Category Archives: Science Fiction

When we talk about genre-blending, we’d be remiss if we didn’t address the Mûmakil in the room (or the black hole if you prefer). After all, when we speak of “SFF” in our genre shorthand, we’re really describing two separate genres, Science Fiction and Fantasy. And the truth is that many, if not most SFF stories are actually a combination of the two.

Even a casual glance will yield many, many examples where the two genres are blended together to great effect. Though almost always referred to as one or the other, properties as diverse and popular as Star Wars (called Space Fantasy by George Lucas himself), The Dark Tower, Lost, and Doctor Who all exhibit some degree of shading between the two ostensibly separate genres.

Does your science fiction story contain technology that, while plausible, also skirts the edge of Clarke’s Third Law? Does your fantasy magic system or worldbuilding adhere to a well-established set of internal rules in the vein of Robert Jordan or Brandon Sanderson? While you can certainly cite examples of stories existing purely in one camp or the other, the reality is that Science Fiction and Fantasy are generally grouped together for good reason.

As with any literary technique, there are good and bad ways to employ this genre-blending. But rather than pretend I’m an expert on the subject, I’m going to highlight the work of a couple of lesser-known authors who have mashed Science Fiction and Fantasy to good effect*.

*Note: One of my examples is technically more a blend of Horror and Science Fiction. Now, I know Horror is its own genre, but for the purposes of showcasing a fascinating bit of worldbuilding, I’m paraphrasing Daniel Abraham and considering Paranormal Horror to be a form of Fantasy set in a malefic universe. *ducks*

For starters we have R. Scott Bakker’s The Second Apocalypse meta-series, consisting of two sub-series: the trilogy named The Prince of Nothing and the tetralogy named The Aspect-Emperor. These are grimdark epic fantasy at its grimmest and darkest (think George R.R. Martin dialed up several notches), and Bakker creates a fascinating world with a history nearly as detailed as Tolkien’s Middle Earth. His philosophy-based magic system is more powerful the more pure a sorceror’s ability to grasp the Meaning (capital “M” intended), and those sorcerous schools that have to rely upon Analogies rather than Abstratctions produce sorcery of inferior power.

But it’s the two SF elements I want to discuss. In the first, an Übermensch-like group of warrior monks have hidden themselves away for 2000 years, practicing eugenics (and terrible neurological experiments) upon themselves over all that time in order to become beings of perfect logic, utterly devoid of passion (and thus, they believe, utterly in control of their own actions in a way no other humans are). The end result is almost a separate species, so attuned to subconscious cues that they are able to essentially read the thoughts and emotions of normal humans better than the humans themselves are.

Every epic fantasy needs a Big Bad, and instead of a fallen angel-type character in the vein of Sauron, Bakker gives us the Inchoroi, an alien race whose ship (called the Ark-of-the-Skies by the inhabitants of Bakker’s world) crash-landed on his world several thousand years prior to the start of the series. Their overriding goal? They’ve been traveling from world to world in their vessel, exterminating the inhabitants of each in order to sever the living world’s connection to the Outside, Bakker’s equivalent of an afterlife. It turns out that morality in the world of The Second Apocalypse is black and white and absolute, and the actions of the Inchoroi have guaranteed their damnation by the gods after death. Only by severing the connection between the living world and the dead can that fate be avoided.

Given its uncompromising view into humanity’s ugliest sides, The Second Apocalypse can be a rough read, But given its willingness to tackle issues of free will and the self, issues that modern neuroscience (a major influence of Bakker’s) are tackling currently, there is no other epic fantasy like it.

For my Science Fiction-based example of genre-blending, I present you Peter Watts’ brilliant (and Hugo nominated) book Blindsight. It’s an alien first-contact hard-ish Science Fiction that I’m not sure will ever be topped for me. His take on truly inhuman aliens is both believable and massively unsettling (and Watts himself spent time as a research biologist), but it is his science-based vampires that I want to talk about today. In Peter Watts’ Earth, the legend of vampires sprang up from a human subspecies that went extinct thousands of years ago. While they lived, the vampires evolved to hunt humans (and thus developed significantly more strength and brain power than us) as well as the ability to hibernate for long stretches to allow time for human populations to bounce back and forget the vampires existed.

But all that brain power came with a cost. The vampires would fall into a lethal seizure at the sight of any true right angles (like, say, a cross). Right angles are not something often encountered in nature, but as soon as baseline humans began constructing habitats and cities filled with right angles, the vampires went extinct. But the lure of all that brain power proved too great to resist, so in the near-future world of Blindsight, advanced genetic engineering has been used to resurrect the vampire subspecies. One of their number is deemed the perfect leader of the expedition to investigate the alien presence that has recently arrived at the edge of our solar system.

Reading Watts’ book, you’ll find yourself half-convinced that the vampire subspecies really did exist, so convincing is his biological background work. And much like Bakker’s works, Blindsight deals with issues of consciousness and self and what those concepts even mean (if you can’t tell, these issues are a pet interest of mine).

The combination of Science Fiction and Fantasy has produced some of our most enduring works of literature and popular culture. So if you are a purist who prefers one genre to the total exclusion of the other, think again about some of the works you have read and enjoyed. You may find the line dividing the genres is a lot blurrier than you realized.

About the Author: Gregory D. Little

Gregory D. Little is the author of the Unwilling Souls, Mutagen
Deception, and the forthcoming Bell Begrudgingly Solves It series. As
a writer, you would think he could find a better way to sugarcoat the
following statement, but you’d be wrong. So, just to say it straight, he
really enjoys tricking people. As such, one of his greatest joys in life is
laughing maniacally whenever he senses a reader has reached That
Part in one of his books. Fantasy, sci-fi, horror, it doesn’t matter. They
all have That Part. You’ll know it when you get to it, promise. Or will
you? He lives in Virginia with his wife, and he is uncommonly fond of
spiders.

You can reach him at his website (www.gregorydlittle.com), his Twitter handle (@litgreg) or at his Author Page on Facebook.

Detective Science Fiction

July 5, 2016

Ace Jordyn

Ace Jordyn Crime Detective Science Fiction Science Fiction 1 Comment

I love mysteries and crime stories especially when they’re set in the future or on other worlds because they not only solve crimes, the good ones also explore the relationship between humans and technology and maybe even with other races. That combination makes Detective Science Fiction is the perfect genre mish-mash!

What are detective science fiction stories?
They’re detective stories set in the future, on earth, other worlds or somewhere in outer space. The detectives need to be observant, to investigate, to question suspects, work within the laws (or sometimes outside them), report to superiors, interact with segments of society. While the detective does his job, the reader experiences a future society through the detective’s eyes. It’s a very up close and personal view of the world.

Why does this mash-up make for great crime fiction?
Technology changes but human nature doesn’t. Despite our technological advances, crime is still part of our world. Theft, murder, white collar, blue collar crimes, crimes against humanity, deviant crimes, commercial crimes, drugs, crimes in international law (slavery, genocide, war crimes, piracy, for example), and the list is endless. In writing about the future, it forces us to consider our lives in the present. What if technology changes and we can read the brain or the psyche to predict if people will commit crimes? What are the ramifications? What happens when we break the laws of alien cultures? What are frontier crime and justice like on a newly colonized world? What happens when an android commits murder? Android or robot detectives, even if they’re good at their job, what perils do they face? What constitutes crime in the future? How are murder mysteries solved in the future – great sleuthing or with advanced technology?

Why do they work? Isn’t science fiction supposed to be about the science?
Detective science fiction works because detectives are like scientists in that they question, they need to know how things work, they explore, they follow clues. But detectives need to find the truth, and to do that they must dig into the corners of society, personalities, and political structures. They need to know a little about everything just enough to ask the next question or suffer the consequences if they don’t. In short, detectives in science fiction are the best tour guide to both future technologies and the resulting human condition. Technology usually has a huge role to play in a detective sci fi and for that reason I greatly admire the authors who go that extra step to know their worlds well.

What are key features of this genre?
For me, it’s a toss-up between technology and characterization. Both are essential and both are the reason I keep reading detective science fiction. The best ones have great plot twists and turns, and are sprinkled with red herrings. As a reader, it’s easy to immerse myself into a society with this combination of plot, technology and characterization. However, just as with commercial crime and mystery stories, there’s a wide range of styles or sub genres within this genre mish mask.

There are cyberpunk detective stories where the element of human/computer relationship plays more of a role than characterization and plot. Then there’s hard boiled noir detective science fiction where in a dark, futuristic society, a detective (usually a gun-slinging male) must solve a crime written in the style of American noir of the 1930 and 40s. There are some cozy mysteries in that the crime is committed off scene and there is little violence but it’s heavy on the setting, the detective’s character, but the detective isn’t usually laid back citizen, like Miss Marple although there may be lots of deduction and little violence.

But the general feature of a good detective science fiction, no matter the subgenre, is the world building, the protagonist’s interaction in that world and the morality tale that crime stories evoke.

Book recommendations:
If you haven’t read any detective science fiction, beware – there’s been a lot written but not all of it has been categorized as detective science fiction, it’s still in the larger science fiction category. And, it’s not brand new either! Here’s the classic story from Isaac Asimov himself of why he wrote his first detective science fiction. This led to him pioneering the human-robot buddy cop genre.

“[John] Campbell had often said that a science fiction mystery story was a contradiction in terms; that advances in technology could be used to get detectives out of their difficulties unfairly, and that the readers would therefore be cheated. I sat down to write a story that would be a classic mystery and that would not cheat the reader — and yet would be a true science-fiction story. The result was The Caves Of Steel.”

The Caves of Steel is a must read.

To date, Good Reads has over 100 books listed in its Science Fiction Detective category. BestScienceFictionBooks.com contains a stellar list. It’s worth checking these lists. So for this reason, I won’t be listing the popular and classic books like the “Gil Hamilton” stories by Larry Niven. Instead, I’ve got 5 authors and novels you may not be familiar with but are worth reading:

Hydrogen Steel by K.A. Bedford
When top homicide inspector Zette McGee is called out of her mysterious retirement to help Kell Fallow, a desperate former android accused unjustly of murdering his wife and children, she knows she has to help him. (This is powerfully written, with lots of great world building and much intrigue with sabotage, spies and nasty infections. The consequences of and ramifications of artificial intelligence and artificial consciousness are dealt with superbly.)

The Ultra Thin Man by Patrick Swenson
In the twenty-second century, a future in which mortaline wire controls the weather on the settled planets and entire refugee camps drowse in drug induced slumber, no one –alive or dead, human or alien—is quite what they seem. When terrorists crash the moon Coral into its home planet, it is up to Dave Crowell and Alan Brindos, contract detectives, to solve an interstellar conspiracy or face interplanetary consequences. (Clever title. Clever concept. To say anymore would be to spoil it. Sorry.)

Transient City by Al Onia
On a distant mining colony at the far reaches of outer space, vast cities crawl across the surface of a desolate planet looking for valuable minerals while their citizens struggle to survive. Victor Stromboli, a professional crime scene witness, is nearly crippled by the brutal memories he can neither control nor forget. Now he has to solve the mystery of a missing corporate executive who happens to be married to the one love of Victor’s life. (Crawling cities! What a cool concept especially on frontier planets where the characters are strong and quirky and come with really unique idiosyncrasies!)

Red Planet Blues by Rob Sawyer
P.I. Alex Lomax works the mean streets of New Klondike, the domed Martian city that sprang to life in the wake of the booming fossil market. He plies his trade among the failed prospectors, corrupt cops, and ‘transfers’—folks wealthy enough to upload their consciousness into near immortal android bodies. Then, he lands a cold case—a decades old murder of Weingarten and O’Reilly, the men who first discovered evidence of life on Mars. (This was a delightful gumshoe romp which dealt with the implications of transferring human consciousness into android bodies, thus making humans, albeit wealthy ones, nearly immortal.)

Defining Diana by Hayden Trenholm
Found naked and alone in a locked room, the beautiful woman was in perfect health, except she was dead. It’s 2043 and much has changed: nuclear war, biotechnology and all-powerful corporations have transformed the world. Now science is taking DNA manipulation to new levels. Superintendent Frank Steel is an old-fashioned cop who handles the bizarre and baffling cases no one else can solve. He knows the money, murders, missing persons and gruesome body shops are connected and it starts with the girl. (This novel creeped me out partly because it’s set in a village not far from where I live but also because of the nature of the crime. What would a cyborg future look like, not only with cyborgs and what they’re capable of doing, but what crimes come with that kind of existence?)

June Wrap-Up!

June 29, 2016

E. Godhand

Believability Crime Detective Science Fiction Doing Good in the World Emily Godhand Guy Anthony De Marco Jace Killan Kim May Kristin Luna M.J. Carlson Marta Sprout Mary Pletsch Nathan Barra Science Fiction Suspension of Disbelief Writing Tools No Comments

Hey Folks,

I’d first like to thank every one who contributed a post to this month, Fictorian and guests alike!

The idea of a month devoted to not just research collection (because we’d like to spend more time writing instead, right?), but also some new concepts and ideas we might not have thought of to apply to our stories, thus making them more believable, realistic, or even helping us think of what might be true in the future.

Overall, I hope that our information was useful.

Some of my favorites (and there were many), in no particular order:

I started us off with a discussion on why realism and accurate information was so important in media.
Mostly because I was chased by a black bear once, and man, was I ever glad I read Little House on the Prairie.

Buuut also you know not everyone in your story is going to know the most accurate information, or maybe the readers are so used to an inaccurate trope that realism would cause them to cry foul. So sometimes perfectly accurate information isn’t the most important thing to the story.

Kristin Luna explored how gender can influence perceptions of risk-taking characters, particularly young women. We take risks! But perhaps not in the same way as young male characters might.

Guy Anthony De Marco gave us a 101 on proper terminology and use of firearms. Particularly, please don’t have your character take the safety off the revolver unless they’re removing their finger from the trigger. Just…why.

Marta Sprout wrote an excellent guest post on how crime scenes should, and shouldn’t, be investigated.

Kim May implored us to do our research on the particular culture of an Asian character instead of writing them into a stereotype.

If we don’t care enough to get it right then we offend readers of that ethnicity — thus losing them as readers — AND we mislead and misinform the readers who aren’t familiar with that ethnicity. Also, by misrepresenting that group we’re ultimately contributing to the cultural oppression of that group — even though we don’t mean to.

I shared how to look for, and write about, a character drowning. Also please watch out for everyone at the pool. Even if they’re a strong swimmer. But especially watch the little ones because I had to pull a kid out who was panicking and that was so scary for them. Pools are supposed to be fun and safe summer memories.

I also wrote about the moving definition of ‘death’ and that lead to a whole exploration of what exactly cryonics are, how it all works, and what one might do with that sort of technology in their story.

M. J. Carlson gave us a Top 10 list of the most used (and misused) injuries in fiction in his very informative guest post.

Mary Pletsch talked about how misconceptions about the military and soldiers can not only lead to inaccurate plotlines and failed missions, but contribute to ugly misconceptions around real service members.

Nathan Barra had so much on how one can accurately portray scientists outside of the stereotypical tropes that he had to split it into Science Fact and Fiction Part 1 and Part 2.

In Healing in Science Fiction, Jace Killian emphasized how quickly technology can change, and the importance of doing your research on current issues when anticipating future technology.

That’s what we have for June! Stay tuned for an interview with an amazing person tomorrow and check back in July as we discuss genre!

– Emily Godhand

Healing in Science Fiction

June 28, 2016

Jace Killan

Jace Killan Research Science Fiction No Comments

It’s important to do your homework when writing, especially about science.

In the recent past, I’ve read a number of stories and novels in the Sci-Fi genre that utilize some version of a healing agent. Sometimes this is a salve or injection or maybe a bath like in Wanted. The authors of these stories try to give some indication of science behind the concoction. The explanation will usually toss around some terms including antibiotics.

Antibiotics don’t work anymore.

One hundred years ago, before antibiotics, people might get a bacterial infection from scraping their knee or slicing their finger. The infection would “fester” meaning the bacterial colonies would spread and eventually the person could go into septic shock. We called this blood poisoning when I was a kid, but basically it’s where the bacteria has taken such control of a body that it can’t fight back and will eventually die.

Penicillin changed all that.

All the sudden folks that underwent surgeries, recovered rather than going sepsis. We could do more intricate, outpatient procedures (as opposed to chopping off an infected limb and cauterizing the wound).

You get the point. Antibiotics were awesome.

But they were never a fix-all. They don’t affect viruses, fungi, algae, or cancer. Just bacteria. And some estimate that there are millions of types of bacteria. So antibiotics don’t have an affect on all of them. In fact, within a year of introducing penicillin into the medical world, scientists discovered strands of bacteria that had already become resistant to penicillin, meaning it no longer worked to ward of infection from those strands.

That’s why they developed amoxicillin and cephalexin and erythromycin and Biaxin and Floxin and Levaquin and so many more. But just as quickly as the antibiotics are introduced, bacteria finds a way to morph, change some how and become resistant. No new antibiotic has been developed since the 1980s. And the “last resort” known as Colistin is kept under lock and key, barely used just in case the bacteria develop resistance through exposure. And sure enough, it’s all ready happening.

So you see, Antibiotics don’t work anymore. At least not in the future. In fact, Dr. Fukuda of the World Health Organization stated that “the world is headed for a post-antibiotic era, in which common infections and minor injuries which have been treatable for decades can once again kill.”

Now doesn’t that sound more like science fiction than a concoction using antibiotics as a cure-all?

So what is science doing about it?

Now for the science nonfiction. Scientists are developing all sorts of new technology to help prevent the apocalypse. Nanoparticles as treatments and delivery mechanisms of other treatments, viruses for the same purpose, enzymes that fight antibiotic-resistant bacteria now called “Superbugs” and the development of other antimicrobial agents like small molecules that mimic the human immune system—specifically antimicrobial peptides.

Bottom line, do your homework. Don’t just spout off something that a reader might perceive to diminish your credibility.

I live in Arizona with my family, wife and five kids and a little dog. I write fiction, thrillers and soft sci-fi with a little short horror on the side. I’ve hold an MBA and work in finance for a biotechnology firm.

I volunteer with the Boy Scouts, play and write music, and enjoy everything outdoors. I’m also a novice photographer.

You can read some of my works by visiting my Wattpad page and learn more at www.jacekillan.com.