Category Archives: Motivation

Making Tea…and time to write.

Here’s a stupid joke:
“How do you identify a writer in a crowd?”

You call out “Shut up and write!” and wait for them to wail back “But I don’t have the tiiime!”

Haha, I’m so funny.

But also, I’m that writer. We all are at times. We think, “Oh man, if I could just quit my day job, then all I’d have to do is write! I could wake up at the crack of dawn, grab some coffee after a nice brisk walk to get my blood flowing to the creative part of my brain, and just sit at the keyboard until lunch and bleed.”

Oh and how I dream, readers. I dream of this idyllic life. All that free time just to sit and write and write and write…

If that’d be the case, if I were so disciplined and motivated, on my days off of my Breadjob, I’d be doing that. I mean, wouldn’t I? 

But what do I do oftentimes? Get some coffee, sit down at my keyboard, and not write a single word.

Oh sure, I’ll type out some things on Facebook. To people. I can tell them all the words. I can tell them all about my story and my thoughts and my feelings and what happens in this particular scene. Meanwhile, my manuscript is sitting all alone in its little folder, quietly sobbing to itself and wondering why, if I love it so much, I tell other people and not it?

So what am I doing, really? Waiting for Calliope herself to descend to this mortal plane and wrap her arms around me, sing sweet hymns into my ears to inspire me? Not even inspire me, just tell me what to write! It’s not like writing is work or anything. Make her do all the work and complain when she doesn’t.

That’s the ticket to success right there.

JimCHines_Writethestory
One of the things that helps is to prioritize what needs to be done today, and what my needs are for the week. For example, on my days off from work, is it more important for me to recover and rest from whatever is going on and spend time on myself, or is it more important to get my deadline done for my long-term goals?

But in our drive to succeed, we can’t forget that we need to nourish ourselves. Not just our bodies with food and sleep, but our connections to the things and people we love. The story isn’t more important than the person writing it, and oftentimes seeking out new experiences or conversations will refill your creative well, so to speak.

Authors often talk of rituals that work for them, and you should find what works for you. I have mine, but they don’t always work.

For example:
“I’ll brew some tea. A little caffeine to help me focus. Also, tea.”
“I’ll just check Facebook while it brews!”
“…Aww those rat pictures sure are super cute.”
“A political argument? On the internet? This is important and I should join in!”
“Ooh, this article my friend linked is super interesting.”
“I should talk to them about it.”
“Well, they’re afk, so I’ll check on Wattpad.”
“Maybe another episode of my favorite TV show will inspire me…”
“Aww my friend is back! I love talking to friends!”
“Oh man! What time is it? Jeez, what have I been doing. I never have any time to write. I don’t know how other authors do it. It’s not fair.”
“I’m going to go write and be a Good Writer.”
“I should make some tea before I write.”
“…Oh.”

But the better one that works involves eliminating those distractions:

“I’ll brew some tea. While it brews I can look over what I have and edit the outline a bit more and organize what scenes I plan to get done.”
~Two Hours Later~
“Well, got 1,000 words done, about half the chapter. I’ll give it a look over tonight before I post it.”
“Didn’t I have some tea? I should make some tea…”
“…oh.”

When I get distracted, what gets me back on track is to realize how much time I’m wasting and eliminate those distractions. I turn off the WiFi and go find a secluded spot where I can put on my noise-canceling headphones and just write. It takes about 15 minutes to get really focused on a task, and then once I’m focused I dedicate the next 45-55 minutes to it, since that’s about how long something can generally hold attention.

Then I like to do something else that doesn’t take much thought, such as walking, errands, or chores. I get my work done so I’m not neglecting other aspects of my life, and it gives my brain a chance to recharge and refresh for when I sit down to write again.

So when are you going to find time to write?

WRITE-NOW-LOGO-AWI make no apologies for puns.

 

Writers Are People Too!

Have you ever noticed how we tend to speak of our time as if it were a commodity? Just look at the verbs we use! We spend time, we save time, and we waste time. At work, we earn time off and are paid in terms of tender per hour or per year. Ultimately, whenever you go work for another you are leasing them your time and attention, devoting your talents to their projects rather than your own. As the cliché goes, time is money.

So, if we count and budget money, why shouldn’t we do the same for our time? As an example, let’s consider my time in round numbers. There are 168 hours in a week. I find my job to be challenging and fulfilling, and so I spend, on average, 45 of those hours working. It takes me another 4 hours a week to commute back and forth, and I usually aim for about 7 hours of sleep a night. All that accounts for 98 hours per week and leaves me with 70 hours to do with as I please.

Sure, once you start considering the minutiae of everyday life, that time goes fast. However, just because I feel that I “need” to do a thing doesn’t change the fact that I’m expressing value by doing it. I clean my cat’s litter boxes because I value their companionship as much as I appreciate having a house that doesn’t smell like cat poop. I value my personal appearance and hygiene, as well as the health benefits that come from regular exercise and eating well. I want to be free from debt, live in clean spaces, and maintain my relationships with my friends and family. It seems like a lot to do in 70 hours, and it is.

However, in and amongst all those details I cannot allow myself to forget that I also value writing. Fiction is a demanding mistress. Like many other authors, I’ve spent years practicing my craft and actively working to maintain and improve my abilities. I’ve devoted countless hours to planning, writing, and editing stories. I’ve invested all of this time because I love the act of creation. I find joy in building worlds and characters, satisfaction in a well-crafted phrase, and a sense of profound peace in the ability to control a world absolutely. Writing fulfills a deep emotional need and so it is worthy of my time.

The major difference between a professional and a hobbyist writer is their commitment. The hobbyist writes when it is convenient. When they find time. The professional chooses to carve time out of a busy life to write. The hobbyist makes excuses for why they didn’t have the time, and the professional acknowledges the reasons and makes it work anyways. This is why I leave a notecard that reads “70 Hours” taped to my bathroom mirror. My time isn’t infinite, but it is mine to do with as I please.

There are many things in this world that seem really important, genuinely urgent, and make a great case for why I need to spend my time working on them rather than having my butt in the chair and my fingers on the keyboard. And while some of them do need to be taken care of now, most can be managed to still allow room for writing time. The past is done and that time has already been spent, but I can choose my actions going forward.

Knowing and saying all this is one thing, but living the commitment to be a professional is often much harder. I’m as guilty as anyone else when it comes to making excuses. In fact, one of my friends recently called me out on this, something that I love her dearly for doing. We all need writer friends to help keep each other honest.

I can’t tell you how to strike a work-life-writing balance that’ll work for you. As far as I’ve been able to find, there’s no magic formula. However, if you got it figured out be sure to share your solution. The best I can do for you is talk about what has worked for me in the past, and more importantly the traps that have bogged me down. But don’t just take my word on it.

This month on the Fictorians, you’ll hear from a truly inspiring roster of writers who all need to balance the many demands of life against their writing time. Though they each go about maintaining their work-life-writing balance in different ways, I’m sure that you’ll find some stories and advice that resonates with your own situation. Whether you feel that you just need to make a few tweaks or perform a complete overhaul of your work-life-writing balance, know that you are not alone. Balancing the many demands of life is something that we all struggle with. Be welcome and happy writing!

Meet the Fictorians: Frank Morin

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a cold winter’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Frank MorinAuthor Frank Morin

 

Kristin Luna (KL): Hi Frank!

Frank Morin (FM): Kristin, as always, it’s a pleasure.

KL: When did you join the Fictorians?

FM: I was one of the first members of the Fictorians who wasn’t an original founding member. I joined just months after the original group was formed. As soon as I heard about the idea, I saw the brilliance of it and decided I had to become part of it. I’ve never looked back.

KL: Where do you live? Are you inspired by your surroundings when you write?

FM: For most of my life, I lived in New England, but I moved with my family to southern Oregon about five years ago. This is a beautiful part of the country, with a great climate, mountains, rivers, and lots of outdoor activities, which I enjoy. I’m a scoutmaster, so I get to camp and hike and explore more than I would otherwise.

I try to draw inspiration from everything I know, and I definitely look to real environments when developing settings. I’ve traveled some, and hope to travel much more in thefuture. It’s all great fodder for the creative process.

KL: I feel like you’ve been putting out books left and right. I’m really in awe of your productivity. Do you have any words of advice for our readers on that?

FM: Thanks. Last year was a big year. I released three major titles and jumped into indie publishing with both feet. This year, I’m planning on four or five major titles, with some short story publications worked in somewhere too. My books tend to be long – about 150,000 words, so it’s a challenge to release so many.

The most important advice is to write every day. Make a commitment and stick to it. Some days writing is less fun than other days, but when I force myself to sit down and start typing, I can find the fun, even if I lacked motivation to begin with.

I also recommend setting goals that will motivate you to try harder, goals so high they might scare you as much as they motivate. I set the goal to launch eight books last year. Not physically possible, but I tried and I worked like crazy to try to make it. I learned a lot of lessons and got further than I ever could have without setting that stretch goal.

And enjoy the process. I love writing and I often tell people I’m my own biggest fan. That love of story will radiate off the page. It helps me keep going, and readers feel it.

KL: You’re currently working on a new series, The Petralist. Book 2 came out in December of 2015. When is book 3 coming out? Can you give us a quick elevator pitch of the series?

FM: I’ve been releasing books in two series. The Petralist is my YA fantasy series that has been doing quite well. It’s a fun, epic read full of big adventure, big magic, and lots of humor. Book three should be out in May, and it’s shaping up to be even better than the first two.

Set in Stone kicked off the series, introducing Connor and his friends as their remote village became ground zero for an escalating international crisis. In a kingdom where only the nobility are supposed to have special powers, Connor’s secret curse might hold the key to stopping the war and saving his village from destruction.

The other series is the Facetakers, my alternate history fantasy series. It’s been described as Mission Impossible meets Assassin’s Creed. It’s a fast-paced, world-spanning adventure that also delves back in time as opposing forces with superhuman enhancements battle for control over pivotal moments in history to control the power needed to shape the future. Fun stuff.

KL: What’s the biggest lesson you’ve learned from writing a series?

FM: Series are fun, but they definitely offer unique challenges. Each novel needs to push the over-arching storyline forward, but each novel needs to be standalone enough for readers to pick it up and enjoy it, even if they might not have read previous works, or forgotten much of those earlier novels. The other challenge is in making each novel resonate with the series but still remain unique enough that readers don’t think I’m just re-hashing the same old plot ideas I’ve used before.

I’ve tried to learn lessons from failures I’ve seen in other series, and so far the response has been very positive.

KL: What’s your favorite book or short story you’ve written so far?

FM: That’s such a hard question! Each book and story is like a part of me. Perhaps that makes me seem schizophrenic or suffering from a very split personality, but it’s true. Like I mentioned earlier, I’m my own biggest fan, and when I sit down with any of my stories, I get sucked in by them, even though I wrote them.

But if I had to choose, I’d say Set in Stone, book one of the Petralist. That story started as a project with my kids. We tell a lot of stories in our home, and the kids were demanding I give them something epic. So I threw down the challenge: they come up with a magic system, and I’d make up stories using it.

They did, and I did. What started as a fun journey of ad-hoc stories at home became a year-long journey with characters we came to love. Writing novels based off of those verbal adventures was a no-brainer. The books are dramatically different from those early verbal drafts, but some nuggets have remained, and the kids and I love to rediscover them as we read the stories again and again.

KL: What do you like to do when you’re not writing?

FM: Life is full, and never boring. I almost never have time for television. I’m a self- employed computer consultant and I try to write as close to full-time as possible. Plus I’m busy with my family and church and community. I’m a scoutmaster of a local Boy Scout troop, and we camp every month. I love outdoor activities, SCUBA, but also reading and playing video games with the kids when I can. I try to be active and enjoy life.

KL: Do you write to music or in silence?

FM: I usually listen to instrumental music when I write. Most often, I listen to Piano Guys radio on Pandora, and other similar stations I’ve been customizing. The music helps free my mind, but I can’t often listen to lyrics because the words distract me.

I’m convinced that “Numb” by Linkin Park would make the perfect theme song for a movie-quality book trailer for Set in Stone. Listen to it after reading the book and you’ll see.

KL: What’s your favorite blog post you’ve written for The Fictorians? I know, there are a ton, but what’s the one you’re most proud of?

FM: Wow. Another impossible question. I don’t think I can pick a single favorite, but there are a couple of contenders I could mention.

One that comes to mind is “Working the Humor Scale” where I discuss different degrees of humor. I’ve explored using humor in my stories, particularly the Petralist novels, and it’s a fun process. With each story or novel, one of the important aspects I look at is where on the humor scale the novel is going to fall.

I’m also a fan of setting stretch goals. I’ve done a couple of posts on the topic, including one in January of this year, but I think the one I’d like to highlight is “Go Big or Stay Home”. Take life by the horns, take a chance, and go for it.

 

If you have any questions for Frank, please leave a comment below. Thank you for reading!

The Origins of Smooth: A Guest Post by Joy Johnson

A guest post from Joy Dawn Johnson.

 

When I was approached to write a guest post about how my life experiences have shaped my writing, I almost said no. Not because I’ve never written a post before (I write fiction, not blog about real stuff—especially not about myself), nor because I don’t have a life…or experiences. It’s because some things are too painful and raw to think about, let alone display for the world. But if I’m going to move people with my writing, I have to be willing to go there.

My current work in progress is about a genetically engineered, genderless sixteen-year-old known only as 31 who struggles to choose a gender and find love. But when 31 breaks the selection process, 31 is forced to decide which of them will be recycled into genetic waste and which will live to become the future leaders of society.

I’ve heard dozens of times that it’s best to write what you know. I’ve never been genderless, but some of my most painful memories relate to my own gender identity struggles. I’ve learned to use those memories and experiences to fuel my writing.

Looking back, I still cannot pinpoint the exact reason I decided to play football–the most male dominated sport there is. It wasn’t because I had a passion for football exactly (though I’ve always had a soft spot for contact sports) or wanted to make a point. Looking back, I think I was trying to understand myself. Understand a side of me I had never explored, something inside me that playing football opened up.

In the late 90s, girls playing football were unheard of—especially in high school, on the varsity team, in a southern town like Norman, OK where football is sacred. My team hated me. Even those that I hung out with and were my “friends” harassed me on the field. In fact, sometimes they were the most verbally abusive. I was even dating one of my teammates for nearly a year before he would outwardly admit it to anyone (months after the season had ended). He was too embarrassed to even hold my hand. Looking back, he was a straight up idiot. They all were.

I wish it stopped there. The team was also physically abusive and NOT ONCE did any of them stand up for me, and tell the others to back off. They had such a problem with a female doing something that in their minds was purely for males that not one of them stood up to be a man. Any chance they had, they would take cheap shots. I don’t mean a punch to the arm. They would get in my blind spot and full out tackle me while I was standing in line or walking to the next station. Slamming me onto the concrete or against the fence must have scored them double points. Recently in the news, there has been a lot of discussion regarding helmet collisions. For me, that was a daily thing. The guys would go out of their way to hit my head. And it’s not like they would do this behind the coaches’ backs. The coaches encouraged it.

It started as headaches. Sometimes the pain was so intense that I thought my head would explode. My neck and back were messed up, too. One time, when one of the guys was going for what I can only guess was a curb stomp, I tried to get out of the way and his cleat scraped everything off my shin down to the bone. Instead of helping, the coaches yelled at me, the trainers refused to help. I couldn’t even stand. Finally, my body recovered from the shock and I wrapped it up myself and finished practice. Not long after, one of the guys cheap-tackled me, aiming his helmet at my face. He caught my chin and split it open. The coaches and trainers wouldn’t help but couldn’t ignore the fact that my white uniform was now a sheet of red. I went to the emergency room. The doctor pressed and I finally divulged my symptoms. After some scans, he told me that I’d had multiple concussions and if I continued playing, I could get paralyzed. I’m not a quitter and getting run off was the last thing I ever wanted. It felt like they won. It still feels that way, sometimes.

It wasn’t like I was a total butch or anything. The same year I played football, I won Miss Teenage Oklahoma, was a national finalist and won Miss National Congeniality—very accepted by the girls. You’d think that having Miss Oklahoma in the school would turn some heads but I’d already been labeled as an outcast. I won national dance and cheer titles and went on to be a cheerleader in college. Nothing mattered. To them, I was forever the freak who played football.

In college, I was still drawn to understand myself. I took honor’s gender studies and discovered that while I was female on the outside, I was more like a male on the inside. It made sense and I was relieved, but I didn’t know what to do with the information, didn’t know there was anything I could do. Gender fluidity wasn’t openly discussed back then.

Today, going against the norm is more acceptable. Being “different” can sometimes be “in.” Though being different for different sake is about as bad as people who conform to match everyone else’s desires until they’re unrecognizable even to themselves. With empathy comes truth that isn’t always what we want or like and it may not be what’s accepted. It’s about you being true to you.

If I help even one person to not be afraid, to be stronger, to see who they truly are, to not have to go through even a fraction of what I did, everything I’ve been through would be worth it. I’m not telling my personal story in my young adult Sci-fi novel, Smooth. Smooth is about it being okay to be different. It’s about acceptance and being open, even when you don’t understand, because you never know when you might need someone to be there for you. But most of all, it’s about being true to yourself.

It’s hard digging down to the very core of who we are, to get close enough to painful memories to use them in our writing. Find the courage to connect with the emotion of those experiences and tell your story, in your own way. I hold onto knowing that the more I can tap into that scared, determined girl and let her tell her tale, the more it makes everything worth it.

 

Joy Johnson bio:

Shortly after receiving her BFA and MBA, Joy Dawn Johnson worked as a project manager for more than ten years, including a stint in Baghdad, Iraq, as a government contractor. She is a member if the Society of Children’s Book Writers and Illustrators and was the 2015 recipient of the Superstars Writing scholarship. Joy typically writes middle grade and young adult Sci-fi and fantasy. She will begin to query agents later this year with her current work in progress, Smooth.

Read the first chapters of Smooth: JoyDawnJohnson
Website: joydawnjohnson.com
Twitter: JoyDawnJohnson
Follow and chat with Joy live on Twitch: Joylovin