Category Archives: Making Progress as a Writer

Finding the Way Out of the Suck

I have a confession to make. I have not written one productive word in about a year or so.

Oh, I’ve tossed down words for new ideas and gone over my current WIP, but I accomplished nothing of any consequence that even approaches a finished piece. Over the last month, I’ve been forcing myself back to the page every day in an attempt to push through my current block.

The problem isn’t that I don’t have a story to tell. I’ve got a billion stories to tell. My imagination runneth over. It isn’t that my story isn’t good enough. I love the story I’m working on. And it’s not a time-management issue, either. I can always squeeze in a little writing. Yet, I still can’t seem to get what I’ve got in my head onto a page. Every time I sit down, I feel like I’m getting ready for Chinese water torture. All the while, I watch my fellow Fictorians publishing their work, and I’m thinking, What the hell is wrong with me!?

For a while I was convinced I’d lost my bliss. Perhaps writing just isn’t what I’m supposed to do with my life.

A bit of backstory on me is that I’m addicted to Audible – Amazon.com’s audiobook retailer. I’ve probably listened to more books than I’ve read by tenfold over the last year. So, it may not be that surprising that, when Audible does a sale, I tend to peruse the offerings and will usually pick up a few books I would normally not even glance at. Recently, I did just that, and ended up listening to a book called The Way of the Seal by Mark Divine, an ex-Navy Seal. Yes, it’s a self-help book, but it’s all about finding where you’re supposed to be in life and focusing on attaining it. The interesting thing about this particular book, for me, is that even though I haven’t tried any of the exercises or the work that the book suggests, it still got me thinking about what I’m doing with my life. From that I’ve come to realize something rather important.

Maybe not every block is writer’s block. Maybe it’s life block.

My real problem is that I’m nowhere near a good place emotionally, which has severely affected my ability to write. I’m living in a house (which was my mother’s and now belongs to her estate) that I don’t particularly want and can barely afford but can’t sell due to the market in my area—major frustration. My day job is an hour to an hour and a half commute to mind-numbing drudgery and busywork that offers neither challenge nor opportunity—the result of a lifelong avoidance of all responsibility. And all that’s waiting for me at home are my two cats—yes, I am a crazy cat lady in the making. That’s not even getting into ridiculous health issues. Honestly, I feel like a wreck, and not the kind that prompts the insurance company to cut a check so you can go out and buy something shiny and new. More like the kind that just keeps chugging along, held together by duct tape and wishful thinking.

It’s easy to forget how life can get in the way of what we love in ways other than trying to juggle a schedule. There we are, cranking out the words, until something happens and the words just stop. So often, it’s hard to connect two seeming unrelated things as, say, paying a mortgage that isn’t actually mine with writing a chapter of fiction.

So, my intention this year is to get back to writing every day and finish the book I’ve been working on for far too long. The manner in which I plan on doing this is not by forcing the words out, but to focus on pulling myself out of the suck, getting myself in a better place and situation, and freeing up all that emotional energy I’d rather be using to gleefully turn the water torture on my characters.

Pages of Inspiration: Books for Writers

The creative well runs dry. The heart is as desiccated and desolate as a dusty Old West street, because you’re certain your Work in Progress is utter cowflop. You shout into the endless black void, listening mournfully for a few spurious, uncertain echoes. Where can writers go when they need to pour some fire back into their souls? The same place that got us into writing in the first place: Books.

At various points in your life, you’ll encounter books that are like a blessed bowl of warm chicken soup on a wintry day when your nose is crammed with snot and you ache in every bone. You’ll encounter books like the smooth, sweet burn of good whiskey that warms you from the inside. You’ll encounter books like a smart kick in the buttocks from that hot personal trainer.

Allow me to be so bold as to suggest some books for writers that have made an impact on me.

Zen in the Art of Writing by Ray Bradbury is a short, sweet blast of poetic inspiration. Bradbury was a consummate master storyteller, and being able play with techniques he’s used to cultivate the creative soul is incredibly valuable. This book is less a nuts-and-bolts how-to than techniques for cultivating the creative soul.

The War of Art by Steven Pressfield is a swift little kick in the pants. Each short chapter puts a finger directly onto the throbbing wounds of all the reasons we do not write, all the reasons we hold ourselves back from achieving our potential. The book provides a useful psychological framework for overcoming all of those excuses.

On Writing Horror by the Horror Writers Association is collection of essays from the luminaries of horror fiction. Stephen King, Jack Ketchum, Ramsey Campbell and many others tackle aspects of effective storytelling that go beyond writing horror. Much of this book is simply about writing good fiction, and I still reference various chapters.

Bird by Bird by Anne Lamott is a great companion to Stephen King’s book below. Part how-to manual and part memoir, sometimes funny, sometimes poignant, every chapter is spot-on. The chapter on first drafts is worth the cover price alone. In fact, I give that chapter to my English composition students as a lesson in how to get past the psychological blocks common to beginning writers.

Few writers can boast the impact that Stephen King has made on American fiction. On Writing is part memoir, part how-to. There are chapters on specific writing and revision techniques, but it’s also a memoir of his writing life. I found great inspiration in his writing life because he talks about the course of his career. Much of it is incredibly familiar, forming parts of every writer’s path. He had the skill, the drive, the support of a partner, caught a couple of lucky breaks, and his career exploded. And if he could do it, so can I. So can you.

The Artist’s Way by Julia Cameron was a life-changing experience for me. This book is a twelve-week program designed to reignite the sparks of a creative person’s soul, whether the person is a writer, graphic artist, musician, etc. It helps examine and reprogram all the ways our creative impulse is squelched–by our own fears, by our families, by the outside pressure of society. If you work through all twelve weeks of this program faithfully, you will experience a sea change in the way you approach writing, the way you approach life. I had already been writing for two decades when this book was given to me by a friend, and I found it so transformative that a few years later I went through all twelve weeks again. It was fascinating to see how much of it I had internalized. And also how far I still had to go. The Artist’s Way treats a creative life as a spiritual journey, making writing into your art, into a way of life, not something you try to do in between your day job, kids and soccer games, and your next session of World of Warcraft.

I hope someday to discover another gem and be as enlightened, invigorated, and inspired as I was when I discovered these books. Everybody needs a shot in the arm sometimes.

About the Author: Travis Heermann

Heermann-6Spirit_cover_smallTravis Heermann’s latest novel Spirit of the Ronin, was published in June, 2015.

Freelance writer, novelist, award-winning screenwriter, editor, poker player, poet, biker, roustabout, he is a graduate of the Odyssey Writing Workshop and the author of Death Wind, The Ronin Trilogy, The Wild Boys, and Rogues of the Black Fury, plus short fiction pieces in anthologies and magazines such as Perihelion SF, Fiction River, Historical Lovecraft, and Cemetery Dance’s Shivers VII. As a freelance writer, he has produced a metric ton of role-playing game work both in print and online, including content for the Firefly Roleplaying Game, Legend of Five Rings, d20 System, and EVE Online.

He lives in New Zealand with a couple of lovely ladies and a burning desire to claim Hobbiton as his own.

You can find him on…

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How to Set an Unconventional Writing Schedule

If you have read anything by me on this blog before this post, you know I’m all about the unconventional way of doing things. What works for one person might not work for me, and similarly, what works for most people does not work for me. For example, I don’t write every day. I don’t make myself sit, ass to chair, for hours until something happens. If I couldn’t possibly force myself to write that day, I do something else, usually creative. Sometimes a week goes by and I haven’t brainstormed, written, or edited a single word. On the other side of that coin are some extremely productive spurts. I’ll write a novel in a month. I’ll write a short story in a day. I’ll outline an entire book in a week or less. You can probably deduce where I’m going with this. Absolutely stay true to this one thing, if nothing else: listen and obey what works for you.

What I propose is not an easy road. It requires you to be in-tune with yourself every day, and be honest with yourself. That means if you know you will not produce your best work today, then you might want to do other creative and important activities instead. That also means you should make yourself sit down, ass to chair, if you are perfectly capable of churning out prose but you just don’t feel like it. That’s where being honest with yourself comes in.

As an aside, what other creative things could you do instead?. Plenty. You may be stressed, tired, irritated. Try coloring, cooking, painting, even cleaning if that’s what will satisfy your brain and calm you down. If you sit and write and you’re rushing through every sentence to hit a word count, then what’s the point? Good work can’t be rushed, and if it is, it can’t be expected to be great work. It may even make more work for you in the end as you’re editing.

Ask yourself a series of questions to get an idea of how best you work.

  1. Do I work (not specifically writing) best in the morning or evening? When do I feel the most focused?
  2. Do I like to have people around when I write?
  3. Is silence best when I write? If not, do I prefer ambient noise or music?
  4. At what time durning the day do I start getting tired?
  5. Would I feel better if I got my writing in at the beginning of my day?
  6. Would I feel best if I wrote when my day concluded, all responsibilities done and taken care of?
  7. Have I noticed if my writing is more rushed or hurried if I am hungry, tired, or cold?
  8. Do I tend to nod off when I’m writing? What are the conditions (early morning, too warm, late at night)?
  9. When do I have the most energy in my day?
  10. Have I noticed a certain time of day where I do not feel like writing at all?
  11. Have I noticed a certain emotion that negatively affects my writing? A positive emotion that helps my writing flow better?
  12. Is there a month each year where I’m consistently not writing due to busyness or stress?
  13. After I write a novel or short story, do I prefer to have a time to let the writing rest before jumping right into editing? Do I need to jump right into editing to keep up the momentum?
  14. Under what conditions do I experience burnout?
  15. Are there activities in my life that are in direct odds with my writing and/or writing time?
  16. Do I like to think of work on a project-to-project basis or a day-to-day basis?
  17. Do I like to work on one piece of writing at a time or multiple pieces?

As you answer the questions, you might have some important realizations. If you still aren’t sure or can’t find a good time or season for writing, consider keeping a simple daily log of your writing time and note the time, how you feel, the room temperature, if you’re hungry/full/just right, any large stressors in your life at the time, and how you feel about your project right then. Feel free to add more things to note to the list. Over time, you’ll come across patterns in your writing times, what worked best, and certain things that bombed your working time.

Many writers have kept curious schedules throughout history. Henry Miller’s morning consisted of “if”s: “If groggy, type notes and allocate, as stimulus. If in fine fettle, write.” Ernest Hemingway, who wrote standing, said, “When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and it is cool or cold and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again.” To read more about other famous writers’ routines, visit https://www.brainpickings.org/2012/11/20/daily-routines-writers/.

https://podio.com/site/creative-routines

Also consider this graph of creative peoples’ routines in a 24-hour period. Note also that these schedules may have changed over time. Because the most important rule is and will always be: do what works for you.

While it can take weeks, months, or even years to nail down a routine that works for you, there’s something to be said for just jumping in. Once you’ve taken a personal inventory of your habits and routines, you may find a suitable writing time daily or a chunk of weeks in which to complete a project. It may not be perfect, but it doesn’t have to be. It will never be the perfect day or the perfect moment to write. The key is hitting a time that nearly is perfect, and running wild.

Sometimes You Have to Let Go

Sleeper ProtocolIn October 2014, I signed a contract with Red Adept Publishing for my debut novel, Sleeper Protocol. From February of this year until September, the publisher’s amazing editing team worked with me through six content edit passes and four copy-editing passes. I could say, without lying, that I learned to love the editing process because of the awesome team I had in place. But what I learned this year to improve my craft was that sometimes you have to let go.

You see, Sleeper Protocol went through it’s early stages several years ago as a short story and then novella entitled “Walkabout.” Every time I worked on the basic idea, there was so much more to tell. I fell deeper and deeper in love with the story as I wrote. Strong feelings during the writing process are good because they take us deeper into the scenes, the motivations, and the surroundings of our story. When I made a sweeping change to the story and “appointed” a new antagonist, the book took off. When I submitted the manuscript to Red Adept, I was understandably nervous but I believed that the book’s title, first line, and entire plot would get the publishers attention.

I was right – but one out of three ain’t bad.

In one of the very first conversations I had with my publisher, the working title of Walkabout had to go. There were too many other books out there with the same title or a variation thereof and finding it could present a problem to prospective readers. To my surprise, this wasn’t that difficult to swallow, except that I spent about two weeks trying to use Walkabout in every possible title combination. Nothing worked. I decided to put off searching for a title until the content edits were completed. I spent weeks brainstorming a new title only to find that my publisher and I both came up with the same possible title, and Sleeper Protocol was officially born.

During the editing process, though, I learned the biggest lesson of all. We’re told to put everything we have into the hook. The right voice, descriptions, and purposeful prose will bring the reader in, right? I created what I thought was a great first line only to have my editor immediately tell me it had to go. There was a POV inconsistency in it and it led the reader in the wrong direction – but in my mind it was perfect!

And there was no point arguing about it. My content editor was exactly right. We made the change and re-tooled the first few lines and made the opening stronger. When the very first line gets the ire of your editor, it’s easy to think that the rest of process will be horrible. To the contrary, it gave me a tremendous boost of confidence that she loved the book enough to say “Hey Kevin, let’s do this differently.”

The lesson: don’t hold on too tight. Yes, the story is your baby and you’re understandably anxious about the whole process, but when your team says “consider this” you have to listen. I am glad that I learned to do just that, and I think that the novel is so much stronger than when I submitted it eighteen months ago. Hopefully, you’ll help be the judge of that.

Sleeper Protocol releases in ebook formats on January 5, 2016 with print versions to follow.  You can find more information on my website www.kevinikenberry.com. Happy New Year, and I wish that 2016 be a great year for your writing!

About the Author: Kevin Ikenberry

Kevin IkenberryKevin ikenberry’s head has been in the clouds since he was old enough to read. Ask him and he’ll tell you that he still wants to be an astronaut. Kevin has a diverse background in space science education and works with space every day.

Kevin’s science fiction and horror short fiction has appeared internationally, most recently in the anthologies Extreme Planets and Pernicious Invaders. His debut novel, Sleeper Protocol, is due in January 2016 from Red Adept Publishing.

Kevin is a member of Fiction Foundry, Pikes Peak Writers, and is an alumna of the Superstars Writing Seminar.

He can be found online at www.kevinikenberry.com.