Category Archives: The Fictorians

Welcome to 2016!

Happy New Year! Welcome to 2016, and may it be your best year yet.

It’s almost cliché to open January with a “let’s come up with resolutions that we can ignore at the first sign of trouble” topic. Instead, I thought it would be a better idea to focus this month on ways you can actually achieve those writing goals of yours.

We’ll have a wide range of items to help you make January a success. Articles include:

  • Software to help your productivity.
  • Personal methods working authors employ to get their projects completed.
  • Motivation and tips for those days when your muse was out getting hammered at the local watering hole last night.
  • Setting and reaching reasonable and achievable goals.
  • Suggested non-fiction books (and reviews) that are worth your time.
  • Tips for plotting your next book, and tips for winging it.
  • …and plenty more!

Guests this month include Petra Klarbrunn, Stant Litore, and Annik Valkanberg.

In 2016 the Fictorians will debut a monthly author interview series. The project will debut on January 29th, the last weekday of the month. You can expect a new interview monthly.

Tune in every weekday for a new article focusing on the writing lifestyle. Let’s go!

We’ll Call it a Win

GoalGood-bye 2015!

As always, there were good times and bad.  This past month, we’ve focused on some of the good, some of the lessons learned, and some of the milestones we celebrated.

As a group, the Fictorians accomplished a lot in 2015.  We passed our 1000th post, and our site was viewed about 65,000 times.

As individuals, we learned and progressed a lot too.  Some of us celebrated important milestones:

Jace Kilian completed a novel!  i-finally-finished-a-novel

And in December, I celebrated the launch of A Stone’s Throw, my third major release this year.  a-stones-throw-launching-a-sequel

We discussed things we’ve learned about writing.

David Carrico on-being-a-gps-writer, Nathan Barra balancing-the-story-engineer-and-the-mad-man, and I franks-pantsing-doctrine wrote about seat-of-the-pants writing verses outlining, and how those two often opposing approaches to story design can work together.

Time management featured large in our thoughts as we reviewed strides forward.  From David Heyman, we learned that any time can be productive writing time, even taking a shower.  writing-while-you-condition-and-rinse.  Evan Braun discussed building habits to deal with deadlines getting-ahead-of-deadlines, and Vickie Morris reminded us to stop worrying.  We’ll find the time for those things that are important.  creating-the-time

There’s always time for sharing of wisdom, and James A. Owen reminded us to be aware of what we don’t want as much as we yearn for those things we do.  all-the-good-things-that-you-do-not-want

Kim May reminded us to always be ready with your pitch at all times.  promotion-at-the-drop-of-a-hat, and Mary Pletsch admitted that networking is important.  i-dont-want-to-know-that-sometimes-its-who-i-know

Gregory Little shared insights about the publishing process.  everything-i-need-to-know-i-learned-in-indy-garten As did Kevin Ikenberry:  sometimes-you-have-to-let-go

Jo Schneider discussed the importance of great characters.  who-has-time-to-waste-on-people-you-dont-like, and Travis Heermann discussed the importance of making the most out of your scenes.  scenes-it-aint-just-the-cliffhanger

Amanda Faith reminded us to take time for ourselves and our personal development.  for-me

Kristin Luna reviewed K.M. Weiland’s Outlining and Structuring novels guides.  k-m-weilands-outlining-your-novel-part-one and k-m-weilands-structuring-your-novel-part-two

We started presenting author interviews, which will become a regular feature throughout 2016.  Ace Jordyn interviewed Jayne Barnard and discussed her steampunk Maddie Hatter and the Deadly Diamonddueling-parasols-and-creating-a-steampunk-world-jayne-barnard-tells-all and jayne-barnard-on-maddie-hatters-steampunk-society

With so many things to celebrate, we’ll tip our hats to the challenges we overcame and the lessons learned, and we’ll call 2015 a win.

Let’s make 2016 even better.

Sometimes You Have to Let Go

Sleeper ProtocolIn October 2014, I signed a contract with Red Adept Publishing for my debut novel, Sleeper Protocol. From February of this year until September, the publisher’s amazing editing team worked with me through six content edit passes and four copy-editing passes. I could say, without lying, that I learned to love the editing process because of the awesome team I had in place. But what I learned this year to improve my craft was that sometimes you have to let go.

You see, Sleeper Protocol went through it’s early stages several years ago as a short story and then novella entitled “Walkabout.” Every time I worked on the basic idea, there was so much more to tell. I fell deeper and deeper in love with the story as I wrote. Strong feelings during the writing process are good because they take us deeper into the scenes, the motivations, and the surroundings of our story. When I made a sweeping change to the story and “appointed” a new antagonist, the book took off. When I submitted the manuscript to Red Adept, I was understandably nervous but I believed that the book’s title, first line, and entire plot would get the publishers attention.

I was right – but one out of three ain’t bad.

In one of the very first conversations I had with my publisher, the working title of Walkabout had to go. There were too many other books out there with the same title or a variation thereof and finding it could present a problem to prospective readers. To my surprise, this wasn’t that difficult to swallow, except that I spent about two weeks trying to use Walkabout in every possible title combination. Nothing worked. I decided to put off searching for a title until the content edits were completed. I spent weeks brainstorming a new title only to find that my publisher and I both came up with the same possible title, and Sleeper Protocol was officially born.

During the editing process, though, I learned the biggest lesson of all. We’re told to put everything we have into the hook. The right voice, descriptions, and purposeful prose will bring the reader in, right? I created what I thought was a great first line only to have my editor immediately tell me it had to go. There was a POV inconsistency in it and it led the reader in the wrong direction – but in my mind it was perfect!

And there was no point arguing about it. My content editor was exactly right. We made the change and re-tooled the first few lines and made the opening stronger. When the very first line gets the ire of your editor, it’s easy to think that the rest of process will be horrible. To the contrary, it gave me a tremendous boost of confidence that she loved the book enough to say “Hey Kevin, let’s do this differently.”

The lesson: don’t hold on too tight. Yes, the story is your baby and you’re understandably anxious about the whole process, but when your team says “consider this” you have to listen. I am glad that I learned to do just that, and I think that the novel is so much stronger than when I submitted it eighteen months ago. Hopefully, you’ll help be the judge of that.

Sleeper Protocol releases in ebook formats on January 5, 2016 with print versions to follow.  You can find more information on my website www.kevinikenberry.com. Happy New Year, and I wish that 2016 be a great year for your writing!

About the Author: Kevin Ikenberry

Kevin IkenberryKevin ikenberry’s head has been in the clouds since he was old enough to read. Ask him and he’ll tell you that he still wants to be an astronaut. Kevin has a diverse background in space science education and works with space every day.

Kevin’s science fiction and horror short fiction has appeared internationally, most recently in the anthologies Extreme Planets and Pernicious Invaders. His debut novel, Sleeper Protocol, is due in January 2016 from Red Adept Publishing.

Kevin is a member of Fiction Foundry, Pikes Peak Writers, and is an alumna of the Superstars Writing Seminar.

He can be found online at www.kevinikenberry.com.

Writing While You Condition and Rinse

ShowerAs I am still in the early phases of my writing career, I approached this year with goals that were as much about education as production. I did have specific writing milestones I wanted to achieve, but I also wanted to devote a decent percentage of my time and resources on learning as much as I could about the craft. I attended classes, took workshops (both online and off) and made as many contacts in the industry as I could. Like most new writers, I was looking for advice from every corner I could find.

The most valuable thing I learned this year though was how to tailor all the advice and counsel into a form that worked inside my own life and methods. Different strokes, as they say. For me, the most important lesson was how to integrate the most common advice of all: write every day.

“Write every day” or some version of this is by far the most frequent recommendation I’ve seen, the one piece of counsel most writers seem to agree on. This was something I was aware of in 2014, and by the start of this year I was in already in the habit of sitting down at the keyboard at the same time every night and working through my two hours of blocked out time. Some nights I wrote little, sometimes I wrote a lot. For a while I became very focused on word counts, during the Spring I decided this was less useful than I had hoped.

As the year progressed, I started to look at this time differently – it stopped being writing time and started being typing time. When I entered my two-hour block with a solid idea of what I was there to do, the words would flow quickly and freely. When I tried to use the same time to work out my story’s problems and issues, all the while with hands on the keys and eyes on the screen, I could feel the momentum grind to a halt.

To work on the mechanics of my stories I needed not only a different environment but a different time. That time might come in smaller, harder to predict chunks, but it was there. In the car, at the grocery store or in the shower. I could spend that time thinking about my stories, and that was writing too.I discovered that, for me, writing was not only something I could do at other times of the day, often times it worked better.

To give a specific example, I’d like to dive briefly into a more detailed lesson I learned this year. This came courtesy of an online workshop taught by Dean Wesley Smith. (I found these workshops to be excellent – here’s a link.  The relevant item to my story was the lesson that your character needs to have an opinion about the setting; omitting this will deny both the ability to resonate with the reader. As Dean often says in his lessons, I filed that “in the back of my writer brain” and moved on with my writing.

Fast forward to several months later. I was working on a new short story that I was quite passionate about. I had an interesting setting, a solid premise and what I felt was a really compelling main character. Unfortunately, when I ran the story by my writing group I got very consistent feedback: the readers could not connect with my main character. She was coming off as cold and distant, removed from the story somehow. I racked my brain trying to reason out why that was and eventually that voice from the back of my writer brain reminded me of Dean’s lesson. Taking a second pass at the story, I added her opinions about the setting and got the feedback I was looking for.

The important piece I want to stress here is not really how I solved this particular problem, but where. I didn’t solve that in front of my monitor, hands on the keys. I solved it in the shower, because when I take a shower, I always take it as a writer.

As I said above, I realized earlier this year that I have all my best ideas and breakthroughs when I am isolated. Taking a long walk by myself, driving to the store, or taking a shower. Thus I decided that when I am in those isolated situations, I will always think about my writing. This has allowed me to be mentally present when I am with my family or working my day job, while still getting maximum usage out of my typing time.

One of the most common statements I hear from folks in my position is “It’s hard to find time to write” and I almost agree. Balancing a job, a family, healthy living; all the demands of real life can be quite challenging. Sometimes you can only find a few minutes a day to type, but it can be easier to find time to write if you remove the requirement of a keyboard from the definition.

Just make sure you have a good hot water heater for those long showers.

About the Author: David Heyman

David HeymanDave writes both novels and short stories in the various genres of speculative fiction. His other passions include his family, his job, gaming and reading about mountaineering. Sleep is added to the mix when needed. You can visit him at daveheyman.com