Category Archives: The Fictorians

What do you do with your “dog stories”–the ones that just don’t sell?

I have a few of those. There’s the story that was written the day of the deadline, because I really wanted to submit something but I had too many other deadlines due first. There’s the story that was written for a very specific anthology call that feels as though it will be hard to place. And there’s the story that just wasn’t a good fit anywhere.

These three stories ended up meeting different fates.

Day-of-Deadline story ended up being okay. That’s it. Just “okay.” It’s a passable action-adventure story, but when I reread it, I don’t see anything special about it. The characters aren’t that unique. Their world feels like a generic steampunk-ish setting. When I finish the story, I don’t feel that I have anything to “take away” from it other than “well, that was 15 minutes of entertainment.”

There are enough good stories out there that editors are unlikely to buy a story that’s merely “okay.”

I have this story on hold until I can give it a more unique identity. Maybe that’ll be by developing the setting, which in turn will give the characters new challenges. Maybe that’ll be by making those characters more complex. I might be able to rework the story I have, or I might have to rewrite it almost entirely.

The moral of this story is that this tale needed more time than the 24 hours before deadline to be refined into something memorable. Without a heavy rewrite, this story isn’t good enough to sell.

Specific-Anthology-Call is a Weird Western with horror and fantasy elements. I wrote it for a horror-themed anthology, but it quite fit the “feel” that the editors wanted for the book. Now I’m stuck with this bizarre story that’s struggling to find a home. I don’t think it has enough classic horror elements for most horror calls, but it’s too scary and gory for kid lit, and there’s no steampunk elements in it.

This story’s got a unique identity…it’s just that the identity is so quirky. I’ve shopped this one around to one Weird Western call since, and I’m waiting to see another before submitting it again. It’s going to take patience to find it a home.

Finally, there’s a short story I wrote that I liked very much. I didn’t write it for a call–I wrote it because this was a specific kind of tale I wanted to tell. I gave it to some beta readers, all of whom said they found it confusing. They missed the in-text hints that suggested the true reasons behind the characters’ motivations.

I rewrote it, and received the same feedback. I didn’t want to write down to my audience, or explain the obvious, but with feedback like this it was clear to me that my subtle suggestions were too subtle. My readers were missing them, and therefore didn’t understand what was going on.

I rewrote it again, in a clearer form, and when I thought I’d gotten a good balance between “make sure the reader doesn’t have to guess too much” and “beat the reader over the head with the clue-by-four,” I submitted the story. And submitted it. And submitted it.

Over three years, I received five rejections.

After each rejection I reviewed and revised. I got two “this is a serviceable story, it’s just not our kind of story” replies.

Unlike Day-of-Deadline Story, Specific Anthology Call, and my rejected flash fiction, every time I reviewed this story, I felt more faith in it. I believed that this was a good story, not just an okay one. I believed that it was unique and interesting. I felt that there was something to take away from it. I believed in this story–for logical reasons, not just because of ego-driven reasons. I knew I could, and have, written crap; I just didn’t believe this one was crap. And so I kept cleaning it up and sending it out.

Then.

A call for submissions, to a magazine where I felt the story might be a good fit–but the story had to be 1000K shorter than its current state. I wasn’t sure I could make the story clear enough to follow, without cutting out any critical plot points, and also pare 1000 words. I decided to try. I focused on wordy sentences, repetitive descriptions, non-crucial detail. Any word that wasn’t essential had to go.

I got the story under maximum length…barely. I submitted it.

It sold.

There’s an art in knowing which of your stories are fundamentally flawed–the ones where you’re better off chalking them up as learning experiences and starting fresh–and which of your stories are good stories that just need to find a place to fit.

Goals: Can’t Live With ‘Em, Can’t Live Without ‘Em

January 1, 2018

Kristin Luna

Welcome to 2018!

We hope your 2017 was full of wonderful words and stories, and that 2018 will be even better. That might even mean giving up on your New Years resolutions.

It’s shocking to think about, isn’t it? Quitting your goals? Almost taboo. Most of us have “never give up” stamped on the insides of our brains, and tell ourselves we’re quitters and failures if we do give up. Sometimes we barrel through our goals even when it’s no longer in our best interest.

This month, we’ll discuss when it’s appropriate to quit your goals. That’s right – when failure is your best option. Are you ticking off items in your to-do list just to do them? Are your goals no longer serving your overall purpose?

Some of us may not agree with quitting your goals, however. Some of us might say complete the goal anyway, because it’ll create a good habit for you to always complete your goals. Perhaps it’s best to modify your goal instead of doing away with it completely.

Please enjoy this month of thinking critically about the goals we set and when it’s best to quit them, modify them, or complete them! We’d love to hear your thoughts on our posts – please comment whenever a thought on the topic comes to mind!

2017: Looking Back and Looking Forward

December 31, 2017

Kevin Ikenberry

Author's Perspective Choice Craft & Skills Kevin Ikenberry Life Philosophies Making Progress as a Writer Self-Awareness The Writing Life The Writing Process Your Writing Career Your Writing Environment No Comments

Over the last month, you’ve celebrated the year through the eyes of the Fictorians and our guests. I think it’s safe to say that everyone had their share of ups and downs this year. We’ve reached the end of 2017 and tomorrow many of us will look at the coming year with a sense of purpose or a sense of uncertainty. There are 365 days ahead of us as writers. Some of them will be good and some will not – this is the writing life. What matters is that we face them together and do the very best we can.

By now, I’ve completed a list of what I think my goals should be for 2018, but I know that I may not reach all of them. If 2017 has taught me anything, riding the wave of opportunities means that my best laid plans will most certainly change. Remaining flexible is critical. Some times, you have to actually quit your goals. That’s what we’ll be talking about in January here on The Fictorians. Before we do that, though, I’d like to leave you with one more thought about your year in review and the year ahead.

One of the books that’s immeasurably changed how I approach writing is The Artist’s Way by Julia Cameron. One of the tenets of Cameron’s book is the concept of Daily Pages. Over the last few years, I’ve used a couple of different notebooks to do this. The idea is simple. Every day, sit down and write three pages. What do you write? Whatever is on your mind. I think of it as clearing the mechanism – I just write whatever is on my mind – a pure stream of consciousness technique. Often times, I may start off with a regimented idea of my to-do list or something similar. Some times I’ll start with a favorite memory from the day before. Sometimes, I’ll just vent my fears, my anger, or my remorse. By sitting down and forcing it out of my head, I’ve found that my writing time is more productive. I’m less likely to fall into my social media distractions. I’m more likely to hit my word count goal for the day when I take the time to write my pages. Three pages may be too much for you at first. I tend to do two pages on a pretty regular basis. Find what works for you. Clearing your mechanism is a good way to look past the stress in our lives. Journaling is a great way to get in touch with your ideas, too. Simply put, I recommend it. Whether you’re committing to a New Year’s Resolution or not, one thing writers do is read. If you haven’t read The Artist’s Way, do so sooner rather than later. Your writing will thank you.

Best of luck with your writing endeavors in 2018. We’ll be right here cheering for you.

Unexpected Invitations and Opportunities

December 30, 2017

Kevin Ikenberry

Author's Perspective Choice Craft & Skills Interacting With Professionals Kevin Ikenberry Military Fiction Networking Publishing Starting a Career The Writing Life The Writing Process Your Writing Career No Comments

Earlier this year, I sent off my novel Vendetta Protocol for a blurb from Baen books author Charles E. Gannon. When he responded with an excellent blurb, I was surprised by the last line of his email. After reading my book, he recommended me to authors Chris Kennedy and Mark Wandrey. I’d never heard of either of them, but in the weeks that followed, I learned that each of them had authored one book in what they called the Four Horsemen Universe – a military science fiction universe where humans most commonly act as mercenaries and often find themselves on the short end of the galactic stick. Mark and Chris offered me a story spot in an anthology they were launching to flesh out their universe based on that recommendation alone.

I hadn’t read their books and Chris and Mark hadn’t read mine. As we emailed back and forth, a knot of self-induced pressure built in my chest. Could I pull this off? Could I make good on my friend’s recommendation? When I received their “primer,” a fifteen page document outlining the basic rules of the universe, I sat down to read it and immediately gravitated to the concept of a Peacemaker Guild. Combined with a timely thought about a really bad movie from the 1980s, I developed a short story idea. Over the course of two weeks, I wrote the story and then did something I’ve never done before – I sent them the rough draft of the story and asked if I was anywhere close to what they wanted with their universe. Their response surprised me.

Not only was the story exactly what they wanted, they wanted me to continue the story of Earth’s first Peacemaker in novel format. I looked at my writing plan for the year, the success of the two additional books they launched in the universe, and what they were doing with the anthology (of which there were plans for three) and said yes. I scrapped finishing my Protocol War series in 2017 and signed on to write an unplanned book in a universe I was still learning about, and I had about twelve weeks to do it. Could I?

I did. When I completed the novel Peacemaker and turned it in to them, I had no idea what to expect. Would they like the story? Would the rabid fans of the Four Horsemen Universe embrace it? Had I told the kind of story I wanted to tell in their universe? The answer to all of those questions unfolded in late August and was a resounding “YES!” From that unexpected invitation, I’ve now committed to writing a total of three books in the Peacemaker storyline and have just completed book two – Honor The Threat.

For me, 2017 was all about embracing unexpected opportunities. Doing so has led me into avenues I’d never considered and put my work in front of new readers and fans. It’s hard to believe that I’m writing a new series from a short story idea, but that’s the way this writing thing tends to work. I’ve paddled into a wave and I’m going to ride it as best I can. In the coming year, I have books to write and conventions to attend, but I’ll be looking for opportunities because they can come in the most unexpected places. Keep your eyes and ears open – you never know where things might go.