Category Archives: Author’s Perspective

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a cold winter’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Evan Braun

Kristin Luna (KL): Hi Evan! What are you drinking right now at this moment?

Evan Braun (EB): I am enjoying a cool, refreshing glass of Fresca, which is probably my favourite beverage of all-time. (I say “probably” because I go through phases; next week I might answer Diet Dr. Pepper, but I’ll be wrong. The real answer is Fresca.) While I’m on the subject of Fresca, one of my greatest frustrations in life is that in Canada we only have the original citrus-flavoured variety, whereas in the States you have access to the sweet ambrosia that is Peach Fresca and Black Cherry Fresca. Unfortunately, the folks at Coca-Cola, likely in conjunction with the Government of Canada, have decided we don’t deserve good things.

KL: Maybe Canada and the U.S. should come together and have the Fresca Peace Talks? I think you guys deserve some Peach and Black Cherry Fresca!

So, few people other than the Fictorians know this, but you were our intrepid leader since nearly the beginning. How many years exactly?

EB: The Fictorians started in March 2011 as a loose collective of bloggers. Though I was involved from the start, there was no leader per se. I gradually stepped into a leadership capacity about a year and a half later.

KL: What was it like in the beginning? How was the group The Fictorians formed?

EB: The original group of bloggers met in 2010 at the first annual Superstars Writing Seminar in Pasadena. The idea of forming a writing blog came about while we were nursing drinks at the hotel bar, which I think is how all convention-goers come up with their great ideas. We spent the next year in close communication, forming an accountability email list where we’d make weekly goals and report on our progress to each other. And then, almost exactly one year later, the Fictorians made its debut.

Like I said, there was no leader, and in fact we barely had any organization at all. We had a loose commitment to blog once a month, and to schedule our posts for certain days, but there was nobody to make sure any of this got done. We strived to post three days a week, which I think is a good goal at the start of an endeavour like this.

From there, our numbers grew, people came and went, and now we have a bona fide organizational structure undergirding the whole enterprise.

KL: You already let the cat out of the bag, so I don’t mind reminding everyone that you live in Canada. Do you draw inspiration for your writing from your surroundings?

EB: At this moment I’m looking out my window at a seemingly endless field, flat as three dimensions can produce, covered with at least a foot of snow—three or four feet where the snow has drifted—and the overcast and foreboding skies presage an imminent winter storm poised to dump another foot and a half. Once the snow starts to fall, everything will be white and I won’t be able to distinguish the horizon between ground and sky. Beautiful. And horrible. Definitely a mix of those two.

But do my surroundings inspire me? In a way, yes, I think they do. I’m currently working on a novel about a small colony on Mars, and its population and social structure is quite similar to the small town I actually live in. And of course, on Mars the colonies are isolated and the weather bitterly cold (albeit a lot drier than my prairie reality).

KL: If you couldn’t live in Canada, where would you live?

EB: I guess the easy answer might be… Hawaii?

The only other place I have lived is Huntsville, Alabama, for two and a half years, so I’ve had a good taste of the American south. As much as I enjoyed my time there, and made some of my very best friends, the experience only sweetened my appreciation of home. I guess the point I’m trying to make is that there was a time, when I was younger, when I wished I lived somewhere bigger, better, and busier than the quiet little place I’m from. I don’t feel that way anymore. And it turns out I really like quiet.

Not to make a joke or take this in a cosmic direction, but honestly, how strange and scary and life-changing and inspiring would it be to leave Earth and live on another planet, like Mars? Our generation is almost certainly going to see people do this in our lifetimes, which I think is just mind-boggling. So there you have it. It’s Canada or Mars for me!

KL: I hear you about someplace quiet. And Mars should be reeeeeeally quiet.

You have been busy with your series The Watchers Chronicle. Is the series complete?

EB: Yes, I’m finished that series now. It’s three volumes—The Book of Creation, The City of Darkness, and The Law of Radiance. The third book came out this past spring, and it’s done now. Of course, I reserve the right to go back to it at some point in the future. There are a number of nooks and crannies in that story which haven’t been told yet.

KL: What’s something important you learned about writing and/or about yourself while writing The Watchers Chronicle?

EB: My biggest lesson in writing was that it’s so much harder to finish something than it is to start it and keep it going. While I was writing the third book, I was flooded by one amazing cliffhanger idea after another. It would have been so easy to ramp up the story to an irresistible climax and then defer the endgame for another book—and I imagine I could have kept doing that for quite a number of volumes. Writing a satisfying and definitive ending is hugely difficult.

As for my biggest lesson about being a human being? Well, that would be related to the pains and joys of collaboration (I had a co-author), busting through creative logjams, and working through the difficult and painful process of making compromises.

KL: Speaking of pains and joys, what’s your ideal writing time look like?

EB: In the middle of the night. Being self-employed, I have the freedom to work any hours I choose—and by extension, write for whatever hours I choose. This means I usually get up around noon and go to bed around 4:00 a.m., with my prime writing time happening right at the tail end of that “day.” For me, nothing can beat those quiet, distraction-free hours.

KL: Any words of wisdom you’d like to impart on our readers?

EB: It’s nothing profound. I hear all the time that the one quality that sets really successful people apart from the rest of humanity is dogged determination. You just have to keep going, no matter what. Yes, make changes and adjustments when you hit a roadblock, but never stop. Because getting back up to speed and rebuilding lost momentum is a crushing weight.

KL: Second to last question, I swear, what is your favorite snack? (Crossing my fingers you’ll say Boy Bawang.)

EB: Kristin and I are both partnered to Filipino men, and as such have recently been introduced to the joys of Filipino cuisine. (Except balut, no thank you!) Now, I’m not sure “cuisine” is the appropriate term for a heavily salted deep-fried corn kernel, but anyway, that’s Boy Bawang for you. The best flavours are classic garlic, adobo, and butter.

KL: [Audible stomach growling]

EB: Well, to be honest, while that is the most recent snack to be added to my repertoire, I’m not 100% certain it’s my true favourite. I’ll probably never get over the simple, high-caloric pleasure of eating a bag of Doritos one chip at a time, sucking the last morsel of radioactive-orange nacho cheese into my gaping maw. Sorry, that got a bit gross.

KL: Not gross at all to this Doritos fan! I hope one day I get rich enough or get a really fancy grant or something to sleep on a bed of nacho cheese Doritos. I can just eat my way out of bed every morning, and fall into a crunchy bed every night.

ANYWAY. Final question: what is your favorite Fictorians post that you’ve written so far?

EB: This is an insidious question. Because I don’t recall, at this moment, any one post that I’m especially proud of, I had to go through each of them to refresh my memory. And it turns out I’ve written 67 Fictorian posts to date. So thanks, Kristin.

Well, because I took the time to peruse my entire Fictorians past (it turns out 2013 was a good blogging year for me), I’m going to provide my three favourite posts. Here goes.

3. “It Doesn’t Happen in a Straight Line”, September 2013. Here, I break down the many plateaus of my burgeoning writing career, and what I’ve learned from them.

2. “Making the Science Work: Freedom through Limitation”, March 2013. In this post, I examine the relationship between science reality and storytelling convenience.

1. “Platonic Relationships in Fiction (a.k.a. ‘The Glue’)”, February 2013. I remember struggling mightily to come up with a good blog idea for Romance Month, so I waited until the last minute. And then this came out, and it’s my clear favourite.

If you have any questions for Evan, please leave a comment below. Thank you for reading!

Pages of Inspiration: Books for Writers

January 13, 2016

Travis Heermann

The creative well runs dry. The heart is as desiccated and desolate as a dusty Old West street, because you’re certain your Work in Progress is utter cowflop. You shout into the endless black void, listening mournfully for a few spurious, uncertain echoes. Where can writers go when they need to pour some fire back into their souls? The same place that got us into writing in the first place: Books.

At various points in your life, you’ll encounter books that are like a blessed bowl of warm chicken soup on a wintry day when your nose is crammed with snot and you ache in every bone. You’ll encounter books like the smooth, sweet burn of good whiskey that warms you from the inside. You’ll encounter books like a smart kick in the buttocks from that hot personal trainer.

Allow me to be so bold as to suggest some books for writers that have made an impact on me.

Zen in the Art of Writing by Ray Bradbury is a short, sweet blast of poetic inspiration. Bradbury was a consummate master storyteller, and being able play with techniques he’s used to cultivate the creative soul is incredibly valuable. This book is less a nuts-and-bolts how-to than techniques for cultivating the creative soul.

The War of Art by Steven Pressfield is a swift little kick in the pants. Each short chapter puts a finger directly onto the throbbing wounds of all the reasons we do not write, all the reasons we hold ourselves back from achieving our potential. The book provides a useful psychological framework for overcoming all of those excuses.

On Writing Horror by the Horror Writers Association is collection of essays from the luminaries of horror fiction. Stephen King, Jack Ketchum, Ramsey Campbell and many others tackle aspects of effective storytelling that go beyond writing horror. Much of this book is simply about writing good fiction, and I still reference various chapters.

Bird by Bird by Anne Lamott is a great companion to Stephen King’s book below. Part how-to manual and part memoir, sometimes funny, sometimes poignant, every chapter is spot-on. The chapter on first drafts is worth the cover price alone. In fact, I give that chapter to my English composition students as a lesson in how to get past the psychological blocks common to beginning writers.

Few writers can boast the impact that Stephen King has made on American fiction. On Writing is part memoir, part how-to. There are chapters on specific writing and revision techniques, but it’s also a memoir of his writing life. I found great inspiration in his writing life because he talks about the course of his career. Much of it is incredibly familiar, forming parts of every writer’s path. He had the skill, the drive, the support of a partner, caught a couple of lucky breaks, and his career exploded. And if he could do it, so can I. So can you.

The Artist’s Way by Julia Cameron was a life-changing experience for me. This book is a twelve-week program designed to reignite the sparks of a creative person’s soul, whether the person is a writer, graphic artist, musician, etc. It helps examine and reprogram all the ways our creative impulse is squelched–by our own fears, by our families, by the outside pressure of society. If you work through all twelve weeks of this program faithfully, you will experience a sea change in the way you approach writing, the way you approach life. I had already been writing for two decades when this book was given to me by a friend, and I found it so transformative that a few years later I went through all twelve weeks again. It was fascinating to see how much of it I had internalized. And also how far I still had to go. The Artist’s Way treats a creative life as a spiritual journey, making writing into your art, into a way of life, not something you try to do in between your day job, kids and soccer games, and your next session of World of Warcraft.

I hope someday to discover another gem and be as enlightened, invigorated, and inspired as I was when I discovered these books. Everybody needs a shot in the arm sometimes.

About the Author: Travis Heermann

Travis Heermann’s latest novel Spirit of the Ronin, was published in June, 2015.

Freelance writer, novelist, award-winning screenwriter, editor, poker player, poet, biker, roustabout, he is a graduate of the Odyssey Writing Workshop and the author of Death Wind, The Ronin Trilogy, The Wild Boys, and Rogues of the Black Fury, plus short fiction pieces in anthologies and magazines such as Perihelion SF, Fiction River, Historical Lovecraft, and Cemetery Dance’s Shivers VII. As a freelance writer, he has produced a metric ton of role-playing game work both in print and online, including content for the Firefly Roleplaying Game, Legend of Five Rings, d20 System, and EVE Online.

He lives in New Zealand with a couple of lovely ladies and a burning desire to claim Hobbiton as his own.

You can find him on…

Twitter
Facebook
Wattpad
Goodreads
Blog
Website

Dueling Parasols and Creating a Steampunk World, Jayne Barnard Tells All

December 16, 2015

Ace Jordyn

Ace Jordyn Interview Steampunk 1 Comment

Welcome to my second interview with author Jayne Barnard and her steampunk novel MADDIE HATTER AND THE DEADLY DIAMOND.

In my previous interview with Jayne, Jayne Barnard on Maddie Hatter’s Steampunk Society, we spoke about Maddie’s life as a Steamlord’s daughter, the constraints and attitudes of the Victorian era and how it affected Maddie’s quest for independence. Jayne’s historical accuracy made this steampunk novel very believable. Even the mechanical gadgets, like Tweedle Dee the mechanical bird who is Maddie’s companion, seem commonplace.

Today, we’ll learn more about how Jayne chose to create Maddie’s steampunk world, and about Steampunk’s fine sport of dueling with parasols.

Dueling parasols? It’s not in Maddie’s book, but I know you’re personally involved in this sport.
Victorian women’s lives were very much constrained by the clothing they wore and social rules of their class. Even more than in this age of internet slut-shaming, their behavior could be judged without mercy by their peers and, if their families were important, by the tabloid press. Their chances of marriage, the only career open to most of them, were dependent in large part on not attracting public notice. Thus they had to swallow a lot of subtly and overtly insulting behavior from other women who, because of their relative money and social power, did not need to be as well-behaved.

Men could settle combat by dueling with swords or pistols, by fisticuffs (aka boxing), by racing, or any other means they chose. They considered those means honourable, and a man who shirked, or who did not abide by the result, lost his honour. It was an outgrowth of the old trial by combat system. Parasol Dueling, a non-contact combat sport based on ranking parasol moves or ‘figures’, gave Steampunk women a means to settle insults rather than allow them to fester until the women broke out in mean-spirited or socially unacceptable behavior. Parasols allow for non-contact dueling that any two ladies may engage in at any place where a parasol might be carried.

Where can we learn more about dueling parasols?
Steampunks around the world now learn, practice, and occasionally duel with intent, but the World Championships are held annually in Calgary, where the sport originated. We’ve aligned with Beakerhead, that five-day festival where Arts & Sciences meet. Planning has just begun for next September’s Beakerhead, so I can’t give you details on that yet, but the Regional Championships are held during Calgary Comic and Entertainment Expo. Meanwhile, you can learn much more about the fictional and very real histories of Parasol Dueling at the Steampunk blog Gears, Goggles & Steam and on Facebook at Madame Saffron Hemlock’s Parasol Dueling League for Steampunk Ladies (hey, I didn’t give it that very long name!)

Fashion – that’s what I love about steampunk. You must have spent hours dreaming about the wardrobes, drawing them out and then finding just the right words to describe them so succinctly yet vividly. Can you tell us a bit about the process of creating your world of fashion?
Pictures. Lots and lots of pictures. That’s the short answer.

Steampunk fashion draws primarily from late Victorian style but interprets freely and is not as class-bound as it was in our history. Thanks be to Google for directing me to page after page of photos and discussions of original, preserved costumes as well as modern reproductions that are accurate in cut and – as much as possible – fabric down to the thread in the hand-stitched knickers. Before photography there were portraits, admittedly mostly of rich people, in which garments were thoroughly depicted. In Steampunk, I get to make my own fashion rules, and the rules governing Maddie Hatter’s fictional world are grounded in but not tightly bound by historical fashion.

But Maddie is a young woman skirting (pun not intended!) the precipice of the upper class and the middle class. How do her fashion choices reflect her chosen status?
Maddie’s clothing, as befits her modest lower-middle-class job, is fairly conservative in cut and colour. Browns and grays and blues instead of crimson, purple, and metallics. She sometimes yearns for the vivid and beautiful – and very well-tailored – gowns she used to wear when her father was footing the wardrobe bill. She retained a few good dresses from her Society life, but only those that could pass for a well-dressed journalist’s. They are now a few years out of date, which is good. Their age (in a fashion sense) demonstrates to the upper classes, on whom she reports, that she both understands good clothing and is not in competition with her supposed betters.

The upper classes assume Maddie bought her best dresses second- (or third-) hand, and don’t think less of her for that. Historically, lower classes wore clothing that was at least one full style-generation behind the upper classes; this was partly because employers often gave their out-of-style cast-offs to their servants as part of their wages and benefits (along with food and shelter), and partly due to a thriving trade in strongly-made second-hand clothing, which was often all the working classes could afford before widespread mass-production of clothing (imagine finding one of Jackie Kennedy’s or Princess Diana’s gowns in a consignment store).

Much of my research, and my fascination to date, has been in English fashion; however I will be exploring some other countries’ and other cultures’ fashions in future Maddie adventures.

The world you created includes homage to only one historical personage, Mr. Flinders Petrie. Why him?
I have great respect for history, and for humans whose deeds were sufficiently great to be recorded for posterity. The only truly historical personage mentioned in the Deadly Diamond is Mr. Flinders Petrie, one of the most respected of European Egyptologists, who was working in Egypt during the real-life period covered by our alternate-history. Mr. Petrie is generally credited with curtailing the wholesale upheaval of archaeological sites in search of treasures, and with ushering in a new standard for the recording and preservation of Egyptian antiquities. Without him, the history of Egypt would be far less complete. But, in a novella, there’s not a lot of room to be true to the known facts and foibles of historical individuals – or not as true as I would prefer to be – and thus Mr. Petrie alone gets his name on the page, as a mark of my respect for a man who changed history.

To the best of my ability, though, I accurately recreated the ranks of the various military personnel, the colonial structure of the British Protectorate in Egypt, even the dining room of Shepheard’s Hotel Anglaise in Cairo as it looked in 1898. It’s a world one technological tweak separated from our own.

So then your decision not to write an alternate history by including real people was deliberate. What aspects of the society did you focus on?
Because English-language Steampunk is almost entirely based in the manners and social structures of the late Victorian era, Queen Victoria is there by implication. Like monarchs before and after her, she gave peerages to industrialists who revolutionized the country’s economy. The Steamlords, my fictional class of peers, were first granted peerages around the time of the Napoleonic Wars, when steam power was just beginning to be harnessed for industrial and military purposes. These technological trail-blazers naturally made fortunes licensing and exporting their steam technologies, and gained power and prominence quickly as the 19th century Industrial Revolution unfolded….much to the dismay of those families traditionally close to the reins of power in England.

That concludes our interview, but if you’d like to read MADDIE HATTER AND THE DEADLY DIAMOND and see what other people have said about it, you can find it at Amazon and Tyche Books, and there are reviews on Goodreads.

Jayne Barnard is a founding member of Madame Saffron’s Parasol Dueling League for Steampunk Ladies and a longtime crime writer. Her fiction and non-fiction has appeared in numerous anthologies and magazines. Awards for short fiction range from the 1990 Saskatchewan Writers Guild Award for PRINCESS ALEX AND THE DRAGON DEAL to the 2011 Bony Pete for EACH CANADIAN SON. She’s been shortlisted for both the Unhanged Arthur in Canada and the Debut Dagger in the UK. You can visit her at her blog or on Facebook.

Jayne Barnard on Maddie Hatter’s Steampunk Society

December 15, 2015

Ace Jordyn

Ace Jordyn Interview Steampunk 1 Comment

An interview with author Jayne Barnard.

Mystery writer and steampunk aficionado Jayne Barnard has written a smashing novella, MADDIE HATTER AND THE DEADLY DIAMOND. The novella is fun and the world Jayne created is fascinating. Steampunk, if done right, feels like a period in history that we should have studied in school and where Jayne’s book is compulsory reading. For all these reasons, I had to interview Jayne.

We had so much to talk about however, that you’ll have to read the second part of the interview Dueling Parasols and Creating a Steampunk World, Jayne Barnard Tells All to learn why Jayne chose to pay homage to certain personalities, her steampunk fashion choices and about the sport of dueling parasols!

Being a Steamlord’s daughter must be oppressive because Maddie vies to stay out from under her father’s thumb. Her class status, though, gives her insights (and privileges) into the upper echelons of society which are delightful for the reader to see. What is it like to be a Steamlord’s daughter and why does Maddie wish herself to be so independent from it?
Maddie Hatter comes from one of the three earliest Steamlord families. Her great-grandfather invented a mechanism that allowed steam power to be used for a much wider variety of purposes than before. The family’s wealth is almost beyond counting; they live in a vast subterranean mansion, have servants for every possible task, and travel everywhere by private luxury airships. They’re the 1% of their era. But a peerage only four generations old is barely a blip to English aristocrats who can trace their lineage back to the Norman Conquest. The Steamlords want to improve their family trees by marrying into the Old Nobility, which is lineage-rich but often cash-poor.

That’s the pressure Maddie is escaping: to be handed off, along with a well-padded dowry, to some family even more restrictive than hers, and spend the rest of her life taking tea with her mother-in-law and bear children for some inbred aristocratic fop, all so her father can fulfill his inherited duty to advance the family’s social and political power. Maddie is a girl of spirit and independence, not about to tamely submit to having her whole life decided for her before she’s twenty.

It must have been hard for Maddie to leave home and learn to fend for herself but she can’t seem to make a complete break. Why is making a complete break hard for her?
Since fleeing her home, Maddie has had to learn to do things for herself that a girl of any lesser family would have learned at a much younger age: to dress herself, care for her own clothing, organize her own meals, and most especially to earn her own living. She managed for two years on her own, and now has made a sort of peace with her family, becoming a female variant of the remittance man. That adventurous breed historically – often reckless younger sons who embarrassed their family once too often – was sent abroad to live or die as they chose. Their families paid an allowance on condition they stayed away and kept the family name clear of scandal. As a woman, Maddie’s not paid well for her work. Her father’s allowance is all that she will be able to save toward someday buying a home, or for her eventual retirement. A little older and wiser now since venturing on her own, Maddie knows that she can’t realistically make a complete break until she is earning enough to fund her future life as well as her current adventures.

The gadgets: mechanical birdie, airships, coffee service – you’ve got a wonderful smattering of them which makes Maddie’s world very interesting. Her little mechanical bird, Tweetle-D, who so delightfully inks things he’s seen, who is Maddie’s spy and is so helpful to her job. What inspired you to create him, and why him instead of a human helper?
Steampunk runs on clockworks, the brassier the better. To create the gadgets in Maddie’s world, I needed to only look around at daily activities and think: if this world were operating by a combination of steam power and clockwork controls, how could – for example – making and serving tea be done? As for the mechanical bird Tweetle-D, or TD as he is more often called, he is small, mostly quiet, but quite a personality for all that. He serves as a confidant for Maddie while she is cut off from family (by her own choosing) and from friends (by her assignment in Egypt). While he can’t fly far on his own, he travels well by airship, train, river-steamship or even by camel if necessary, and with far less fuss and bother than a living animal companion would require. And he’s got mad skills in note-taking and picture-taking, both essentials for a young lady trying to make her way as an investigative journalist.

Maddie is precocious, very liberated and besides needing to keep her true identity secret, she’s fighting for a place in a man’s world of crime reporting. She’s strong, as are all the female characters in this world. Is this historically accurate?
This story is historically accurate in the sense that young women ‘of good family’ who grew up in the late Victorian era were finally breaking out of the wife-governess-nun straitjacket, entering the workforce as shopgirls, office workers, nurses, authors, mathematicians, professors, and yes, as reporters. Maddie’s story is partly inspired by the barrier-breaking American journalist, Nellie Bly, who in the 1880s tackled a great many stories outside her early purview of fashion and society gossip. She not only went undercover (as Maddie also did) in pursuit of stories – most notably as an inmate in an insane asylum – but she set the record for getting around the world in under 80 days. As an inspiration for a young lady journalist, she’d be hard to beat. But then, this story is also inspired by the true story of a British colonial officer who stole a fabulous diamond ‘eye’ from a temple in India.

Less historically accurate but equally inspiring were the stories written by Jules Verne or H.G. Wells, the Indiana Jones and Young Indiana Jones movies, and my wonderfully imaginative friends in the Steampunk community in Calgary.

It’s as if the women have found a way to do what’s important and be themselves despite the obstacles. Is this story a social commentary?
This is first and foremost an entertaining story of one young woman taking on the world.

As for social commentary, women in the West have continuously struggled to take and keep control of our own financial security despite the political, social, religious, and economic barriers thrown up in front of us, our mothers, our grandmothers, and our daughters. More than a century after Maddie and Nellie Bly, women have still not achieved the grail of equal pay for equal work, except in unionized workplaces. Despite women outperforming men academically in sciences and mathematics, there are still glass ceilings and male-dominated industries and professions. The internet shames women relentlessly for sexual conduct (including for reporting rape or assault) as much as any Victorian society matron would, and threatens women’s lives for speaking up in some perceived male bastion (Gamergate, anyone?). Just recently, the female premier of Alberta was threatened with assassination by men who disagreed with her politics.

I didn’t set out to write a feminist fiction but the element most fantastical of all in Maddie Hatter and the Deadly Diamond may be that the women all found a way to do what’s important and be themselves despite the obstacles, and nobody threatened – or tried – to kill them for it.

That concludes this part of our interview. If you’d like to read MADDIE HATTER AND THE DEADLY DIAMOND and see what other people have said about it, you can find it at Amazon and Tyche Books, and there are reviews on Goodreads.

Be sure to check out Dueling Parasols and Creating a Steampunk World, Jayne Barnard Tells All – you don’t want to miss out on dueling parasols!