Category Archives: The Writing Life

Cannot Publish in Ignorance

Road SignI love the theme this month and the stories that have been shared.  It reminds me that we all struggle in life and in our chosen profession.  I do wonder if any non-writers reading these posts might assume we’re all lunatics sharing our stories in an online Writers Anonymous meeting.  We’ve proven it’s a tough, crazy journey on the road toward publication, but we keep plugging away, pursuing the dream, chanting, “Keep at it, and we’ll get there.”

Well, we’ll get there as long as we’re open to learning and growing.  As they say, “Continuing to do the same thing while expecting different results is the definition of insanity.”

So we’re either on our way, or we’re nuts.

Growing up I always dreamed of being a writer and I hand-wrote hundreds of pages of drafts as a teen-ager.  But life got in the way and I pretended to be normal and pursued other interests through college and the first years of family and career.  Then through a series of events in 2004 the desire – the need – to write reignited, and I embraced all those imaginary friends I’d been pretending not to listen to for so long.

I remembered some cool ideas I had worked on all those years ago and thought, “Yeah, I’ll just write that.  I read a lot, so how hard could it be?”

Now almost ten years and millions of words later, I laugh every time I think of that naïve wannabe writer sitting down and typing out those first words, “It was a dark and stormy night. . .”

Actually, those weren’t the first words, but they might as well have been for how terrible they were.  But I didn’t know better so I wrote, and then I re-wrote.  For almost four years I worked on that monstrous first novel that stood at about 300,000 words despite multiple re-drafts.  I confidently sent out query letter after query letter to agents, and accumulated scores of rejection letters.

A wiser man might have quit at that point.

Actually, a wise man would have quit after his wife read the first frantically written 80 pages the very first weekend.  With love in her eyes, she said as kindly as she could manage, “This stinks.”

But real writers are slaves to the Muse, or we are tired of people looking at us funny when we talk to ourselves.  Or maybe we’re just a lot more stubborn than most people, so I kept writing.  The problem was I had no idea why the book wasn’t selling.  I had no clue what was wrong with it.  I mean, my mom loved it, so it had to be ready.

I didn’t even understand enough about writing to work on other projects on the side.  I was blind, stuck in a place I could not get out of, but didn’t realize it.  Think Maxwell Smart, but without Agent 99 to bail him out.

Thankfully I found a way out of that rut of insanity.  I took the Professional Writers Workshop from David Farland.

Amazing.  What a revelation.  They actually train people to write!  I’d been doing it all by pure gut instinct for years, and proving why there was a better way.  In that writing workshop, Dave took the time to meet with me over dinner and discuss my project.  Using small words, he explained some of the reasons why the book would never work – like it was waaaay too long.  I learned many things in that class and some of my blind spots were revealed.

What a milestone!  I finally understood some of the reasons why I was not yet successful.

If I were really humble, I would have appreciated that much honest insight into my many writing flaws.  What really slapped me in the face though was the magnitude of the challenge I faced:  Either walk away from the entire writing gig, angry that the industry didn’t understand a brilliant talent like mine – walk away offended and console my wounded pride by thinking “they’re just not ready for so much pure awesomeness.”

Or I could admit that first attempt amounted to the scribblings of an uneducated beginner not even smart enough to take a class for four years, and all the hard work I’d poured into that novel counted as practice.  I’d written enough to qualify a couple times over for ‘the half million words of crap’ we’re told new writers need to complete prior to writing anything good.  Over-achiever all the way.

So I had that going for me, which I took to mean everything I write now will be awesome.

Bottom line, the goal remained:  I will be a professional writer.  So I had to choke down my pride and, after surviving that, I took my first major step wearing big boy writer pants.  I acknowledged that first epic fantasy story could be treated as an Epic Fail.

Then I threw it away.  All 1000+ pages of blood, sweat and tears.

And I started again from scratch.

Out of pure stubbornness, I didn’t even start an entirely different story.  There was a little more blood to squeeze out of that first stone.  I loved the core of that original idea, so I salvaged some of the world building, some of the characters, and the nucleus of the conflict.  Then I redesigned the plot from the ground up.

Like building modern-day Rome on top of the ancient catacombs.

The resulting story is infinitely better than the original, and I’m now working with an agent to try to find it a home.  And instead of waiting forever for that sale to happen, I’ve actually moved on and since written three other novels and e-published one of them.  Four others are in various stages of outlining, all of which I plan to complete next year.

Still plenty of blind spots, but I try to identify them one at a time.  It’s more satisfying that way and a lot less painful – like lancing a single blister instead of performing open heart surgery on yourself.

Still, it was that first major awakening that salvaged my writing career.  I’ll always be grateful to David Farland for beating me down so thoroughly (in a nice way).  Now that I can walk again, I’m a better writer for the experience.

And now I’m looking forward to paying forward the favor.  You may find me roaming the halls at conventions and workshops, looking for blind spots to destroy.

It’s for your own good.  Some day you’ll thank me.

Rothfuss and Praise

Patrick Rothfuss While I was in Brighton for the World Fantasy Conference, I was given the opportunity to hear Patrick Rothfuss read from one of his novels at a nearby bookstore.  Patrick did a great job and his humor and wit worked well with the foreign audience giving him plenty of material to work with.  By sheer chance I was given a seat in the front and after the reading I decided to stay sitting and wait while everyone else lined up to get a book signed.  What happened next amazed me.

While it wasn’t my intention to eavesdrop on all the conversations, fans are really passionate people and they’re really hard to ignore.  In the time I was there, I was witness to some incredible stories about how the stories Rothfuss created have inspired and improved their readers.

One story spoke of a girl who followed Kvothes lead and decided to go travel the world.  Another fan started taking piano lessons after hearing how music was able to move people in the books.  Patrick, each time, would look humbled and truly grateful at the words and the sentiments.  It was beautiful to watch and inspiring as a distressed author.

My work has been hurting since I would put other tasks before my writing.  They’re all important, in my mind, but the other tasks had deadlines and people waiting on me.  These tasks would always take priority, and I would just tell myself that I could just write tomorrow.  My intentions were good, but it turned into a perpetual postponement of my work.  I needed a deadline that would give my writing a fighting chance against these other things that seem to fill my time, and as I starting thinking back on that night in the bookstore the idea occurred to me.

Everyone always says you need to write for yourself.  This is true.  Don’t lose the love and passion that goes into your writing.  Don’t let it become just a job.  But don’t let that stop you from looking forward to your work being consumed and truly loved by others.  Let that be a motivation that helps keep you moving.  Others are out there waiting for that little push that will make their lives greater.  When you finish your work, people will read it.  Readers will reflect on their own lives as they do so.  They’ll put themselves in the place of the protagonist, and wonder why they aren’t out there playing an instrument or traveling the world.  They’ll wish they could draw, or sing, or dance like the illusion they paint in their minds eye does.  And, in that moment of vulnerability where the hero exceeds expectations and the emotions are riding high, they’ll cheer for that image that is shining in their heads and do something about it.

Let those people become your deadline.  They’re out there waiting.  Waiting for you to finish your novel.  Waiting for that push.  Waiting for your work.  Write for yourself.  Write to tell the story only you can tell.  Write to inspire.  Write to change the world and keep writing until it happens.  Someday, you’ll be sitting in a bookstore surrounded by fans and some troubled author will watch and even that will inspire someone.  They’re waiting for you.  Go do it!

Patrick Rothfuss’ Worldbuilders Charity is in the last week of their Christmas Fundraiser. Go consider donating to help make the world a better place!

Your Book–As A Gift

This holiday season has been a first for me:  the first time I had neatly-stacked anthologies with my name on the back cover under my tree.  There I sat with a pile of Dark Bits on one side of me and Steamed Up on the other side as I wrapped presents for family and friends.

My parents and parents-in-law were an easy buy this year.  I autographed copies of Dark Bits to my dad and father in law, and Steamed Up to my mom and mother-in-law.  A copy of each went into my parcel to my best friend.  I was so proud to be able to put paper copies in their hands in thanks for their support and encouragement for all this time.  In fact, I couldn’t wait to go home and show everyone my books.

I was in the process of autographing a copy of Dark Bits to my grade school friend when I realized I had to be careful here.  These were books I’d purchased (at the author discount, but still, purchased by me).  Purchased to sell at conventions and to people I met.  If I gave them all as gifts, I’d be out a good chunk of change, and I’d have to save up and make another order before I’d have hard copies to sell again.

I believe my books are good reading, and I can’t afford to just give them all away.

So I took another look at my holiday list, and my stacks of books, and resisted the urge to sign a book to everyone I knew.

I now have a book-gifting policy:

1.  I will gift books to friends for whom I would ordinarily buy a present, in place of that present, if I feel they would genuinely like the book.  No money lost, as I’d have bought them a gift anyway.  Some of my friends aren’t readers, and that’s okay–I’ll buy them something else.

2.  I will gift books to friends who want to read my stuff and can’t afford to buy it.  I remain, to this day, dazzled by the generosity of a friend of mine who mailed me a copy of her latest hardcover, for free, shortly after its release date, because she knew I was out of work and tight on money.  She could have waited for me to get a job; she didn’t.  I’m paying this forward.

3.  I will gift books to my parents, my parents-in-law and my best friend, for being my closest supporters.

For everyone else, my friends and extended family members, I’m happy to sell them a book.

I felt more than a little anxiety going home for the family celebration with copies of my books in hand to sell.  On one hand, I’d written those stories and purchased those sale copies; I deserved to see some profit in exchange for my labour.  On the other hand, I was afraid I’d sound greedy, or naggy, or selfish.  I vowed that  I wouldn’t pester anyone, but I reminded myself that it isn’t reasonable for anyone to expect copies for free.  People who were willing and able to support me, and interested in my stories, would do so with a book purchase.  I was very pleased by how many of my cousins and friends offered to buy copies–who were willing to support me with a purchase, rather than expecting a book for free.  My anxieties had been for nothing.

One of the greatest gifts a writer can receive is the support of a book purchase, and I’d like to thank everyone who’s been willing to give this gift to me.

 

 

One Saturday with Sean

2011 was the year I first started writing in earnest. I made it my goal to write a new novel every three months. I wasn’t trying to produce finished products but rather to prove to myself I could write a novel start-to-finish, as well as to experiment with different writing styles and genres to see what worked for me.

I spent seven years in school learning math. One of the nice things about a subject like mathematics is constant and (mostly) objective feedback. A professor will grade your homework assignments and exams, the results of which serves as data to help you improve your process. You learn when you’ve done something right and when you’ve done something wrong.

Not so, in writing. You can spend days hammering away at a piece and end up with something that isn’t clearly good or bad. That’s where I found myself. After writing three practice novels, I was left frustrated. Some days they’d seem promising; other days, hopeless. I don’t mind doing things wrong as long as I know what I’m doing wrong, but with writing I couldn’t always tell the difference. I hated not knowing. I’d approach each writing session with a feeling of dread, no idea if I was moving forward or backward.

Fortunately, I had my best friend Sean.

Sean’s not a heavy reader and didn’t know a ton about the fantasy genre.  He was running his own business at the time and worked so many hours I don’t know how he stayed sane.  Despite all that, during one of his rare free weekends right around when I was finishing that third novel, Sean chose to spare the time to fly up and visit me.  We didn’t go to a movie or play video games. Instead, we spent an entire Saturday in front of a white-board while I went through everything I’d done in trying to write that novel.

I went through my plot in excruciating detail, talking as much about my process as I did my characters. I talked about what I wanted for the novel, an epic fantasy story about a human and dragon raised as foster brothers.  About how a promising start fell apart in the third act because I didn’t know what to do with half my side-characters. I talked about my struggles with dialogue and action sequences, and how my plan for a really cool revelation toward the end fizzled because I couldn’t come up with anything even remotely clever.

Throughout it all, Sean asked questions, made comments, gave me his take. Some things he liked, others he didn’t.  He’s got great intuition for when something doesn’t feel right, and with his help we were able to pinpoint some missteps I made along the way. In particular we figured out that Coren, one of the main characters, didn’t have clear goals much of the time, which left some key conflicts vague and important scenes weak. I was too close to the novel to see that, but when Sean pointed it out things became much clearer. Yeah, I had made some mistakes, but now I knew why, and I knew I could fix it in the future.

Now, I need to mention, Sean didn’t come up and spend his day talking about my failed novel because I begged him to. It was all his idea. He wanted to come. He knew how important writing was to me and wanted to support me. He didn’t just critique my ideas, he told me which ones he loved. Actually being able to see the excitement in someone else’s face as I described a particular character or conflict felt amazing. It showed me that even though the novel hadn’t worked as a whole, at least it had potential.

That Saturday took me out of my mental rut. It gave me the fuel I needed to move on to the next project, and it helped me remember that no matter how lonely writing sometimes feels, as long as you have good friends, you never truly have to do it alone.