Category Archives: The Writing Life

A guest post by Colton Hehr.

“Don’t quit” is one of the most common adages passed around the writing community. Don’t quit writing, don’t quit submitting, don’t quit your day job. We’ve all heard some variation or another and it’s not bad advice. Writing as a career requires playing the long game, so consistent effort is a prerequisite. Yet, at the end of each year, most of us can look at a check list of projects and find that we stopped working on one or set aside another. At some point in our efforts, we quit.

If you asked most of us, we’d probably admit to quitting more readily than to failing, not only in writing but in other areas of our life: you rarely hear someone say “I failed my diet.” They say “I quit my diet.” Or “I quit going to the gym.” Or “I quit playing guitar.” We almost always couch these situations as quitting rather than failure. Failure has negative connotations and if we quit before we fail, then the failure never really occurs, does it?

I want to argue in favor of failure. I think it’s more useful to us as writers than quitting is. The terms might be synonymous to some people, but let me split hairs for a moment. Quitting and failure are only similar because they happen at the same time. To use a sports analogy, quitting is when you stop playing the game because you’re losing, and failing is when you play to the end and accept your loss.

The first reason I prefer failing to quitting is an unfortunate reality of commercial writing: I know that I’m probably going to suffer some failures or setbacks in my career, at some point, purely from circumstances outside my control. Maybe my manuscript gets passed in the slush pile because an agent has too many books from that genre. Maybe I send in a short story to an online market that goes under. Any number of things could affect my career negatively, all completely outside of my control.

By holding myself accountable and acknowledging my own personal failures, I’m more prepared to deal with those uncontrollable failures. It might be disappointing, but it won’t be debilitating. Our personal failures are sort of like callouses, they help us come to grips with whatever the world might throw at us.

The second benefit to failing is that I think we learn more from it than from quitting. When something ends, whether in failure or in success, there’s a sense of closure that quitting doesn’t provide (or, at least, that I’ve never felt from quitting). Failure is an important teaching tool in several endeavors, from music to athletic, and it can serve the same purpose for writers.

Think of failure as a diagnostic tool. When we acknowledge that we’ve failed, we can step back from the situation and examine it to find out what went wrong. When we’re at the point of failing, there’s three questions that we ought to ask:

1. What caused the failure?

2. Is it something that can be fixed?

3. If so, is it more beneficial to accept the failure and move on or to try and fix it?

As an example, I recently stepped away from a project in its outlining stage. I had been worldbuilding and outlining for what was supposed to be a horror novel. At some point, it evolved into a train heist story and I found myself stuck in a rut. Before I made the choice to set the project aside, I asked myself:

1. What caused the failure? The setting gave me the opportunity to write a horror story, but my focus in the outline had drifted away from that and towards an adventure story. I’m not against organic story development, but the project had shifted completely from my original intent and it stopped me dead in my tracks.

2. Is this something that can be fixed? Yes. I could walk my way back through the outline and rework it from the beginning. I could set aside the first outline and start fresh with a new story, new characters, and a more conscious effort to focus on what I had originally wanted to write.

3. If so, is it more beneficial to accept failure or to fix the problem? In this case, I had another idea that I wanted to write, one that I felt was much more tightly focused. I also realized that, while the train heist wasn’t what I wanted to do in the first place, it still had the germ of a good story. In the end, I accepted my failure, set the project aside, and moved on to something else. I still have all the material, so I can come back to it another time, free from any of the frustrations that came from my initial failure.

Of course, a lot of the answers to the first question are outside of our control. Sometimes the “failure” is that we’re depressed, or that our day job has grown more demanding, or that unexpected opportunities have brushed aside other obligations. That’s okay; because failure isn’t negative, we don’t have to beat ourselves up over it. We can accept it for what it is and move on. When I looked over my list of 2017 projects, quite a few boxes were left unchecked. Each one of those was a failure and I did my best to learn from all of them. I don’t feel bad about a single one.

Neither should you. Next time you feel like you need to quit a project, give yourself permission to fail and then learn from it.

About Colton Hehr:

Colton Hehr currently works as a direct care counselor in a residential treatment center for teenagers and adolescents. When he isn’t writing, reading, or lifting, he tries to pet as many dogs as possible. He lives in Norman, Oklahoma with his girlfriend Ariana. Colton’s first professional sale will be in the upcoming Writers of the Future 34.

A Faster Book, or a Better Book?

January 15, 2018

Frank Morin

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When I first started indie-publishing my books, I set the goal to release eight books in eight months.

Crazy.

Especially since I write huge books. I did have several of them completed, but revisions, covers, and lots of other things weren’t done. Plus, I like releasing physical copies (both paperback and hardcover). So that goal was simply, physically impossible.

It was motivating, though, and it helped me stay focused. But one sad truth about my writing is that first drafts are far from finished drafts. Some authors can pump out a first draft that’s a single polish away from release. Not me. My revisions are more like full rewrites most of the time.

Hence the growing conflict for me. Do I stick to my new, but still aggressive publishing schedule, or do I allow the planned release dates to slide to make sure each book can be the best possible?

The importance of that question became clear when I was speaking with another author at the amazing Superstars of Writing Seminar. I was explaining my goal of releasing books as fast as possible, along with my plans for how many books I’d release each year. He simply said, “I don’t hear you talking much about how you want every book to be better than the last.”

Oops.

Of course I wanted that, but he was right – it wasn’t in my goals. Time to re-think and re-commit to something I really believe in my heart. Readers deserve the very best I can give. Sure, they might clamor for the next book as fast as possible, but they’re willing to wait a little longer for the book to be done right.

Last year, I did not meet my publishing goals. I planned to release a book in the springtime, but edits turned into a full rewrite. Then I had to set that mostly-finished new draft aside to write Affinity for War – book four of the Petralist. I had set the goal to release that one by Christmas, but again rewrites took longer than planned. The book is nearly done, and it’ll be released in March, but for a while I was really stressed about the fact that I might missed my planned date.

I had to remember that the book has to be ready and it’s worth the time to get it right. So it’ll be right, and it’ll be amazing, and fans will love it.

And in 2018, one of my goals is to figure out how to make my first drafts better so I don’t need such heavy re-writes in revisions. That will help everyone.

About the Author: Frank Morin

Frank Morin loves good stories in every form. When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities. For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website: www.frankmorin.org

Finishing What You Start, Or Not

January 12, 2018

Kevin Ikenberry

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When I first started writing fiction in 2009, one of the first things I learned were Heinlein’s Rules. While they all have a place in the heart of every writer, the one that sticks out the most to me is “Finish What You Start.” It’s the single most often prescribed bit of writing advice I give to aspiring authors. The ability to sit down and finish a story, good or bad, is critical to learning the craft. However, I’ve also come to understand (and experience) that there are simply times when you shouldn’t finish what you start – you should put it down and walk away.

I’ve had an idea for a novel in my head for the last several years and I’ve toyed with outlining it here and fleshing out dialogue and characters there and I decided that I’d sit down on really focus on it last year. My intent was to write about 10,000 words and really determine if the story was something I could commit to fully. While it sounded good to me, and I was pretty sure I could write it, could I make it an authentic story? Could I answer the most important question in every reader’s mind – “Who gives $&@#?” I believed I could and I promptly sat down wrote about 8,500 words and stopped dead – seriously, like in the middle of a sentence.

At the time, I believe the words I spoke to myself were “What in the hell are you doing, Kevin?” My great idea wasn’t as great as I’d believed it to be. From my reading and occasional instruction of outlining and character dynamics, I realized that while I had a fun premise to explore, my character was simply horrible. I’d designed goals for them and tried valiantly to put them into some type of story line capable of captivating an audience. On paper, everything was a fit, but I realized that I didn’t “love” my protagonist. In fact, I kinda loathed them. Every time I wrote their dialog in that 8,500 starter, I cringed. It got to the point at the end that I threw up my hands and said “I’m not finishing this.”

A few years ago, this would have bothered me tremendously. Having learned that finishing what you start is critical to success as a writer, my younger self would’ve pressed on and turned out something vaguely akin to a novel that was destined for the circular file. Instead, I realized that while I’d seemingly done my homework, outlined and plotted the story, and built my character in a way I thought would work – the whole mess didn’t come together. Was it a result of my talent? Or my motivation? Or did I just not believe in the story anymore? Your guess is as good as mine. What mattered was that my brain said it was time to stop – that I wasn’t getting anywhere fast and that I was laboring over a first draft instead of letting the ideas around my outline flow. That story went into the dark recesses of my hard drive likely never to be heard from again. It simply didn’t work. I didn’t need to send it to my first reader or any beta readers – I could sense that the story was dead on arrival and I stopped.

I recently went back at looked at what I’d written in the 8,500 word, suddenly truncated start and completely agreed with my decision. In some similar cases, I’ve looked at something with fresh eyes and starting typing anew – pushing that gestated idea to finalization. As I read the first chapter, I thought I might be able to do just that. By the end of chapter three, I knew it was a lost cause. That character, and their storyline, went into the experience file. From there, I went back to another one of Heinlein’s rules – “Write something else.”

I’ve been busy ever since.

How Goals Can Destroy Your Writing Career

January 11, 2018

Gregory D. Little

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Goals: part of any plan of success, right? WRONG. Take it away, Dr. Cox!

Of course, it’s not really that simple. Goals really are important, in writing or in any other endeavor. But you need to be careful about how you set your goals. It’s important that you approach them with a Goldilocks mindset.

Everyone remembers the fairy tale, I’m sure. This porridge is too hot, but this porridge is too cold. The third bowl? Just right. Goals can have similar qualities. Set a goal too high, and you wind up with an unattainable peak to climb, setting yourself up for inevitable failure. With failure often comes discouragement, and discouragement can really wreck the creative spark and sap your will to sit down in front of the keyboard. Remember that time you went to the gym for the first time in months and tried to pick up where you left off? For some reason, it works fine while you’re doing it, your body every bit as clueless as you are that there is such a thing as muscle atrophy. Then you are in agony for a week, can barely get out of bed much less get down the stairs, and you don’t go back to the gym for another six months.

It’s the same in writing. So, you decide you’re going to pound out three books a year. At 1000 words a day every day, that’s 300,000 words per year, or three 100,000 word novels even if you take 65 days off. Great! And totally doable, which should — oh wait, you have a day job 12 hours a day? And a family? And basic human needs like food and sleep? You … may want to dial that back. Even if you have the time to get down 1000 words, most days, you may not have the energy.

Of equal but more subtle danger is setting your sights too low. Sure, you rewrote that scene three times already until it felt perfect. But I bet if you read it again today you’d find it needs rewriting. The rest of the book can wait, maybe forever, but this one scene will be a flawless work of art. Or, sure, you haven’t written at all in two weeks, but that video game isn’t playing itself, is it? You work hard. You deserve a break before you set out on your second job. Things will probably ease up after the holidays, even though, if you’re being honest, they never have before. As long as you jot down a few quick sentences sometime this month, that still counts as writing. And just like that, guess whose book is never getting written?

A goal should be something you strive for. If you meet it, it should be a challenge to do so. If you fail to meet it, you shouldn’t miss so wildly that you are left feeling hollowed-out and worthless. So what does “just right” mean in a writing context? Hint: it’s not necessarily “just write” as punny as that would be. As I’ve harped on so many times that you are probably sick of it by now, it depends on your particular situation. You have to figure out what works for you.

The catch? The only way to do that is through experience. I’d recommend trying to set some easy goals first, ones you are confident you can meet. Finish a draft of this chapter this week. BUT make this goal be in service to a larger, more challenging one, one that will, once achieved, feel like a real accomplishment. Finish a draft of the book by your birthday. There’s a funny thing about human beings. Once you sincerely believe you can do something, something that once seemed impossible now seems relatively straightforward. So use this early goal-setting to teach yourself that you can set realistic goals and meet them, all in service to a larger goal. Each small step will be achievable, advancing the larger goal. And even these larger goals can feed into still-larger ones.

Like, say, “become a successful author.”

About the Author: Gregory D. Little

Rocket scientist by day, fantasy and science fiction author by night, Gregory D. Little began his writing career in high school when he and his friend wrote Star Wars fanfic before it was cool, passing a notebook around between (all right, during) classes. His novels Unwilling Souls and Ungrateful God are available now from ebook retailers and trade paperback through Amazon.com. His short fiction can be found in The Colored Lens, A Game of Horns: A Red Unicorn Anthology, Dragon Writers: An Anthology, and the upcoming Undercurrents: An Anthology of What Lies Beneath. He lives with his wife and their yellow lab.

You can reach him at his website (www.gregorydlittle.com), his Twitter handle (@litgreg) or at his Author Page on Facebook.