Category Archives: The Fictorians

Milestones

I’ve crossed a number of milestones over the past few years: first short story published, first convention panelist, first novel in print, first teaching gig at a writing conference. I’ve managed to predictably repeat those achievements virtually at will, and as nothing more or less than an act thereof. Each and every one of those milestones felt like the success it was, but they were all, at best, minor-league achievements.

Make no mistake, though. To achieve them I’ve had to climb the highest, steepest mountain in my experience. And I have a long way to go.

My career-change from “IT guy” to “writer” back in 2009 set me as my own task master, and I don’t think I’ve ever worked harder. However, every milestone I’ve passed thus far has been small—insignificant when compared to the summit I intend to reach. Added up, however, the sum of those milestones made possible my most current opportunity… and crisis… from which I should be able to derive my greatest achievement to date.

I’m under contract to write a novel.

There is something both thrilling and daunting about committing to a novel under contract rather than selling a completed manuscript.

Daunting.

That word doesn’t quite cut the mustard. Frankly, I’m nervous as hell, hoping I can get Last Stand at the Gates of Heaven written within a somewhat aggressive timeline… and on top of everything else I’m committed to for the first half of 2014. As I type this, the publisher has nothing more in her hands than a title and the pitch I gave her back in November. I, on the other hand, have a deadline and a deliverable of roughly 100k words by the end of May.

What this represents is a first step into the major leagues. Granted, it’s a smaller publisher asking for a stand-alone novel, but the fact is that a publisher asked me to produce a novel. I’m on the hook for delivery. My reputation is at stake. My future is at stake. If I can deliver on this, I’ll know that I can cut it when a large publisher asks me to produce a body of work.

There’s a reason I’m telling you this, and it’s not to sing my own accolades. Quite the contrary. I’m humbled by these circumstances. I’m telling you all this because the path I’m on is one of the primary methods by which part-time writers become self-supporting authors.

The pyramids were not built in a day; each one of them started with a single block. Everest wasn’t climbed over a weekend, and every man or woman who reached that summit started with a single step at its base.

That’s what you have to understand in the writing business. Skill is a factor. So is practice and talent and luck and a lot of things. But if you’re not prepared to build upon your small successes and turn them into larger ones, you should hang it up right now. You have to be in this business for the long haul and grind away as much as you can without losing your mind. You have to invest in yourself each and every day in some fashion, gambling with your own future and the harsh reality that you might not make it.

If you can do all of that, your odds of success increase exponentially. And in the absence of it all, you are virtually guaranteed to fail.

So get to work!

Q

Finding the Time for You

2283676770_6b53f8b77f_b[1]Today is the first day of the New Year where many people will be doing something that they rarely do: actually manage their time to do something that needs to get done. It could be working out, taking the stairs, balancing their checkbook, or writing an hour a day. Somehow, they’ll have time to do it… and for many it’ll fade away in a couple weeks.

You can go to a dozen different websites and find a dozen different methods on how to combat the odds and stay productive as the year progresses, but there lies the problem. People are complex beings, and it’s very rare that the simple solutions are the ones that actually work. People can tell you what worked for them, but there is no telling if it would be beneficial for you as well. The real solution is to look at your life, decide what you want, and figure out something that works for you.

As far as writers go, the advice seems to be pretty consistent. Choose a goal and make sure you reach that goal every day. It can be time based, word count, or page count. The advice is simple, but you need to figure out what will make it most likely that you’ll follow through with that goal. Are you more likely to complete it if you get it out of the way first thing in the morning or before bed? Some people have a reward system where they allow themselves to play a game, have a treat, or watch a show after writing. Others spend an hour destroying people on the virtual battlefield as a method to relax before they write.

Even if you can’t do it every day, find a goal that works for you and makes you ready and happy to write. Some writers will write every day for 20-30 minutes during their lunch breaks. Others will go off to a mountain retreat and lock themselves away from the world for a couple months, emerging with their new masterpiece.

The main takeaway here is to know yourself. If you can make writing a habit, things will be easier. Some people will easily develop the habit and will feel lost if they miss a day. Others will have to fight the urge to do something else every day. Remember that you have friends and allies in writing who are cheering for you and waiting to read your novels. The one advice I can give you that I think that works every time is to never give up!

The Year of the Revolution

Well, here we are: 2014. Normally this is the time of year to re-evaluate our objectives and set new goals—dare I say, make resolutions? In this context, “resolutions” has become a bit of a bad word, a trite one, and rightly so. Today’s post is not about resolutions so much as revolutions.

My revolution began in 2010, as I finally started to understand what it was going to take to become successful as a writer, as a professional. It goes without saying that blossoming into a successful writer requires a phenomenal grasp on the craft of writing—on character, on story, and yes, on grammar. Well, if it doesn’t go without saying, then at the very least it goes without me needing to devote a blog post to it. What doesn’t go without saying is that you need to think like a small business owner. You need to think like a publisher, like an agent, and perhaps even like a book store owner—all at the same time. You need to understand how the business of publishing functions—or perhaps more importantly, how it’s changing—and then conceive of how you can fit into that world and find your niche.

You are a writer, and thus a business owner. You have a lot of important considerations in addition to what you jot down on the printed page. You have resources, and you must apportion them in the best way possible. There are so many places to put your resources, so many competing demands fighting for your attention. January here at the Fictorians is all about helping you make good choices. This month, we’ll be talking about the very best cons and seminars, where you can learn from the professionals who have gone before you. These provide key, potentially career-changing opportunities to network. They are important.

When I talk about resources, I’m not just talking about money. Perhaps the greatest resource of all is time. How are you going to spend it? We’ll also be talking about productive ways to allocate your time, ways to get things done.

In short, what’s important to you in 2014? If you don’t have a firm plan for the next twelve months, then I’ve got good news: this is exactly where you need to be. The Fictorians have your back.

Let the revolution begin!

Kevin J. Anderson: Outside, in the Office

As we close out the year, we thought it would be a good time to revisit this guest post from Kevin J. Anderson, a reminder that while you should be writing, this doesn’t necessarily mean your butt has to be planted in a chair to do so. This post originally ran on April 9th, 2012, but the advice it offers is timeless. We hope you enjoy, and please check in again tomorrow as we look back on The Greatest Gift I’ve Received as a Writer Month here at Fictorians.

A guest post by Kevin J. Anderson

kevin-bioEverybody knows the best way to get writing done: put your butt in the chair, fingers on the keyboard, eyeballs on the screen…and type.

Unfortunately, with distractions everywhere (kids or pets demanding attention, phone ringing, email popping up, toilets that need cleaning…), the butt/chair/keyboard/monitor setup isn’t always the best way to be productive.

Maybe you need to think outside the keyboard.

I regularly write, and publish, an average of 300,000-500,000 words each year.  To me the word “office” is only a loose term for the place where I get my writing done.  I can sit in a bustling coffee shop with headphones on, and disappear into my story.  I can take notes on the paper tablecloth in an Italian restaurant.  I can write anywhere.

Most importantly, I have trained myself to write using a hand-held recorder while walking along beautiful trails, sinking into my imaginary worlds and characters. Yes, I talk to myself.  It’s like telling stories around a campfire, engrossed in the plot, speaking aloud, letting the sentences roll off my tongue as my hiking boots roll off the miles.  That way I can accomplish my exercise and sightseeing while being productive at the same time. A day in the mountains, forest, or desert is a day at work.

Sometimes other hikers I meet on the trail aren’t quite so accepting of my work methods.  More than once I’ve been the recipient of angry glares.  While climbing around the Flatirons near Boulder, a man snapped at me, “You shouldn’t be working out here.  Just enjoy nature!”

(As if the two are mutually exclusive?)

At a campsite on the Grand Mesa, I was surrounded by tall trees whispering in the wind, near a rushing creek.  I had my laptop out on the picnic table, reveling in the glorious surroundings as I edited chapters.  Another camper felt compelled to march over to me.  “Turn that thing off!  You’re on vacation.”

Personally, I thought he should mind his own business, but more important he was making a completely unfounded assumption.  The fact is, I wasn’t on vacation.  That was my work day.  While other people are doomed to go to the daily grind in a “dilbertville” office complex with fabric-walled cubicles, ringing phones, office gossip, and endless meetings, I get to do my work out in the Colorado mountains and canyons.  There, I am inspired rather than distracted, all my senses filled with input (some of which is even relevant to the story I’m writing).

I have written a STAR WARS novel with Han Solo and Princess Leia at the polar cap of an ice planet while snowshoeing up Quandary Peak, a 14,265-ft mountain in central Colorado.  I’ve written DUNE novels with Brian Herbert — all of them set on an arid desert planet — while trudging through the Great Sand Dunes National Park.  I’ve written about ancient ruined alien cliff cities for my “Saga of Seven Suns” while exploring Anasazi ruins in Mesa Verde.

It’s the next best thing to being in the exotic locales of my imagination.

So don’t be fooled by the stereotypical picture of writer slaving over a computer at a desk.  If you feel too self-conscious to talk to yourself and dictate finished prose, then just mull over ideas, characters, history and take notes.  Or if that doesn’t work, just try a different place-take your laptop (or even a pen and paper notepad…they still function) and go to a coffeeshop where people don’t know you, or hide in a library carrel.  My wife even sits in a car in a parking lot and dictates into her recorder when she really needs to get something done.  Think about going into the “writer protection program” and disappear for a while.

For me, the way to do it is to get miles away from anybody looking for me.

So if you see me on the trail talking to myself, intent on something inside my head, remember — I’m not on vacation, I’m working.  And I’d rather be working here outside on the trail than in any other office in the world.

Guest Writer Bio: Kevin J. Anderson is the author of more than one hundred novels, 47 of which have appeared on national or international bestseller lists. He has over 20 million books in print in thirty languages. He has won or been nominated for numerous prestigious awards, including the Nebula Award, Bram Stoker Award, the SFX Reader’s Choice Award, the American Physics Society’s Forum Award, and New York Times Notable Book. By any measure, he is one of the most popular writers currently working in the science fiction genre. Find out more about Kevin at Wordfire.com.