Category Archives: The Fictorians

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Hello everyone! Momentum is a key element for success in completing any writing project, and this month has already be loaded with lots of good advice from folks who have been doing this a lot longer than I have. Some of their advice might contradict the advice I’ll be offering, but that’s part of the joy of writing. There’s no right or wrong way to do it – just the way that works for you.

I too have some advice to offer, something that works for me. This one simple trick, you might say, to avoid getting stuck in your path. (“Writer’s Blocks hate him!”) It may work for you, or it may not. In order to give my advice context though, I have to talk a bit about how I write. It’s a brief side road but I think the trip will be worth it.

Writers seem to be broken up into two general groups: the outliners and the pantsers. I have great admiration for pantsers, those brave souls who just sit down at the keyboard and make it happen live.

That’s amazing, but it will never be me. I am an outliner and I never sit down for my writing session with no idea what’s going to happen. I do several extensive outline passes of my plot and character arcs before I start page one. I often even have much of my dialog pre-written (or pre-recorded).

Once I start that first draft, I want nothing to stop me until I finish the novel. A story finished is a story fixable. I may be newer at this than some Fictorians, but I’ve had more than a few stories die from the blank screen of death because I stopped and just couldn’t get going again.

3,000 word days? Great. 1,000 words? No problem. 25 words? At least I moved forward. The only number I don’t want is zero. As long as I’m moving in any way, I tend to keep moving. It’s when I straight up stop that the problems begin

Yet even with the best outline you can run into issues. Maybe you realize a plot hole you didn’t count on, or dialogue that sounded great in your head just reads corny now that you see it on the page. Very common for me, you knew there was a fight scene here but you didn’t block it out and now it makes no sense.

Any of these can get me stuck, lead me to a zero day where the cursor blinks at me and I simply blink back. This is the one thing I don’t want. So, what do I do when I’m stuck?

I cheat.

I simply skip where I’m stuck by using my two best friends: left angle bracket and right angle bracket.

If you look at my completed first drafts, they will be riddled with these. A few examples from my first draft of SEAS OF EVEREST, Book 2 of the trilogy I am working on:

<finish this up>

<a little more here>

<describe the city>

<she gets upset>

<insert amazing mammoth fight scene here>

Yep, I used them to summarize an entire action scene. I was very stuck on the blocking of that scene (there was a wooly mammoth in it after all) and couldn’t just sit there and work all that out. I took a shot at it but realized my writer brain was not in ‘write action scene’ mode that day. I could stop and try to force it, or I could throw some angle brackets down and move on.

Move on. You know, keep my momentum. No zero days.

That’s exactly what I use them for. So I can maintain my momentum. Gots ta keep on keepin’ on or that book is never going to be finished. I knew that fight scene would come to me later, and it did.

When I finished SEAS OF EVEREST I went back and found I had 83 angle bracketed items to go back and fill. Some were quick and easy, others were decent projects. Closing those 83 items took me all of three days and I freely admit those days were pretty long.

But the book was  done. The story was complete, I had got to the end of the tale. That is always the goal for me, get to the damn end. Once you’ve been there, you can always go back and clean up those items you left undone along the way.

If you stop and hammer out each one? Well, you might never get where you’re going.

Notes from Guy’s Momentum Peanut Gallery

Personal Health

My biggest momentum-killing foe is my health. I fight the good fight as best as I can, sometimes winning and sometimes losing the battles. Overall, every time I get something finished and sent off to a slush pile, that means I have won that particular war. Then the next deadline appears over the horizon and the fight continues.

One of my many medical issues involves a common writer’s ailment – carpal tunnel. When I first started getting it I did what most folks do: I ignored it. Then it evolved from a single soldier to a tank battalion running over my wrists every time I typed more than a page.

My first plan of attack was to get a new keyboard (a split version that kept my wrists at a better angle) and switching over to a trackball-type mouse (a Logitech thumb trackball marble). This allowed me to type more pages until the pain became distracting.

A friend of mine hikes the mountains of Colorado while dictating his 200K doorstop novels into a small recorder. He recommended that I look into using that type of setup. I picked up some quality studio equipment and Dragon Dictate 13. After training it by reading some of my books so it understood my writing style, I can now write very fast if I can remember the words I want to use. I just have to remember to say “period, new paragraph, open quotes” at the right time. Overall I’ve been quite happy with it and use it exclusively for longer projects.

Writer’s Block

Something that comes up on a lot of the convention panels are new authors suffering from writer’s block, which is a symptom of issues with resistance. I always say I think writer’s block is your brain’s way of telling you that you don’t really know what comes next, so you should let it percolate for a while in brain brine. At any given moment I have multiple projects in work at once, so if something needs more stewing I can switch over to something else. Heck, I can even just go and write a blog post or five and schedule them on my website or send them off to other blogs that I contribute to on occasion. Writing is writing, after all.

I know that not everyone can jump from a science fiction novel to a nonfiction article on worldbuilding to poetry, but that’s one of the few good things about being an Asperger’s author. I’ll take all of the positives I can muster!

Laziness and Goals

There are times when I’m just feeling lazy or I want to watch a movie. Instead of indulging myself, I use those longings to set up a small writing goal with the reward being what I want at that time. I force myself to do some work to earn the payoff. This also helps me to keep writing as a time priority, which I find vital as a professional writer.

Of course, now my evil inner momentum-killing foe wants me to go watch a movie as soon as I click the “post” button. We’ll see, my inner demons, we’ll see…


 

About the Author:DeMarco_Web-5963

Guy Anthony De Marco is a disabled US Navy veteran speculative fiction author; a Graphic Novel Bram Stoker Award® nominee; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, third-party D&D modules); and a coffee addict. One of these is false.
A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, MWG, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at Wikipedia and GuyAnthonyDeMarco.com.

Using Deadlines to Drive Momentum

Momentum quoteWriting is an act of creation.

Building a poem, a short story, or a novel is a project that requires continuing effort for sometimes months or years.

Completing that project is not easy. I’ve seen statistics that suggest maybe 1% of all the writers who begin a novel ever actually complete one. For those of us who do, one important component of success is building momentum.

For me, as a story begins to grow and develop into a fully-formed adventure, I get more and more excited to see it finished. I love the brainstorming process and the intense bursts of writing as I pour words on the page and create the first draft. I’ve even grown to enjoy the opportunity to revise and edit and polish that initial draft into a finely-tuned, well-crafted piece of art that will draw readers into my world and plunge them into amazing adventures.

The process is not easy, but the daily effort builds momentum to keep going.  Some days are admittedly easier than others, and like everyone else, I have had to develop ways to help keep motivated and to keep generating momentum. Several ideas have been mentioned by other fictorians already this month, so be sure to check out their excellent posts.

I also like to use deadlines.

A deadline is a tangible line in the sand, a goal to help focus my energy over short periods of time. Even when they’re self-imposed, deadlines create a sense of purpose and the threat of consequences if I don’t succeed. Setting a deadline helps me avoid falling into the trap of thinking I can take as long as I like on the next novel.

I can’t. I have a deadline.

Sometimes I set very aggressive deadlines, and even if I know I can’t possibly accomplish them, they still help motivate me to try. When I first started releasing books in 2015, I set the goal of eight books in eight months. That’s a super-aggressive goal that turned out to be physically impossible, but it helped me work extremely hard to get my indie-publishing process off the ground and dive in and do it, rather than hesitating and wasting time with unproductive doubts.

A great deadline is scheduling time with an editor. I use the amazing Joshua Essoe to edit most of my novels. He’s booked out over a year, so I have to schedule my time with him far in advance, which requires planning my work and knowing my pace. Let’s just say I’m still working on perfecting that bit, especially since most of my novels end up running long.

I was due to deliver a manuscript to Joshua in July, but I had gotten bogged down editing another novel. Six weeks before the deadline to deliver the draft to Joshua, I had to set aside that other project and get to work. I had waited perhaps too long. The goal was 160,000 word first draft.

I got it done. Mostly. I delivered about 130,000 words to Joshua, and wrote the final 50,000 words of that epic story over the three weeks that he spent editing the first part.

Do I recommend doing a first draft that way? Sure – as long as that draft’s not due immediately to the editor. Writing a first draft that fast was an amazing, if exhausting process, but I should have started sooner so I could do some initial polishing and revising before submitting it. I could have better used Joshua’s time that way.

Lesson learned.

But that extremely tight deadline was undeniably effective at getting me to write, and to find ways to write faster than ever. That’s 180,000 words in about two months – probably the fastest I’ve produced such a long work. I am already setting new deadlines for revising and editing, because I’m planning to release the novel in Q4 of this year.

I recognize that not everyone likes to work under tight deadlines, and that the added stress of having aggressive deadlines can be counter-productive, but don’t ignore deadlines. If you don’t set a goal, you limit your ability to move forward and get things done. I recommend everyone use some kind of deadline. Without them, there’s no accountability, and far less sense of purpose to drive a project forward.

About the Author: Frank Morin

Author Frank MorinRune Warrior coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website:  www.frankmorin.org

Finding Writing Momentum by Stopping

I was part way into the book ad things seemed to be going well. The story was coming together. My protagonist was active. He was in a tree and I kept throwing rocks at him. Somewhere, somehow, he had to muster the strength that would make him stop being on the defensive and get on the offensive.

Then my protagonist and I hit the proverbial brick wall. Ouch! All the momentum I had, the three thousand plus words I wrote every day stopped. My brain became a repository of mush, not great ideas. My energy was but a whisper of a breeze unable to flutter a tiny leaf.

I had to figure this out.

What had I done to prepare?

  • I had done some planning. I knew the character, the climax, the villain and where I wanted the story to be by the end.
  • Distractions were minimal. I had the hours I needed every day to write.
  • My chair was comfortable. (sounds lame I know but those Excuse Gremlins can be weird at times)

The problem: the momentum was gone.

I was still certain I had a good story and I wanted to write it, but what was wrong?

I was a few chapters in so I did a chapter by chapter outline. The progression seemed logical enough. But, I found a niggle, the tiniest one. Why would my character have acted this way? Actually, the question needed to be reframed: what motivated him to do this? He is trying to tell me something, something I hadn’t realized in my initial thoughts about him.

It was time to re-examine my protagonist, to ask him more questions, to delve deeper into his background and the society in which he lived. It was then that I discovered that his father had instilled in him values I hadn’t been fully aware of. From those values came his struggle. What he had grown up to believe wasn’t holding true. So, now he had conflict and I the writer, had theme.

I went back over those first chapters, re-examined them in the context of the theme, his inner struggle and discovered that although I had an okay plot, the protagonist’s struggle wasn’t being reflected in some scenes and it didn’t serve to motivate him to act or not act in situations.

Aha! moment in hand, I rewrote those scens, thought through the novel once more.

The take away? My writing momentum stopped because I didn’t have enough knowledge about my protagonist to proceed. For me, knowing what’s at stake, what my character’s inner conflict is, what motivates him at the core, drives my story telling. Knowing this speaks to theme and helps create a stronger villain. In other words, the rocks I’m throwing up the tree are a lot bigger and hurt a lot more. Knowing the character’s inner conflict also helps create better secondary characters: some who enable, others who derail, and others who hold the mirror of truth.

With deeper understanding and greater potential for conflict realized, my writing momentum returned.

My advice:

1)When momentum lags, re-examine your protagonist and maybe the villain too. Find what excites and moves them and most importantly, what their deepest conflicts and influences are.

2) Determine what your story is about (aka the theme). If you know that, then your characters are the instruments to explore that theme with all its inherent conflicts and consequences. If you’re having trouble figuring out your theme, then re-examine key characters deeper still.

If you’re having trouble maintaining your momentum, stop wrting and take a moment to think about what motivates the protagonist and what his inner conflicts are. Look at theme too for understanding that will keep the story from being derailed as all scenes and characters will somehow speak to it. And, you never know, maybe your subconscious was trying to tell you something about another story problem which you aren’t yet consciously aware of. Stopping, and taking a bit of time to reflect, will not only help you to regain your momentum, but to also keep it.