Category Archives: Motivation

A guest post by Scott Eder.

I’m always looking for ways to take my writing to the next level. Classes, books, podcasts, conversations… the list goes on. As a perpetual student, I’m learning and practicing every single day. But some lessons are tougher than others and require multiple strikes of the hammer to drive a single point home. In my case, the single point I struggled with was grabbing the reader right out of the gate. It’s a simple concept, really. A story needs to grab the reader’s interest as soon as possible, and refuse to let him go. Compelling characters, barbed hooks, unique conflicts, scintillating writing, and a crisp, unique voice combine to clamp onto the reader’s imagination, tightening his interest with each turn of the page.

Easy, right? You’d think so, but it took listening to a panel of agents and editors at DragonCon for the meaning to really sink in.

When I first started writing, I thought I had time, story time that is. I opened at a soft, descriptive pace that gently introduced the reader to my setting and characters. After that, I stirred in the conflict, ratcheting up the stress and intensity, until eventually achieving resolution. I thought this approach meshed with the fantasy genre. I needed time for world building, and to introduce the uniqueness of my characters, right? So why didn’t I get any interest from the agents and editors I queried? The form rejection letters didn’t help, didn’t tell me what I needed to fix.

I realized that I was missing some critical piece to the story-telling puzzle, and made the decision to seek professional help. (Hehe. I felt a little crazy at this point.) After taking several classes where the instructors helped me understand that I needed to get to the conflict sooner, that I needed to hook the reader up front, I thought I had it. Instead of getting to the action within the first few chapters, I streamlined my writing, introduced setting, characters and conflict in a more compelling way by the end of chapter one.

Woohoo! With my newfound skills, I’d break into the biz in no time. My stories rocked. Or so I thought. But the growing collection of form rejections told a different story. If one of those editors or agents would take a minute and give me something, a hint, a bit of advice, anything to clue me in as to what was missing, I’d have a chance to fix it. Nope. Just a thanks for playing, and have a nice day.

Crap. Now what?

One of the things David Farland mentioned in his class was that you could meet editors and agents at certain conventions. I checked the Interwebs and found DragonCon. I’d heard about this fabled event, but never attended. Once I found several editors and agents on the guest list, I booked my travel plans.

DragonCon has an excellent writer’s track. Panels conducted by authors, publishers, agents, and editors, with topics ranging from writing basics to more advanced publishing concerns, run all day, every day. One of the most heavily attended is the combined editors and agents panel. I got there early, but by the time it started, it was standing room only. It turned out to be more of a question and answer session, than a formalized presentation, which was fine, because I had a lot of the same questions other aspiring writers in the throng dared to ask. And then it happened. The crowd disappeared, the lights dimmed, and the panelists turned to face me, metaphorically anyway. Their comments hit me hard.

One agent said, “Look, you need to draw me in right away. Like on the first page. With all the submissions I get, I don’t have time to read pages and pages, waiting for something interesting to happen.”

An editor chimed in. “Yeah. I’m rooting for you, but unless you hook me within the first page or two with something, and it doesn’t have to be your primary conflict, but something to make me keep reading, you’re done.”

“Hell, you need to grab me in the first paragraph or two,” said the agent at the far end of the table. “I’ll give you a little more time if you have a nifty voice, but not much.”

I blinked a few times as the import of their words sunk in. The first page or two? Hmm…The chatter continued, but I zoned out, churning over how make my first few pages addictive. I wanted the reader turning the pages of my book as if he’d just popped the top on a fresh can of Pringles.

After several iterations, and an enthusiastic thumbs-up from my critique group, I sent it back out. This time, it sold!

And all it took were several books, a few teachers, and one panel at a convention to make it stick. Never stop learning. Make it a part of your writing process to seek out new techniques and information. You never know which one will make the difference between rejection and acceptance.

Guest Writer Bio:

Since he was a kid, Scott wanted to be an author.

Through the years, fantastic tales of nobility and strife, honor and chaos dominated his thoughts. After twenty years mired in the corporate machine, he broke free to bring those stories to life.

Scott lives with his wife and two children on the west coast of Florida.

Check out Knight of Flame on Scott’s Website: www.scotteder.net

Time is Taken, Never Given

September 25, 2013

Nathan Barra

Motivation Nathan Barra The Writing Life 2 Comments

I work insane hours. I will often spend as many as thirty to forty hours at a time on the job. One hundred or more hour weeks are the norm, not the exception. Don’t pity me. I knew what I was getting into when I took this position. In fact when I was recruited for this opportunity, I chose it over four others for the challenge it brought me. My recruiter was honest with me, and to this day, I believe that I went into that choice with my eyes open. I knew that I was committing to a lifestyle, not just a job. Even still, my work leaves me with precious little time for my two life goals.

First, I want to be an amazing father.

Next, I want to be a professional writer.

That’s it. If all that is written on my tombstone is, “He was a damn good father and writer,” well, then it would all have been worth it.

One of the major challenges of my life is making time. I gave up on finding it years ago. I’ve come to realize, that no one will ever make me a good father, or a professional writer. If I’m going to have the time for either of those things, I need to take it. Because of that struggle, what free time I do have is precious. The greatest gift I can give my loved ones is a small piece of the time that I carved out for myself.

There are a thousand things that demand my attention. Sometimes, it is easy to let all the noise of the world overwhelm my two life goals. My job, along with everyone else’s work, exists to further its own existence. We all come to work to make money for the company, and in turn, take some of those earnings back home with us. My job will never make me a professional writer. That’s not what we do. Achieving that ambition will never help the company’s bottom line. Because of this, my work will never give me time to write. If I’m going to have that time, I must seize it.

No one will ever give you time. No matter how much my significant other, my friends or my family love me and want me to succeed, they will never be able to give me the time I need to write. Because they love me, they want to spend time with me. Truth is, I want to spend time with them too. But at some point, I need to write. The very best my loved ones can do is give me space. That gift is a gift of love. What I do with that space is up to me. Do I take a nap? Do I catch up on my reading or those television shows I have been neglecting? Do I stare into the depths of my navel and think about writing?

Or do I work? Do I take that gift of love, that gift of space, and use it to make something?

In the end, one piece of advice that I can pass on from my own struggles is this: seize your dreams. No one will seize them for you. Even if they were so inclined, in so doing, they would be rendered meaningless. It is in the struggle that accomplishment translates into meaning.

Only The Best – A Challenge

September 24, 2013

Frank Morin

Craft & Skills Frank Morin Motivation 2 Comments

This month we’ve had a lot of great posts with tons of concrete advice on how to break through a wall or break out of a plateau where we might be stuck. But what about life in general? Do we ever feel stuck, unmotivated?

Breaking out of those ruts can be harder than overcoming writer’s block. One of the keys is to try to identify what motivates us. What makes us smile or laugh or cry, helps renew our enthusiasm, or drive?

Something that dives deep, strikes a chord, resonates with our deepest held beliefs. Something that inspires hope or love.

The greatest books and movies are those that touch such a chord, that drive us to tears when they connect with our reality. Think Rocky, Gone With The Wind, Titanic, and It’s a Wonderful Life. Think The Help, or Pride and Prejudice.

It might be a romance, like An Affair To Remember, or it might be a heroic drama like The Dirty Dozen (I love the scene in Sleepless in Seattle where the men and women get emotional over these two different films – watch the clip here).

Whatever the story, the truth is someone put together the right sequence to touch your heart deeply. Those kind of stories can inspire us to be better people, help us break out of an unproductive rut, or change our lives at a fundamental level. That’s one of the reasons I love good stories so much, and why I work so hard to write them.

I want to try an experiment. What is one movie or book that touched you in a deep, meaningful way? It’s useless to put together a top 50 best books or best movies of all times because different stories touch different people. It’s too subjective. But each one of us has a personal list.

So what book or movie moved you the most?

It’s all too easy to find works that speak to me. When I read a book or watch a movie, I deep dive. I get sucked in completely. For me it’s a vivid, powerful experience, and so I find myself responding emotionally all the time. Whenever the hero faces the ultimate test and risks all to achieve their goal, I find myself choking up and responding to the stakes that they’re feeling because I feel them too.

In movies, I get sucked in almost too easy. From Wreck-It Ralph to The Avengers to October Sky, I’m fighting tears at the end of all of them. In books, most of my favorite authors trigger a powerful emotional response. From Alloy of Law by Brandon Sanderson to Hard Magic by Larry Correia to The Name of the Wind by Patrick Rothfuss.

But even so, some works stand out and make a deeper impact. In books, both Enders Game by Orson Scott Card and The Hero of Ages by Brandon Sanderson impacted me greatly with their fantastic twists at the ends. But one of the stories that I found even more powerful was The Way of Kings by Brandon Sanderson. Kal, one of the main characters, pushes himself to the utter brink to save others, and that heroism demands a reaction from any reader.

In movies, a couple of my all-time favorites are Star Wars and Avatar. But I was also powerfully moved by The Shawshank Redemption and Remember the Titans.

There are many others, but that’s enough for today. This is not an easy question, but taking the time to find an answer can give you a clue as to what motivates you, what themes or qualities you respond to. In life, perhaps you’ve just identified qualities you want to emulate more every day. In writing, perhaps you’ve just identified what element you need to add to our own work to make it really shine.

Please add your comments, and then share the challenge with friends on Facebook or Google+ or whatever other media you use to connect. See if they’re willing to share an example too.

I think we’ll find some common themes, and a few surprises.

Let’s find out.

It Doesn’t Happen in a Straight Line

September 20, 2013

Evan Braun

Conventions Evan Braun Motivation Publishing Reading Submissions The Writing Life 3 Comments

Progress rarely happens in a straight line. It isn’t steady. It isn’t stable. Rather, it happens in fits and starts. When you’re trying to lose weight, you plateau for long periods of time. Sometimes it’s hard to understand why those plateaus happen; if you’re doing the same thing that helped drop you from 220 pounds to 200, shouldn’t the same strategy drop you from 200 to 180? The answer is no. And the reason? It’s complicated.

Technology works the same way. For the longest time—thousands and thousands of years—humanity’s technological level remained static. Then came the renaissance! Followed by more static. Then came the industrial revolution, and in the blink of an eye we’re planning manned missions to Mars and walking around with internet-connected sunglasses controlled by rapid eye movement. Or something. I’m really not clear on the details.

Similar arguments could be made for any kind of long-term change—civil rights, human evolution, writing careers… Wait, go back. Writing careers? Well, this one should be obvious. You start writing those first words, full of excitement and promise, and then you hit your very first murky middle. Or maybe you make it past the middle but can’t stick the landing. Maybe you finish your first book easily, and maybe your second, too. No matter how long your roll lasts, I promise you this: it won’t last forever. You will plateau. And not just once, but many times. When these come along, they can be incredibly stifling. If you give in, you may never recover. You gotta show some tenacity.

The most successful people in any field or occupation are those who get to plateaus, realize they’re on a plateau, scope out ways to move on, and then take the next step. I realize how glib that sounds, but it’s basically the truth.

Instead of talking in abstractions, let me tell you about my plateaus. I’ve faced a couple of big ones.

In 1988, I decided I wanted to be a writer, so I began to write short stories. A lot of reputable genre writers recommend starting with short stories, so I was in good company right from the start. Still, I don’t think they meant these short stories; I was five years old, and they contained by own not-quite-in-the-lines crayon illustrations. My most successful literary achievement of this period was my breakout hit, Darryl Gets His Glasses. For the record, Darryl was a giant orange dinosaur of unknown genus. This was a real tour de force; those second-grade girls were weeping in the corners when I read it aloud following afternoon recess.

But those stories only took me so far. Sure, I had my fans, but my career was beginning to stagnate. I wrote and wrote and read and read, and you know what? I noticed that the biggest names in publishing weren’t getting famous off handwritten stories in primary school notebooks. After some serious soul-searching, I decided to take a bold step into the brave new world of fan fiction.

These were heady years, when words didn’t have to be good; they just had to exist. (Which was fantastic practice, by the way.) My fan fic quickly took the form of full-length novels. I wrote a couple of them, two in two years… and then rested on my laurels. I had done it! I was a writer. Welcome to Plateau #2.

By 1995, I was certain of one thing: my books were certainly as good as their professionally published counterparts (they weren’t). This false confidence led me to take the next step: investigate how to submit my fledgling literary Picassos to the big leagues. This was a critical step in mine and any writer’s development, and from it I learned I wasn’t as good as I thought I was. Oh yes, I was slapped down good and hard. It turned out my friends and family had lied to me about my wunderkind status, those sons of bitches. It turned out there were actual skills to pick up beyond just writing down whatever came to my head in the moment. Plateau #3.

I took better English courses, I read how-to-write books, I broadened my reading selections. When high school concluded, I went for a communications degree. This made me much better and I started to convince myself again that a writing career was possible.

And yet this was the longest and most tangled plateau of all. It was almost seven years between my last high school offerings and my first serious foray back into novel-writing. I got a lot of education, sure, but that didn’t seem to be enough. Indeed, I was trying to get ahead by following the same strategies as before—and those strategies were no longer as effective as they had once been.

The way forward this time was in meeting other writers, becoming part of a community of like-minded individuals, partnering with other people who shared my goals and aspirations. I found those at conventions and seminars. People and support structures, rather than skill alone, showed me how to get to the next level. That process started in 2010 and inspired me to get back down to business. I’ve written a half-dozen novels since then.

But you can never climb for long before reaching another plateau, as I have learned. Allow me to let you in on a little secret: I’m actually on a plateau again right now. My novels have gotten better, my support structures are stronger than ever, but I’m still not raking in the big bucks. Where are the shiny contracts? Where are my stacks of hardcover new releases?

Well, I’m working on that. Stay tuned!