Category Archives: Making Progress as a Writer

Wrapping Up June and Our Summer Sanity

checklistDid we make it? Did we survive the June heat and the mid-year failures or successes? I learned a lot and got reminded of more. So for me, this was a good month… on the Fictorians and in achieving my personal goals. If you missed anything, here’s a quick summary with links.

Evan discussed health and writing and finding a balance between the two which I am always in need of rem
inders about since staying healthy for me usually means trying to avoid the potato chips.  Guy showed how to take our writing with us when we’re out enjoying the summer. As he said, not typing doesn’t mean you’re not working. Creativity takes a lot of thinking and observing life around us.  I reminded us all that sometimes we have to say No to other things so we can achieve success in writing and in life. Being stressed out about being over-committed is no one’s friend.  Nancy shared some tools for organizing our complicated and busy lives.  And who can’t use better ways not to drop all those balls we’re juggling.

Sherry gave us insight into her thought process on deciding to self-publish and then how she succeeded at it.  I know I’m reading her book on Silencing Your Inner Saboteur and getting a lot out of it.  I loved Frank’s Go Big or Go Home post.  We have to take big risks  to get the big rewards. And Brandon’s discussion on how your environment can impact your productivity resonated as I have been displaced from my office for weeks during some construction work being done on my house. I liked Mary’s take on how despite having health challenges, we can be productive if we play to our strengths when we ‘re strong.

Ace gave us some ideas on ways we sabotage our goals and ways we can score with them.   Quincy’s post on sacrifice and being in writing for the long haul reminded me that if we just keep at it, we can be a success. And it is a grind, but a worthy one. I found Lou’s post funny and true.  Focus, discipline and being consistent are key. Colette reminded us that we can get away from the summer heat by attending a cool Con.  James showed how tricky setting reasonable and attainable goals can be.  Jace showed how recalibration is just needed sometimes to get going again.

My dear friend Kelli Ann gave some concrete tools for taking any derail and getting the train back on the tracks. I loved Kristin’s post on how we all fail, but that doesn’t have to define our success.  Kim talks about using good planning skills and realistic expectations to keep us productive and sane.  Nathan makes a great point in that what we choose to do with our time is a statement of value. As I’m heading off to a four day writing retreat, this was an affirmation of what I’m doing with my life and career.  And after watching the video of Jim Carrey’s speech (all 28 minutes), feed your soul , folks! It was completely worth it. I found Tristan’s post on reassessing goals refreshing. He had a lot of goodl ideas on looking at goals that were helpful. And finally, John’s post on consistency speaks to a variety of types of consistency, all of which are important.

I hope you enjoyed the month and got as much out of it as I did.

Consistency

A guest post by John D. Payne

John Payne cover (1)I chose to write about consistency because it’s something that I myself need to work on. So I’m going to keep this in first person and talk about some of the ways I want to be more consistent.

1. Consistent writing
A professional writing at a decent clip produces about a thousand words in an hour. At that pace, you’ll have the first draft of a nice fat novel in one year even if you only write 15 minutes a day, as a number of successful pros have observed. That’s a lot of result for not much effort.

So, two summers ago I made a goal to write every day, even if only for a few minutes. I have months where I pretty much pull this off, and months where I’m not terribly close. But even with this spotty record, the last two years have been my best in terms of output.

Output matters. Lots of writers have been quoted as saying that the first million words anyone writes are just practice.  This really is just a variant of the ten thousand hour rule, that it takes lots of time to become successful at anything.

And not only will churning out lots of stories help me develop my skills as a writer, but it will help me feel more confident and comfortable with my voice. Rather than expecting that everything I write has to be perfectly polished before I can move on, I can be a little more forgiving of myself and have fun as I go. It’s like playing with legos. I pour out a bunch of ideas, grab my favorites, and then assemble them in whatever way strikes my fancy.  I’m just having a good time making a bunch of cool stuff.

I’ve tried inspiring myself to produce more in different ways. The desire to finish my first novel was a powerful motivation. Weekly submissions to my writing group make good mini-deadlines. And of course deadlines written in contracts and attached to paychecks are the best of all.

It also feels good just to keep a streak alive. That’s the secret to Tony Pisculli’s online writing tracker, The Magic Cricket. There are lots of others out there. The thing that has worked best for me so far is a calendar with stickers. It feels good to see all those gold stars.

This July, I’m going to use Camp Nanowrimo as another way to push myself to greater heights of accomplishment. Given my lack of consistency over the last few months, I fear that this will be like running a marathon without proper preparation. But even if I don’t make it to 50,000 words by the end of the month, every word I write will prepare me for what comes next. And if there’s anything I’ve learned from Dean Wesley Smith, it’s that every month is Nanowrimo if writing is your career.

2. Consistent finishing 
When I was younger, I got bogged down trying to perfect and polish stories that weren’t even finished. Since then I’ve realized that finishing something is a better use of my time than trying to get the beginning of something perfect.

Everything I write is in some ways an experiment, and not all of it will be equally appealing to me, or to readers. That’s hard to accept, because of course I want everything I produce to be of the very finest quality. But as Clausewitz said, quantity has a quality all its own.

For one thing, every story I finish (and get out there where people can read it) helps me build an audience. I love both Pat Rothfuss as much as I love John Scalzi and Brandon Sanderson. But I have a lot more of John and Brandon’s work on my shelves (both digital and physical) because both of them consistently put out new books for me to buy.

In addition to daily wordcount goals, I also have goals to finish stories.  At the Superstars Writing Seminar, Kevin J. Anderson (a very consistent producer) said that there’s no reason any new writer of genre fiction shouldn’t submit a new story to the Writers of the Future contest every quarter. I’m very glad to say that I’ve followed that advice, and I recommend that everyone who’s eligible do the same.

This year, I have two goals relating to finishing. I want to start and finish a new novel between this summer and next. And I want to finish a new story every month, even if it’s only flash fiction.  After all, every story I finish is a story I can sell– which is good, because I also plan to continue submitting a story to a paying market every single week. I’ve done that for the last two years, and although I’ve only made one sale so far it has also taught me a ton about this business.

3. Consistent self-education
No matter how well-informed I am at this minute, no matter how perfect my business strategy is for today’s market, continuing to educate myself is just plain necessary.  Of course, as with any other non-writing activity (social media, etc.), I need to always ask myself: Would I Be Better Off Writing? But without self-education, my career will not move forward.

I need to learn about every part of the industry– and the industry is constantly changing. Covers and interior design, blurbs and back cover copy, contracts, marketing, printing, etc. Fortunately, there are lots of people who are sharing their knowledge and teaching me how to do things myself: Kristine Kathryn Rusch, Joe Konrath, The Passive Voice, Hugh Howey, etc.

Even if I become the pampered darling of a big New York firm, or in some other way outsource everything but the actual writing, I need to know enough to protect myself. I hate taking my car to the shop and not knowing whether I really need to spend $700 to get that O2 sensor fixed. Educating myself means I don’t just have to hope that everyone else is being nice to me. Trust, but verify, as Reagan and Gorbachev agreed.

4. Consistent niceness

As with most any career, it’s a good idea for me to be nice. This means more than just handing my business card to big names in the industry (although I do that). First and foremost, I have an obligation to fans to be approachable and friendly. After all, it’s their good will, and of course their money, that ultimately fuels my career. And it’s important to be consistent about this, because even one bad moment might turn into a story that floats around the community for years to come.

Speaking of having a good reputation, I want to be someone that others want to work with. That means three things: doing good work, delivering on time, and not being a horrible, horrible jerk. Neil Gaiman rightly notes that you can get by on just two out of three. But if you want to maximize the chances that people will send work your way, shoot for all of the above.

So be a mensch. Mensches make the world go round, as my dissertation advisor told me many times. One way I practice meeting my professional obligations is by participating in a writing group. Every week, other people read my submissions and give me valuable feedback. The least I can do is return the favor.

There’s lots more to say, but (as usual), I’m over my word count. So I’ll just close by saying that writing this blog has helped me realize two things. First, there are lots of ways that consistency can help me as a writer. Second, I’m not bad at all of these.

So, as you’re revisiting your goals and thinking about what you’re going to do with the second half of this year, don’t be too hard on yourself. Give yourself credit for the things you’re doing well. After all, feeling good about how you’re doing makes it easier to maintain a consistent effort.

Good luck!

John D. Payne Bio: John Payne (1)
JOHN D. PAYNE is a Houston-based writer of fantasy, science fiction, and literary fiction. His debut novel, The Crown and the Dragon is now a major motion picture.http://wordfirepress.com/authors/john-d-payne/

Choices of Love and Fear

Though I have respected Jim Carrey as a comedian and performer for many years, I would never have thought him to be a fount of cosmic wisdom. That is why, along with so many others, I was blown away by his commencement address at the MUM graduation. In his address, Carrey spoke of his father, on the importance of following one’s dreams, effecting others positively and choosing love over fear. For the full address, click here. If you don’t have the 26 minutes to spare right now, please click on the embedded video below (but do come back to the full speech later). It’s just a single minute of your time, so please do yourself the favor.

[youtube=https://www.youtube.com/watch?v=ajMpfPYlHi4]

When you seek to be a professional author, the odds are against you to an absurd degree. When I was in high school, trying to figure out who I was going to become for the next phase of my life, I had a choice. Either, I could pursue a career in science and technology, or I could develop my passion for writing and storytelling that had begun to grow on the fertile ground of my passion for reading. In the end and at the encouragement of those who loved me, I went to one of the top technical schools in the country and spent four and a half years earning a degree that has enriched my life. Upon graduating, I began working for an engineering company that is a respected leader and fierce competitor in their field. I had done it. People I knew, people who I cared about, told me how proud of me they were and how obviously successful I was.

And yet, I was unhappy. I was unfulfilled. There was a part of me, part of my talent that was being unexpressed and underutilized. It took me nearly 18 months to realize where the sense of discontent was coming from.

You see, though I was pursing highly technical studies in college, I also fed my creative urges regularly through live performance improvised comedy and table top role-playing. My life was grounded in reality through my studies, but I was still able to live in the fantastic. When I joined the working world, I had left that fantastic behind for many good and practical reasons. But, I still needed it.

It was when I started writing again, started reaching out to the community of writers and blogging regularly, that I began to find my contentment and happiness. This month has been all about goals, finding your own balance and managing your life when the deck seems stacked to overwhelm you.

Please take it from someone who has learned it the hard way. Fulfillment will never come from someone else. Instead, you must explore what you find to be fulfilling, what you love beyond all reason and pursue it. That said, the day job and the dream job do not have to be mutually exclusive.

I am an engineer. I am a writer. I am not one or the other, but rather both, simultaneously and always. Each part of my personality influences and informs the other, making it stronger and richer.

The problem I had, the source of my unhappiness and cognitive dissonance was the false assumption that I had to choose one or the other to be supreme. I was failing to achieve a work-life balance. Was that the fault of my company? After all they gave me a great deal of work to do that was time consuming and challenging. Of course not. I am, after all, employed by them. I was selling my time, knowledge and experience to them in exchange for a salary and benefits. Was the work exhausting and effecting my home life? Yes. But, what I chose to do with that home life was still entirely in my power.

This is the most important thing I’ve learned in my short career as an engineer. Saying you are “too busy” to do this or that is an expression of value, not of time constraints. Busyness is a choice. Time is a commodity, and like any other scarce resource, where we choose to spend our time indicates what we value. What you are actually saying when you are “too busy” to do some task is what you are doing now is more valuable than the proposed activity. Claiming to be too busy to write because of my job was in reality saying that I chose things like working, sleep, watching TV, going out with friends, exercise and other leisure was more valuable than the time I could spend writing.

So, what did I do? I began to choose how I spent my time more wisely and learned to say “no.” Not only to others but to myself. I canceled my television package, Netflix and Hulu+ accounts. I put away my gaming consoles and worked on stream lining the things I felt that I had to do to be more efficient.

And I wrote. A few hours of new words here and there, a half hour of editing and a minutes of plotting and milieu development wherever I could find the time. I put my fingers on the keyboard because that is what I valued.

Life is complex and dynamic, so finding your balance isn’t a matter of setting up all the elements in stasis. Instead, you must constantly be shifting, reevaluating what you want and reallocating your immediate future to line up with your goals. Will you risk “wasting” your time on things that make you unhappy but are safe and easy, or will you instead pursue the less certain path? It takes honesty and self-awareness, but spending time wisely is a choice and a statement of value.

 

“You can fail at what you don’t want, so you might as well take a chance at doing what you love.” ~Jim Carrey, 2014 Commencement Address, MUM Graduation.

The Candy Crush Method

Admit it. You play it. Even if you don’t want to admit it you know exactly what level you’re on. I’m on 170 which isn’t as impressive as it sounds when you consider that I’ve been playing for over a year. Every time they threw a new curve it took me a few tries to puzzle out how to finagle the pieces in the moves or time allotted.

The change from a casual player to a savvy strategist is very similar to the shift I’ve had to make recently in my professional life. Now that I’ve made my first professional sales I’ve had to up my game. Before, if I didn’t make a deadline it wasn’t that big of a deal because they were self-imposed. Real deadlines aren’t as accommodating. I’ve had to become a lot better at shifting the pieces around in order to line everything up for completion.

For example, just because I can stay up until 1am writing doesn’t mean that I should — especially if I have to work the next day. Likewise just because I only need one week to complete copy edits doesn’t mean that I can afford to wait until a week before the due date to start. Life happens and even though it’s impossible to plan for monkey-throwing wrenches, giving myself that buffer period has been a life saver more than once this year.

I know it sounds pessimistic to plan for things to go wrong but in my opinion that’s part of being a professional. By the time your first title hits the shelves you’ve been writing long enough to know what life events and health conditions affect your writing. If copy edits are due back in X weeks it’s important to know that the striped candy of vacation is going to kill productivity on week one, the chocolate sprinkled best friend’s wedding is going to wipe out several days, and the exploding candy of other deadlines is going to demand your attention sooner rather than later.

Unlike the game, when things slip through your fingers you can’t restart the level or wait for your lives to replenish. A missed deadline upsets publishing schedules, and the lives of everyone involved. It can leave a stain on your reputation that could take years to remove. It’s better to learn to juggle and use your resources to your advantage to turn manuscripts in on time. Good scheduling skills and keeping realistic expectations for your output will keep you sane while you produce at the rate that keep fans, publishers, and colleagues happy.