endeavor more recently, but we’ve all made tremendous progress. Today’s post is dedicated to showcasing the work we have collectively sold or published in the last two years.

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Evan Braun. I’ll BookofCreationstart with me. In May 2012, my debut novel was published through a small press in Canada. Called The Book of Creation, it is the first in a three-volume adventure series in the vein of Indiana Jones, with a bit of Da Vinci Code mysticism thrown in for good measure. I wrote a piece about the release of the book last year.

The Book of Creation can be purchased here. The Kindle version is currently on sale for just 99 cents! It is also available on the Nook as well as the book’s official website. The second volume in the series, The City of Darkness, is coming out later this year. Details will be announced right here at the Fictorian Era, so stayed tuned.

David Carrico. In the last few years, David has sold four short stories and one non-fiction piece to The Grantville Gazette, an online magazine featuring stories and articles about the inhabitants of the world of 1632, the first novel in a long-running series by bestselling author Eric Flint. The first of the stories is “Evening of the Day,” followed by three stories co-written with Enrico Toro-“Euterpe, Part 5,” “Cadence,” and “The Duelist.” He also wrote the non-fiction “After the Ring.”

In addition, anotherTheDevilsOpera of his stories, “Suite for Four Hands,” appeared in Grantville Gazette VI, an anthology published by Eric Flint and published by Baen Books.

Most importantly, David has recently teamed up with Eric Flint to co-write one of the official entries in the 1632 series. This new novel, coming out in October 2013, is entitled 1636: The Devil’s Opera. In case you missed it, David recently wrote a post about his opportunity to work directly with one of the most talented writers in the industry. Another post on this collaboration is coming later this month.

1632: The Devil’s Opera can he preordered here.

Colette Black. Colette specializes in young adult fantasy, and has also made several sales. Credited as C.M. Vernon, her short story “Beneath the Skin” appeared in Women Writing the Weird. More recently, she received an honorable mention in the prestigious Writers of the Future contest for her 4th Quarter 2012 entry. She also won the CopperCon 32 short story contest with “Kairo’s Opportunity.”

Finally, Colette’s short story “Demon River” is forthcoming this month in White Cat Publishing’s biannual anthology magazine, Denizens of Darkness. It will be available to purchase here.

Nancy DiMauroApolloRising. Nancy’s debut novella, Apollo Rising, was released by Musa Publishing last September. The story combines romance with Greek mythology. It can be purchased here. She has also released a couple of short story collections, including Paths Less Traveled and Shots at Redemption, both of which are available as $2.99 ebooks. She also contributed to an anthology called Jack Gorman Got Cut by a Girl. These are Amazon links, but note that the books are also available through Musa Publishing’s online store and Barnes & Noble’s Nook Book Store.

Nancy also contributed to Doghorn Publishing’s Women Writing the Weird, along with fellow Fictorian Colette Black.

Mary Pletsch. Mary is still just getting started, but she recently sold her first short story to a forthcoming anthology. Unfortunately, the details of the anthology haven’t yet been released from the publisher. Rest assured, Mary will be writing a post later this year with all the info. Stay tuned!

Joshua Essoe. Joshua’s foray into publishing began a few years ago when he began working with acclaimed fantasy author David Farland on his award-winning novel, Nightingale. For more information about his successful editing business, check out his website. You’ll find an impressive gallery there of all his edited works which have gone on to be published.

In addition to his editing, Joshua has pulled in two honorable mentions for stories submitted to the Writers of the Future contest. His writing has also appeared on Grammar Girl’s Quick and Dirty Tips for Better Writing.

Brandon MDarkTree. Lindsay. Brandon has been actively self-publishing short stories leading up the released of his forthcoming debut novel, The Born Sword. So far the stories include Dark Tree and an anthology entitled The Clans. The provided links take you to the Kindle Store, but Brandon’s works are available across multiple platforms, including Barnes and Noble, Sony, and Kobo. Links can be found at his website.

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This is not an exhaustive list. There are many other books that are coming out soon, as a number of our contributors are working closely with well-respected agents. We are coming out with new material all the time, so make sure to check back here often, as you will see publishing announcements and articles about our writing processes.

Well, readers, now that you know what we are up to, do you have any exciting projects of your own you’d like to share with us? Feel free to discuss them in the comments section.

Tune in tomorrow, when we kick off our third year with a month of posts from true professionals. Throughout April, we’ll be getting people from different fields, from editors to illustrators, to talk about the process of collaborating with authors on manuscripts.

Quotable Moments, Part One

Ace Jordyn Craft & Skills Evan Braun Guest Posts Writing Tools 2 Comments

Quotation Marks2From the very beginning of our site, we have been inspired by professionals. If you want to be a success, after all, start by hanging around successful people. In that vein, we have worked hard over the past two years to find a broad range of professional guest bloggers. Some are other writers like us, at the beginning of their careers. Others are bestselling authors who have hit the New York Times bestseller lists many times. We have mystery writers, romance writers, fantasy writers, science fiction writers… you name it, we’ve had it (or we’re still trying to get it!).

If you’re new to the Fictorians, you may have missed many of these guest posts, which is why Ace Jordyn tirelessly combed through our archives, assembling a list of some of our greatest hits. It wasn’t an easy task! So grab a cup o’ tea, share a genre cookie with Sarah A. Hoyt, and follow the links.

As always, you’re welcome to leave a comment, share your experiences, and let us know which of our many guest bloggers speak to you. And there’s a lot more where this came from! Come back tomorrow for a whole second round of quotable moments. Cheers, and happy reading!

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In a mad dash I edited, edited, rewrote, and then uploaded Weight of Blood for 99 cents. I basically tried to outrun my doubt and fear, because I knew if I delayed I would eventually wimp out. So on sale at Amazon went my first book. I figured fifty sales a month would be fantastic. Heck, on the first day that I sold five copies, I called and told my brother, all ecstatic. (David Dalglish: The Triumph of the Dalglish: How I Sold 200k Novels While Not Knowing Squat)

It’s an illusion, you see. The phrase we use is historical accuracy, and it is as important to the genre as the willing suspension of disbelief is to fantasy. The world must appear real, torn from the pages of a text book, and the more real it seems the more latitude the writer has in introducing anachronisms. And ancient historicals require anachronisms; they require a touch of inaccuracy in order for the writer to translate the attitudes and mores of so remote a time into modern vernacular. (Scott Oden: Weaving a Tapestry of Words: the Art of the Ancient Historical)

Traditional publishing means you have gatekeepers. Are they always right? Of course not. Are they right a lot? Absolutely. And the checks and balances of traditional publishing mean that you’ll have a professional product when you’re done, and that really does matter, especially when you’re starting out. (Gini Koch: Why I Like Traditional Publishing)

Steampunk is the cheeky tendon that connects a cynical present to an equally flawed, yet more colourful and idealistic past. (Billie Milholland, The Maker Spirit of Steampunk)

So before you write cross-genre, you need to be aware of what readers of each genre expect. This is best achieved by reading both (all three?) genres you’re crossing, so you’re aware of what the readers expect from each. And hey, once you’re aware of it, you can give the readers special “genre cookies” which will make each of them very happy. (Sarah A. Hoyt, What’s in a Genre?)

Science fiction relies on the laws and principles of science both for world building and for problem solving. That means cause and effect, the conservation of matter and energy, measurability and certainty. The laws of physics can’t be broken on a whim and mysterious and mystical “forces’ can’t be called on to save the day. Star Trek (“I kenna break the laws o’ physics, Captain”) is science fiction; Star Wars (“May the Force be with you, Luke”) is fantasy. (Hayden Trenholm, Science Fiction: Our Conversation with the Future)

In fact, with horror, getting the basic story elements right is even more vital because the horror element may be so fantastic it requires a greater suspension of disbelief and therefore a higher degree of grounding… the greater the story, the greater the horror. (Craig DiLouie, What Makes Good Horror?)

That’s a balance authors have had to work with for decades, if not centuries-the idea being that promoting your book keeps it in people’s minds. Right now you can do that through engaging blog posts, being on Twitter, going to conventions, doing book signings, and all of these things. They take time. If they take so much time that you’re not writing your next book, then the question becomes are they worth it? (Brandon Sanderson, Brandon Sanderson Dishes on Publishing)

I started my self-publishing experiment last August when I published The Demigod Proving. In November I followed up with Keep Mama Dead… But there is one thing I have learned, that I’m qualified to talk about, and that might be useful to you: you should give up your unreasonable hope, and maintain your reasonable hope. (S. James Nelson: Abandon All (Unreasonable) Hope)

Writing tie-in fiction isn’t for people who think writing is an art, it’s for the folks who know it’s a business. You have to be able to work under pressure, absorb a lot of information quickly, change gears on a dime, and abide by strict rules, like non-disclosure agreements (NDAs). If that doesn’t sound like fun to you, chances are good that writing tie-in fiction would just leave you frustrated and with only half a head of hair. If, on the other hand, it does sound like fun, I’d suggest a visit to your doctor-they have medication for that now, heh. (Marsheila Rockwell: Tie-in Fiction)

I regularly write, and publish, an average of 300,000-500,000 words each year. To me the word “office” is only a loose term for the place where I get my writing done. I can sit in a bustling coffee shop with headphones on, and disappear into my story. I can take notes on the paper tablecloth in an Italian restaurant. I can write anywhere. (Kevin J. Anderson: Outside, In the Office)

Like the Romans, we turtle up, trying to buy ourselves the time for intel to catch up to the environment and give us a good look at what we’re dealing with. There really wasn’t a lot of difference between goblin clans and the Jaysh al-Mehdi in this case. Both were totally alien to us. Both were potentially deadly. (Myke Cole: Capturing that Military Feeling)

When you put yourself out there, you lose all control of how people perceive you. They see through their own lens. Try not to take it personally (yeah, right)… (Mercedes M. Yardley: Your First Hate Mail: How Life Can Change After Working for a Magazine)

Sometimes publishers don’t take books that are perfectly good because the books don’t stand out. Sometimes the books have major flaws. Sometimes, though, the world’s just not ready for the author. (David Farland: The Future of Publishing Is Self-Publishing)

Happy Birthday, Fictorians!

Evan Braun No Comments

I have tried my hand aBirthday4t blogging many different times. Most bloggers I know have similar experiences, of starting out with a lot of fire and vigor, but then hitting long patches when the passion is missing in action. Sometimes when bloggers get to this stage, they go on hiatus. Maybe they’ll have a resurgence a year or two later. Maybe they won’t.

Creating a well-read blog is even harder, because attracting regular readers requires a lot of content, and not just a high volume but a consistent, reliable supply that fits a schedule. Well, if you’re on your own, that’s tough to pull off long-term.

After doing some research, I’ve found that the average lifespan of a blog is about 2.5 years, give or take. That average is slightly skewed by a few blogs that have been unusually successful, so it appears that the majority of blogs actually die prior to reaching their second birthday. And don’t even get me started on the viability of creating a blog about writing, as we have striven so hard to do. There are seemingly endless writing blogs out there, making it almost impossible to be seen and heard.

And yet, here we are: birthday number two.

The Fictorian Era is still around for several reasons. First of all, our dedication. It has not always been easy, and our approach and overall mission has had to change a number of times. Second of all, our numbers. Instead of trying to shoulder out some online space for ourselves by working alone, we decided to team up. You know the old adage about there being strength in numbers? It’s true. Together, we have brought together some of the best content by writers for writers anywhere on the internet. And two years into this endeavor, we’re only getting started.

I could wax philosophical all day, but I’m not the only person standing on this particular soapbox. So, pop a bottle of champagne and read on down the page to the next post, where fellow Fictorian Colette Black takes a backward look at how our little site came to be.

And don’t forget to come back every day this week. We’re going to be delivering a lot more special content to commemorate this very important milestone.