Category Archives: Work-Life Balance

Writers Are People Too!

Have you ever noticed how we tend to speak of our time as if it were a commodity? Just look at the verbs we use! We spend time, we save time, and we waste time. At work, we earn time off and are paid in terms of tender per hour or per year. Ultimately, whenever you go work for another you are leasing them your time and attention, devoting your talents to their projects rather than your own. As the cliché goes, time is money.

So, if we count and budget money, why shouldn’t we do the same for our time? As an example, let’s consider my time in round numbers. There are 168 hours in a week. I find my job to be challenging and fulfilling, and so I spend, on average, 45 of those hours working. It takes me another 4 hours a week to commute back and forth, and I usually aim for about 7 hours of sleep a night. All that accounts for 98 hours per week and leaves me with 70 hours to do with as I please.

Sure, once you start considering the minutiae of everyday life, that time goes fast. However, just because I feel that I “need” to do a thing doesn’t change the fact that I’m expressing value by doing it. I clean my cat’s litter boxes because I value their companionship as much as I appreciate having a house that doesn’t smell like cat poop. I value my personal appearance and hygiene, as well as the health benefits that come from regular exercise and eating well. I want to be free from debt, live in clean spaces, and maintain my relationships with my friends and family. It seems like a lot to do in 70 hours, and it is.

However, in and amongst all those details I cannot allow myself to forget that I also value writing. Fiction is a demanding mistress. Like many other authors, I’ve spent years practicing my craft and actively working to maintain and improve my abilities. I’ve devoted countless hours to planning, writing, and editing stories. I’ve invested all of this time because I love the act of creation. I find joy in building worlds and characters, satisfaction in a well-crafted phrase, and a sense of profound peace in the ability to control a world absolutely. Writing fulfills a deep emotional need and so it is worthy of my time.

The major difference between a professional and a hobbyist writer is their commitment. The hobbyist writes when it is convenient. When they find time. The professional chooses to carve time out of a busy life to write. The hobbyist makes excuses for why they didn’t have the time, and the professional acknowledges the reasons and makes it work anyways. This is why I leave a notecard that reads “70 Hours” taped to my bathroom mirror. My time isn’t infinite, but it is mine to do with as I please.

There are many things in this world that seem really important, genuinely urgent, and make a great case for why I need to spend my time working on them rather than having my butt in the chair and my fingers on the keyboard. And while some of them do need to be taken care of now, most can be managed to still allow room for writing time. The past is done and that time has already been spent, but I can choose my actions going forward.

Knowing and saying all this is one thing, but living the commitment to be a professional is often much harder. I’m as guilty as anyone else when it comes to making excuses. In fact, one of my friends recently called me out on this, something that I love her dearly for doing. We all need writer friends to help keep each other honest.

I can’t tell you how to strike a work-life-writing balance that’ll work for you. As far as I’ve been able to find, there’s no magic formula. However, if you got it figured out be sure to share your solution. The best I can do for you is talk about what has worked for me in the past, and more importantly the traps that have bogged me down. But don’t just take my word on it.

This month on the Fictorians, you’ll hear from a truly inspiring roster of writers who all need to balance the many demands of life against their writing time. Though they each go about maintaining their work-life-writing balance in different ways, I’m sure that you’ll find some stories and advice that resonates with your own situation. Whether you feel that you just need to make a few tweaks or perform a complete overhaul of your work-life-writing balance, know that you are not alone. Balancing the many demands of life is something that we all struggle with. Be welcome and happy writing!

Meet the Fictorians: Frank Morin

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a cold winter’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Frank MorinAuthor Frank Morin

 

Kristin Luna (KL): Hi Frank!

Frank Morin (FM): Kristin, as always, it’s a pleasure.

KL: When did you join the Fictorians?

FM: I was one of the first members of the Fictorians who wasn’t an original founding member. I joined just months after the original group was formed. As soon as I heard about the idea, I saw the brilliance of it and decided I had to become part of it. I’ve never looked back.

KL: Where do you live? Are you inspired by your surroundings when you write?

FM: For most of my life, I lived in New England, but I moved with my family to southern Oregon about five years ago. This is a beautiful part of the country, with a great climate, mountains, rivers, and lots of outdoor activities, which I enjoy. I’m a scoutmaster, so I get to camp and hike and explore more than I would otherwise.

I try to draw inspiration from everything I know, and I definitely look to real environments when developing settings. I’ve traveled some, and hope to travel much more in thefuture. It’s all great fodder for the creative process.

KL: I feel like you’ve been putting out books left and right. I’m really in awe of your productivity. Do you have any words of advice for our readers on that?

FM: Thanks. Last year was a big year. I released three major titles and jumped into indie publishing with both feet. This year, I’m planning on four or five major titles, with some short story publications worked in somewhere too. My books tend to be long – about 150,000 words, so it’s a challenge to release so many.

The most important advice is to write every day. Make a commitment and stick to it. Some days writing is less fun than other days, but when I force myself to sit down and start typing, I can find the fun, even if I lacked motivation to begin with.

I also recommend setting goals that will motivate you to try harder, goals so high they might scare you as much as they motivate. I set the goal to launch eight books last year. Not physically possible, but I tried and I worked like crazy to try to make it. I learned a lot of lessons and got further than I ever could have without setting that stretch goal.

And enjoy the process. I love writing and I often tell people I’m my own biggest fan. That love of story will radiate off the page. It helps me keep going, and readers feel it.

KL: You’re currently working on a new series, The Petralist. Book 2 came out in December of 2015. When is book 3 coming out? Can you give us a quick elevator pitch of the series?

FM: I’ve been releasing books in two series. The Petralist is my YA fantasy series that has been doing quite well. It’s a fun, epic read full of big adventure, big magic, and lots of humor. Book three should be out in May, and it’s shaping up to be even better than the first two.

Set in Stone kicked off the series, introducing Connor and his friends as their remote village became ground zero for an escalating international crisis. In a kingdom where only the nobility are supposed to have special powers, Connor’s secret curse might hold the key to stopping the war and saving his village from destruction.

The other series is the Facetakers, my alternate history fantasy series. It’s been described as Mission Impossible meets Assassin’s Creed. It’s a fast-paced, world-spanning adventure that also delves back in time as opposing forces with superhuman enhancements battle for control over pivotal moments in history to control the power needed to shape the future. Fun stuff.

KL: What’s the biggest lesson you’ve learned from writing a series?

FM: Series are fun, but they definitely offer unique challenges. Each novel needs to push the over-arching storyline forward, but each novel needs to be standalone enough for readers to pick it up and enjoy it, even if they might not have read previous works, or forgotten much of those earlier novels. The other challenge is in making each novel resonate with the series but still remain unique enough that readers don’t think I’m just re-hashing the same old plot ideas I’ve used before.

I’ve tried to learn lessons from failures I’ve seen in other series, and so far the response has been very positive.

KL: What’s your favorite book or short story you’ve written so far?

FM: That’s such a hard question! Each book and story is like a part of me. Perhaps that makes me seem schizophrenic or suffering from a very split personality, but it’s true. Like I mentioned earlier, I’m my own biggest fan, and when I sit down with any of my stories, I get sucked in by them, even though I wrote them.

But if I had to choose, I’d say Set in Stone, book one of the Petralist. That story started as a project with my kids. We tell a lot of stories in our home, and the kids were demanding I give them something epic. So I threw down the challenge: they come up with a magic system, and I’d make up stories using it.

They did, and I did. What started as a fun journey of ad-hoc stories at home became a year-long journey with characters we came to love. Writing novels based off of those verbal adventures was a no-brainer. The books are dramatically different from those early verbal drafts, but some nuggets have remained, and the kids and I love to rediscover them as we read the stories again and again.

KL: What do you like to do when you’re not writing?

FM: Life is full, and never boring. I almost never have time for television. I’m a self- employed computer consultant and I try to write as close to full-time as possible. Plus I’m busy with my family and church and community. I’m a scoutmaster of a local Boy Scout troop, and we camp every month. I love outdoor activities, SCUBA, but also reading and playing video games with the kids when I can. I try to be active and enjoy life.

KL: Do you write to music or in silence?

FM: I usually listen to instrumental music when I write. Most often, I listen to Piano Guys radio on Pandora, and other similar stations I’ve been customizing. The music helps free my mind, but I can’t often listen to lyrics because the words distract me.

I’m convinced that “Numb” by Linkin Park would make the perfect theme song for a movie-quality book trailer for Set in Stone. Listen to it after reading the book and you’ll see.

KL: What’s your favorite blog post you’ve written for The Fictorians? I know, there are a ton, but what’s the one you’re most proud of?

FM: Wow. Another impossible question. I don’t think I can pick a single favorite, but there are a couple of contenders I could mention.

One that comes to mind is “Working the Humor Scale” where I discuss different degrees of humor. I’ve explored using humor in my stories, particularly the Petralist novels, and it’s a fun process. With each story or novel, one of the important aspects I look at is where on the humor scale the novel is going to fall.

I’m also a fan of setting stretch goals. I’ve done a couple of posts on the topic, including one in January of this year, but I think the one I’d like to highlight is “Go Big or Stay Home”. Take life by the horns, take a chance, and go for it.

 

If you have any questions for Frank, please leave a comment below. Thank you for reading!

Scientist or Writer? Why Not Both!

You wouldn’t believe how many times people have told me that I couldn’t possibly be a writer. NO! Nathan, you’re an engineer, a scientist. And everybody knows that those sciencey types aren’t creative. They’re ALL left brain dominant. Being creative is a completely different thing.

*le sigh*

Growing up I had two great passions: science and stories. To me there weren’t mutually exclusive. However up until recently, I’d been shaped and encouraged to follow my technical ambitions. I went to an engineering school rather than an arts school because it was what was expected of me. Now, don’t think that I was oppressed or forced into a certain path. I’m very stubborn, and wouldn’t have devoted such a large chunk of my life to science and math if I hadn’t genuinely enjoyed doing so. However, what I wish I had realized sooner was that I’m not limited by my choice of degree.

Looking back I believe that no matter what career I chose my creative nature would have always found a way to express itself. What many people don’t realize is that there are many different kinds of engineers. For myself, I have always gravitated towards data analysis and problem solving. Both of which require a fair amount of creativity. After all, if a problem were easily solved by the “normal” way of doing things, you wouldn’t need someone to devote their time and attention to finding a new solution.

My engineering training wasn’t a matter of stifling my creativity, but rather expressing and training those creative impulses in a different way. Even better, many of the skills and techniques I learned while pursuing my scientific development translated into my writing life. Don’t see it? Let me show you how.

Firstly, both scientists and writers need to be keen observers of the world and people around them. For a scientist, it’s about quantification, drawing trends, building models, and predicting the future. Writers, on the other hand, use those observations to bring their characters and worlds to life for their readers.

Additionally, both writers and scientists need to know how to manage large, complex projects. Both novels and research or design projects need to be broken up into smaller parts to be managed. Both are efforts of months or years and require significant organization, timing, and team work to pull off smoothly.

Furthermore both novels and physical machines are intricate constructs with many moving parts. If any one piece is out of balance, it throws off the rhythm of the whole. Ideally, both a novel and an engine are working at their best when the person on the other side isn’t even aware of the complexity beneath the hood. It just works.

Finally, scientists and authors are both in search of the capital “T” truth. We are trying to understand what motivates people, what makes the universe work the way it does, and use those discoveries to make the world a better place.

The truth is that science and fiction have been bedfellows for a long time. Many of the scientists and engineers I know are also avid readers, especially of science fiction. I’ve read interviews of Motorola engineers who claim that they were inspired by Star Trek communicators. I’ve also seen videos that demonstrate real world hologram technology (in progress, admittedly) that directly reference the Star Wars movies. It’s not surprising that the scientists and engineers, as fans, seek to bring the fantastic things they enjoyed so much into the real world.

The fascinating thing is that the transfer of ideas doesn’t go one way. I’m always keeping an eye on the major science news outlets for new discoveries or technologies that I can commandeer for my fiction. If I see something that catches my interest, I dig a deeper, try to understand the development as best I can, and then project it forward or sideways into one of my stories. Also, the natural world is unimaginably cool. There are creatures in the deep oceans that put fictional aliens to shame with their pure weirdness. Need some inspiration for your outer space settings? I signed up for NASA’s Astronomy Picture of the Day mailing list specifically to have cool visuals delivered to my inbox. More than one has inspired a change of setting in one story or another.

What I’ve come to realize is that the time I’ve spent developing my scientific half doesn’t limit my authorial half. Rather, I’d argue that my writing is enhanced by widely varied interests. I don’t need to choose between scientist and creator. Both are me, both fundamentally shape how I view and interact with the world around me, and how I tell stories. Realizing this, and using it to my advantage, have helped make me a better writer and a better engineer.

So, the real question isn’t how are the various parts of your life keeping you from writing, but rather how to use all of who you are to make better stories.

Finding the Way Out of the Suck

I have a confession to make. I have not written one productive word in about a year or so.

Oh, I’ve tossed down words for new ideas and gone over my current WIP, but I accomplished nothing of any consequence that even approaches a finished piece. Over the last month, I’ve been forcing myself back to the page every day in an attempt to push through my current block.

The problem isn’t that I don’t have a story to tell. I’ve got a billion stories to tell. My imagination runneth over. It isn’t that my story isn’t good enough. I love the story I’m working on. And it’s not a time-management issue, either. I can always squeeze in a little writing. Yet, I still can’t seem to get what I’ve got in my head onto a page. Every time I sit down, I feel like I’m getting ready for Chinese water torture. All the while, I watch my fellow Fictorians publishing their work, and I’m thinking, What the hell is wrong with me!?

For a while I was convinced I’d lost my bliss. Perhaps writing just isn’t what I’m supposed to do with my life.

A bit of backstory on me is that I’m addicted to Audible – Amazon.com’s audiobook retailer. I’ve probably listened to more books than I’ve read by tenfold over the last year. So, it may not be that surprising that, when Audible does a sale, I tend to peruse the offerings and will usually pick up a few books I would normally not even glance at. Recently, I did just that, and ended up listening to a book called The Way of the Seal by Mark Divine, an ex-Navy Seal. Yes, it’s a self-help book, but it’s all about finding where you’re supposed to be in life and focusing on attaining it. The interesting thing about this particular book, for me, is that even though I haven’t tried any of the exercises or the work that the book suggests, it still got me thinking about what I’m doing with my life. From that I’ve come to realize something rather important.

Maybe not every block is writer’s block. Maybe it’s life block.

My real problem is that I’m nowhere near a good place emotionally, which has severely affected my ability to write. I’m living in a house (which was my mother’s and now belongs to her estate) that I don’t particularly want and can barely afford but can’t sell due to the market in my area—major frustration. My day job is an hour to an hour and a half commute to mind-numbing drudgery and busywork that offers neither challenge nor opportunity—the result of a lifelong avoidance of all responsibility. And all that’s waiting for me at home are my two cats—yes, I am a crazy cat lady in the making. That’s not even getting into ridiculous health issues. Honestly, I feel like a wreck, and not the kind that prompts the insurance company to cut a check so you can go out and buy something shiny and new. More like the kind that just keeps chugging along, held together by duct tape and wishful thinking.

It’s easy to forget how life can get in the way of what we love in ways other than trying to juggle a schedule. There we are, cranking out the words, until something happens and the words just stop. So often, it’s hard to connect two seeming unrelated things as, say, paying a mortgage that isn’t actually mine with writing a chapter of fiction.

So, my intention this year is to get back to writing every day and finish the book I’ve been working on for far too long. The manner in which I plan on doing this is not by forcing the words out, but to focus on pulling myself out of the suck, getting myself in a better place and situation, and freeing up all that emotional energy I’d rather be using to gleefully turn the water torture on my characters.