Category Archives: Self-Awareness

Do You Wanna Know What Love Is? Do You Want Me To Show You?

Some like it hot. Others just plain don’t like it, hot or cold. I could either be talking about oatmeal or love. Unfortunately, we couldn’t figure out a month’s worth of posts about oatmeal, so we opted for love.

But not just any old love. Complicated love. Confusing love. Forbidden love. Exhausting love. Unique love. Carnie love. Maybe not carnie love, but maybe someone should start talking about it, gosh darn it, because love is love! And while we have our individual experiences, we share one thing: we’ve all been touched by it. How we’ve been touched by it is a whole ‘nuther conversation.

But we’re about to have that conversation. How can you make love between two characters unique? Should you or should you not marry your cat? How do you reach outside your own experience to create unique, surprising love between characters?  How can you get that guy to stop stalking you? We hope to answer most of these questions this month.

You can look forward to posts from all of your favorite bloggers, along with special guest posts by author Lisa Mangum, her talented filmmaker husband Tracy Mangum, Cthulhu convert and author Stephan McLeroy, aspiring author and illustrator Victoria Morris, and editor/hair god Joshua Essoe. Join us as we celebrate love and relentlessly pound the crap out of it this month!

Hidden in a Dash

A guest post by VICTORIA MORRIS.

grave-stone

There’s an oblong granite stone just behind a wrought iron fence. You can’t see it clearly unless you walk around the gate. Continue through the hallowed ground until you’re standing just to the left of the gatehouse, under the shade of a hundred year-old weeping willow lending relief from the day.

There are three names on that headstone. The first two, on either end, aren’t similar in any way.   The numbers beneath the names are as different as the names themselves. But what is carved between them, binds them all together.

We’ve all seen grave stones. They bear cherished titles: Beloved wife, sister, mother, grandmother. Written just below the name are years. In this case, 1927 ~ 2007.

Have you ever pondered what is really being said in that short last phrase? It isn’t the day of birth and the day of death that tell the story. It’s the dash between them.

Hidden inside that one mark, is a lifetime. All the choices and the entire world of that person. Every joy and every sorrow. Every minute of every day that became the pages of her life.

Changes happened. She grew up during the great depression. She helped work on a farm, and she made sure that she, her little brother, and sister all made it to school. Then she married at fifteen. And promptly sent her brand new husband off to fight in World War 2.

More changes came. He almost didn’t come home when a bullet found his chest, and death swarmed all around him. If a member of his troop hadn’t seen him just barely pointing to his own pocket, to where the rain slicker each of them kept was held, they would have left him in their retreat. Instead, they would use that thin plastic to carry him off the still engaged battlefield. Had they not, children never would have been born.

But he did come home. And their choices together added more pages to their story.

They tried and failed at a few things. But they didn’t give up. They kept on moving, together.

They changed their scenery, moving from the farm into a little white house on an island, where they raised their family of ten children.

The story of the life goes on, adding more chapters. Many more years. Many more joys and happy days. Along with ones that brought tears. All of this, happening during that dash chiseled in a few skillful taps into a white-gray granite.

We all face trials, joys, choices, successes, and failures in life. It’s how we choose to view them, that determines how we classify them and how we embrace, rather than resist them, that helps to make our life great.

Sometimes, it’s within the trials and errors that we find the paths to the greatest joys. Who among the writers here, hasn’t found inspiration by changing the scenery. Inspired images come raining down in the shower, that moments before were no where near existing. And you have to rush to dry off to get them all onto paper. Found the answer to a perplexing scene where you least expected. Located the keys in the last place you looked.

Great inventions nearly always happen that way. Penicillin, capable of saving and helping a life, first existed as mold on a piece of bread. But someone looked at that moldy bread differently, and saw the flash of an idea.

Plot twists change the way we see things. One thousand ways to not make a light bulb happened, before the light bulb did.

Losing something worth everything can be the hardest place to start again. But if you have the courage to begin again, perhaps some of your greatest yet-to-bes, are waiting for you there.

Changes kept happening for that couple. He passed away the day after their 49th anniversary. Cancer finally taking him, after the bullet that stayed in his lung the rest of his life couldn’t.

She mourned him. But before too long, another man crossed her path. Having dealt with his own dash, life had been hard. He didn’t smile much. He spoke with a very soft voice, if at all. But she showed him how to smile. And in showing him, found a joy she’d never experienced before, even in a life-long love.

Then cancer came again. And twice, she had to bury that love.

We all face things that seem insurmountable. Troubles, illness, job losses, moves to places unknown. Things that will shape our stories. But we have the power to choose how that new shape looks. We have the opportunity to turn the unknown into the greatest thing that will ever happen, just by deciding to see it that way in the beginning.

She mourned a second time. This time in a completely different way.   She was so sad that she had to choose where to go, whom to lie beside when her time came.   Until she realized, she didn’t have to choose between them.   She felt she needed to share it with her family, but not a single one of them objected to her idea.

She moved her first husband to lie at her left. Her second would be buried to her right. Leaving the space between them for herself. Connected to them both in death, the loves of her life.

She spent her last years happy. Even though the pain of losing each of them was always with her, the joy that each had given surrounded her completely. There nearly wasn’t a day on her wipe board calendar that did not celebrate a birthday of someone close.

Then the day came when she was laid to rest between her two loves, and her dash was chiseled.   Though there were many many tears, there was even more laughter. Because if there was one consistent thing about her, my grandmother knew how to laugh.

A different outcome on that Okinawa battlefield would have caused an enormous difference in my life. I’m very thankful for those men that stopped and looked, so very far away and long ago. Without their bravery in the face of an ongoing destructive force, my mother would have never been born. Without her, me.   A scary choice faced them when they stopped for one wounded soldier, not unlike some of choices we ourselves face today.

That headstone is complete now. It stands as a quiet memorial of three lives that influenced my own deeply. My grandfather was an artist and a poet, my grandmother the first to show me what music could do for the soul. My second grandpa, who came and left too quickly for me to get to love deep enough, but to whom I am forever grateful for giving grandma so much joy. There, behind that wrought iron fence, shaded by that willow. Even though I don’t get to visit it very often, the symbol of those words and dashes and the stories they hold are always with me.

Every story deserves its chance to be told. Don’t be afraid to share the failures along with the successes. Don’t steer clear of the hard choices you may face, if you can imagine a different way of seeing through them.

Each choice, every chance, is one more way to learn if the vision of your life can work. And even if it’s not how you pictured it the first time, you may find something you never knew was there. And that something might very well change your dash forever.

victoriaMorrisVictoria Morris Bio: Victoria lives on the edge of a mysty magical forest in the Pacific Northwest with one husband, two daughters, a big white dog and one huge resident bald eagle that likes to circle over her house when she brings in the groceries. A lifelong artist and not quite as long writer, Victoria is building a universe inside her head that has taken form in a six book fantasy series, with a middle grade trilogy on the side. While illustrating the world and all its characters is always on her mind, she draws portraits in her spare time to relax. Find out more here.

Git Er Dun: Using the Vernacular

One potentially powerful and useful tool to have in your toolbox is the ability to write in a certain vernacular that makes your characters memorable. Stylistic voicing has been successfully used by some great authors. Let’s take a look at those, and why they were successful.

 

The Catcher in the Rye by J.D. Salinger

One of the most memorable characters I can think of is Holden Caulfield. The Catcher in the Rye is a staple for coming-of-age readers. It’s my favorite book, in fact. Why? Why did this book resonate with me so much? No, it’s not because I’m

Well, are you?

a sociopath, as many critical readers think of Holden. I loved the book because it was real.

We understand that this is the first time Holden has ever truly spoken his mind, consequences be damned. And we get a front row seat! His raw vernacular often includes calling people “phonies” and using “goddamn” as a consistent adjective. This usage of stylistic voicing achieved a certain authenticity. Whether Holden was right or wrong about the other characters being phonies, we never question for a minute that Holden is completely convinced that they are.

 

Room by Emma Donoghue

The book Room is told by a 5-year-old boy, Jack, whose main education is the television. Why? Because he is a captive, along with his mother, locked in a shed for years. Jack’s stylistic voicing is so convincing, so well constructed, that the reader is completely enveloped into Jack’s world, where he has only known the Room. He has never been outside. He hasn’t received any sort of education, apart from the one his mother tries to give him, which makes his sentence construction short and plain. He only describes what he sees, not knowing exactly what certain things mean. But you, the reader, know exactly what it means. And it makes your stomach churn and your heart ache.

You may want to pick up Room to see an excellent example of emotional transport with a stylistic narrative voice. It should also be noted that some readers simply could not get past the stylistic voicing. That is one of the risks you take when choosing a stylistic narration, but the rewards can be BIG. Room won Emma Donoghue over ten prestigious awards for her effort and risk.

 

The Adventures of Huckleberry Finn by Mark Twain

Perhaps the most well-known example of using stylistic voice is Huck Finn. It was, in fact, the very first novel published to use American vernacular, or more specifically, regional dialect (an example:“Sometimes you gwyne to git hurt, en sometimes you gwyne to git sick; but every time you’s gwyne to git well agin.”). Huck is described as a pariah, son of the town drunk, and the other children wish they dared to be like him.  That’s one hellova introduction. If Samuel Clemens decided to write The Adventures of Huckleberry Finn in third person, I venture to say everyone would hate Huck.  A bratty little kid, running around causing havoc. What Twain did so brilliantly was deciding to tell the story from Huck’s perspective, showing us the charm and charisma Huck has to offer, so we can’t help but love the little shit. Using stylistic voicing, Twain made us relate to an otherwise potentially annoying character.

 

You may have noticed that I chose all first-person novels, as well as young narrators. Can you think of any examples of stylistic voice using adults, told in third person? Was it as effective as a first-person stylistic voice?

If you’re on the edge about whether or not to write a character’s unique voicing, take heart. Mark Twain had never seen it before, but did it anyway. Emma Donoghue received some unkind reviews of Room because of her style choice, and probably cries about it in front of her wall full of awards. Just kidding. She doesn’t. And Holden Caulfield wouldn’t be one of the most notorious voices in literature if Salinger hadn’t let him. Tell your character’s story in the most authentic way possible, even if that includes letting him or her speak for him/herself.

 

What I Set Out to Do: Closing the Door on 2014

With one day left in the year, I think it’s safe to say I will not achieve the goals I set out for myself in 2014. I was hoping to complete three books, and instead I completed precisely zero. This suggests that I failed rather spectacularly, though the truth is not nearly so dire when I drill down to the amount of work I actually completed. The primary book I intended to write was supposed to be finished at approximately 100,000 words, and indeed I wrote 110,000 words—so I’m not done yet, but not for lack of trying. There’s just more story than I anticipated when I started it back in January. The other two books are already written more or less in full, and only require some polish to get ready. And therefore, with great confidence, I am able to predict that I will not only write, but also publish, three books minimum in 2015. A fourth book is not out of the question.

A year ago, I think I might have found a year in which I published no new titles discouraging. As important as it is to be releasing new material as often as possible, though, it’s also important to realize that one must devote the necessary time to producing quality writing. For me, 2014 was just such a year, and I expect to reap the rewards starting in the spring. So despite my seeming failure, the past twelve months have in reality been very productive. I’m enthusiastic about the coming months as I creep closer to the finish line on these multiple projects.

My primary novel-writing endeavour this year was getting through The Law of Radiance, the still somewhat tentative title of the third and final book in my Watchers Chronicle trilogy. In past years, I’ve adopted some pretty solid techniques for maintaining productivity and discipline, but this year the challenge was more about bringing a long-form story like this one to a close in as satisfying a manner as possible. Tying up the various plot and character threads of a single novel is challenging enough, so tying up three novels’ worth is a tall order. I’ve definitely learned a few things I’ll be taking into account next time I attempt a story on this scale.

Other lessons learned: don’t let yourself lose momentum when you reach a difficult yet critical juncture in your work in progress. My tendency is to work my way up to those big difficult moments, then back away for a few weeks, using the excuse, “I need to think this through before I move on.” The end result is that I typically go back and write it according to my first instinct anyway, so I don’t gain much by the delay and lose quite a lot of time in the process.

And as usual, the biggest professional obstacle standing in my way is my handling of the day job, which I routinely allow to take precedence over my writing. Which is, of course, a common scenario. This always seems to make sense at the time, but looking back over the past year, my biggest regrets revolve around not taking full advantage of the short periods of free time between my day job hours. It seems to me I could have squeezed out several more chapters if I’d made myself fill in all the cracks in my schedule that way.

Well, there’s always next year!