Category Archives: Doing Good in the World

The Holy Grail of Creativity

Author's Perspective Doing Good in the World Guest Posts Motivation Self-Awareness Starting a Career The Writing Life No Comments

A guest post by Brian Herbert.

There are many pieces of advice I could give to myself if I were a new writer at the start of my career.  From the perspective of decades later and millions of words in print, there is much I could say about the decisions I have made, the paths I have taken, the worlds I have created, and the characters who inhabit them.  I could encourage the fledgling writer to be observant and keep a journal, to write every day, and to develop a thick skin, so that he doesn’t give up, even in the face of having his stories rejected repeatedly.  I could lengthen this list considerably with tip after tip .  . details about how to plot, how to build character files, how to build suspense, and how to market his stories.  Structural and practical details, and they would be useful.

But there is an even more important piece of advice, one that I consider to be the most valuable of all.

It has been said that a writer should not write for money, that this should not be his first thought when a piece is created.  In this line of reasoning, if he discovers and nurtures his talent, the money is sure to come later.  Eventually, he will receive piles of cash; he just needs to write without getting paid much for a while, and the income will come later.  This advice is interesting on the surface, but if a new writer really has creative integrity, he will not expect the money to come at all.  Such a possibility will not even be in the back of his mind.  He will be engaging in the creative process for an entirely different reason.

In writing, as in art, many people copy the work of professionals they admire.  Art students sit in museums trying to replicate the works of great masters, seeking to learn their painting techniques.  Would-be fantasy writers read Tolkien over and over, and then produce stories that mimic the works of the master.  They say they were “inspired” by Tolkien.  This happens in other literary genres as well—mystery, adventure, romance, science fiction, mainstream.

Many writers are looking for a handy formula, on which they can hang their own words as a sort of façade—a way of masking the fact that they are not being original, and perhaps that they are not capable of being original.  Some musicians do this, and produce works that sound very much like those of others.  It happens throughout society, with one product looking very much like another one.  Automobile after automobile, house after house, commercial after commercial, book after book, movie after movie.

If something sells, it has countless imitators.  But I would tell the new writer that taking this path would be selling his creative soul.  If he were to take that route—be it in art, writing, music, or any other art form—he is not truly being himself; he is trying to become someone else.  The most important thing a writer of integrity can do is to have the courage and honesty to find himself, and to express that self in words.

Originality is a noble goal.

I’m not saying it’s easy to attain this objective.  Corporate publishers want material that is similar to other material they have published “successfully” (i.e. that has made money), and writers naturally fall into that trap.  In order to sell their stories they think they must copy, because another writer has made a name for himself that way, and writers are desperate to be successful, and to be paid well.  So they replicate the works of others (like taking a recipe and changing an ingredient), and make excuses for doing so.  After all, certain ideas are already out there being copied, and writers are getting away with it, so why not jump on the bandwagon?  Why not be “inspired” by a writer you admire?

There are many temptations leading the would-be writer onto that course, telling him to do exactly this.  If he takes the bait, he rationalizes doing so in any number of ways.  People are good at rationalizing, at finding excuses for less-than-noble behavior.

Admittedly, I’m being idealistic, considering the trickiness and laziness of human nature.  But I’m talking about human potential here, about a writer’s own personal potential.  I would encourage him to try going inward, instead of picking the ideas of others like fruit from a tree.  Try going deep inward.  Have the courage and the patience to do this, and see what is there.  Look for integrity and originality, in the deepest regions of personal consciousness.  A person might find a real pearl there, instead of an imitation.

The new writer might ask how this can possibly be accomplished, if he needs to make a living.  The bad news is, that for this approach, he might need to keep his day job for awhile, and perhaps for much longer than that.  Think of the great artists and writers who never found commercial success in their lifetimes, but stuck to what they believed in anyway.  They stayed the course, knowing deep within that they were creating important works, and that one day they would be recognized.  This type of writing from deep within, this type of artistic expression, should not be done for money, not in the near term or in the long term.  It should be done for an entirely different reason.

It should be done for the holy grail of creativity, in a heroic effort to find the writer’s own originality.  It has been said that each of has at least one interesting story to tell, at least one book within each of us.  I would also like to think that each human being has at least one original thought.

I’m not going to tell a new writer how to accomplish this inward journey, only that he should make the attempt for his own sake, no matter how arduous it is.  After all, if I were to provide detailed instructions on how to attain the holy grail of creativity, it would be a formula, and that’s exactly what we are seeking to avoid.

Brian and Jan HerbertGuest Writer Bio:  BRIAN HERBERT is the author of multiple New York Times bestsellers. He has won several literary honors including the New York Times Notable Book Award, and has been nominated for the highest awards in science fiction. In 2003, he published DREAMER OF DUNE, a moving biography of his father Frank Herbert that was a Hugo Award finalist. His acclaimed novels include SIDNEY’S COMET; SUDANNA, SUDANNA; THE RACE FOR GOD; TIMEWEB; THE STOLEN GOSPELS; and MAN OF TWO WORLDS (written with Frank Herbert), in addition to the HELLHOLE Trilogy and thirteen DUNE-series novels co-authored with Kevin J. Anderson.  In 2013, Brian published OCEAN, an epic fantasy novel about environmental issues (co-authored with his wife, Jan). Brian’s highly original SF novel, THE LITTLE GREEN BOOK OF CHAIRMAN RAHMA, was published by Tor Books in July 2014.

It’s a Business

Business Craft & Skills Doing Good in the World Goals Kristin Luna Motivation Publishing Reflection Starting a Career The Writing Life 1 Comment

I graduated college in May 2007. I had no idea what to do next. Luckily, I landed a job interview with a well-known publishing company, and it turned out to be one of the best, hardest lessons I’ve ever had to learn.

Annoying young business people being way too enthusiastic about business.
Annoying young business people being way too enthusiastic about business.

Dear Kristin circa May 2007,

Oh you beautiful, delicate flower, you. I know you think you’re really good now. Your writing isn’t bad. Really! I like how you use poetry-like metaphors that only a few people seem to understand, and your interesting paragraph structure. It’s all about the self-expression amiright? Yes, I am right, and so are you.

Like the Terminator, I come bearing news from the future. In a month or two, you’ll have an interview at a big publishing company. Yeah, I KNOW.  Good job!

But you will not get the job. Wah wahhhhh. And it’s important that you don’t, so don’t go trying to change it. One of the most important life lessons you will learn happens in that interview.

In the interview, you’ll have a short conversation with the Associate Editor. She’ll tell you that after leaving college, she was idealistic. She was after changing the world. “Cool, me too!” you’ll think. And then she’ll drop this bomb on you. “But this is a business. Yes, it’s a publishing company, but it’s still a business.”

At the time, you’ll wonder why she’s trying to crush your spirit and decide she hasn’t had her coffee yet. In the months after the interview, you’ll understand.

No matter the cause or mission statement, every organization is a business. Every business needs to make money. If they happen to make dreams come true along the way, that’s cool. But the bottom line is that a company needs revenue to continue.

This is where you come in. You love writing, and you do it pretty well. Keep doing it. Keep getting better, keep making friends who are professionals. But also remember this: a publishing company is a business. In order for anyone to read those flowery prose pieces you like so much, you have to make sure they are sellable. Make sure the story is compelling, new, unique. You love experimental writing, and I’m not saying you should stop writing it. But you should also hone your skills on telling good, tight stories that publishers will want to buy.

The future is bright. Hone those skills. Write sellable stories while staying true to yourself.

Oh, and stop with the flowery prose. No one seems to like those but us. Er… me.

Hugs and Kisses
Love
Keep on keepin’ on,

Kristin circa August 2014

 

It Takes a Tribe

Author's Perspective Doing Good in the World Nancy Greene Reflection Starting a Career The Writing Life 1 Comment

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We get it into our head that writing is a solitary art.When we first dreamed of being a writer, who saw themselves as sitting along in a cabin banging on a typewriter? Come on. I see you over there. Put your hand up. You know it’s true.  Okay, put your hand down. If you were really advanced in your dreaming you’d have acknowledged on the edges that at some point other people come into the picture – an agent, a publisher, the reader. But that was way downstream. This whole creative gig. It could be done alone. Right?

Not.

It’s time we stopped kidding ourselves.

We lose writers – good writers – every day from the profession because they “go it alone.” While actually putting your butt in a chair and writing will almost always be a solo activity (even in a collaboration you are responsible for writing your part) the path that leads you to your keyboard and beyond is filled with other people. Spouses, significant others, and friends give us support, we may bounce ideas or our outline off them. We confer with experts to ensure our writing is accurate enough to be believable. We work with dozens of people to hone the story, the prose, the cover, the blurb, and all the lovely marketing bits. We need our readers.

But the biggest thing your writing tribe does is keep you going when you are in a low spot.

This past week I was in a low spot. I’d been rejected from two anthologies.   Two of my stories had been rejected from different anthologies.  I was sincerely happy for everyone who made it in but the rejection cut deep. Mostly though, I’ve had some stuff hanging over me for a while and it was coming to a head. I felt so alone. All my husband’s attempts to calm me put me into full-out panic attacks. (Sorry, honey.) So, I did what I’ve never done before. I asked my writing tribe, this tribe, for help. Now, I didn’t really tell them what was happening just that I was going to be facing a ton of adversity in the next 24 hours. The outpouring of support was humbling. Their words of encouragement, thoughts and prayers gave me the strength to go through that trial with grace and a sense of peace. My Tribe had my back. I wouldn’t have come through the crisis without them.

At the same time our Facebook group was discussing another writer the profession had lost because going alone had broken her spirit.  She went so far as to announce the death of her pen name. She didn’t have a support group. It broke many of our hearts. It’s a huge loss.

It shouldn’t have happened.

The advice I’d give my younger writing self? Even more than “don’t listen to your high school English teacher. You absolutely can and did write the story that touched her heart.”? It’s this:

Surround yourself with like minded-people who are going through or have already gone through what you are going through.

With your Tribe you can accomplish anything you work for.

Ask for and accept help. This is not a a  sign of weakness but of strength.

Know you aren’t alone.

 

YOU ARE NOT ALONE.

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My Writing Journey

Doing Good in the World First Drafts Motivation Networking Starting a Career The Writing Life No Comments

A guest post by Monique Bucheger.

The journey of becoming a writer and/or a published author is different for everyone who does it. My journey began in high school when my creative writing teacher, Mrs. Johnson, encouraged me to transfer the stories in my head to paper. This endeavor started out as multiple class assignments and quickly turned into a love of storytelling. I wrote a lot of short stories in high school and then branched out into larger works.

Shortly before I turned 18, my husband proposed and I agreed to marry him. Everyone wished us well, except my creative writing teacher. She shook her head and said, “You are too smart to get married so young.” When I asked her what that meant, she sighed and said, “If you get married now, you’ll have a bunch of kids, but you won’t write the books that you need to write.”I assured her that I could do both.

Twenty-two years later, I had twelve kids (and am very grateful to have them) and no books, and was (and am) still married to the same man. Then one day, Mrs. Johnson’s son went up in the Space Shuttle Endeavour, and I started thinking about her more. In return, she began haunting me (she had died a couple years before). After I kept hearing her ask, “So, when are you going to write those books, Monique?” I decided it was time to keep my promise to her.

I remembered a fun, spirited twelve-year-old half-orphan I had created as a tween. Before long, I started writing her story. Then I wrote more of her story. And I kept right on writing. My “story” took on a life of its own until I had a book the size of four novels—which I broke into three.

Then the real work began. I exchanged chapter critiques with other writers and realized that simply writing 300 pages of a story didn’t make it readable and publishable. I met amazing people who took the time to explain what I was doing wrong—and right—with my storytelling and I learned the value of both editing your book until it shines and hiring a good editor to make it even better.

I found people like David Farland, an internationally best-selling author, who is also a wonderful teacher. His love of story and his knowledge on how to craft a great story is inspiring. Dave is open and approachable and willing to help those who ask. He has several online classes as well as weeklong workshops.

Life experience, interests, passions, and hobbies also have great bearing on how and what an author chooses to write. The years I didn’t write, I devoted to my family and became a foster mother to over 100 kids.

Now I write realistic fiction—think Judy Blume or Beverly Cleary—two of my literary heroes. The four published books in my “Ginnie West Adventure ” middle-grade series deal with tough subjects like child abuse, abandonment, being orphaned, and alcoholism in uplifting and empowering ways. It also deals with other subjects important to kids: friends, family, fitting in, figuring out how the world works, horses, finding acceptance, and other assorted adventures.  I like to think the series does so with a bit of humor and grace.

I want abused kids—and the people who care about them—to make sense of a world they’d rather not live in and to realize certain things are not their fault. Most importantly, I want kids to know they have power to change things. Choosing how you react to an event—good or bad—is powerful. And whether you let it defeat you or strengthen you can be life-changing.

The truth is, real life can be messy and it can be hard. It can also be fun, invigorating, exciting, and full of wonder. I try to embrace each of these elements—and more—in each book I write. Recently—I have met several readers who have told me that my series has influenced them in a positive way.

Formerly abused kids (who are now adults) have found comfort in my series. Mothers have shared with me that they have read my series with their kids and had meaningful conversations about how child abuse happens and what it means to be a good friend—both subjects I deal with in my series in an age appropriate way.

Last month three different tween girls told me they love the relationship between my main characters, Ginnie and Tillie—fun-loving BFFs who are trying to figure out this thing called life—together, in spite of being tossed some pretty crazy plot twists. The girls really care about Ginnie and Tillie and want to know what will happen to them.

Not long ago, a friend devoured my first three books in two days and informed me, “You know the Wests are family now, don’t you? I love them.” It is during these moments I find validation and strength in my decision to become a published author … and these moments are why I keep writing.

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Guest Writer Bio: When Monique Bucheger isn’t writing, you can find her playing taxi driver to one or more of her 12 children, plotting her next novel, scrapbooking, or being the “Mamarazzi” at any number of child-oriented events. Even though she realizes there will never be enough hours in any given day, Monique tries very hard to enjoy the journey that is her life. She shares it with a terrific husband, her dozen children, a son-in-law, an adorable granddaughter, two cats, and many real and imaginary friends. She is the author of several books and plans to write many more. Monique’s Musings can be found at: http://moniquebucheger.blogspot.com/