Category Archives: Self-Awareness

We all set writing goals, but being able to achieve them means we need to understand how we work and how to make our goals work. Here are seven things I find helpful:

1) dress properly
You don’t wear a winter parks in +40 weather so why would you wear the editor’s hat when creative juices are running high? Stay immersed in your world and tell the story. Story structure, world building issues, exposition issues, line edits – all these ‘imperfections’ should be dealt with in the revision and final editing stages.

2) flip flops or hiking boots?
Do you get a better work out strolling on a beach or hiking up a steep mountain? Or a little of both like setting a large goal of one novel a year with smaller goals of 2,000 words a week? Know what motivates you and know that there is much flexibility in how you reach your goals. For example, you may only be able to write a few hundred words a day but if you set aside a weekend every month or two as a writing weekend, you can more easily reach your goals.

3) befriend change
Life happens. Rethinking a concept happens. Writer’s block happens. We get thrown off our goals and every doubt we ever had about being a writer sets in. So never cower before change. Understand why the change has happened. If it’s writer’s block, perhaps there’s something you haven’t thought through well enough. Sometimes our characters take the story in a different direction and we must rethink it. Illness strikes, work changes, any number of things can happen to throw us off our goal. And as with point #2, you may need to decide if it’s time to wear flip flops or hiking boots for a while. But remember, befriending change isn’t permission to procrastinate because goals, like business plans, are moving targets.

4) become a guru
When you are at your paying job, you aren’t in a position to write your story. Conversely, teach yourself and others that your writing time is a job not to be interrupted. Eliminate distractions like phones, emails and social media. You need to focus and to be in your groove, so become your own guru and facilitate channeling your own creativity. Our brains like routine so find something that works for you: meditate, choose background music that inspires creativity, have a special cup of tea and set a specific time for writing.

5) even a sloth is accomplishes something
We write about life, not directly perhaps, but all we experience and observe is translated into our stories. The themes in our stories are our ruminations about how we see and understand things. When telling a story, we sometimes need to pause and to consciously or subconsciously think through those themes and their implications. Down time can be problem solving time and sometimes, it’s just a need to recharge your batteries for the next burst of creative energy.

6) let your fingers do the talking
Fingers on key board – need we say more? Yes for what happens when the fingers and brain aren’t quite connecting? Try it the old fashioned way for a bit and use a pen and paper. There is something to be said for the older, slower method of writing. The hand and brain connect at a different speed (generally slower) and there something more methodical, more organic about the process. Sometimes when I do this, I write about things unrelated to the story but which, on some level, I needed to say or think about. Free style writing, whether by hand or keyboard, can loosen writing blocks and free up creative energy. But truly, write your story one paragraph at a time, one chapter at a time and soon, you’ll have reached your goal. If you’re not trying, it isn’t happening.

7) go play!
Life happens and we need it to happen. We are complex creatures needing inspiration, family and friends. So make time to play with others – and to do the dishes! Never feel guilty about having to do so unless you let it shamelessly distract you from your goal. Writing time for many of us is a form of play time so embrace it as such. For many of us, writing is play time for our creative spirit. Embrace it. Love it. In doing so, you’ll make those around you understand how important it is for you, the creative artist, to have this time. Your writing goals will be more easily met if your family and your creative spirit in you aren’t neglected.

Permission to play! Now, that sounds like fun!

6 Ways to Sabotage Your Goals

June 12, 2014

Ace Jordyn

Ace Jordyn Craft & Skills Failures First Drafts Goals Motivation Self-Awareness Self-Motivation The Writing Life 1 Comment

There are things which keep us from achieving our goals, and sometimes we’re not aware when we’re being our own worst enemy.

1) be a good friend
Be a good friend to everyone but yourself. Always check email regularly, answer the phone and respond to your social media pings – as important as these are, they’re all distractions from writing. Set a time for them and that should be when you’re in your least creative head space, you can’t write another word or you need a break. There are days when I don’t check in with anyone or even look at emails because they’re an easy distraction and shift my thoughts on other directions. There are no short phone calls with close family or friends. The danger of the distraction is the changing head space. When I’m writing a world, I need to stay in it – the travel fatigue between realities is strenuous and counterproductive.

2) pretend you’re back in elementary or high school
At some point, we learned not to believe in ourselves. We can be our own worst enemy and critic. Somewhere deep inside a kernel of doubt niggles, of not being good enough (whatever that means), that we won’t succeed, that the stories will never measure up. Remember those elementary and high school teachers who red inked your assignments? In an effort to teach us the basics, they unwittingly hammered fragile creative egos. Make them the ghosts of your past, not your present. So, drop the hammer and the red ink and use the keyboard instead.

3) sweat the details
The devil is truly in the details. It’ll bring your world alive or it’ll totally swamp you. Researching a world thoroughly is fun and it stimulates creativity. Done to excess, however, it can be a distraction from both writing the story and the protagonist’s journey. The details must contribute to the plot and not be superfluous. Sometimes you don’t know what details you need until the story is being written. Use the premise and a rough outline to guide your research. If you really like research and world building, know that it isn’t over until the story is published – there will be times when you need to deepen the world with a little more research.

4) fear heights
Fear climbing the ladder of success. Fear writing ‘the end’. Fear sending your work to beta readers and editors. Two things happen when we get closer to our goal – the dreaming stops and we are forced to leave our now comfortable, creative world for the business one. The business side demands skill sets we’re not always comfortable with such as revision, editing, submission and marketing. Rejection or criticism, at any level, feels like falling off the ladder for the higher we go, the harder the fall. But it doesn’t have to be. Learning the business side, climbing that ladder – it’s a skill set that once embraced creates possibilities and enthusiasm for new goals, new stories and opportunities to realize your highest goal which is that of professional writer.

5) believe it’s a just hobby
If you don’t take it seriously, neither can anyone else and the support you need (time to write, encouragement, feedback) won’t be there. Worse still, you’ve created an environment designed to sabotage your goals. Most of us need to work to pay the bills so we can’t write full time. But treating it like a profession isn’t justy about having endless time – it’s about taking it seriously, setting regular times to write, learning the craft and business. So set your goals and take them seriously. Most importantly, decide what it is you want from your writing – is it a hobby or do you want something more? Then, set your goals accordingly.

6) read 15 how-to books and conscientiously apply them to your first draft
That stopped me cold. I didn’t need to read 15 books, just one how-to at the wrong time gave me a very painful writer’s block that took a week to work through. Of course we need to know craft and basic story structure and a few things which will make revision less painful. But sometimes we must trust we know that intuitively and let the story be told. Whether you outline or not the story must be written with all its flaws and gems all mashed into the manuscript. Revision, not the first draft, is the perfect time to analyze the manuscript and apply all the how-to advice. The danger, however, is that there are books 16, 17, 18 and more, and that the goal of finishing the novel isn’t realized. Revision, like this blog, must come to an end and the best way to do that is to write …

The End

Go Big or Stay Home

June 9, 2014

Frank Morin

Frank Morin Goals Motivation The Writing Life 3 Comments

The official definition in the Urban Dictionary for “Go Big or Stay Home” is that it is used to goad someone into an outlandish or awesome act.

It’s a challenge phrase.

This month we are checking in on our progress with the goals we set at the beginning of the year. It’s also a great time to reflect on whether or not we set the right goals. Did we choose to do something beyond the normal and really commit to getting it done? Those are the scary goals, the ones we aren’t quite sure we can meet.

Those are the challenge goals, the ones that drive us to accomplish something.

So you set a writing goal or a personal goal this year? Was it a challenge goal, or was it a safety goal, one designed to make an incremental, tiny step forward, using the same stride used in the past? One that let’s us celebrate repainting the same-old situation?

It’s easy to plod along doing the same thing we’ve done before and celebrate minuscule progression, but sometimes the only way to really get where we want to go is to completely change and try something totally different. To challenge ourselves to take the leap we dream of taking but which scares us to death.

For example, when I first started writing seriously, my first novel took way too long, partly because my writing was just awful, but partly because my schedule did not allow much time for writing. So I set the goal to rearrange my working schedule to allow more writing time. It took a few years and some pretty big risks and sacrifices from the entire family to accomplish that goal, but I did it.

This year I realized I was not taking enough advantage of that newfound freedom, so I set a huge goal of completing four new novels this year. Sure I had started outlining them, but did not have any first drafts completed. And yet, that’s what it would take to reach the next level. So I set the goal and began to work it. Last week I wrote 26,000 words to complete one of those novels on time. One piece of the overall goal is complete. Lots more to go.

No matter our individual circumstance, we can all set change goals and decide if we’re going to go big or stay home. Most people don’t bother.

They stay home.

Most people are content to go to work, fill an honest eight hours, and then literally just go home and watch tv. Those people have a safe existence. They do not have to take risks, do not have to stretch and grow, do not risk failure and ridicule. But they also never go big. They never accomplish challenge goals to celebrate incredible victories and learn to take control of their lives.

Of those who decide to make a change, who say they are going to Go Big, most of them don’t make it. Sure, from a writing perspective some people are just so bad that they simply lack the capacity to do it, but those are the exceptions. Most people COULD write a competitive book if they REALLY wanted to, yet most of them fail. It’s not because they CAN’T do it, but because they lack staying power. Like the graph illustrates, saying you have a great idea is nothing. Starting a book is when we first get some skin in the game but doesn’t mean a whole lot either. Actually finishing a book is huge, but even that’s not the ultimate goal. We want to finish something someone else will pay to read. Challenge goals are the vehicle to take us there.

So what if you have to write ten years before you make a sale? Those ten years are going to pass anyway. So what if you get rejected? The best writers rack up dozens, if not hundreds, of rejections. It’s not the rejection that defines success but the overcoming of that rejection and the continued consistency.

I spoke with Brandon Sanderson earlier this year and when I mentioned I had been writing for almost ten years he nodded and said, “Great, then you’re just about ready to break in.”

Before lightning can strike, you have to make yourself the lightning rod.
Before you can be the lucky winner, you have to compete.
Before you can become an overnight success, you have to work for years to prepare yourself and develop the skills to break out big.

Some people just need a push, someone to challenge them to make a change goal. If you’re one of those, the music video by Switchfoot for their song “I Dare you to Move” might help. Check it out here.

So this month as we reflect where we are with our goals and compare that against where we want to be in six months or one year or ten years, let’s ask ourselves, “Am I going big or staying home?”

Go Big.

A Mountain of Goals, Part Two

June 7, 2014

fictorians

Business Conventions Craft & Skills Editing Goals Guest Posts Marketing Motivation Publishing Reflection Self-Awareness The Writing Life 2 Comments

A guest post by Sherry Peters.

Be sure to read A Mountain of Goals, Part One, published yesterday right here on the Fictorians.

I always knew that if I were ever published, I would do everything I could to make my books succeed. The same is true for self-publishing. I’m not going to do what I did with my previous book, Silencing Your Inner Saboteur, which I gave very little promotion (though I may be stepping that up soon as well), because that book was a bit of an experiment and a useful tool.

Once I made the decision to publish Mabel, I began doing a lot of research on the self-publishing/indie industry. It is my responsibility to make my book succeed. I have no one else to blame. Some days I love it. Some days it is incredibly overwhelming. My to-do lists are pages long every week. I could probably make a book of those alone once they’re all compiled!

Aside from the obvious “write the best damn book possible” advice, building a platform is the main form of advice. Platform means building a mail list, blogging, sending out a regular newsletter, facebooking, tweeting… to paraphrase William Shatner, it should be “all Sherry all the time.” I’m supposed to be super interesting and fun and likeable, and apparently highly opinionated in a likeable fun way. Now, I think I am a likeable person. I’m not sure how interesting I am.

What’s interesting about me? What do readers want to know? I’m not really of the generation that wants to know everything about my favorite author. Just write another book; that’s all I want from them. I don’t follow celebrities, and the only authors I friend on Facebook are the ones I already know personally.

You can get a lot of advice on pricing and giveaways, including free books. I must say, I find this a touch on the offensive side. Not that I’m actually offended by the idea, maybe just hurt or disheartened. I can’t imagine a traditional publisher putting out a book on Amazon for free for a day, or even at $0.99 for a day in the hopes of driving up the sales numbers. It feels like I’m cheapening my work, my product. It may be to my detriment, but I’m not sure I’m going to do that.

I realize that I’m at a disadvantage, putting out Mabel this August. I haven’t finished Book 2 in the series yet (though I’m hard at work on it). And putting out a single book means I don’t have what is called a product “funnel,” where readers can get the first book at a discounted price to lure them into buying the second book. That’s why I’m giving away three Mabel Goldenaxe short stories prior to the release of the novel as an incentive/thank you for signing up for my newsletter.

Promotion doesn’t end there, of course. I printed beautiful postcards (through Vistaprint) with the cover on it, and a “call to action”—for people to go to my website, sign up for my newsletter, and get a story—which I put out at my local convention (Keycon). I’m having my book launch at When Words Collide this August, and I’m going to have one at McNally Robinson Booksellers in Winnipeg.

Promotion, then, is probably the biggest headache which all authors, traditional or indie, have to deal with. That is the reality of the business. Publishers have less and less money to give to it, so we’re doing a lot of the same things. The biggest difference is that traditionally published authors get distribution, and get reviewed by major newspapers (well, they can, if they’re a big enough name, or local, or a specialist). That is to say, most newspapers still won’t consider reviewing a self-published book.

What about the book production? I go for coffee every other week with a friend, usually to a Chapters, and half our time is spent looking at books. I’ve turned this into a great time for surveying what’s out there, what I like, what I don’t, what works and what doesn’t. It’s amazing how many crappy covers there are. And there are some spectacular ones. The artwork matters. It matters. It matters. It matters. So do the interior aesthetics. If the type is too small or too crowded, if it doesn’t feel good in my hand, I don’t pick it up. If the art looks like the pulp editors would have rejected it for being cheesy, I won’t pick it up. If I can’t read the title or the author’s name, I won’t look at it.

There are three main categories for YA covers. Take a look the next time you’re in a bookstore or on the Amazon/Chapters/Barnes & Noble websites. First we have the uber close-up of the face. Usually this means the focus is on the eyes or the lips. Sometimes this pulls out a little further to where we have more of the body, but part is cut out of the frame so it’s only half a face. Sometimes it’s just the torso to show off a plaid pleated skirt (a lot of pleated skirts on headless girls). These are usually in the genre of what used to be called “chick-lit.” I’m not sure what they would be called now.

Then we have the full body, most often with the back to the reader, the head in half-turn. This fits mainly into the urban fantasy or paranormal romance category. But not always. There are some like this that are much more pure romance, as evidenced by the character on the cover wearing a ball gown of some kind.

And finally, we have the symbol on the cover. I think this was made most popular by The Hunger Games. Divergent is another example of this. We see this much more often in the non-YA books, like the adult editions of the Harry Potter books, and the Game of Thrones books are going the same way.

Given the prose style and content of Mabel, I opted for the semi-close-up. I had intended to go with a symbol, but there were already a few books out there with axes on them and while it could be stunning and unique, I couldn’t picture it. So I did my research. I spent days researching fantasy artists, finding out about their work, their rates, etc. To be honest, once I saw Jordy Lakiere’s dwarves, I knew he was the one I wanted. I didn’t think I could afford him, or that he’d want to do a cover for me, but I took a deep breath and e-mailed. Needless to say, it worked out great. I love the Mabel he did for me.

Cover art, in some ways, is just the beginning. I wanted to put out the most professional book I could. And what do traditionally published authors have that indies don’t (besides distribution)? A copyeditor. So I did more research, and I happened to also know a good editor personally, Samantha Beiko. She posted on Facebook that she was looking for freelance editing right when I was looking. Budget, of course, was a consideration, but copyediting was an expense I was willing to pay for. She also did my cover design and the back cover copy.

While the production of the book is well underway (thanks to having done Silencing Your Inner Saboteur, I’m confident in doing the interior layout myself), the promotion is still my biggest mountain to climb. I’d call it a hurdle, but it’s more of a never-ending process. I hope that at some point down the road, I’ll reach a plateau of sorts where, as the gurus keep telling me, promotion will generate itself.

I was going to conclude by saying that I’m off to go learn more about building my platform, but I think I’m going to go work on Mabel, Book 2. That’s one of the working titles. The others are Mabel the Misguided Dwarf—or my personal favorite, Mabel the Mafioso Dwarf. But for now, let’s just call it Mabel, Book 2.

Guest Writer Bio:
Hailing from Winnipeg, Sherry Peters is a writer and a certified Success Coach for writers specializing in the areas of goal-setting and eliminating writer’s block. She has taught her “Silencing Your Inner Saboteur” workshop online through Savvy Authors, and several Romance Writers of America chapters, and in person at When Words Collide in Calgary and Word on the Water in Kenora. Her book, Silencing Your Inner Saboteur, has sold internationally and has been recommended to graduate students at the University of North Carolina and the University of Winnipeg. Her first novel, a YA fantasy, Mabel the Lovelorn Dwarf, will be available August 2014. She attended the Odyssey Writing Workshop and earned her M.A. in Writing Popular Fiction from Seton Hill University. For more information on Sherry, her workshops, and her coaching, visit her coaching website or her author website.