Category Archives: The Fictorians

The Goal Post

I’m a football fan. Apparently that’s somewhat rare in the world of writers. I love a lot of different sports, including baseball, golf, basketball and swimming. By some crazy coincidence I am writing this post smack in the middle of the NFL playoffs. And this month’s Fictorian’s theme is all about goals.

So, this post is about goals, ergo, it is the goal post. See what I did there?

OK, I’m sorry. Still, it’s a decent lead in, and the sports reference is useful too. Because I happen to be one of those people who think goals are a critically important part of life. Goals give us something to strive for, something to measure our performance against, and something to appreciate when they are achieved.

Sports is famous for setting goals. If you talk to just about any world-class athlete, they will pepper you with their goals. Each goal achieved is one more step forward in their quest to achieve the greatness to which they aspire. Each goal achieved opens the door to new goals beyond.

I approach writing that way. Well, I approach a lot of things that way. But writing is one of them. That doesn’t mean I always achieve goals, but if I don’t achieve a goal, I don’t abandon my dreams, I re-calibrate and reset. Then I work toward my new goals. The more goals I achieve, the closer I am to the dreams I have.

Goals can be far-reaching and ambitious, like “I’m going to write a novel.” Or they can be direct and practical, like “I’m going to write 1,000 words tonight.” Then, the next night, “I’m going to write 1,000 words tonight.” If you string enough successful 1,000 word nights together, you can achieve your over-arching goal, “I’m going to write a novel.”

When I started writing, I used to keep a spreadsheet of how many words I wrote every night. I had nightly, weekly, and monthly goals for words written. If I came up short one night on a nightly goal, I could buckle down the next night and get back on track for a weekly goal.

Some people give themselves rewards for reaching goals. That’s fine, it probably helps some people, but for me the main reward for reaching a goal was… you guessed it, reaching the goal.

I’m just now wrapping up my fourth novel. I’m already planning my fifth. I remember when my loftiest goal was “I’m going to write a novel,” and that goal seemed light-years away and nearly impossible to reach. In truth, it wasn’t really that much effort, it was mostly all about sticking to my goals until I achieved them.

One of my favorite Robert Browning quotes is “Ah that a man’s reach should exceed his grasp, or what’s a heaven for?” That’s one way of saying that goals can help us achieve great things. It’s similar to “Reach for the stars, if you fall short, you might still reach the moon.”

Set some goals. Make them specific. Make them meaningful. Track your progress. Reward your successes. That’s not a bad way to get through life in general, and it just might finish that novel you’ve been working on forever.

Quitting with feeling

Quitting, as a word, has a real negative connotation to it. In the context of writing, I prefer to think of it as re-prioritizing my resources. Knowing when I’m not using my valuable writing time to the best advantage is a valuable skill to have. Like the song says, know when to walk away and know when to run.

There are any number of writing goals where the decision to quit or keep going might come into play, but I would like to focus on when to walk away from a story. The moment when you make that decision is an individual one, and will vary from writer to writer. My only goal is to provide the method that works for me, and that is a goal I will not quit.

To give my approach, I need to provide a little context on my professional life outside writing. For many years I have provided high-level technical support to customers on various pieces of network infrastructure equipment. Some of this is done through email, but a lot of the interaction is over the phone. Over time, a support engineer develops a relationship with the phone itself and its ability to provide the engineer with his or her task, which is the customer at the other end.

When that phone rings, you feel something. Excitement perhaps, or anticipation. Where the alarm bells start to go off for me is when that ring would produce negative emotions like irritation or even anger. Now I don’t like this customer and I haven’t even spoken to him or her yet. That’s a problem, and a sign that I needed a break or a change of pace.

For me, writing is the same. When I sit down at the keyboard I should want to be there. I don’t have to completely like all of my characters all the time, but I have to be excited to write about them. If I’m not – if I’m dragging myself to the keyboard with a grumble as I dread another session with this story, that’s when I think about walking away.

The nice thing about writing stories though is it’s a job you can quit and come back to as many times as you want. I have ‘quit’ many stories for a time, only to come back at them fresh some weeks or months later. Many of them I ended up enjoying and finishing, and if I didn’t I at least learned something by thinking about why that story didn’t grab me in the end.

So, quitting is not bad thing and it doesn’t have to be forever. The skill of knowing when to quit is just another tool in your writer’s toolbox.

A Faster Book, or a Better Book?

Porphyry MarbleWhen I first started indie-publishing my books, I set the goal to release eight books in eight months.

Crazy.

Especially since I write huge books. I did have several of them completed, but revisions, covers, and lots of other things weren’t done. Plus, I like releasing physical copies (both paperback and hardcover). So that goal was simply, physically impossible.

It was motivating, though, and it helped me stay focused. But one sad truth about my writing is that first drafts are far from finished drafts. Some authors can pump out a first draft that’s a single polish away from release. Not me. My revisions are more like full rewrites most of the time.

Hence the growing conflict for me. Do I stick to my new, but still aggressive publishing schedule, or do I allow the planned release dates to slide to make sure each book can be the best possible?

The importance of that question became clear when I was speaking with another author at the amazing Superstars of Writing Seminar. I was explaining my goal of releasing books as fast as possible, along with my plans for how many books I’d release each year. He simply said, “I don’t hear you talking much about how you want every book to be better than the last.”

Oops.

Of course I wanted that, but he was right – it wasn’t in my goals. Time to re-think and re-commit to something I really believe in my heart. Readers deserve the very best I can give. Sure, they might clamor for the next book as fast as possible, but they’re willing to wait a little longer for the book to be done right.

Last year, I did not meet my publishing goals. I planned to release a book in the springtime, but edits turned into a full rewrite. Then I had to set that mostly-finished new draft aside to write Affinity for War – book four of the Petralist. I had set the goal to release that one by Christmas, but again rewrites took longer than planned. The book is nearly done, and it’ll be released in March, but for a while I was really stressed about the fact that I might missed my planned date.

I had to remember that the book has to be ready and it’s worth the time to get it right. So it’ll be right, and it’ll be amazing, and fans will love it.

And in 2018, one of my goals is to figure out how to make my first drafts better so I don’t need such heavy re-writes in revisions. That will help everyone.

About the Author: Frank Morin

Author Frank MorinRune Warrior coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website:  www.frankmorin.org

Finishing What You Start, Or Not

When I first started writing fiction in 2009, one of the first things I learned were Heinlein’s Rules. While they all have a place in the heart of every writer, the one that sticks out the most to me is “Finish What You Start.” It’s the single most often prescribed bit of writing advice I give to aspiring authors. The ability to sit down and finish a story, good or bad, is critical to learning the craft. However, I’ve also come to understand (and experience) that there are simply times when you shouldn’t finish what you start – you should put it down and walk away.

I’ve had an idea for a novel in my head for the last several years and I’ve toyed with outlining it here and fleshing out dialogue and characters there and I decided that I’d sit down on really focus on it last year. My intent was to write about 10,000 words and really determine if the story was something I could commit to fully. While it sounded good to me, and I was pretty sure I could write it, could I make it an authentic story? Could I answer the most important question in every reader’s mind – “Who gives $&@#?” I believed I could and I promptly sat down wrote about 8,500 words and stopped dead – seriously, like in the middle of a sentence.

At the time, I believe the words I spoke to myself were “What in the hell are you doing, Kevin?” My great idea wasn’t as great as I’d believed it to be. From my reading and occasional instruction of outlining and character dynamics, I realized that while I had a fun premise to explore, my character was simply horrible. I’d designed goals for them and tried valiantly to put them into some type of story line capable of captivating an audience. On paper, everything was a fit, but I realized that I didn’t “love” my protagonist. In fact, I kinda loathed them. Every time I wrote their dialog in that 8,500 starter, I cringed. It got to the point at the end that I threw up my hands and said “I’m not finishing this.”

A few years ago, this would have bothered me tremendously. Having learned that finishing what you start is critical to success as a writer, my younger self would’ve pressed on and turned out something vaguely akin to a novel that was destined for the circular file. Instead, I realized that while I’d seemingly done my homework, outlined and plotted the story, and built my character in a way I thought would work – the whole mess didn’t come together. Was it a result of my talent? Or my motivation? Or did I just not believe in the story anymore? Your guess is as good as mine. What mattered was that my brain said it was time to stop – that I wasn’t getting anywhere fast and that I was laboring over a first draft instead of letting the ideas around my outline flow. That story went into the dark recesses of my hard drive likely never to be heard from again. It simply didn’t work. I didn’t need to send it to my first reader or any beta readers – I could sense that the story was dead on arrival and I stopped.

I recently went back at looked at what I’d written in the 8,500 word, suddenly truncated start and completely agreed with my decision. In some similar cases, I’ve looked at something with fresh eyes and starting typing anew – pushing that gestated idea to finalization. As I read the first chapter, I thought I might be able to do just that. By the end of chapter three, I knew it was a lost cause. That character, and their storyline, went into the experience file. From there, I went back to another one of Heinlein’s rules – “Write something else.”

I’ve been busy ever since.