Category Archives: Guest Posts

The Holy Grail of Creativity

Author's Perspective Doing Good in the World Guest Posts Motivation Self-Awareness Starting a Career The Writing Life No Comments

A guest post by Brian Herbert.

There are many pieces of advice I could give to myself if I were a new writer at the start of my career.  From the perspective of decades later and millions of words in print, there is much I could say about the decisions I have made, the paths I have taken, the worlds I have created, and the characters who inhabit them.  I could encourage the fledgling writer to be observant and keep a journal, to write every day, and to develop a thick skin, so that he doesn’t give up, even in the face of having his stories rejected repeatedly.  I could lengthen this list considerably with tip after tip .  . details about how to plot, how to build character files, how to build suspense, and how to market his stories.  Structural and practical details, and they would be useful.

But there is an even more important piece of advice, one that I consider to be the most valuable of all.

It has been said that a writer should not write for money, that this should not be his first thought when a piece is created.  In this line of reasoning, if he discovers and nurtures his talent, the money is sure to come later.  Eventually, he will receive piles of cash; he just needs to write without getting paid much for a while, and the income will come later.  This advice is interesting on the surface, but if a new writer really has creative integrity, he will not expect the money to come at all.  Such a possibility will not even be in the back of his mind.  He will be engaging in the creative process for an entirely different reason.

In writing, as in art, many people copy the work of professionals they admire.  Art students sit in museums trying to replicate the works of great masters, seeking to learn their painting techniques.  Would-be fantasy writers read Tolkien over and over, and then produce stories that mimic the works of the master.  They say they were “inspired” by Tolkien.  This happens in other literary genres as well—mystery, adventure, romance, science fiction, mainstream.

Many writers are looking for a handy formula, on which they can hang their own words as a sort of façade—a way of masking the fact that they are not being original, and perhaps that they are not capable of being original.  Some musicians do this, and produce works that sound very much like those of others.  It happens throughout society, with one product looking very much like another one.  Automobile after automobile, house after house, commercial after commercial, book after book, movie after movie.

If something sells, it has countless imitators.  But I would tell the new writer that taking this path would be selling his creative soul.  If he were to take that route—be it in art, writing, music, or any other art form—he is not truly being himself; he is trying to become someone else.  The most important thing a writer of integrity can do is to have the courage and honesty to find himself, and to express that self in words.

Originality is a noble goal.

I’m not saying it’s easy to attain this objective.  Corporate publishers want material that is similar to other material they have published “successfully” (i.e. that has made money), and writers naturally fall into that trap.  In order to sell their stories they think they must copy, because another writer has made a name for himself that way, and writers are desperate to be successful, and to be paid well.  So they replicate the works of others (like taking a recipe and changing an ingredient), and make excuses for doing so.  After all, certain ideas are already out there being copied, and writers are getting away with it, so why not jump on the bandwagon?  Why not be “inspired” by a writer you admire?

There are many temptations leading the would-be writer onto that course, telling him to do exactly this.  If he takes the bait, he rationalizes doing so in any number of ways.  People are good at rationalizing, at finding excuses for less-than-noble behavior.

Admittedly, I’m being idealistic, considering the trickiness and laziness of human nature.  But I’m talking about human potential here, about a writer’s own personal potential.  I would encourage him to try going inward, instead of picking the ideas of others like fruit from a tree.  Try going deep inward.  Have the courage and the patience to do this, and see what is there.  Look for integrity and originality, in the deepest regions of personal consciousness.  A person might find a real pearl there, instead of an imitation.

The new writer might ask how this can possibly be accomplished, if he needs to make a living.  The bad news is, that for this approach, he might need to keep his day job for awhile, and perhaps for much longer than that.  Think of the great artists and writers who never found commercial success in their lifetimes, but stuck to what they believed in anyway.  They stayed the course, knowing deep within that they were creating important works, and that one day they would be recognized.  This type of writing from deep within, this type of artistic expression, should not be done for money, not in the near term or in the long term.  It should be done for an entirely different reason.

It should be done for the holy grail of creativity, in a heroic effort to find the writer’s own originality.  It has been said that each of has at least one interesting story to tell, at least one book within each of us.  I would also like to think that each human being has at least one original thought.

I’m not going to tell a new writer how to accomplish this inward journey, only that he should make the attempt for his own sake, no matter how arduous it is.  After all, if I were to provide detailed instructions on how to attain the holy grail of creativity, it would be a formula, and that’s exactly what we are seeking to avoid.

Brian and Jan HerbertGuest Writer Bio:  BRIAN HERBERT is the author of multiple New York Times bestsellers. He has won several literary honors including the New York Times Notable Book Award, and has been nominated for the highest awards in science fiction. In 2003, he published DREAMER OF DUNE, a moving biography of his father Frank Herbert that was a Hugo Award finalist. His acclaimed novels include SIDNEY’S COMET; SUDANNA, SUDANNA; THE RACE FOR GOD; TIMEWEB; THE STOLEN GOSPELS; and MAN OF TWO WORLDS (written with Frank Herbert), in addition to the HELLHOLE Trilogy and thirteen DUNE-series novels co-authored with Kevin J. Anderson.  In 2013, Brian published OCEAN, an epic fantasy novel about environmental issues (co-authored with his wife, Jan). Brian’s highly original SF novel, THE LITTLE GREEN BOOK OF CHAIRMAN RAHMA, was published by Tor Books in July 2014.

Own Your Choices

Author's Perspective Balancing Acts Craft & Skills Guest Posts Motivation Reflection The Writing Life 1 Comment

A guest post by Peter J. Wacks

I’m taking a break from working on a Veronica Mars Media Tie In story to sit down and contemplate the following request:  ‘If you could go back in time and speak with yourself as a new writer just starting out, what’s the most important piece of advice you would give yourself?’ The makes me think a lot of things.

First thing it makes me think, though, is that it’s a trick question.

I have accomplished a lot of what I have set out to do, and I have done it because of the failures I have embraced.

I manage Wordfire Press because I had the temerity to have a company fail in the game industry, over-hiring from a group of friends until it crashed itself under the weight of payroll. Without that failure… I never would have learned to abandon caution in your dreams—while laying groundwork—plans within plans—to protect your creative child in reality.

Without the frustrating failure of my first book The Divine Prank, which ended up in the trash as a 100,000 word partial manuscript under the first printing of Neil Gaiman’s American Gods, I wouldn’t have learned the hard edge of fight that lets me never back down, and always find a way through… that same edge that pushed me to sell tens of thousands of copies of my first book, Second Paradigm, by hand. It’s also what gave me the edge and strength to say no to a 2,000 book print run with a $2,500 advance from the big six and say, I’m not going to change the plot structure, I’m going to self-publish it instead.

There are a dozen other examples I won’t cite, because you get the point. What else does the question make me think of? What about successes? What about learning curve?

The second thing it makes me think is, what successes have I had that I could have amplified?

That is another slippery slope. The largest frustration I have dealt with when it comes to success is that I was a better writer in 2008 than I was in in 2012. I spent so much time on marketing and promotion that my writing style regressed.

I got worse.

Talk about frustrating! I couldn’t sling my stories as well! …Which forced me to study my style and start coauthoring with others to regain my skills and find new techniques.

It

Was

Awesome!

I am so much better now than I could have been by myself. Each author I have worked on a project with has amplified my skills. How could I give that up? Why would I give that up? More importantly—if I hadn’t been faced with my own lesser skillset, would I have been able to learn what I have, could I have embraced the growth? I don’t think so. Which ties back to failing your way forward, and we are back to our first answer.

The third, and final thing, that the question makes me think on is what I like to call the ‘Hallmark’ factor. What platitudes are out there that seem trite until you REALLY need to learn that lesson, at which point they become incredibly poignant? And how the heck do I generalize a very personal lesson to a large audience in such a way that they gain something of value out of it?

Don’t forget your personal relationships?

Sleep is important too?

Never give up, never surrender!?

And there it is, the one thing we can ALL learn from. But it is not something that any of us need from the past. If you are here reading, or in my case writing, then you haven’t given up. You haven’t surrendered. But…

Writer, musician, artist, actor… the title of a creative almost synonymous with the phrase self-doubt. So let’s not focus on a lesson for the past, but instead focus on a lesson for the present and, more importantly, for our future selves.

Every failure isn’t a failure. None of them are. They are just weapons your future self can use to create success. Be it a month, a year, a decade, or a lifetime of fighting, you are remarkable – because you haven’t given in! Because you fight, you learn, you grow, and each step that feels like it is a step back, is, in fact, something you will look back on in the future and say “Wow, I’m glad I learned that lesson then!”

Own your choices. Only you can. And every choice, good or bad, is what will, in the end, give you the strength to succeed… and you will, because you have been strong enough to not give up.

Write on.

~Peter J. Wacks

Guest Writer Bio:
Peter WacksPeter J. Wacks, the managing editor of Kevin J. Anderson’s WordFire Press, is a bestselling cross genre writer. He has worked across the creative fields in gaming, television, film, comics, blogging, and most recently he spends his time writing novels.
When he isn’t working on the next book he can be found hanging out with his kiddo, practicing martial arts, playing chess, or fighting with swords. He also loves Angry Birds and drinking IPAs with friends.
You can find out more about Peter at his website, which he rarely finds time to update:www.PeterJWacks.com

 

Moments That Make Me Love Being An Author

Doing Good in the World Guest Posts Motivation Self-Awareness The Writing Life Work-Life Balance No Comments

A guest post by Ramon Terrell.

To be honest, there are many things and many moments that make me love what I do and what I am. There are aspects of being an author that are great, such as the freedom to set up my own schedule, or work from any location in the world. It’s an excuse to research topics I find interesting, as well as go to the movies or play video games as an educational experience on top of entertainment.

Being an author is one of the most rewarding endeavors I have ever engaged in, and though it is hard work, just as with any profession, the rewards so far outweigh the difficult times that they are as easily forgotten as a cold once you’re healthy and running again.

But moments are something different. Unlike aspects of a profession that are a constant, moments are something that are fleeting, and often powerful. Sometimes moments can be inspirational, or enlightening, or even life-changing.

One powerful moment that I will never forget, was actually shared by an amazing fantasy author by the name of Tracy Hickman. (If you haven’t watched the video, do yourself a favor and watch it.) The story he imparted was the stuff of legend among our craft, and will leave you struggling not to shed a tear.

Now, while I don’t have a story, or moment, nearly as powerful as Tracy’s, I do have a few in my little newbie writer’s box. One such memory was the day a reader told me that my battle scenes reminded him of R A Salvatore’s. To say that I am a huge Salvatore fanboy would be the biggest understatement of the decade, so to have a reader tell me that anything of mine reminded him of my favorite author, was both humbling and, quite frankly, arm pump inducing. (I may have shouted a couple “YEAH’s!” in the privacy of my home)

Another moment that made me sit back and bask in my love of being an author was when a reader recently told me that he was a huge Terry Brooks fan, and that he really enjoyed my most recent epic fantasy novel, Unleashed. I can’t begin to describe what it feels like as a relatively new author to have someone mention your work alongside the work of the legends of your genre. And while I do not consider myself a Terry Brooks, or an R A Salvatore, that a fan would think of me in relation to them was an amazing and humbling feeling.

Of all the special moments I’ve had that make me love what I do, two come strongest to mind. First was when a reader chuckled and said she was pleasantly surprised at how strong and powerful my female characters are, and that it seemed to her that they were more powerful than the guys, without it being heavy-handed or forced.

Anyone who knows me, knows that I love powerful female characters. A well written powerful female character that uses her strengths to greatest effect is something I never get tired of, and I think this reflects in my work.

The second moment was one that touched me deeply, though she may not have realized it. It was a simply thing, a simple unconscious gesture that really made my day, and made me love being an author.

I was talking to a reader who had just purchased Revenire, the final book in the Hunter’s Moon vampire series. After I signed the book, she told me she couldn’t wait to jump into it, then she smiled and held the book to her chest and wrapped her arms around it.

You see, when we hold something to our chest in a hug-like gesture, it is us holding something close to our heart. We don’t hold things of little value close to the heart. You don’t hold a bottle or castor oil, or a pair of smelly socks to your chest and wrap your arms around them. You don’t hold a can of cola or a bag of fries (maybe some do) close to your heart. But what you do hold close to the heart is something you value.

We hold great memories and feelings close to the heart. We hold all that is positive and welcome, and joy inducing close to our hearts. So for that reader to wrap her arms around that book and hold it against her chest, close to her heart, that was a silent way of saying that she felt that book was going to give her great joy, great entertainment, and great memories. I was honored and (again) humbled, and to be frank, thought it was pretty doggone cool.

So for me, aside from constantly being humbled, (grin) moments like these, when a reader expresses their love for my work, and the subtle gestures they make when interacting with one of my books, to expressing the enjoyment and inspiration they’ve gained from them, are the things that make me love what I do, and serve as a constant reminder of how blessed I am to be able to touch people in such a profound way.

Guest Writer Bio: R. J. Terrell was instantly a lover of fantasy the day he opened R. A. Salvatore’s: The Crystal Shard. Years (and many devoured books) later he decided to put pen to paper for his first novel. After a bout with aching carpals, he decided to try the keyboard instead, and the words began to flow. When not writing, he enjoys reading, videogames, and long walks with his wife around Stanley Park in Vancouver BC.

Connect with me at:
RJ Terrell on Facebook
@RJTerrell on Twitter
R. J. Terrel on Goodreads

 

Those Writerly Moments

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A guest post by David Farland.

I love being a writer. In fact, I love it so much that it has probably spoiled me.  I’m not sure that I’m even fit for a regular 9-5 job.

I’ve been asked to tell about some of my own writerly moments, those times when I just love my job.  Here are a few:

Fun Writing Days.  About five years ago I was at Cabo San Lucas on a writing retreat.  I’d awakened just before dawn, and walked out on the beach to write as the sun rose—a ball of molten silver with magenta highlights, rising above a purple mist.  The wind was perfectly still as the sun ascended above the ocean, and I got into the writing groove.  I got lost in a scene, writing as fast as I could until the beach warmed enough so that the iguanas began to come out to sun on a nearby wall, then I went into my room and just kept writing until the sun went down.  I love it on days like that, where you get lost in the work.

Changing Peoples’ Lives.  Recently I got a letter from a fan who was ill with a terminal disease.  For the past six years he has been hooked to a morphine pump, and he wrote to tell me that he had read my Runelords series many times.  He said that he found that when he read my books, they transported him into another world, and he forgot about his pain—to the point where his nurse could turn off the morphine pump for a few hours.  I’ve gotten similar letters over the years, and each one touches me anew.

Surprise Paychecks.  Everyone knows that writers don’t make a lot of money, right?  But every once in a while I’ll get a paycheck that surprises me.  A few years ago, we had a nice foreign rights sale to a publisher that came in just before Christmas.  An extra $100,000 sure helped add to the holiday cheer.

Helping Other Writers.  Four years ago, my novel In the Company of Angels went up for the Whitney Award for Best Novel of the Year.  I was invited to attend the awards event, and was given a lifetime achievement award for my work in helping discover and promote new writers.  As the spokesman announced the award, he asked members of the audience “Who among you has taken classes from Dave?”  Perhaps 20% of the audience rose.  He then asked, “How many of you have read articles or books by Dave?” and perhaps another 60% of the audience stood.  He then asked, “How many of you have read novels by any of the authors who are standing?” and everyone stood.

It really brought home to me that my work isn’t just about writing.  Sometimes it’s about teaching.  Some of my students have far surpassed me in reputation.  The incident reminded me that each of us is like a stone dropped into a still pool, and our influence reaches out and moves others, touches everyone, in ways that may never be aware of.

I was happy to take home two awards that day—one for my work as a teacher, and one for “Best Novel of the Year.”

Many authors know the thrill of seeing their first book in print, or getting their first great review, or hitting a bestseller list.  But there are so many touching moments associated with this job, I don’t think that I could list them all.  It’s not something that you can really talk about.  It’s something you have to live.

Guest Writer Bio:

David Farland is an award-winning, international best-selling author with over 50 novels in print. He has won the Philip K. Dick Memorial Special Award for “Best Novel in the English Language” for his science fiction novel On My Way to Paradise, the Whitney Award for “Best Novel of the Year” for his historical novel In the Company of Angels, and he has won over seven awards—including the International Book Award and the Hollywood Book Festival, Grand Prize—for his fantasy thriller Nightingale. He is best known, however, for his New York Times best-selling fantasy series The Runelords, which will soon be made into a graphic novel and, likely, a movie.

Farland has written for major franchises such as Star Wars and The Mummy. He has worked in Hollywood greenlighting movies and doctoring scripts. He has been a movie producer, and he has even lived in China working as a screenwriter for a major fantasy film franchise.

As a writing instructor, Farland has mentored dozens who have gone on to staggering literary success, including such #1 New York Times Bestsellers as Brandon Mull (Fablehaven), Brandon Sanderson (Wheel of Time), James Dashner (The Maze Runner) and Stephenie Meyer (Twilight).

Farland judges L. Ron Hubbard’s Writers of the Future, the one of the largest worldwide writing competitions for new fantasy and science fiction authors. In the video game industry, he has been both a designer and a scripter and was the co-leader on the design team for StarCraft: Brood War.  He set the Guinness World Record for the largest single-author, single-book signing.

David Farland has been hailed as “The wizard of storytelling” and his work has been called “compelling,” “engrossing,” “powerful,” “profound,” and “ultimately life-changing.”