Category Archives: The Fictorians

The Dory Method

This month’s theme is about damage control. When I saw that in the schedule, I laughed to myself, a sort of bitter, resentful laugh. Let’s just say that my last year has been a target-rich environment for damage control. Rejection, lack of sales, family issues, job struggles, potential financial ruin, cancer, death… It’s been a heck of a year, for sure.

Back in January I think I hit the lowest point of motivation and hope I’ve ever reached as a writer. I covered part of that in this previous Fictorians post. I won’t cover all that again. Thank goodness. But the gist is still relevant to this subject, which is all about dealing with struggles, setbacks and lack of motivation.

Right now I am doing my final proofread of the third and final book in my War Chronicles series. You want struggles? I was supposed to finish this back in February. You want setbacks? I pretty much rewrote the final third of the book three times. One of the lowest points of that entire year was when I finally came to terms with how much help and support I had gotten from my brother, who passed away from cancer last year. It turns out that it is no mere platitude to say that you don’t know what you have until it’s gone. Really gone. Forever.

So there I was, a month late with my personal deadline for my third book, with my previously planned ending in ruins as I realized it wasn’t the right ending, my main support for working through issues gone, living in a tiny rent house while trying to build my dream home, struggling with a new job as it became painfully obvious that writing wasn’t (yet) going to pay the bills, and dealing with a ream of personal issues better left unsaid here.

I could have packed it in. I could have just said “It’s too much right now, I’ll deal with this after everything settles down.”

But here’s the thing that I’ve learned in my life. Nothing ever settles down. Things rarely, if ever, get easier. And the longer you put things off, the harder it is to pick them up again.

So my means of coping is something I call “The Dory Method.” You know what that is. Everyone knows. But here’s the thing… It works. I just kept at it, a little at a time, worrying at the story issues like a dog with a bone. Until finally, one day, weeks later, I figured out what the story was lacking, and then everything started coming together.

Working full time in a new job, while trying to build a house, and living in a tiny rent house with no privacy is no way to write a book.

But you can do it. If you just… keep writing. Just keep writing. Just keep writing.

Edison was right. Success really can be 95% perspiration. Or in the case of writing, 95% perseverance.

And the result? Warlord, coming soon to an online book retailer near you. 🙂

Short Story Deadlines

One of the challenges of writing short stories for publication–other than, you know, the writing part–is keeping track of calls for submission.

T-18-Cover-270x417-100dpi-C8Many ongoing magazines don’t accept stories year-round.  They have submission periods, during which writers are invited to submit stories.  When the window closes, writers have to wait for the next submission periods.  Magazines do this to give their editors time to catch up with submissions, to ensure their queue of stories to review remains at a manageable length.

Anthologies have publication dates, and the editors need to factor in time for edits, typesetting, printing, and everything else involved in preparing a book for sale, whether in print or in e-book format.  This means that anthology submissions also have deadlines, and the editors will choose the best stories from the pool they receive before the deadline.

Respect deadlines.  Begging editors for more time is a waste of their time, and unless you know the editor well, they probably won’t give you an extension.  After all, they have deadlines of their own to meet.  Turn your work in on time, or else wait for the next submission window, or consider another market.

I’ve found a wall calendar to be very helpful in giving me a clear visual picture that will tell me at a glance what deadlines are coming up for what markets and how much time I have to finish the projects.  Online calendars don’t work well for me because I don’t think to look at them, and pop-ups serve only to annoy me when I’m trying to focus on something else (so I dismiss them, then out of sight, out of mind….)  A big calendar right there on my office wall catches my eye every time I enter the room, but doesn’t interrupt me while I’m doing other things.

But…damage control.  What do you do when those deadlines are too close?

When you haven’t signed a contract, you’ve got the freedom of choosing to miss a deadline.  It’s disappointing not to submit for a project you were excited about, definitely, but you won’t be held legally responsible for it, either.

I’ve learned from experience that I can’t do my best work when I’m under the gun.  Some people can; I’m not one of them.  I need at least a week for edits, because my stories are always much stronger after the fifth or sixth revision, and most of those ideas for revisions come to me at night, or in the shower.  If I don’t have time to think on the story, I can’t “brew” those revisions.

Knowing this, I know that if I have less than a week to submit a story, it’s probably not worth my time to race for the deadline.  I’m unlikely to create work I’m satisfied with, meaning that time, and effort, would be better spent on a project that will be my best work and that is more likely to pay me for the time I spend on it.

Also, if I have a week, but most of it is already devoted to other commitments (like travel, where I can’t access a computer, or contractual edits for a novella, in which I am obligated by the contract to return my edits in a certain number of days) that also counts as “less than a week” of actual working time to focus on the story in question.

It’s best to find a system that works for you so deadlines don’t take you by surprise.  Eventually, though, one will.  If you’re under contract, you’ve got little choice but to gun it (if you can’t make it, for example, you’ve been hospitalized, have a family member or friend contact your editor as soon as possible to let them know the situation).  If you’re not, then self-awareness is key.  Some writers do great work in bursts, sprinting for deadlines; some don’t.  With practice, you’ll know how long you typically take to produce a piece you’re happy with.  If you don’t have time to do work to your usual standard, you might be better served spending your time and energy on a different project and letting this one go.

Your Best Work Just Got Rejected. Let’s Cope.

About two months ago, a much younger, bright-eyed, bushy-tailed Kristin signed up for this month thinking, “You know, I can help people unpack rejections and give them some positive options on how to deal with them.”

HahaHAHA! That was before I got rejection after rejection after rejection (and so on) in just a week’s time. And between you and me, it was hard. All of the coping mechanisms I had built up and employed up until that point crumbled before my eyes. And that’s when I came up an entirely new set of rules for coping with rejection.

First, let me give you the old, yet very helpful, coping exercises.

  1. If you received any feedback with your rejection, consider it carefully. Does it ring true? If so, then make edits. Does it not ring true? Then continue to submit your story elsewhere.
  2. If you received no feedback with your rejection, read over your story again and consider a few things.
    1. Do you still love this story?
    2. Do you see some ways to make it better?
    3. Was the editor just out of their mind to reject your story?
  3. If you see some ways you can make your story better, whether it be another grammatical pass or making the villain more villain-y, do that.
  4. If you still love you story and think the editor just didn’t see what you see in your story, continue to submit.
  5. Take out your journal, or a specific writing journal that you keep, log the rejection, and also take some time to process your feelings about it. Don’t be afraid to say you were really hoping for the story to be accepted and you are hurt that it wasn’t. Continue to write until you feel that you have processed your feelings or thoughts on the story and the rejection.

Now, let me give you some new coping exercises. These will only work if you’re a feeling human being with real human feelings, and you were really hoping for an agent or a publication to accept your work.

  1. Get a bag of potatoes. Cry hot tears of broken expectations onto those potatoes. Why? Because you know what’s yummy? Cooked potatoes.
  2. Eat those potatoes.
  3. Do not shower. Go to the store. Pick out three bags of chips because today, you don’t have to decide between the kinds you want. Today, you get all three bags of your favorite chips. And those hot tear potatoes really got you hungry for some crunchy potato byproducts.
  4. Visit the candy aisle, then the frozen dessert section. Pick out at least two items.
  5. Carry the items to the check out. When the person scanning your items smiles at you, smile back at them, and relish that there is still some goodness, some kindness in the world.
  6. Go home and share the potato chips with your dog. Look deeply into the dog’s eyes and wonder why everything can’t be as simple as your wonderful, loving, perfect dog.
  7. Eat the ice cream or candy and stare blankly at the Netflix menu. Scroll through every menu. Wonder what the point of it all is.
  8. Turn off the TV and think about why you started writing in the first place. Question if what you’re writing now is important. Wonder if it is how you idealized it to be. You realize it’s not quite on the mark. Your younger self would wonder how you veered slightly to the left. You make resolutions to re-align your writing to your ideals.
  9. Go to bed at 6:00pm, or at the very earliest sign of light fading.
  10. Wake up at 2:00am because you went to bed at 6:00pm. Play Candy Crush on your phone until 4:00am, then fall back asleep.
  11. Wake up at 6:00am. Walk your wonderful, loving, perfect dog.
  12. Take a very long shower. Wash away yesterday, and the remnants of yesterday that are globs of mashed potato in your hair and crunchy pieces of potato chips between your toes (don’t be ashamed, you really went for it yesterday).
  13. Make yourself a cup of your favorite tea or coffee with creamer (the creamer you know you shouldn’t drink because it has so many extra calories but it’s just so good).
  14. Sit down at your desk. Open up your laptop.
  15. Take a deep breath.
  16. Go back to the old, yet very helpful, coping exercises.

Preemptive Guide to Avoid Evil-Doers

Every day, a batch of people decide to write a short story or a novel. For the vast majority, the realization that writing is a difficult task to accomplish will push them back to Netflix or trying to catch Squirtle on their “Pokemon Go!” game.

For those who do manage to finish a piece of work, they may look at it and realize they’re not quite ready for publication. The hours of work are shoved into a trunk and they begin their next project, understanding that every iteration they go through develops their skills. Soon enough, they finish a project that they feel is ready for submission.

It is at this point where they begin to look around for places to send in their work. Unfortunately, there are sharks in the uncharted waters, all looking for a quick feast. How does a newbie author avoid the hazards that almost every established author already knows?

Ask Questions.

Asking questions on Facebook, of friends, or even at convention panels is an excellent way to avoid some of the more common scams. Mention Author Solutions or Publish America and every knowledgeable author shudders. They’re familiar with some of the most famous scams and methods of fleecing newbie writers. Those of you who know should be helping the newbies by answering their questions. It’s a way to give back to the writing community that was there for you when you were just starting out.

When you see someone asking questions, take the time to be helpful. Even pointing them to articles or websites can prevent someone from becoming another empty wallet. If you look out for others, they will certainly remember your name. With any luck, they’ll buy your next book and perhaps even leave you a nice review. Whether they do or not, others will remember you as someone who was helpful, and that’s a good reputation to have.

Check Writer Beware.

Writer Beware is a website attached to SFWA and endorsed by the Mystery Writers of America and the Horror Writers Association. Started by A. C. Crispin and Victoria Strauss in 1998, the project lists many agents, editors, and publishers with questionable reputations. They include plenty of details, plus give a “recommended” or “not recommended” rating when appropriate.

The website has an extensive series of articles, reviews, recommendations, and red flags for both the newbie writer and the experienced author. It’s always a good idea to check the latest when sending in projects that took a lot of time to develop. Sometimes good publishers go bad, and sometimes others redeem themselves. The website is updated often by a dedicated team.

A good example of what they offer can be found in their Small Press section.

Check Preditors and Editors.

Hosted by the Critters Writing Workshop and Dr. Andrew Burt, this website may make your eyes water with its 1990’s-era design, but it is chock-full of excellent advice on publishers, editors, services, and agents. Each section lists hundreds of entries and if they are recommended or not.

A good example is their Agents section. Each known listing includes as much details as is known, plus some are shown to be members of the AAR or are recognized as professionals by groups such as the Romance Writers of America. If there are any issues, those are spelled out, sometimes with a red Not Recommended rating to warn users against submitting any work to them.

Check the Absolute Write forums.

The Absolute Write “water cooler” is a forum open to anyone who registers. Should anyone have an issue with a publisher, agent, or service, this is one of the first places they go to in order to lodge a public complaint. In fact, if you cannot get a reply back after repeated attempts over a long period of time, posting a query here asking if anyone else has had problems can suddenly wake up the sleeping editors and publishers. Nobody wants to get discussed in a negative way on this website. It is important to note that this should be more of a “last resort”, not a first to-do when they don’t answer your email as quick as you would like.

There are many different forum sections, but the most apropos one for our discussion is at the Bewares, Recommendations & Background Checks forum. You have to register to post, but you can read without doing so. This is a great place to do a cursory search for the name of the business you’re interested in. Remember, just because one person had an issue doesn’t mean that fifty others have nothing but praise. Read through the posts, especially the most recent ones, to get a feel for how they are operating currently.

Professional Organizations.

The pro organizations have some excellent benefits for members. Some, like the Horror Writers Association, have a lower-tier membership for folks who haven’t sold any professional-rate work yet but have been published in semi-pro or “exposure” markets. Others require at least one sale at a professional rate, which SFWA determined is six cents per word in an approved market. Others genres may vary.

Most of the pro organizations have a grievance committee. These assist writers when there is a problem, which can range from contract issues to non-payment for accepted stories. Getting listed as a banned market in a professional organization can be a death-knell for a publisher. Note that the grievance committee works as a go-between when there is a legitimate disagreement. Only if a publisher or agent is found to be dishonest with more than one author will they be considered for a public notification that works published there are not acceptable for professional organization membership.

For those writers who are considering joining a pro org, this is one of the best benefits. Another one is a contract committee, which SFWA does have. This committee has articles on contract ‘gotchas’ to avoid and they can also answer questions on your contract.


And with that, you are now at least starting out your Dungeons and Dragons adventure with leather armor and a sword instead of a raggedy old cloak and a stick. Enjoy your trek, and remember to make new friends along the way.

 


About the Author:DeMarco_Web-5963

Guy Anthony De Marco is a disabled US Navy veteran speculative fiction author; a Graphic Novel Bram Stoker AwardŽ nominee; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, third-party D&D modules); and a coffee addict. One of these is false.
A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, NCW, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at Wikipedia and GuyAnthonyDeMarco.com.