Category Archives: Genres

A Hero That’s Not a Hero…But Still Is

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Hero is exactly what the title and poster suggests. It’s about a hero and his incredibly difficult quest that will bring joy to the masses. What isn’t depicted here is that there isn’t one hero, but two — each with their own quest.

It took multiple viewings for me to figure this out. At first I was so blown away by the amazing fight sequences and gorgeous scenery. It’s clearly Zhang Yimou’s masterwork. They didn’t spare any expense or effort and the results were worth it. It’s the most stunning piece of cinema I’ve ever seen. Here’s a taste:

The story is told from the hero’s point of view as he recounts to the emperor the events that earned him an audience and the sizable reward for eliminating the emperor’s enemies. Each stage of his journey is shown in a different color and each color has a corresponding emotional theme — red for passion and anger, blue for logic and sadness, green for fear and desperation, black for resolve, and white for hope and mourning. Each stage of the tale bring another level of depth to the story, makes us care about the hero as well as the assassins he brought down. However the emperor knows the assassins well and sees through all this as an elaborate plot to kill him.

Which it is.

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This is where it becomes clear that the man we’ve been led to believe is the hero is actually the villain. The real hero is the emperor. The emperor, who is a warmongering self-appointed ruler, deserves the enemies that he’s acquired. However everything he did was for the greater good, not for that generation but for all those to follow. When the hero/now villain realizes this he has a change of heart and despite being given the opportunity to kill the emperor, chooses to spare his life. When he leaves the palace the emperor’s guards execute him.

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Death by pincushion. Ouch!

This is why I find this film so fascinating. Only in the East would they think to make the hero a villain, who then redeems themselves in the end by becoming the hero at great sacrifice. The additional twist of making the villain a hero once we’ve learned more about them is a powerful storytelling tool; one that I think is often overlooked. It also provides a deep moral that can be interpreted many ways. It keeps the audience thinking long after the story is over… and lures them back again, and again.

As writers isn’t that what we want to accomplish? To write a story that’s so unexpected and compelling that the readers return to it and discuss it many times? To create something that changes the way they see the world around them?

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It’s something to meditate on.

You can find out more about Kim May here.

Can’t Take the Sky From Me!

A couple months ago, I had the pleasure of introducing my girlfriend to one of my favorite fandoms — the Firefly TV series. We shared a bottle of wine and watched the first few episodes together while at her place one night. When I was getting ready to leave, she asked to borrow the DVDs so she could finish the series. Being an avid Browncoat, I of course had no problem with this.

A few days later, she returned my DVDs and we had a lively chat about her favorite characters, plot lines, and moments. Towards the end of the conversation, she smiled at me and said, “Well, I really enjoyed that. I’m ready to borrow the next season if you have it on DVD as well.”

Ooops… “Ummm,” I said, “I can’t do that.”

“Why not? Do you have a digital copy we can watch together?”

“Well darling, there’s no more.”

Pause.

“What do you mean there’s no more?”

I probably shouldn’t have smiled, but I did. “Well you see, Fox canceled Firefly after a single season.”

“What? That’s stupid! Why would they do that?”

“Love, people have been asking that very question for years.”

Like many other major fandoms, we Browncoats are passionate in our love. However, unlike most of the others, our series only had 14 episodes with which to win our undying affection for Serenity and her crew. How did Joss Whedon do it? Why were we addicted so fast? Part of becoming a writer is learning how to dissect the pieces of fiction you love to find out what gives them their power. I’ve rewatched the Firefly TV series half a dozen times over the years, hoping to unlock Whedon’s secrets to addictive storytelling. I have a few theories, but here are the top seven reasons I think that Firefly was so powerful.

1. FIREFLY TRANSPORTS US TO A FANTASTIC PLACE AND TIME.
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In Million Dollar Outlines, David Farland pointed out that many of the most successful movies of the last 50 years actively transported their audience to a different place or time. The ‘Verse that Whedon created certainly checked that box. Whedon’s world was dynamic, colorful, and exciting. The juxtaposition between the advanced societies of the Core and the space cowboy Rim was both charming and filled with conflict. And come on, who doesn’t want to be a space pirate living on the Serenity?

2. FIREFLY WAS TUNED TO SATISFY OUR EMOTIONAL NEEDS.

Part of Joss’ brilliance with the Firefly series was how well he was able to blend all sorts of emotional payoffs.

Excitement — I mean, space pirates, am I right?
RomanceTell me that I'm prettyThere were three very different romantic subplots. The first, between Mal and Inara, was a reluctant attraction story all too reminiscent of modern dating. The second, between Simon and Kaylee, was more of a young love. It resonates well with our own first romantic exploits. Finally, there was the established love between Wash and Zoe. It was unlikely, yet stable and strong. Something many of us wish to find for ourselves.
HumorbonnettSometimes it was simple one liners, references to flowered bonnets or the “special Hell.” Other times it was a running gag, like when we had an entire episode about Jayne being a folk hero. Either way, there were plenty of laughs and inside jokes.
Mystery — River and Book’s back stories provided plenty of intriguing questions that have fueled fan speculation even long after the series ended.
Wonder — I mean, space pirates, am I right?

In so doing, Whedon was able to cast a wide net, both attracting and satisfying a large and diverse audience.

3. THE CREW OF THE SERENITY FIGHTS LIKE FAMILY.
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This aspect is twofold. On the onehand, there was plenty of conflict on the Serenity. Each member of the ensemble drove the others crazy at times. That special sort of insanity reserved for siblings. It kept things interesting and dynamic. It also resonates strongly with much of the audience.

On the other hand, they also fought as a family, repeatedly and selflessly putting themselves at risk for one another. Watch the episode where they assault Niska’s station or the one where the crew goes back to rescue Simon and River from hill people. They were willing to die, and kill, to save their own. They loved one another, one of the truest human emotions and an undeniable anchor for audience empathy.

4. THEY AIMED TO MISS BEHAVE…

The crew of the Serenity were pirates, criminals and vagabonds. They stole from the rich, sold to the poor, and were gleeful in their exploits against the Alliance. In our world of well-ordered queues and 9 to 5 jobs, we enjoy stepping out of line with them every now and then.

5. …AND YET THEY HAD HEARTS OF GOLD.
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When it came down to the line and they had to choose between fleeing near certain death or fighting, they stood their ground and fought for what was right.

6. THE ODDS WERE ALWAYS STACKED AGAINST THEM.

Audiences love underdogs, and the crew of the Serenity always faced overwhelming odds. The government of the Alliance was demonstrably selfish and neglectful, if not outright evil at times. Life on the Rim was brutal and occasionally cruel. However, our band of miss fits struggled to survive none the less, often escaping those chasing them by the narrowest of margins.

7. JOSS LEFT ENOUGH ROOM FOR GROWTH.

Each of the characters was treated as a whole person and given room to grow as an individual. They each had their own pasts, natures, and futures. Though they couldn’t all always share the spotlight, Joss allowed each their own time to shine. Throughout the series, we were able to watch them become better versions of themselves, carving out a home and a family in the uncaring ‘Verse they were born into.

Serentity

The Twilight Zone

A Guest Post by Matthew Becket

Warning: This post is not a safe alternative to nicotine.

Guilty pleasures. I have two of them while watching TV, the unrelated duo are scifi/horror anthologies and infomercials. This time we’ll focus on the first thing. I’ll share my thoughts on the Ninja Blender and that wacky garden hose you can fold up in your pocket for another entry.

Give me the grit, give me those low budget masterpieces from the eighties, then sit my happy little bum in front of the TV and I won’t make any noise but laughter for a good ten hours. I see through the camp and I imagine the script, but more importantly the script writer. I visualize the poor bastard pounding out his manuscript on a tight deadline and an even tighter budget just to give me and my comrades (assuming I’m not alone in this) an irremovable smile. But here’s a question—Is this good writing?

I want to say “no” right off the bat. I should, but I can’t, not completely. All these anthologies (by the way, I’m mostly referring to Tales From the Darkside and Monsters, two gems from the eighties that I cannot part with) have a Grandaddy, a Master, an I’m-way-better-than-you prototype. I only need to say three words – if I’m lucky it may even make you tingle when you read them. You may even hear a certain song.

The Twilight Zone.

SerlingRod Serling. Rod Serling. Rod Serling. The man almost wants me to take up smoking. He held that lit thing in his hand and bravely gave the intro to each and every original episode. And did you know he wrote ninety-two? Yep that’s right, ninety-two of the one hundred fifty-six episodes were written by Mr. Serling. I’ve read a few in script form, but also as short stories—they’re beautiful. I have a tiny area of bookshelf space dedicated to things relating to The Twilight Zone. The stories and TV show age quite well. Not bad story writing. NOT guilty pleasure.

I do have a tinge of jealousy. Jealous of Serling? Sure, I can only aspire, but no, I’m talking about that generation of Baby Boomers who saw the images glow on their black and white screens for the first time. No VCRs, no DVRs, no DVDs (I officially despise acronyms after writing this) only magic! A special Serling sort of magic served with nicotine and sometimes Shatner. A journey into a dimension that made your senses feel puny. Four dimensions were not enough for Serling. If you hopped into his small black TV-shaped vehicle for a ride you signed a contract to breach this plane—an invitation to Heaven, Hell, and all the junk in between. These were bold messages that often were only found in the quirky comic books of the day. Some episodes still scare the hell out of me. Some give me a near Bradbury-ish nostalgic hug. They all make me smile.

Why does it work so well? I think (I may be wrong) it’s utter expectation. Serling gives us a promise every episode. He promises to take us to a weird place. He makes good on his promises.

It sounds simple, but that is a common problem with new writers. In fact, I’m struggling with it right now. I first have to ask myself, “Shit! Does this story even make a promise?” But the paranoid state is good for a writer, or so I hear. Master storytellers like Serling have laid certain foundations and have shown us that these seeds of expectation work. They make the reader feel crafty as if they’re in on the joke.

We don’t need to stand in front of our reader, take a healthy drag off our cig, and give a two paragraph soliloquy just before they start on the first line. (Although let’s face it, that would be cool as hell). However, we can present it in the prose just as we’ve been taught. Promises, expectations, whatever you want to call them they need to be there for the reader. When the promise has been met then we are one step closer to resonance. This is what we want, fellow writers!! We can hear “that was clever”, “you’re so funny”, “beautiful writing” and those are great compliments, but if someone looks you in the eye and says, “that thing in your book resonated with me” in so many words or less – you wrote something Serling might like. I, as you do, very much want to be “might liked” by Serling.

Picture if you will, finding a promise and making good on it. It’s somewhere out there in the ether we call—The Twilight Zone.

MattBioPicMatthew started lying as soon as he could talk. Thrilled with the reaction he received, he started making the lies bigger. Some of the lies he had kicked around for years became commodiously appropriate for the written word. Matthew has fun lying in the Middle Grade genre, but lately has been taking on the Adult Dark Humor Crime Thriller genre. He is currently working on his novel – The Sommelier.

When not lying, he is usually traveling, or hanging out with his wife and three cats in Celebration, Florida while looking up words like “commodious” on thesaurus.com .

Where do I find this guy?

Facebook: https://www.facebook.com/matthewdavidbecketauthor/?ref=hl

Twitter: https://twitter.com/MatthewBecket

Wattpad: https://www.wattpad.com/user/MatthewBecket

I Fell in Love with StarDust

A guest post by Sarah Golden.

IMG_7189The film StarDust has everything a story needs to thrive in the hearts of dreamers. There’s the hero- Tristan Thorn, the villains: the three witches and an evil Prince. A goal- to catch a falling star and a wonderful message that the process of growth can happen only when you decide to be yourself.

I fell in love with StarDust when I read the book by Neil Gaiman, and I was fascinated by the turn of events that lead Tristan on a path to adulthood. While the story is a little more serious in the book, the film uses elements of the fantastical to convey the same spirit and message as the original tale.

The story itself plays out like a fable. Tristan’s growth is the backbone of the tale, because it is a tale we can all relate to. The process of growing up and discovering what you are capable of. Tristan learns this as he journeys through the fantastic world of Stormhold, and along the way, he learns his own strengths- weaknesses and values.

Tristan begins the film as a boy desperately in love with a fickle lady named Victoria. Blind to her condescending behavior, he does the unthinkable, and he promises to retrieve something nearly impossible to prove his love for her: a fallen star. Once he meets the star, things change. The star has a name- Yvaine, and she has no desire to go with him as a prize for his girl.

As the two get to know each other, they discover that Tristan is not the only one after the star. Two villains: a witch and an evil selfish prince are following their trail.
It is only when Tristan and Yvaine face the brink of death that they discover each other’s company isn’t so bad.

They make friends with a sky pirate who teaches both of them how to be sophisticated and confident. This is the moment Tristan’s quest changes, and Yvaine’s desire to go home has changed into spending as much time as she can with Tristan. Tristan soon realizes that Yvaine has become more dear to him than Victoria, and he no longer wants to bring her back with him.

The characters’ motives change, but their greatest conflict appears when the witch catches up with them. Yvaine is taken, and Tristan goes after her as a hero. He wins her heart in the end, and becomes a king- finally learning his capabilities and discovering where he belongs.

The story of StarDust is a timeless tale about following life wherever it leads, and sometimes the path will take you on a journey that you never expected, but it could lead to an even better place. Tristan represents the hero in all of us.

Sarah 2Sarah Golden is a creative writer who draws inspiration from fairytales and folklore all over the world. She is a Kingdom Hearts addict and now owns her own keyblade! She is also a proud tour guide of Beast’s Castle at Magic Kingdom. With a Bachelor’s degree in English, Sarah hopes to share great stories through the written word and inspire others to be the heroes of their own story. She has written her first novel, and she is currently on a quest to publish it. Most of her other writing can be found on her blog Bara Lotus Garden: http://crystallizedheart.blogspot.com