Category Archives: Our Favorite Fiction

What are some of the books, movies, or TV that we the Fictorians love?

Sunday Reads: 1 April 2012

Wow, another week has gone by already and we’re now 25% of the way through the year (you really wanted to know that, didn’t you?).  So once again, here are some of our favourite recent reads.

Looking forward to a writerly get-together? Kait Nolan discusses the etiquette of talking to writers.

Over at Romance University, Laura Griffin discusses chapter hooks.

Nathan Bransford talks about the war on ebook pricing.

And while we’re talking ebooks, David Gaughran goes through the basics of self publishing.

Wondering how the length of your current WIP matches up against expectations? Aaron Stanton discusses average book length for various genres.

At Writer Unboxed, Anna Elliott talks about the necessity of trusting your own instincts.

For a laugh: Word count envy

For fun: How fast do you read?

For inspiration: how will we obtain additional resources once we exhaust the earth’s supplies?

And just because it’s cool: over at The Accidental Author, our very own Joshua Essoe talks about working as an editor.

 

 

Sunday Reads: 25 March 2012

Welcome to our new feature, Sunday Reads.  This is a collection of the cool/interesting/thought-provoking articles we’ve read during the week.

I thought I was the only person in the world who hates chapter titles.  Apparently not, according to Navigating the Slush Pile.

Jami Gold made me laugh with her post Multiple Personality Disorder? No, I’m a Writer.

Over at YA Muses, they’re talking about how to create a satisfying end.

(And thank you to The Golden Haystack for drawing my attention to this post.)

Struggling with the difference between a pitch and a synopsis?  Check out Agent Kristen’s video.

Roni Loren has a great collection of books to cure a variety of writerly woes.

Over at Civil War Horror, Robert Walker talks about e-book pricing.

Magical Words has worldbuilding for writers who hate it (and it’s written by a fantasy writer!).

For a laugh: check out SlushPile Hell.

For fun: the sharpest teeth in the world.

For inspiration: real world locations for fantasy worldbuilding.

And just because it’s cool: an animated short of a post-apocalyptic world.

Happy reading!

 

Self-consistency and Maintaining the Fourth Wall

When many, if not most, readers enter a fictional world, they want to stay there until they’re ready to leave. For us writers, that means having to avoid doing anything that pulls the reader out of our world. Failing in this task may make it difficult for a given reader to buy into our creation. They may set it down and move onto something else. If this happens, we’ve lost them.

Any aspect of storytelling is vulnerable to this. Someone breaking out of character, the introduction of a deus ex machina, and even poor handling of point-of-view are all good ways of infuriating readers, and rightly so: they are violations of an unspoken trust with our readers that the stories we are telling them are self-consistent.

Setting is an aspect of storytelling which is particularly vulnerable to this kind of violation, especially in genres where setting is important, such as in fantasy, sci-fi, and historical fiction (by setting, I mean all things related to world-building, such as culture, dress, geography, the laws of physics or magic, etc.). Read enough reviews in any of those genres and you will see that one of the widest criticisms is that the author described some event that could not or would not have happened in that context, and thus the reader was pulled out of the story. There’s a good reason for why this can be such a problem for a writer: setting, by its very nature, consists of a vast number of interrelated concretes. Consider the difference between a character arc and a city, full of people, buildings, roads, belief systems, cultures, and so on, and you should see what I mean. It’s very possible (and necessary) to track the shape of a particular character’s arc, but far more complicated to track the goings-on of every person and thing in a city. There are many ways we can forget a detail that affects the story later on, and thus cause one of those reader-losing violations.

Of course, simply not knowing how an aspect of your world works can also do this. Many of our readers are smart enough to know that you can’t ride a horse at a gallop while swinging a fifty-pound sword for five hours straight. As most writers should by now know, doing some research solves most of these problems.

But there’s another related issue that can be a little subtler, and it relates purely to a world’s self-consistency. Unless you’re writing an alternate history or time travel yarn, your Imperial Roman soldier isn’t going to call his wife on his cell phone, since cell phones didn’t exist back then. An obvious example, but things get a little trickier when you’re writing in a purely secondary (or, purely imagined) world.

I once wrote an epic fantasy story in which one of my characters was exhausted, and was described as feeling as if he had just run a marathon. While it seemed pretty innocuous to me at the time, someone in my writing group couldn’t buy into it, because the word “marathon” is named for the run of Greek soldier Pheidippides during the Battle of Marathon. And since such an event never occurred in my world, he argued, how would the concept of a marathon in the normal sense even arise?

Hearing his criticism was a bit of a wake-up call for me, and now I sometimes find myself watching out for the same thing with books that I read (as much as I’d rather just sit back and enjoy them). Of course, in my hierarchy of priorities, I’m going to put a satisfying plot over catching myself using the word “marathon,” but I still keep an eye out for something like that slipping in. Whether or not you’re that meticulous about your world’s etymology, rest assured that some of your readers will be.

* For another interesting post on the topic of word choice, check out the earlier post by Mignon Fogarty, a.k.a. Grammar Girl, if you haven’t already.

The Invisible Library

I love collecting digital bits.

And I am considered an early adopter by friends.

As disorganized as I may be with files littering my virtual and actual desktops, I have an excellent track record of not losing digital data. Misplacing, yes, but my backup processes are fairly secure.

I hit the save key reflexively every few seconds or whenever I stop typing. I email copies of documents to myself to ensure they’re backed up in the cloud. I have onsite and offsite physical backups of all my files.

Ever since the advent of the Kindle and the iPad, I’ve been delighted. There are so many ways to access the rich library of documents I’ve been squirreling away for all these years. And with tools like Dropbox and various PDF viewers on the iPad, I’ve been able to have useful subsets of my digital library with me wherever I go.

Recently I’ve even begun backing up bits of my library. I’ve taken a number of big tomes and sent them to Blue Leaf Bookscanning to get turned into PDFs and word documents and even robot-read audiobooks.

But there’s a cost for me to digitization.

Serendipity.

In my home I have bookshelves. Many of them. And I have an area where I keep all my language books. And sometimes, when I walk over to that part of the shelf, I feel compelled to learn some more Portuguese verbs. Or another Latin phrase. It’s not planned.

I have another shelf full of mid 1800s American “Cyclopediae”. Had I planned to look up something in that? Not really. Was I enriched by it? Yes.

I have a shelf next to my bed, supposed to be a nightstand. It’s actually a two foot wide, 5 foot tall shelf. It has possibly 50 books I’m in the middle of browsing or reading. My “nightstand” gives me that same feeling I get when I stand in front of the magazine stand at a good bookstore. “Oooh – what am I going to choose?” There are too many good choices.

To be fair, I have experienced some form of this on my iPad. I’ve loaded up a ton of PDFs into the Apple iBooks app. Sadly (for Apple), I have to say that iBooks is only used store PDFs; Amazon has my eBook business and will keep it until I can read iBooks on my computer. (But that’s a separate rant.)

And so occasionally, I have said “why look there, there’s a book on programming Ruby on Rails, I should browse through that.”

“Oh theres that manual I downloaded on Intellectual Property and patent drafting, I’ll read it. ”

But the point is, I think it will be a while before I have the scant 64Gb of my iPad chock full of ALL my digital documents. Years in fact. I just don’t see it. First theres the scanning, or re-acquiring the book in digital form. Then there’s the filling the space, or hoping that “cloud books” comes out when “cloud music” is just getting started.

There’s no question that eBooks are rising fast. So much so that they will be the most significant part of the Western reading market soon. Ebook sales will be the driver, not just a growing segment, of book sales.

Books will go down fighting. It will probably take generations to fully marginalize books, even though digital formats are eclipsed within two decades. VHS. Tape. CDs. DVDs. Blu-Ray. These are all formats-come-lately. They have not persisted. Photographs and phonograph records are a bit longer lasting. But printed word has millennia of success.

So what of the browse? What of the bookstore? What of the random luck that comes from browsing not just a corner bookstore but of rediscovering one’s own library? Or of putting a reminder to one’s self to read a book, by leaving it in your bag?

When all books are equally accessible in a huge digital bookstore on your iPad, and when new books are constantly marketed to you, invading the privacy of your own tablet, what will this do to undirected reading? How will one continue to enjoy these essential and random encounters with books?

I don’t know. What I do know is that my family is shopping for a house right now. And after digging through probably a hundred houses on the multiple listing service, I remember just two have really stood out to me. I may make an offer on one next week. And only when I was finishing writing this article did I realize something.

Both of those homes have a library.