Category Archives: The Fictorians

Writing By Example – Or Not

Welcome to November!

With November being National Novel Writing Month (NaNoWriMo), many are writing furiously, getting those awesome stories on paper as quickly as possible. That’s great!

But how do we know how to tell a story? How did we learn to tell a story? By example of course! We know from reading them, what we like, what inspires us and what leaves us yearning for more. So we write!

What is that we have gleaned from the literature that inspires us or from that which we don’t like? That’s the big question because that forms the basis of how we tell our stories. We can take writing classes on composition, critical analysis and grammar but it’s what we subconsciously learn that prevails.

So for this month, we’ll be sharing what we think are some of the best and worst pieces we’ve read. This is done in the spirit of learning, making us better writers, as we examine what works and doesn’t work for each of us. In a previous post, Stillness – How Shall I Write Thee?, I asked how one could write about stillness and reflection in a way that was engaging because our characters may need to take time to reflect on a situation. I explored how Wordsworth captured contemplation in his poetry because the English Romantic writers so successfully captured ordinary moments and imbued their writing with deep meaning. It is in this spirit that we write this month’s posts.

Whether we read stories and literature form either current or by-gone eras, we are subconsciously considering what we like, what we think works and what kind of story we’d like to tell – or not.

So, sit back and partake of what we’ve gleaned from the stories we’ve read. And this month, look for a special post about Superstars Writing Seminar’s scholarship.

May your writing (and reading) be productive!

The Light at the End of the Publishing Tunnel

Happy Halloween, everyone!

You know, in some circles, it’s considered advantageous to end endeavors before and begin new endeavors after the sun rises on November 1st (the official end of All Hallow’s Eve). In a sense, Halloween is a kind of spiritual New Years.

Thus it seems appropriate that over this last month, we Fictorians have shared the not-so-enjoyable aspects of our writing careers, from health issues to saboteur computers to fears of Bisquick, we’ve hit a lot of the big issues we writers face in our attempts to finish projects, build an audience, and further our careers.

And so we finish our journey into the darkness of the writing life today, Halloween, when it’s best to bring dark things to an end.

After reading the posts this month, I’ve been struck by how varied our fears and dislikes are, yet how uniform our reactions to them. It comes down to one word: perseverance.

With every setback, each of us has pressed on like the protagonists we write about. We try, we falter, we get back up (sometimes bloody), and we try again, repeating the sequence until we get it right. While few of us get the tidy denouement of our imaginary heroes, it’s important to remember that we get something they never will. We get a story that doesn’t end. Not really. There’s always another chapter, and we can either help drive the plot of our lives forward or let the twists and turns defeat us.

Not everyone can do it. Many don’t get back up after being knocked down. They don’t finish the book, don’t submit to their dream agents, don’t put themselves out there for possible ridicule, humiliation, and scorn. These are not the people who achieve the goals we all share — a thriving career as a published author. Whether out of fear of the unknown, or dealing with a failed attempt, the only way of getting past these rough spots is to persevere.

My dad used to always counter the phrase “There’s always a light at the end of the tunnel” with “Yeah, it’s the headlight of an oncoming train.”

To be fair, yeah, sometimes it is. But oftentimes it isn’t, and the only way to find out the difference is to walk the track.

The Horrible, No-good Launch Party, Part 2

scary popcornSo, today’s post was supposed to be about the terrors of planning the second launch party. Will people show up again? Will the hype of “I finally got a book out” turn into the flop of “been there, done that, who cares” from my friends and fans? But it turns out there are other concerns that take precedent, like where the %&+@# do I have my launch party and can I even make it happen?

I started out wondering if I should have the launch at the same place as last time, even though it’s on the very outskirts of the city in which I live or if I should choose a more central location. I’m giving out candy, maybe I should have the launch near a candy store in the mall. Or maybe I should find an independent bookstore and coerce them into letting me in with a table for a couple of hours. Between making that choice and getting managers to return my calls, I still don’t have a location. And then I start to wonder if I’m going to be able to make it happen at all.

These kinds of dilemmas relate to the fears that can really get to me as an author; do I even have the slightest clue what I’m doing? We post on social media, enjoy engaging with people at conventions, do some launches and book signings, win awards, but when it comes down to it, is any of this resulting in greater awareness and sales? And that’s the real fear that often gnaws at my insides. Am I destined to go down in the silent flames of obscurity? This is the question we have to put behind us so we can find courage and move on.

So what if I don’t have a launch party; my first book in the Mankind’s Redemption series just won the Howey award. So what if sales aren’t high; I’m  just getting started. So what if my fans are few; they’re giving my book five-star reviews. We look at the bright side so the scary parts don’t overwhelm us.  Making writing into a career can take a lot of time, a lot of effort, and a fair amount of time going unnoticed. But if we keep working, Kevin J. Anderson’s popcorn method of success is bound to happen. The more kernels in the pan, the more opportunity for something to POP. So good luck to all and enjoy the popcorn.

Will It Satisfy?

When I published The City of Darkness last year (Amazon|Kobo), I was full of anxiety. Lots and lots of excitement, but also anxiety. Why? Because it was my first crack at a sequel. And you know what they say about sequels, right? That they’re never as good as the original. As an author, I was (am!) really concerned about both creating a great story and pleasing my audience. I want to write satisfying stories—and when necessary, satisfying sequels.

I suppose there’s probably a point in time when an author becomes so successful and/or confident in their creative vision that they no longer stress out about this. Or perhaps not. Nonetheless, in many long-running series, fans start to sense that the author is treading water in the middle of their book runs. In my case, my Watchers Chronicle will only be three novels, so this effect isn’t going to have the opportunity to set in.

But if my anxiety was high over The City of Darkness, it’s even higher over my current project, The Law of Radiance—the third book and series finale. I badly want to create a satisfying conclusion. My current readers haven’t seen any non-Chronicle titles from me yet, so this is going to be their first taste of how I wrap up a long, continuing story—something I plan to do a lot of in my writing career, as I’m a huge fan of long-running series.

Finishing any novel is difficult, but finishing a trilogy, I’m discovering, is a cut above. The Law of Radiance has to tell its own contained story, and every aspect of it needs to have a narrative payoff, like all good novels. But it also has to explore a lot of themes established in the previous two volumes. And, of course, there are a lot of dangling threads here and there in those first books that now have to be wrapped up. It’s amazing how many little plot and character details start to slip out of mind four years into a project. There’s a lot to keep track of.

It doesn’t help that I’m three or four months behind schedule, but I can live with the slight delay—and hopefully my readers can, too—because I won’t have another chance to finish a series for the first time. I have to get this right. Or at least as right as I’m capable of getting it at my current level of skill. Twenty or thirty years from now, when I’m a much more accomplished and sophisticated storyteller, I might look back at this book and shake my head at all the ways I could have written it better. That’s a scary thought! Talk about fear and loathing; my greatest anxiety probably comes from comparing myself to the Evan Braun of the future.

But I’m getting off-topic.

The good news is that despite the pressure I’ve put on myself, I’m proud of the way the work is going so far. You might even use the word “satisfied.” I can only trust that my own level of satisfaction in this book will be shared by the general public when the time comes. And I can hardly wait to find out.