Category Archives: Nathan Barra

Juggling Personal and Professional Lives – Never Drop the Ball

A year has passed since I wrote my post on how we spend our time being a value statement, but I still find that my time is my most precious resource. By the necessity of my choices, I have become very skilled a juggling large workloads. Between extraordinarily long professional workweeks, maintaining my personal relationships, and the every day effluvia of keeping food on my table and a roof over my head, I somehow find the time to regularly blog and write fiction. It is a juggling act that I suspect that many aspiring writers will empathize with.

However, some of those balls, those commitments, have come disturbingly close to hitting the ground recently. I was able to recover, but as I grow older, the number and weight of my obligations grows ever larger. I fear that one day I will accidentally and irrecoverably sacrifice something important to me to feed my ambitions.

I have been pondering this possibility a great deal recently, as both my personal and professional lives gain momentum. For me, personal and professional progress is both exhilarating and terrifying. You see, once you start getting what you want, you have something to lose. As we chase accomplishment, we often put on blinders to what else is important in our lives. As an example, I was fortunate enough to be invited to dinner with an extremely successful author in her field at a convention I recently attended. During the meal, one of the diners asked the author what her greatest professional regret was. I can still remember the broken sound of her voice as she told our group that she was afraid that her daughter would never forgive her for the years she spent locked in her office.

Despite the trepidation that such examples inspire, I am unwilling to give up my writing and my dreams of professional authorship. After all, in biological terms, the fear response serves to both identify potential hazards and prepare us to face them. If I want to accomplish my personal and professional goals, I must use my fear, not be ruled by it. My unease reminds me that I have things that I value outside of my accomplishments, and in so doing, allows me to keep my other priorities in focus. I must choose what I sacrifice, not let circumstances decide for me. As an example, for the past couple of years, I have rarely played video games or watched television. By cutting out these activities, I have made more room in my schedule for writing. I have talked to many authors who have done the same thing. Compared to the rest of my life, that particular sacrifice was well worth the cost.

Throughout my life, I have found that accomplishment is almost always paired with sacrifice. It is up to me live deliberately and choose how I spend my time wisely so that I may both achieve my goals and retain what is important to me. To live is to risk pain. To fear is to be aware of that risk and to manage it appropriately.

Webbed Toes and Dream-Memories

I almost never remember my dreams. I am certain that I dream most nights, but at best, I retain only a vague synopsis or a phantasm of the feelings inspired. Despite this, I have one reoccurring dream that my mind holds onto despite my efforts to forget the morbid stillness of the tableau.

In the dreamspace, there exists only a room. The floor is covered in white tile that extends into an undefinable vagueness around the edges. At the center of the room is a sunken pool, a large square depressed into the ground about a foot. The tub is mostly filled with gently rippling water which reflects the glow of lighting that feels coldly institutional. The grout between the squares of ceramic are a pale brown-red where water had been splashed during a struggle. The water of the pool is pink with what I am certain is my blood.

I never understood why this image inspired dread upon awakening, until I mentioned the dream one day in passing to my mother. She had been washing dishes at the time, and stopped to listen as I talked. I remember the silence that followed my description, and the deep breath she took as she set the item she had been holding back into the sink. Turning to me, she told me that she had hoped I would not remember that place, but because I had, I needed to know.

You see, when I was almost 3 years old my parents had left me with the sitter they and many of the families in our neighborhood had been using for years. The woman ran a childcare service out of her home, and unknown to all the parents was over the capacity she had been legally licensed to care for. This fact came to light when one day I was loose in the kitchen while she was making Jell-O. With the infamous timing found in nightmares and fiction, I managed to get underfoot just as she lifted the steaming bowl from the counter to bring to the fridge to cool.

The burns on my little feet were horrific.

I was rushed to the hospital, where my parents met me. In a twist of luck also rarely found in the real world, one of Canada’s best plastic surgeons was in the receiving area of the ER as I was dragged in and decided to take my case.

Each day, my toes had to be cut free from each other and the wrappings the doctors had to use to keep them separated. Despite medications and the other treatments they used, necrosis had been unavoidable. To keep the infection under control, my dead skin had to be scraped off with a stiff bristled brush nearly daily. My mother, late in her pregnancy with my younger brother, had to hold me down as I screamed and thrashed so a nurse could do the gristly task in a shallow depressed pool in a white tiled room.

It was both brutal and necessary, but because of those chances and the choices of all involved, my feet eventually healed and grew normal and whole. Even so, my mother says that was the hardest thing she has ever done. She took a leave of absence from work to stay with me in the hospital and only left my side at night when my father took the vigil with me. After catching what sleep she could in the Ronald McDonald House next door, she would return to let my dad shower and go to work. That experience and kindness is why the Ronald McDonald House is one of my favorite charities.

I’ve often read stories where writers use dreams to have characters cope with traumatic events that occured in the buried past, but never believed that it happened in real life. After all, if the person wasn’t old enough to remember, how could the trauma reappear in dreams? How could it be so specific and real? I would have sworn that it wasn’t possible. Apparently, I was wrong.

Investments of Time, Capital and Ego

The hobbyist writer creates for their own enjoyment and satisfaction. They write the story they feel driven to tell and will sometimes share it with a few close friends and family. Most professional writers start at this point. However, if you want to make a living from your writing, you must take the commitment a step further and start a small business. This means dealing with contracts and finance, being involved in all stages of the production process and comporting oneself in a professional manner whenever in public. I know, I just sucked all the romance from being a professional writer. Honestly, I wish that someone had taken off my rose colored glasses and forced me to don the business hat long before I did. You see, only the writer-as-businessman point of view provides the tools and perspective to create a meaningful career.

Creating stories is both a profession and a trade; writers generate and exploit intellectual property. Therefore, starting a writing business must be approached with the same thoughtfulness regarding initial investment and training as one would give to starting any other commercial enterprise. Would you ever consider opening a bakery without first buying ovens and ingredients? No. Could an aspiring doctor be successful without any sort of medical training? Of course not. Why then, do people expect writing to be different? Typically, the first batch of money goes into whatever is going to generate revenue; it is why many small businesses start in someone’s garage or kitchen. In the case of writing, the money maker is the writer’s skills and public image.

First, the writer must have some physical means of recording their thoughts in a way that can be transmitted to others. The specifics vary for each individual, based on their own experience and preferences. Some prefer direct entry into a laptop, while others prefer to write in a notebook, and yet others, like myself, prefer to dictate. I’d recommend experimenting with a few methods and then using what works for you. For many years, I only typed my stories out manually, but eventually bought Dragon Naturally Speaking. The text-to-speech feature helped a great deal with my editing, but dictating in front of my computer resulted in only a slight improvement in my rate of text generation. The problem was that I still spent too much time editing to realize the true benefits of dictation. I later took the advice of a writer I greatly respect and purchased a digital recorder to do my initial drafting. After training Dragon to do the transcription, my initial productivity has jumped significantly. By experimenting with my methodology, I was able to see significant gains.

The second thing the writer must invest in is their skills and craft. Sure, there are countless seminars, craft books, and online tutorials that promise to make you an international best seller, for a price. There are also excellent degree programs and teachers willing to pass on knowledge. They all help, but no amount of studying will allow a writer to entirely bypass years of practice. Investing in one’s craft means being brutally honest with yourself or having people who are willing to dispel your delusions for you. It means being able to think and consume critically about every piece of media you interact with on a daily basis. It means forcing yourself to write new material and edit old manuscripts until they are the best they can be, and then having the courage to let go of a piece and show your work to others. At some point, you will be disillusioned and despairing; internal and external voices will insist that you are wasting your time. That is the moment that you should know that what you are doing is meaningful. A writer’s craft can only be improved by investing and risking their time, pride, and effort. Without struggle and pain, there is no improvement, only stagnation.

The final element a writer must be willing to invest in is their persona. Readers will often become a fan of an author rather than a specific property, allowing the creative professional to maintain an audience from project to project. This realization has caused many contemporary authors to spend as much time on their own personal branding and networking as they do on an individual story. As an example, soon after donning my business hat, I hired someone to do both my graphics and web design for NathanBarra.com. I realized that I had no talent there and so hired out. I have invested time in maintaining my presence on NathanBarra.com, here on the Fictorians and on my Facebook page. All these things take time away from writing my stories, but the investments have paid off through the networks of professionals and support structures I have built. Likewise, I have spent thousands of dollars on conventions, and have even gone so far as purchasing a specific set of clothes that I wear when making professional appearances. By creating a “look,” I have made myself clearly identifiable and memorable in a way that fits with my other branding efforts. It is time and money up front, but I’m gambling that the investments will pay off later.

I have many things demanding my physical, mental, and temporal resources. Whenever I make an investment as the writer, it is with a clear goal in mind. Though I am still in the investment stage, I always am looking forward. I will be a professional writer some day, making my sole living through my art. It took a series of small hints from a number of different sources to guide me onto the path of professionalism. In order to build a successful business, I must invest wisely and with purpose.

Hi! My Name is Nathan, and I’m a Writer!

Several years ago, my company sent me overseas for a few weeks of training. Since I was already enduring the long trans-Atlantic flight, I decided to take some vacation time to make the most of my trip. I booked my flight a week early, and paid out of pocket to delay my connection in Frankfurt. I had been wanting to do a backpacking-via-rail trip for a while, and so I booked a Frankfurt to London round trip in order to take the opportunity to spend 10 days exploring the stretch of the UK between London and Newcastle.

Knowing that one of my friends participated in an study abroad program during college in Newcastle, I asked her what I should do with my few days in the city. She recommended that I take a bus ride up to the gardens at Alnwick. As she told the story, the gardens were created in response to a local student dying from a drug overdose. The city decided to create a poisons section in their local botanical gardens with the intent of educating visitors on the dangers of drugs.

Writing BookshelfMost writers I know are gigantic nerds for trivia and other useless tidbits. I am no exception. Just take a look at the bookshelf I have reserved for my writing references and you’ll see why the idea of a garden devoted to poisons appealed to me. One morning, I made my way to the Newcastle bus terminal, and spent the some time watching the beautiful countryside. Before long, I made to Alnwick. After paying my entrance fee, I spent a couple hours wandering and admiring the gardens.

Eventually, I found the poison gardens, which occupy an open space roughly the size of a small parking lot. Alnwick’s Poisons Garden is sectioned off from the public areas by a heavy, black wrought-iron fence. The only access is a gate that is kept locked at all times and is decorated with skulls and crossbones. Hard to misinterpret the message even if you don’t speak the local language.

As I approached, the tour guide waiting outside the gate informed me that a tour had just begun. When I asked her when the next would be, she smiled and assured me that waiting would not be necessary. She would open the gate and I could simply catch up the tour.

Once inside the gate, the Poisons Garden didn’t appear to be significantly different from the larger public space. There was a small path that meandered through flower beds and the plants were protected by mesh cages to keep people from touching. Otherwise, the deadly plants appeared to be unremarkable. However, I listened to the last three quarters of the tour aptly, taking pictures for reference material, and writing notes as appropriate. Upon leaving the poisons garden, I saw that another group was already forming to start their tour.

In one of my less-than-bright moments, I decided to catch the first quarter of the tour with the new group. As it turned out, each of the three guides gives their own version of the 20 minute tour, and with over 100 plants in the Poisons Garden, there was plenty of material to choose from. Enthusiastic for new information, and not thinking about how it looked to the locals, I decided to join the third tour as well and see what else I could glean.

As I left the gardens for the final time, I found the first two tour guides standing together and casting nervous glances at me. Concerned, I moved close enough to eavesdrop and began digging through my bag. The word “constables” was especially alarming. I did not have the time to be arrested in a foreign country; after all, I had a flight to catch from Newcastle to London the next morning so I could continue on to my company mandated training. Thinking fast, I did the only thing that I could to avoid being arrested.

I walked up to them with a smile on my face and introduced myself.

“Hello,” I said, “my name is Nathan Barra, and I am a writer. I came to the gardens to do some research for a book. Thank you for the tours, they were very informative, but I was hoping that you ladies could clarify a few questions for me.” The two women who had just been looking at me as if I were prone to poisoning the town’s water supply lit up and became passionate about helping me. Turns out, the the information on the tours is nothing compared to what the tour guides will give you if you make friends.

And that, is why I love to be a writer. Yes, there is joy in creating, relaxation that comes from the control of an entire world, and the sense of pride and accomplishment from a completed book. But in the end, writers get to do, and get away with, things a normal person wouldn’t have access to in the name of “research.” I have writer friends who gone on special tours of NASA, have shadowed prison guards, and are on a first name basis with rock stars. All in all, the perks of being a writer are pretty sweet.

This month, you heard from Fictorians and our friends in the writing community about why we love being writers. I hope y’all have new insight into our worlds and some inspiration to pursue your own dreams and craft. Life is only as interesting as you choose to make it. So go out, and make awesome choices.