Category Archives: Work-Life Balance

Monkey-throwing Wrenches

There’s proverb in the May household:

Don’t worry about monkeys throwing wrenches into your plans. Worry about the wrenches throwing monkeys into your plans.

There is logic behind this. You see, any monkey can throw a wrench and since a wrench is normally an inanimate object there’s only so much damage it’s capable of doing after its been hurled. However, if particularly talented and determined wrench were to throw a monkey…well there’s no limit to the damage a distressed airborne monkey can do.

This year there have been many wrenches, some old and some new, and one surprisingly troublesome monkey. At the start of the year my sole goal was to start dictating. I had set aside the summer to train the software and my brain. The rest of the year I planned on spending cleaning up both novel manuscripts and editing any stories I happened to sell. The latter happened easily enough (yay sales!) but because of the fatigue and pain from my quickly escalating osteoarthritis I didn’t get much done on the former until recently (yay acupuncture!).

My biggest revelation this year is that I can’t expect my body to cooperate 100% of the time. I can still set big goals but I have to give myself more leniency. If the airborne monkey of osteoarthritis causes more pain and fatigue than I’m prepared for, then I need to give myself permission to postpone the deadlines I set for myself so I can take the time I need to recuperate. There’s definitely a big learning curve with arthritis. That’s for sure.

I look forward to taking this new knowledge with me into next year. Only time will tell how much trouble the wrenches and monkeys cause and how much they’ll let me accomplish.

Welcome to December – 2016 in Review

This month, the Fictorians and a slew of guest authors are going to share their successes, failures, lessons learned, and insights to the writing journey that we’ve experienced this year. December is usually a time of reflection for everyone as the calendar winds down. Looking back on our year is often a measurement of how far we’ve come as writers and human beings. To that end, this month’s theme is “2016 in Review.”

Each of us will share memorable events from the last twelve months and maybe a few lessons learned. A lot can happen in a year, even one that passes as quickly as 2016 seems to have gone. For me, 2016 has been a watershed year and as it comes to a close, I’m a bit humbled by what’s happened and, if possible, more excited about my journey as a writer than I’ve ever been. A tremendous amount of wonderful things have happened this year for me, and yet as I write this I’m slogging through a work in progress that I don’t want to write, but must finish (damn you, Heinlein!). As a firm believer in perspective, especially at the end of the calendar year, I wanted to coordinate this month for my fellow Fictorians and get all of thinking about the good, the bad, and even the ugly from the last twelve months.

I’ve already talked about my ugly, but I’ll define it. I’m working on an alternate history novel that’s kicking me in the pants every day. I have a solid story, a great outline, and good characters, but I’m constantly chickening out of actually writing the damned thing. I’m 20,000 words in (90,000 projected) and it’s tough to just write. Granted, I’ve started a new job and been taking care of my spouse after a complicated food surgery (which involves the care, feeding, and parenting of two munchkins), but I’m way behind where I wanted to be on this book. And it’s due in February. Sigh. I’d feel terrible about this except that I know I can write fast, and especially write clean and fast. I think I’ll make my deadline, but I’ve got to settle a few other things in my head. Among all that stuff is dealing with the good things that have happened so I can celebrate but not rest on my laurels.

Before I retired from the Army, there was a wide-reaching movement for leaders to consider their “work/life balance.” If anything, mine’s way skewed to the work side right now and not unlike it was when I wrote the first drafts of SLEEPER PROTOCOL in 2012-2013. I was still able to write then, and I can now, it just takes a little self-discipline and determination. When I need that extra motivation, all I have to do is turn my head to the right and a shelf over my desk. This year is framed beautifully by that image and it’s been the kind of year we dream of having.

SLEEPER PROTOCOL was published in January, was reviewed by Publisher’s Weekly, and has sold way more copies than I would have imagined. Just a week later, another publisher released my military science fiction novel RUNS IN THE FAMILY. That book also sold incredibly well, but the small press who published it shuttered just last week. I have a couple of options working right now to get it back into publication (though the audiobook is still available!). I also had short fiction published in several different venues including the DRAGON WRITERS anthology alongside Brandon Sanderson, Jody Lynn Nye, Todd McCaffrey, and David Farland to name a few. I qualified as an Active Member in the Science Fiction Writers of America. The sequel to SLEEPER PROTOCOL is in the final stages of content editing right now. It’s been an incredible year, but I’ll share my own personal highlight at the end of the month.

The stories you’ll see this month will highlight the good, the bad, and the ugly. This is what we writers deal with on a daily basis. Sometimes our efforts culminate in great years, and others not so much. The key is perseverance and determination – we’re sharing our successes and challenges in the hopes they’ll help you and each other out. I hope this month’s posts do exactly that for all of us.

Meet the Fictorians: Kim May

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a crisp Fall day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Kim May

Kristin Luna (KL): Hi Kim! How are you doing and what are you drinking?

Kim May (KM): Nothing exciting. Just water.

KL: If you don’t mind me sharing, you live in the beautiful state of Oregon. Do you like living there, and do you find that it influences settings in your stories?

KM: It definitely does. Oregon has very diverse terrain which makes setting research much easier. I think tundra and tropical rain forest are all we’re missing. Plus there’s fun historical sites like the Shanghai Tunnels (which I did set a story in) and places so full of enchantment that it’s not hard to imagine fairies flitting between the firs.

KL: Besides blogging for The Fictorians, you have your own successful blog Ninja Keyboard. Tell us about it!

KMNinja Keyboard is where I post updates what I’m up to, new release announcements, general thoughts on the industry or a movie, or anything else I feel a burning need to talk about. I try to keep it all about me and my work. You’ll never see a political rant or religious treatise on my blog.

KL: You’ve been published numerous times in Fiction River. Tell about your stories and how we can purchase Fiction River.

KM:  Fiction River is a bi-monthly short story magazine published by WMG Publishing. Each issue has a different editor and different theme that can be anything from historical mystery or thrillers to sci-fi and steampunk. There’s something for everyone! It’s a lot of fun writing so many different genres and it’s definitely expanded my capabilities as a writer. Before I got involved with Fiction River I never thought I could write anything other than sci-fi and fantasy. Now I can say that I have published stories of four different genres.

Another great thing about Fiction River is because they’re published like books, none of the back issues have gone out of print! They’re available for purchase online on Amazon, iBooks, Kobo, and on the Fiction River and WMG websites. Reader’s Guide and Powell’s stores in Oregon have print copies of the issues I’m in on hand as well.

KL: Of your short stories published, which one is your favorite and why?

KM: Gosh! That’s like picking a favorite chocolate bar! I love all of them for different reasons. I love Blood Moon Carnival because that’s the story I channeled my grief for my 19 year old cat into. (She died the day I finished it.) I love Void around the Sword’s Edge because it’s my action packed “stripper saves the world” story. Moonshine is a tribute to my favorite grandmother. The Fukuda Cube was my first RPG tie-in story, and it was by far the most challenging to write. In Keep Portland Weird I got to do an ode to Pacific Rim in Larry Correia’s Monster Hunter universe. In When A Good Fox Goes To War I got to play in feudal Japan, and Schrodinger’s Bar has my coolest ending!

KL: All of those sound really fun and interesting! Are you working on any longer fiction right now?

KM: I am! I’m finishing up two novels. The first is a new adult contemporary fantasy that I’m going to indie publish sometime next year and the other is a techno-thriller I’m going to pitch around.

KL: What are some of your writing goals for 2017?

KM: I just want to survive 2017. I’ve got three short stories and a novel coming out next year…and that’s just what’s on my publishing schedule right now. I’d also like to write the sequel to the new adult book I mentioned earlier. That’s all in addition to working a full-time day job and managing my arthritis, which are exhausting by themselves.

KL: What’s some of the best writing advice you’ve received so far?

KM: This is something I’ve talked about on this blog and on my own. It’s WTFS. Write the (bleep) sentence. I used to spend so much time agonizing on what the perfect phrasing would be or if description A was better than description B. I needed to understand that a first draft is just that: the first of many drafts. It doesn’t need to be perfect right away. It’s better to put something, anything, on the page and fix it later.

KL: What writers are most influential to you and why?

KM: Anne McCaffrey, Brandon Sanderson, Jacqueline Carey, Peter S Beagle, Mary Robinette Kowal, and Patrick Rothfuss are my favorite storytellers. I easily get lost in the worlds they’ve created. Choose Your Own Adventure books were pretty influential too. As a kid I read each of them three or four times. The first time I’d find the ending I liked best and then backtrack to find the path I had to follow to get there. After reading it that way I’d re-read it to find out why the other paths ended the way they did.

KL: What is your favorite Fictorians post so far?

KM: My first post is my favorite: Stockholm Syndrome Barbie. It’s a slice of me with a cherry on top. Stockholm Syndrome Barbie – The Fictorians.

***

If you have any questions for Kim, please leave a comment below. Thank you for reading!

Harl Vincent, Pulp Engineer

I have to admit, I have an affinity for the early science fiction, fantasy, and weird tales that came out in the beginning of the twentieth century. Some of the tales are cringe-worthy these days, especially when viewed from a scientific perspective. Remember, nobody landed on the moon, airplanes were still in the experimental stage, and many people in rural areas had never even seen a car yet. Everything beyond the atmosphere of our pale blue marble was up for speculation, and science fiction authors were more than happy to think of wild new ideas as to what was “out there”.

A good example of the strangeness that was contemplated was Captain Sterner St. Paul Meeks, who wrote a set of early science fiction stories in the pulp magazines that included weird amoeba-like creatures that lived in the “heaviside layer”, a boundary between our atmosphere and outer space. These creatures were chowing down on the tasty rockets the humans kept sending up. Eventually, scientists discovered the truth, and the stories migrated onwards using the new information to write even weirder stories.

Harold Vincent Schoepflin, who thankfully went by the pen name of Harl Vincent, wrote for many of the early Harl Vincentscience fiction pulp magazines. He was born in 1893 in chilly Buffalo, New York. Harl was an educated gentleman who worked as a mechanical engineer for Westinghouse, specializing in industrial electrical devices. He used his engineering background to great success with his stories, giving his tales an air of scientific possibility.

Harl Vincent’s first sale was to a new pulp magazine called Amazing Stories. Harl read an issue of the magazine, headed by Hugo Gernsback (the namesake of the Hugo awards), and decided he would try to pen a story for fun. To his surprise, his story, The Golden Girl of Munan, was picked up and published in the June 1928 edition. It was the start of a beautiful friendship, and Harl went on to write many stories for Amazing Stories and several other of the speculative fiction pulps. He developed quite a following, and his name appeared often on covers to alert his fans that there was a new Harl Vincent story inside.

As Harl’s genre skills developed, he branched out to other pulps including Argosy All-Story, a highly respected weekly magazine that ran from 1882 to 1978. Most of his longer works were either novellas or serialized short novels, with the exception of his full-sized novel, The Doomsday Planet, that came out in 1966.

During World War II, Harl stopped writing for the pulps and focused on his family and his engineering career. He didn’t get back to writing until he was 73 years old, when he published the aforementioned Doomsday Planet and a short story for the speculative fiction magazine If in 1967.

Before Harl started writing, he had married Ruth Hoff and had a son and a daughter. Unfortunately, he was an avid smoker, and he eventually succumbed to emphysema and pneumonia when he was 75.

Always interested in science fiction, he continued to read the popular pulp magazines until he returned to writing his novel and a short story before passing away. Harl was a staple at the local science fiction conventions in Los Angeles, where he and his wife relocated from the snowy winters of the western New York area. He joined the Count Dracula Society and the Los Angeles Science Fantasy Society, and he attended meetings as often as he could.

As for me, I’ve always enjoyed Harl Vincent’s work. I have a collection of original pulps with his stories in them, and I’ve worked with Villainous Press to bring out some of his forgotten works. Currently in print are Barton’s Island (my personal favorite), The Golden Girl of Munan (which consists of both of his novelettes combined on the lovely Golden Girl), Purple & Gray (which was fascinating in how it foreshadowed the fight between the working class and the rich and powerful elite), and several others. I plan on editing and releasing two books per year until all of his works are once again available.

Book cover - Purple & GrayGolden Girl of Munan coverBarton's Island cover

If you happen to have some old brittle pulps that are not in collectible condition, feel free to contact me. I’m always looking for the original appearances of his stories so I can scan them. Reading the pulps still brings a smile to my face.


 

About the Author:DeMarco_Web-5963

Guy Anthony De Marco is a disabled US Navy veteran speculative fiction author; a Graphic Novel Bram Stoker Award® nominee; winner of the HWA Silver Hammer Award; a prolific short story and flash fiction crafter; a novelist; an invisible man with superhero powers; a game writer (Sojourner Tales modules, Interface Zero 2.0 core team, third-party D&D modules); and a coffee addict. One of these is false.
A writer since 1977, Guy is a member of the following organizations: SFWA, WWA, SFPA, IAMTW, ASCAP, RMFW, NCW, HWA. He hopes to collect the rest of the letters of the alphabet one day. Additional information can be found at Wikipedia and GuyAnthonyDeMarco.com.