Category Archives: Author’s Perspective

The Dark Side of my Brain

Back in college I took a creative writing class. I expected it to be a novel writing class that would allow me to really start to hone my craft. I found out on the first day class that the course catalogue was a bit misleading. Yes, it was a creative writing class but we would be writing poetry. All freaking term.

I hate writing poetry.

I really do. Not because I’m bad at it. I’m actually pretty good — and no, I’m not exaggerating my skills. I won a poetry contest in 2013 with a haiku. I simply hate writing poetry. I also hate being forced to listen to poetry that a Vogon would be proud of. One of my classmates, a 40-year-old woman with no grasp for prose, only wrote about one thing the entire term:

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It was like being imprisoned in a Lisa Frank Trapper Keeper.

Now what does this have to do with the dark side of my brain? Well, other than the murderous rage that rose every time this woman read her work aloud in class, if I didn’t I want to inflict the same torture on my readers I needed to make sure that everything wasn’t rainbows and kittens.

 

There’s nothing wrong with rainbows, or kittens, or unicorns, or even Trapper Keepers, and by themselves none of them are torturous. But when a tale is nothing but fluffy Trapper Keeper unicorns frolicking in a rainbow then there’s a problem. Once the LSD wears off it’s easy to see that this is why the “torture your characters” rule exists. Not only is a story more believable when there’s a major conflict, it’s more palatable too.

However, becoming comfortable doing all sorts of horrible nasty things to your characters can make you feel like a sociopath. That’s normal. And for heaven’s sake don’t shy away from it. Embrace your dark side, your inner Emperor Palpatine. Not only will it help you take your stories to the next level (by amping up the danger in new and interesting ways) but you can also get a better understanding of yourself. It can be a therapy of sorts. And after unicorn poetry we could all use some therapy.

 

 

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The Origins of Smooth: A Guest Post by Joy Johnson

A guest post from Joy Dawn Johnson.

 

When I was approached to write a guest post about how my life experiences have shaped my writing, I almost said no. Not because I’ve never written a post before (I write fiction, not blog about real stuff—especially not about myself), nor because I don’t have a life…or experiences. It’s because some things are too painful and raw to think about, let alone display for the world. But if I’m going to move people with my writing, I have to be willing to go there.

My current work in progress is about a genetically engineered, genderless sixteen-year-old known only as 31 who struggles to choose a gender and find love. But when 31 breaks the selection process, 31 is forced to decide which of them will be recycled into genetic waste and which will live to become the future leaders of society.

I’ve heard dozens of times that it’s best to write what you know. I’ve never been genderless, but some of my most painful memories relate to my own gender identity struggles. I’ve learned to use those memories and experiences to fuel my writing.

Looking back, I still cannot pinpoint the exact reason I decided to play football–the most male dominated sport there is. It wasn’t because I had a passion for football exactly (though I’ve always had a soft spot for contact sports) or wanted to make a point. Looking back, I think I was trying to understand myself. Understand a side of me I had never explored, something inside me that playing football opened up.

In the late 90s, girls playing football were unheard of—especially in high school, on the varsity team, in a southern town like Norman, OK where football is sacred. My team hated me. Even those that I hung out with and were my “friends” harassed me on the field. In fact, sometimes they were the most verbally abusive. I was even dating one of my teammates for nearly a year before he would outwardly admit it to anyone (months after the season had ended). He was too embarrassed to even hold my hand. Looking back, he was a straight up idiot. They all were.

I wish it stopped there. The team was also physically abusive and NOT ONCE did any of them stand up for me, and tell the others to back off. They had such a problem with a female doing something that in their minds was purely for males that not one of them stood up to be a man. Any chance they had, they would take cheap shots. I don’t mean a punch to the arm. They would get in my blind spot and full out tackle me while I was standing in line or walking to the next station. Slamming me onto the concrete or against the fence must have scored them double points. Recently in the news, there has been a lot of discussion regarding helmet collisions. For me, that was a daily thing. The guys would go out of their way to hit my head. And it’s not like they would do this behind the coaches’ backs. The coaches encouraged it.

It started as headaches. Sometimes the pain was so intense that I thought my head would explode. My neck and back were messed up, too. One time, when one of the guys was going for what I can only guess was a curb stomp, I tried to get out of the way and his cleat scraped everything off my shin down to the bone. Instead of helping, the coaches yelled at me, the trainers refused to help. I couldn’t even stand. Finally, my body recovered from the shock and I wrapped it up myself and finished practice. Not long after, one of the guys cheap-tackled me, aiming his helmet at my face. He caught my chin and split it open. The coaches and trainers wouldn’t help but couldn’t ignore the fact that my white uniform was now a sheet of red. I went to the emergency room. The doctor pressed and I finally divulged my symptoms. After some scans, he told me that I’d had multiple concussions and if I continued playing, I could get paralyzed. I’m not a quitter and getting run off was the last thing I ever wanted. It felt like they won. It still feels that way, sometimes.

It wasn’t like I was a total butch or anything. The same year I played football, I won Miss Teenage Oklahoma, was a national finalist and won Miss National Congeniality—very accepted by the girls. You’d think that having Miss Oklahoma in the school would turn some heads but I’d already been labeled as an outcast. I won national dance and cheer titles and went on to be a cheerleader in college. Nothing mattered. To them, I was forever the freak who played football.

In college, I was still drawn to understand myself. I took honor’s gender studies and discovered that while I was female on the outside, I was more like a male on the inside. It made sense and I was relieved, but I didn’t know what to do with the information, didn’t know there was anything I could do. Gender fluidity wasn’t openly discussed back then.

Today, going against the norm is more acceptable. Being “different” can sometimes be “in.” Though being different for different sake is about as bad as people who conform to match everyone else’s desires until they’re unrecognizable even to themselves. With empathy comes truth that isn’t always what we want or like and it may not be what’s accepted. It’s about you being true to you.

If I help even one person to not be afraid, to be stronger, to see who they truly are, to not have to go through even a fraction of what I did, everything I’ve been through would be worth it. I’m not telling my personal story in my young adult Sci-fi novel, Smooth. Smooth is about it being okay to be different. It’s about acceptance and being open, even when you don’t understand, because you never know when you might need someone to be there for you. But most of all, it’s about being true to yourself.

It’s hard digging down to the very core of who we are, to get close enough to painful memories to use them in our writing. Find the courage to connect with the emotion of those experiences and tell your story, in your own way. I hold onto knowing that the more I can tap into that scared, determined girl and let her tell her tale, the more it makes everything worth it.

 

Joy Johnson bio:

Shortly after receiving her BFA and MBA, Joy Dawn Johnson worked as a project manager for more than ten years, including a stint in Baghdad, Iraq, as a government contractor. She is a member if the Society of Children’s Book Writers and Illustrators and was the 2015 recipient of the Superstars Writing scholarship. Joy typically writes middle grade and young adult Sci-fi and fantasy. She will begin to query agents later this year with her current work in progress, Smooth.

Read the first chapters of Smooth: JoyDawnJohnson
Website: joydawnjohnson.com
Twitter: JoyDawnJohnson
Follow and chat with Joy live on Twitch: Joylovin

Be Your Own Biggest Fan

Be Your Own Biggest FanWrite what you love.

Love what you write.

These just aren’t fun platitudes.  This is the heart and soul of our writing.  What we feel for our stories bleeds out onto the page, and we can’t fake it.

Who would want to invest the time and effort writing something that didn’t move them?  Even stories we love can test the limits of our endurance before they’re finished.  Writing one we can’t feel passionate about is doomed.  Even if we somehow managed to complete such a work, the quality will suffer and readers will sense it.

If we don’t love what we write, how will they?

On the other hand, don’t be afraid to tell people how much you love your work, and what makes it awesome.  Many of us are naturally a bit introverted, and we’ve been trained not to blow our own horn.

To be successful, you have to.

Part of being a writer is putting on the marketing and salesman hat and learning to sell your books and to sell yourself.  Don’t become obnoxious, but yes be enthusiastic and willing to step into the light with a smile.

If you won’t do it, who will?

We need to be our own biggest fans.

One of my tests of quality of each of my novels is to pick up a finished one and start reading.  Despite the fact that I wrote it, and rewrote it, and edited it, and proofed it more times than I care to count,  I will invariably get sucked in.  I’ll catch myself laughing at my characters’ jokes or getting emotional at important scenes, or gripped with fear about what’s happening next.

I wrote it, but it still gets me every time.

My wife will often laugh at me and tease me that I can get sucked in by my own novels.

All I can do is smile and say, “I’m my own biggest fan.”

I have to be.

Even if no one else loves my books, I do.  And that enthusiasm radiates off of me when I talk about them, when I hold launch parties, etc.  People pick up on it, they feel it, and they’re drawn to those stories to share in it.  Even if they think I’m a little nuts for being so passionate about a story, they can’t deny that enthusiasm, and they usually respond positively, even if it’s only to get me to stop talking so they can escape.

If I don’t love my work, how can I expect anyone else to love it?

So create stories you love, stories you’re passionate about.  You’re going to invest months or years of your life into them, so make sure they’re worth that investment of time.

Get inspired.  Get excited.  Get motivated.

That’s what readers want, so make it happen.

About the Author: Frank Morin

Author Frank MorinA Stone's Throw coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers urban fantasy thriller series, check his website:  www.frankmorin.org

Write What You Know or No?

All right, Mark Twain, sounds simple enough.

If you’re a writer, you’ve probably heard this sage advice: write what you know.

Our experiences help shape who we are and what we believe about the world, so they can be valuable veins to mine when it comes to writing. No one person in the world has had the same combinations of experiences as you. However, many have had similar combinations of experiences and have lived in the same time as you. That connection of shared, similar experiences can help engage readers and draw them in to your book. This is why the saying, “Write what you know, ” is so popular in writing circles.

But this advice isn’t the end-all be-all. Plenty of arguments can be made against it.

Oh, I see what you did there.

What if a physical handicap has limited the writer in combat experience, but the writer wants to write a medieval sword fight?

What if you’re a boring person? Do you just write about owning seven cats at one time because that’s what you’re familiar with? What not showering for three days does to the human body? Not clipping your toenails for three months?

While those topics can be very interesting and you should totally write about those, perhaps there is room for adding more information to your story even if you haven’t yourself experienced it.

This month, the Fictorians will discuss personal experience verses imagination: which

Okay, I don't even know anymore.
Okay, I don’t even know anymore.

is more important and where the two intersect. We’ll also consider how far you can/should/maybe shouldn’t go to experience what your characters experience. We’ll include some interesting experiences we’ve had, which may or may not include learning how to deal with post-combat stress, retracing Nikola Tesla’s footsteps, butchering our own meat, and breaking bones.

Later this month, we’ll get an exclusive interview with Fictorian Frank Morin, author of the series The Petralist.

Now we’re curious. In the comments below, please tell us how far you’ve gone to gain experience for writing!