Category Archives: The Fictorians

The Travels of Leonard Arrington

A guest post by Joshua Bennett.

The travels of Leonard Arrington.

A pentalogy.

 

Invigorating baths!

1Fourteen hours to Addis. Another three to Tanzania with a squawking chicken in 2b. Leonard wanted a bath.

His company had arranged a swanky tourist hut, including a jacuzzi filled with steaming water.

He lowered himself in, sighing. Pressed the “jets” button. Porcelain nest disturbed, a thousand winged ants shot into the water. Leonard shrieked.

 

 

Lively conversation!

2“You can’t stay on a stranger’s couch in Norway,” mother had said. “What if they’re crazy? Axe-murderers?”

At least there won’t be ants, Leonard thought, knocking on their door.

A young couple answered. They smiled, took his bags. “Welcome! How was your trip? Did you know 9/11 was an inside job?”

Dammit, Mom!

 

Authentic accommodations!

3“And then, we will ride horseback to the Colombian coast and sleep beneath the stars.”

Leonard frowned. “I don’t like bugs.”

“Use mosquito spray,” Maria said helpfully.

Leonard used three cans of Deet to arrive in Tayrona unbitten. There was no Deet left for sleeping beneath the stars.

“You have Dengue Fever,” Maria said helpfully.

 

Friendly locals!

4The theater was packed with Londoners and foreigners alike. What luck, Leonard thought. Stageside at the Globe!

The costumes were wonderfully gaudy, the action hammed up, Romeo and Juliet convincingly in love.

Leonard swelled, overwhelmed by the richness, the goodness of humanity. He didn’t complain a bit when someone slipped his passport from his pocket.

 

An experience that will forever change you!

5It was a magical wedding. Leonard and Summer were enraptured. Next, a honeymoon in St. Lucia!

The red bumps mysteriously appeared after a day lying on the beach. Thin white lines squiggled underneath the skin between. Summer had two. Leonard had one hundred twenty seven across his back.

WebMD had a diagnosis:

Subcutaneous.

Parasitic.

Worms.

 

Guest Writer Bio:
Author Joshua David Bennett may have drawn all of these stories from his own painful and invasive experiences.  His first novel, Seacaster, is a Caribbean-Aztec fantasy that tells the story of a young man at war with the magic coursing through his veins. Joshua lives in Colorado with his subcutaneous worms, wife and son.

Double Nickels Month!

Tiny fiction!

Writing short fiction is nothing less than an art. Every word matters and every word counts. Anything superfluous gets deleted, and only the most important information stays.

This month, we’ll be investigating this art form with Double Nickels, which are 55-word short stories (the title isn’t included in the word count). While many Flash Fiction pieces are at minimum 100 words, Double Nickels are like the mini flash fictions, testing the limits of story even further. The haiku of the literary world, if you will. Some of us will also be writing about the art of writing short, giving tips and advice on how to do so. And at the end of the month, I’ll interview another Fictorian for your reading pleasure.

We hope you enjoy our short tales this month! Feel free to comment and play along if any of the stories inspire you!

Here’s some inspiration from Stephen King about writing short stories:

Meet the Fictorians: Colette Black

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a warm summer’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Colette Black

Author Pic

Kristin Luna (KL): Hi Colette! How are you doing and what are you drinking?

Colette Black (CB): Other than a sudden case of pink eye–how do we contract stuff like that?–I’m doing great. I’m not currently drinking anything, but my most recent drink was almond milk. I’m lactose sensitive, so…

KL: I love almond milk! I’m also lactose sensitive, as my husband would surely attest to. If you don’t mind me sharing, you live in Arizona. Does the landscape influence your writing at all?

CB: On occasion. I’ve set a couple of short stories in Arizona, such as Watchboy, using my knowledge of the geography and climate. I’ve also used that knowledge in other books, such as Mwalgi Justice, when writing about a dry, desert climate.  I wouldn’t say that the landscape encourages me to write any more or less in that direction, though. I also spent time in the Philippines, and set a short story there called “Eden’s Hell.” At the same time, there are places I’ve never been, like India, but I did a large amount of research and set the majority of my story, “Beneath the Skin” in that country. Of course, then I had someone who had lived there look over the story for me.

KL: When is your most ideal time of day to write? Do you have a schedule or routine that you like to follow?

CB: My best time to write is evenings, but that’s also usually the best time to spend with my teenagers. It’s a balancing act, and although mornings aren’t my best time to write, I’ve found that I can often make it work and so that’s usually when I get the most done.

KL: You have three books out right now in your Mankind’s Redemption Series: Noble Ark, Desolation, and Mwalgi Justice. Is it a trilogy or can we expect more books in the series?

CB: The Mankind’s Redemption Series will eventually have six books. No more and no less. The fourth book, Lenfay’s Hell, will release in 2017. It’s a wild ride trying to keep humans alive on an aggressive alien planet. That challenge only becomes more important when Lar and Aline discover secrets pertaining to both their races that nobody else knows about.

KL: I noticed that you also have a short story collection out called The Black Side. Which is more difficult: short fiction or long fiction?

CB: For me, short fiction. My brain thinks in over-arching plots and subplots. Skimming that down into an interesting, 3000-5000 word story, which is what most magazines prefer, is one of my greatest challenges. I still do it, because it’s good for honing a myriad of skills.

KL: What writing projects are you working on right now?

CB: I’m focused on Lenfay’s Hell, but I’m also spending time on the second book in The Number Prophecy, Thirteen. I think I’m even more excited about that than Lenfay’s Hell, which is saying something. I also have a couple of short stories that I hope to have published soon.

KL: Have you been doing any interesting research lately for any of your writing projects? Care to give us a little taste?

CB: I found a fascinating story from the 1500’s about a knight that supposedly killed a dragon in the Slavic region of Europe. Using the backstory from one of my other projects that hasn’t released yet, called Moon Shadows, I created a courtship between a half-Mongol peasant and a Ukrainian princess. It’s a 16th century urban fantasy with local shapeshifters, wind dragons from Asia, and the creation of a new power. I can’t wait for this short to be picked up because it’s one of my favorites. Keep your eyes out for “Swan’s Petition”

KL: That sounds great! When did you join the Fictorians?

CB: I actually helped organize the Fictorians. After the first Superstars Writing Seminar, I suggested to the goal-keeping group we’d formed that we put together a group blog. Evan Braun and some others took the reins and started putting the plan in motion; people like Matthew Jones understood and incorporated the technical side, and we started with only 2-3 posts per week, each of us posting about twice per month. It fills me with joy and wonder to see what it has become. We’re more professional, we fill every month with unique and fascinating posts, and we incorporate a multitude of guest posts from talented authors on a regular basis. It’s amazing.

KL: And here we are today! What writing advice have you received that you would pass on to other writers?

CB: BICFOK. No, it’s not a swear word, though sometimes it feels like one. It means Butt In Chair, Fingers On Keyboard. We have to write, keep writing, and write when we may not feel like it. Also, remember to read…A LOT. We can’t improve our writing if we’re not reading.

KL: And finally, what has been your favorite Fictorians post that you’ve written so far?

CB: That’s tough. I’ve written a LOT of posts. In the end, though it’s short, I’d have to say my Gratitude Post is my favorite. If it wasn’t for my family, their encouragement, and their patience, I could have never written the stories that I did. My family is everything to me.

***

If you have any questions for Colette, please leave a comment below. Thank you for reading!

Hybrid Genres

A guest post by Anthony Dobranski.

What’s a hybrid genre? You won’t often find hybrid works marketed as such, since there are only so many aisles in the bookstore. Look in — and across — the larger genres’ shelves, however, and they appear more and more. Diana Gabaldon’s Outlander novels rank as Amazon best sellers in historical fiction and time travel romance. Charlene Harris fused mystery and horror fantasy in the Sookie Sackhouse series, and won top mystery awards for it. Tor.com now has a column for hybrids.

A hybrid genre story uses essential elements of two or more genres, in a single story that honors the audience’s expectations for its parent genres, but also questions them — or at least plays rough with them.

My forthcoming novel The Demon in Business Class is a hybrid fantasy, a modern-day story of magic and the supernatural, in the international setting of a corporate thriller, with a romance that changes the story but also completes it.

I wanted to write a fantasy about my own place and time, the way Wilde set The Picture of Dorian Gray in Victorian England. I live in an amazing era, the dawn of the networked age, a far happier adult world than the Cold War nuclear winter feared in my childhood, and a world more open to many kinds of people. It is also a time of cultures clashing violently, of heartlands that feel abandoned by elites, on all sides. Lately we’re hearing from globalization’s discontents, and I don’t discount their grievances or suspicions. I worked in international business, however. I saw its good side, its optimism, the way it helped humanity shift from Cold War us-vs-them absolutism to complex morally-unsatisfying alliances that feed and clothe more than war did.

I had the sudden bold idea for a novel, a difficult romance between supernatural corporate rivals representing moral opposites, a fantasy for a time of change and ferment, both chaotic and intoxicating.

The problem is, that’s a mess of a story, a weird assemblage that invites yet leaves unsatisfied the expectations of three different genre audiences. Here are just a few:

  • Magic — the directed use of supernatural power to achieve a goal — changes any society where it is public.
  • In fantasy, a heroic and vigorous culture overcomes a decadent if powerful one.
  • What would a business with magical powers advocating a moral polar attitude… sell?
  • Corporate thrillers require a big corporate conspiracy, whose goal is either money or power.
  • Romance is about individuals.
  • Romance disallows villains. Anti-heroes, yes, but even they must be morally improved by love.
  • If the opposition is truly polarized, each has to find something repugnant in the other — which makes romance hard.
  • Romance ends a romance; exposure ends a corporate thriller; in a clash of good vs. evil, evil has to lose.

You’ll have to wait until this fall to see how I got all those narrative questions and more all resolved, but it took witches, playboys, gangsters, cultists, a prophet, two angry angels, and a very modern Tarot deck – along with several rewrites and the help of committed beta-readers!

Along the way, though, I discovered some principles that can help you develop your hybrid genre story:

Know what you want. A story speaks to humanity through genre norms, but if you’re so flagrantly violating the norms of a genre, you’re doing it for a reason. If you don’t know what that is, it’s hard to work it into your story. It doesn’t have to be an easy reason to explain. Mine was so hard to explain that I had to write a novel to do it. It’s what binds all your other ideas together, however, so be clear about it.

All plates keep spinning. A hybrid tale gives your characters multiple arcs, and none stop, though some can slow. Think through where the character needs to go on each arc to see how to weave them together.

Genres themselves are as diverse as insects. Even a seemingly niche category like “sci-fi with aliens” encompasses 2001, Pacific Rim, and Aliens — each of which also belongs to a wholly separate sub-genre (hard-SF, kaiju, and bug hunt) with different ways to show heroism. Even if you want to apply a genre “norm,” there’s more than one way to go about it.

Don’t forget the writing. You are writing one book, but as your genre elements shift, your writing can shift with them. This is a chance to play, to satisfy yourself and your audience with the style to go with your story. Be terser in the thriller elements, festive in the social moments, vulnerable in romance, quick and cutting in anger.

Don’t fight a genre — use it. Genre demands and tropes can enliven your story, if you use them creatively. To have a romance that worked out, I couldn’t make my fated opponents the primary actors for or against a worldwide conspiracy, its James Bonds or its Blofelds — but I could make them a small part of such plans, maybe even a bigger part than they knew, while still giving them believable loyalties and higher stakes.

Consider the genre’s own influences. Noir and cozy mystery differ in setting and tone, but also in the social class and status from which their stories view their societies. Looking past the symbols to their hidden meanings gives you new perspective on how to refit elements to your story. Because —

It’s still all your story. We’ve been talking about genre norms and conventions as if you’ll get issued a citation from the genre department. You won’t. You have incredible creative freedom – if you stick your landings.

Are you writing a hybrid genre story? Talk about it in the comments below!

Anthony DobranskiAnthony Dobranski is an author from Washington DC. His first novel, The Demon in Business Class, comes out this fall from WordFire Press.